Pride and Panic: Russian Imagination of the West in Post-Soviet Film [NOOK Book]

Overview



Through the looking-glass of Russian national cinema, Pride and Panic explores Russia's anxious adjustment towards the expansion of Western culture. Russian film is shown, in both its creation and perception, to expose the intriguing dynamics of societal psychological conditions.

Using specific film examples, the book delves into the subterranean recesses of Russian national consciousness, exposing an internal ambivalence and complex ...
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Pride and Panic: Russian Imagination of the West in Post-Soviet Film

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Overview



Through the looking-glass of Russian national cinema, Pride and Panic explores Russia's anxious adjustment towards the expansion of Western culture. Russian film is shown, in both its creation and perception, to expose the intriguing dynamics of societal psychological conditions.

Using specific film examples, the book delves into the subterranean recesses of Russian national consciousness, exposing an internal ambivalence and complex cultural reaction towards the rise of the West. These fears, fantasies and tremulous anxieties are examined through the representation of the West in films by both established and lesser-known Russian directors. Using a highly original and unorthodox approach, the author parallels the shifting dynamics of attitudes and identity in Russia, caused by globalization, to stages of development in an individual human psyche.

The book cohesively unveils the psychological turmoil experienced by Russia towards a change in global relations. A text of particular interest to scholars, students and readers involved with contemporary film and, in particular, Russian cinema and culture.
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Product Details

  • ISBN-13: 9781841509594
  • Publisher: Intellect
  • Publication date: 7/30/2012
  • Sold by: Barnes & Noble
  • Format: eBook
  • File size: 3 MB

Meet the Author

Yana Hashamova is assistant professor in the Department of Slavic and East European Languages and Literatures and an associate faculty member of the Interdisciplinary Film Program and the Departments of Comparative Studies and Women’s Studies at the Ohio State University.

 

 

 

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Table of Contents

Note on Transliteration

Acknowledgements

Introduction

1: The Western Other (Foe and Friend): Screening Temptations and Fears

2: The Russian Hero: Fantasies of Wounded National Pride

3. Mobilizing Internal Forces: The Idealized Past and Culture

4. (Im)possible Relationships: Looking for the Other

5. West, East, and Russia: Ambivalence, Reflection, and Traversing the Fantasy

Conclusion: The West and Beyond

Bibliography

Filmography

Index

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