Postslavery Literatures in the Americas: Family Portraits in Black and White

Overview

Since its demise in the nineteenth century, slavery has given rise to an outpouring of literatures that reflect the diversity of its hemispheric legacy, but the discipline of literary studies has been reluctant to admit commonalities among former slave societies in the New World. Examining major novels from the 1880s to the 1970s, George B. Handley shows how fiction from different nations shares what he calls textual simultaneity in revealing parallel narrative anxieties about ...

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2000 Trade paperback Fine. No dust jacket as issued. As new softcover edition. No marks of any kind. Clean and tightly bound. All books personally graded by seller. Trade ... paperback (US). Glued binding. 231 p. New World Studies (Paperback). Audience: General/trade. Read more Show Less

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Overview

Since its demise in the nineteenth century, slavery has given rise to an outpouring of literatures that reflect the diversity of its hemispheric legacy, but the discipline of literary studies has been reluctant to admit commonalities among former slave societies in the New World. Examining major novels from the 1880s to the 1970s, George B. Handley shows how fiction from different nations shares what he calls textual simultaneity in revealing parallel narrative anxieties about genealogy, narrative authority, and racial difference.

In comparing these novels, Handley demonstrates the ways in which, ironically, U.S. culture tried to shed its own miscegenated Caribbean image of itself during the time of its greatest expansion into the Caribbean. He argues that imperialism was a means by which the United States could pretend to its own whiteness and civilization by creating a new extranational miscegenation. At the same time, the United States' encroachment in the Caribbean created an environment in which the islands' cultures called upon divergent discourses on the legacies of slavery to retain a sense of autonomy.

By offering a critique of current postslavery literary criticism in the Americas as well as exemplary comparative readings of novels by important postslavery writers—including William Faulkner, Toni Morrison, Alejo Carpentier, Jean Rhys, Charles Chesnutt, Cirilo Villaverde, Rosario Ferré, and others—Handley seeks to address the major questions raised by this abundance of postslavery literature and finds meaningful correspondences that begin to show the outlines of a larger tradition of postslavery literature in the Americas.

University of Virginia Press

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Editorial Reviews

Doris Sommer
George B. Handley's book is a timely and a necessary addition to our tools for teaching American literatures in the new millennium. Each chapter of this fine study pairs books across language traditions and through related preoccupations, obsessions. One can hardly imagine reading them apart from one another now.
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Product Details

  • ISBN-13: 9780813919775
  • Publisher: University of Virginia Press
  • Publication date: 10/28/2000
  • Series: New World Studies Series
  • Pages: 231
  • Product dimensions: 5.97 (w) x 8.94 (h) x 0.63 (d)

Meet the Author

George B. Handley is Assistant Professor of Humanities at Brigham Young University.

University of Virginia Press

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Table of Contents

Acknowledgments ix
Introduction 1
1 Narrative and Genealogy 13
2 Reading in the Dark 41
3 Reading behind the Face 75
4 Between the Insular Self and the Exotic Other 112
5 The Emancipation of/from History 144
Conclusion 185
Notes 193
Bibliography 207
Index 225
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