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| Alan Jackson | Primary Artist |
| Gary Prim | Keyboards |
| John Wesley Ryles | Background Vocals |
| John Kelton | Autoharp |
| Brent Mason | Acoustic Guitar |
| Keith Stegall | Acoustic Guitar |
| Glenn Worf | Bass |
| Tania Hancheroff | Background Vocals |
| Joe Combs | Background Vocals |
| Ed Enoch | Background Vocals |
| The Stamps Quartet | Background Vocals |
| Steve Ladd | Background Vocals |
| Travis Humbert | Percussion |
| Michael Means | Background Vocals |
| John Kelton | Engineer |
| Keith Stegall | Producer |
| Hank Williams | Mastering |
Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
The difference between Alan Jackson's 2006 album Precious Memories and its 2013 sequel Precious Memories, Vol. 2 can be seen in the cover art as well as heard in its grooves. On the cover of the 2006 album is a sepia-tinted photo of Jackson sitting on the steps of an old church; on the cover of Vol. 2 is a crisp, clean color snapshot of the singer in a studio, consciously posing for the camera. Similarly, the first Precious Memories sounded old and dusty, as authentic as a small-town church, but this second volume is stark and bright, sounding as contemporary as the day it was recorded. This transparency doesn't hurt this collection of familiar hymns -- "Amazing Grace," ...