Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995

by Christopher Thompson Funkhouser, Sandy Baldwin (Foreword by)

Overview

Explores pioneering works of digital poetry and demonstrates how technological constraints that would seemingly limit the aesthetics of poetry have instead extended and enriched poetic discourse

For the last five decades, poets have had a vibrant relationship with computers and digital technology. This book is a documentary study and analytic history of digital poetry that highlights its major practitioners and the ways that they have used technology to foster a new aesthetic. Focusing primarily on programs and experiments produced before the emergence of the World Wide Web in the mid-1990s, C. T. Funkhouser analyzes numerous landmark works of digital poetry to illustrate that the foundations of today’s most advanced works are rooted in the rudimentary generative, visual, and interlinked productions of the genre’s prehistoric period.

Since 1959, computers have been used to produce several types of poetic output, including randomly generated writings, graphical works (static, animated, and video formats), and hypertext and hypermedia. Funkhouser demonstrates how hardware, programming, and software have been used to compose a range of new digital poetic forms. Several dozen historical examples, drawn from all of the predominant approaches to digital poetry, are discussed, highlighting the transformational and multi-faceted aspects of poetic composition now available to authors. This account
includes many works, in English and other languages, which have never before been presented in an English-language publication.

In exploring pioneering works of digital poetry, Funkhouser demonstrates how technological constraints that would seemingly limit the aesthetics of poetry have instead extended and enriched poetic discourse. As a history of early digital poetry and a record of an era that has passed, this study aspires both to influence poets working today and to highlight what the future of digital poetry may hold.

 

Product Details

ISBN-13:	9780817380878
Publisher:	University of Alabama Press
Publication date:	04/22/2011
Series:	Modern and Contemporary Poetics
Sold by:	Barnes & Noble
Format:	eBook
Pages:	408
File size:	6 MB

About the Author

C. T. Funkhouser is Associate Professor of Humanities at the New Jersey Institute of Technology and author of Technopoetry Rising: Essays and Works and Selections 2.0, an eBook.

Table of Contents

Contents List of Illustrations 000 Preface 000 A Chronology of Works in Digital Poetry, 19591995 000 Introduction: Evolving Circuits of Digital Poetry 000 1. Origination: Text Generation 000 2. Visual and Kinetic Digital Poems 000 3. Hypertext and Hypermedia 000 4. Alternative Arrangements for Digital Poetry 000 5. Techniques Enabled: (Pro)Fusions after Poetry Computerized 000 Appendix A: Codeworks 000 Appendix B: Holography 000 Acknowledgments 000 Notes 000 Bibliography 000 Index000

Editorial Reviews

Focusing on examples of digital poetry before the Web rather than on literary precursors to Web experiments, Funkhouser offers an ambitious book that relies on, but also exceeds, the genre-building foundations established by Loss Pequeño Glazier (in Digital Poetics: The Making of E-Poetries, CH, Jul'02, 39-6249) and Brian Kim Stefan (Fashionable Noise on Digital Poetics, 2003). Recommended.”
—CHOICE

“In Prehistoric Digital Poetry: An Archaeology of Forms, Chris Funkhouser provides a comprehensive historical, descriptive, and technical account of early works of computer-assisted poetry composition. This is essential reading for anyone interested in digital poetics, constraint-base writing, or, indeed, the possibilities for new poetry in the 21st century”
—Charles Bernstein, author of Girly Man and editor of Electronic Poetry Center
 

From the Publisher