- Ashes
- Rats
- Faith
- See the Light
- Miasma
- Dance Macabre
- Pro Memoria
- Witch Image
- Helvetesf¿¿nster
- Life Eternal
5
1
0888072053670
Nameless Ghouls Primary Artist
Cardinal Copia Primary Artist,Vocals
Davide Rossi Orchestra
Mikael Akerfeldt Guitar (Acoustic)
Tom Dalgety Percussion
Steve Moore Synthesizer,Synthesizer
Deryn Edwards Choir/Chorus
Gavin Fitzjohn Saxophone
Christopher May Vocals,Choir/Chorus
Salem al Fakir Piano,Keyboards
Vincent Pontare Choir/Chorus
Mark Williams Choir/Chorus
Minou Forge Vocals
Ludvig Kennberg Drums
Davide Rossi Tracking,Coordination,Orchestration,Orchestral Coordinator
Clif Norrell Mixing,Mixing Engineer
Dimitri Tikovoi Composer
Tom Dalgety Composer,Engineer,Producer,Programming
Tom Whalley A&R
Salem al Fakir Composer
Vincent Pontare Composer
Niclas Frisk Composer
Joe LaPorta Mastering
Sarah Hudson Composer
Mikael Eriksson Design,Photography
Ryan Whalley A&R
Ghost Composer
A Ghoul Writer Composer
Tobias Forge Composer
Suzy Shinn Composer
Nicholas Johansson A&R
Zbigniew Bielak Artwork
Jesse Saint John Composer
Greg Eliason Assistant,Assistant Engineer
Abiguiem Bielak Sleeve Art
Jerry Constantine Effects


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Overview
It has been three years since Sweden's Ghost released the wildly successful Meliora, which peaked at number eight on the Top 200 chart, led by its number five single "Cirice." 2017's Popestar EP hit number 16 while its single, "Square Hammer," topped the mainstream rock list. Since then, Ghost's tenure has been tumultuous: The band's "Nameless Ghouls" sued mastermind, chief songwriter, and vocalist Tobias Forge, ultimately unmasking him as all three incarnations of Satanic pope and frontman Papa Emeritus. Ghost carries on with Foge as "Cardinal Copia," fronting an entirely new cast of musicians.
Prequelle, the band's fourth album delivers on the hooky hard rock promise of Meliora by doubling down on the '70s and '80s rock tropes that informed it. Forge and company have drawn from a wide pool of inspirations here, from classic late-'70s Blue Oeyster Cult and Alice Cooper to British heavy metal bands from Def Leppard to Judas Priest, to occult metal provocateurs like King Diamond and pop songwriting that owes much to ABBA. This ambitious set uses the backdrop of the Black Plague during the dark ages as a device for these songs to pivot on. It's not about death so much as how one lives and enjoys life until death inevitably arrives. After opener "Ashes," where creepily ambient electronics frame a haunted kid's choir singing "Ring Around the Rosie" -- a song that dates from the Plague years in the 14th century -- comes the hit single "Rats," whose double entendre lyrics equate human behavior to be as ravenously bloodthirsty and contagious as rodents. Introduced by whomping snare and kick drum, a stuttering Vivian Campbell riff and ringing twin leads open an insanely catchy melody, articulated by Forge/Cardinal Copia's vocals which alternate between sickly sweet to guttural. The layered choruses could soundtrack any teenage night-driving fantasy. "Faith" wears its metal chops proudly, with Dio-inspired chugs behind Forge. "Dance Macabre" is melodic hard rock brilliance, juxtaposing Blue Oeyster Cult's reliance on knotty riffs and upbeat hooks with a vocal chorus straight from the Scorpions' fake book, and framed by Meat Loaf and Jim Steinman's cinematic bombast. "Witch Image" is occult hard pop at its best (complete with phase-shifted drums), wedding a seductive melody to the lyrics "While you sleep/In earthly delight/Someone's flesh/Is rotting tonight...." The album also boasts a pair of instrumentals: The drifting hard prog of "Miasma" and "Helvetesfonster," where Yes and early King Crimson meet Opeth. "See the Light" flirts with power balladry while transforming itself into a crunchy, headbanging anthem, while closer "Life Eternal" is a ballad proper, offering Forge's sensitive vocal, melodically pledging undying love even as mortal death occurs. It boasts a swelling church organ, tender piano, and spidery guitars with an operatic chorus during its final third. With Prequelle, Ghost focus all their strengths in delivering a nostalgic, compulsively listenable exercise in theatrical arena rock. ~ Thom Jurek
Product Details
Release Date: | 06/01/2018 |
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Label: | Loma Vista |
UPC: | 0888072053670 |
Tracks
Album Credits
Performance Credits
Ghost Primary ArtistNameless Ghouls Primary Artist
Cardinal Copia Primary Artist,Vocals
Davide Rossi Orchestra
Mikael Akerfeldt Guitar (Acoustic)
Tom Dalgety Percussion
Steve Moore Synthesizer,Synthesizer
Deryn Edwards Choir/Chorus
Gavin Fitzjohn Saxophone
Christopher May Vocals,Choir/Chorus
Salem al Fakir Piano,Keyboards
Vincent Pontare Choir/Chorus
Mark Williams Choir/Chorus
Minou Forge Vocals
Ludvig Kennberg Drums
Technical Credits
Andy Wallace Mixing,Mixing EngineerDavide Rossi Tracking,Coordination,Orchestration,Orchestral Coordinator
Clif Norrell Mixing,Mixing Engineer
Dimitri Tikovoi Composer
Tom Dalgety Composer,Engineer,Producer,Programming
Tom Whalley A&R
Salem al Fakir Composer
Vincent Pontare Composer
Niclas Frisk Composer
Joe LaPorta Mastering
Sarah Hudson Composer
Mikael Eriksson Design,Photography
Ryan Whalley A&R
Ghost Composer
A Ghoul Writer Composer
Tobias Forge Composer
Suzy Shinn Composer
Nicholas Johansson A&R
Zbigniew Bielak Artwork
Jesse Saint John Composer
Greg Eliason Assistant,Assistant Engineer
Abiguiem Bielak Sleeve Art
Jerry Constantine Effects
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