Pretexts for Writing: German Romantic Prefaces, Literature, and Philosophy
Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European–and, above all, German–Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
1128881704
Pretexts for Writing: German Romantic Prefaces, Literature, and Philosophy
Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European–and, above all, German–Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
37.95 In Stock
Pretexts for Writing: German Romantic Prefaces, Literature, and Philosophy

Pretexts for Writing: German Romantic Prefaces, Literature, and Philosophy

by Seán M. Williams
Pretexts for Writing: German Romantic Prefaces, Literature, and Philosophy

Pretexts for Writing: German Romantic Prefaces, Literature, and Philosophy

by Seán M. Williams

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Overview

Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European–and, above all, German–Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Product Details

ISBN-13: 9781684480548
Publisher: Bucknell University Press
Publication date: 03/01/2019
Series: New Studies in the Age of Goethe
Sold by: Barnes & Noble
Format: eBook
Pages: 278
File size: 876 KB
Age Range: 16 Years

About the Author

Seán M. Williams is a lecturer in German and European cultural history in the School of Languages and Cultures at the University of Sheffield, UK, following an appointment as Vice-Chancellor’s Fellow. He was previously lecturer (“wissenschaftlicher Assistent”) in German and comparative literature at the University of Bern, Switzerland. He has publishedon German literature and philosophy around 1800, in comparative contexts.

Table of Contents

 
     Abbreviations ... v
     A Note on Translations... vi
Introduction: What Prefaces Are Not: Pedantic Notes ... 1
     Historical Context and Precedent
     Paratextual Theory and Textual Autonomy
     Rhetorical Caesura: Comprehending Romanticism
     Writing to Write
1 Goethe: A Playful and Resistive Set of Preface Strategies ... 66
     Zero Prefaces
     Ambiguous Prefaces
     Poetic Prefaces
     Embedded Prefaces
     Belated Prefaces
     A Hypertrophic Preface
2 Jean Paul: Autoprefacing ... 144
     Baroque Beginnings: The Preface as Brow, Morsel, and Porch
     Reviewers and Readers
     Writers and Preface-Writers
     Prefatory Procrastination and Textual Foreplay
     The Logic of Length; Or, Digressive Fragmentation
     Countering Captatio Benevolentiae? Beyond Eloquence
     Conclusion: Preface to Prefatorial Philosophy (and Theory)
3 Hegel: Prefatorial Polemic Becomes Philosophy ... 237
     Starting with Sterne? Literature and Philosophy around 1800
     Descriptive Induction versus Performative Prefacing
     A New Style of Preface
     Sublation of Conventional Prefatory Content
     A Superior Preface
     Philosophical and Rhetorical Preface Paradigms
     Post-Structuralist Postscript
Conclusion... 311
Acknowledgements ... 328
Bibliography ... 330
Index ... 371
About the Author ... 372
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