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During her childhood, Carole Ione lived with a number of extraordinary female relatives--from her grandmother, once a vaudeville dancer, to her great-aunt, one of the first black women doctors in Washington, D.C. But it wasn't until Carole unearthed the diary of her great-grandmother, Frances Anne Rollin, that she came to understand the ambition, spirit, and secrets of her foremothers. 8 pages of photos.
Mine was an easy birth-my mother wrote me years later-because of her "good hips." She named me Carole because Carol meant "song of joy," and the added e evoked Carole Lombard, the glamorous blond movie star. My middle name, Ione, was a concession to family, a simpler, more modern version of Sistonie's "Ionia."
In the hectic mornings after my arrival, my grandmother would watch in astonishment, yet with a certain amount of respect, as my great-aunt made her descent from the upper floor in a mist of powder and perfume. She would be magnificently dressed and coiffed, her hat poised at a stylish angle, gloves in hand, her pocketbook containing the requisite white handkerchief, her ample bosom replete with pearls.
This daily vision was all the more distressing to Be-Be since she was doing all of the washing, cleaning, cooking, and caring for my mother and me. "Your aunt was never dressed for any kind of housework," Be-Be told me, adding with a touch of pride, "I was used to it." And Sistonie seemed to expect it of her, even though there was a hired girl who helped with the housekeeping.
My great-aunt's imperious manner with my grandmother may have owed something to the fact that she was a doctor accustomed to giving orders and seeing them carried out by a staff of nurses. She was, in fact, on her way to Freedman's Hospital on those regal mornings. She had even taken a pediatrics refresher course in order to be prepared for any eventuality concerning me. (My mother, wanting to preserve her independence, had opted not to have her aunt deliver me, but Sistonie and Be-Be were both present at my birth at nearby Carson's Hospital, and my great-aunt was the first to cradle me in her arms.) Be-Be resented the fact that Sistonie's pronouncements about my welfare seemed to come down from on high. The source of my "six-week colic" was declared to be the richness of my mother's milk, and I was put on formula. Small doses of bicarbonate of soda and cod-liver oil were dispensed with precision, according to Sistonie's instructions.
Perhaps Sistonie could not help but treat my grandmother as a wayward girl; she was used to working with unmarried mothers who didn't know how to take care of their children or themselves and who had no access to public assistance in the segregated Washington system. (The Florence Crittenden Home was limited to white women only.) Sistonie had taken some of them into her own home to teach them cooking and hygiene; the girls often did housework as repayment. Her manner with them was stern, yet her compassion was real.
Sistonie had difficulty extending the professional compassion she showed strangers to personal warmth for my grandmother. Perhaps she considered her commanding manner therapeutic. After all, even though Sistonie's beloved brother Leigh had had an equal part in the matter, Be-Be-like Leigh-had been in the theater.
Sistonie was very much a product of her times. Many middle- and upper-class blacks, emulating the Victorian mores of prosperous whites, looked askance at what they considered the immoral world of the theater. And for blacks bent on disproving whites' myths about our race-that blacks are loose, immoral, uncivilized, even animals-such distinctions were that much more important. It seemed necessary to be even more conscious of propriety than whites in order to prove good social standing-a propriety that often became confused with skin color or free birth. Many Washington professional and social organizations fostered a class snobbery based more on lightness of skin than on any particular merit. And many-Sistonie among them-spoke proudly of having descended from free families of color, families who had never been slaves.
Be-Be made it clear to me many years later that she was more bitter about the discrimination she and her fellow actors had received at the hands of other colored people than that which she had experienced from whites. "It was worse than Jim Crow," she said, still bristling with anger. Some of the better black boardinghouses in Washington turned actors away, and even at Howard, members of her touring company had been made to eat in separate room from the faculty.
Despite the animosity between them, however, my grandmother and my great-aunt had a few things in common besides those that brought them together that May-their love for my mother and the desire to be there for the birth of her first child. Both, for example, were aware of the value of charm, and neither was averse to using it to mask an underlying iron will. Both had sudden, flaring tempers, though they expressed them in different ways: Sistonie was slow to anger and usually outwardly composed-until the moment she descended on the unsuspecting like a cyclone; Be-Be was quick and impatient, proud of her mercurial nature. "When I take a notion," she would say then and for many decades to come, "I just get up and go!"
Yet as hard as it was to share a house with Dr. Whipper, Be-Be had no intention of leaving 511 Florida Avenue before she was certain my mother and I no longer needed her. Though she bristled, she put up with all Sistonie's rules and regulations. Still, there was a limit to her patience. One day, as the Washington heat grew unbearable, my grandmother, exhausted from cooking and caring for the baby, dropped everything, hurried down the street to the grocery store, and bought two bottles of ice-cold beer.
Back at the house, she sat down at the table with one of the bottles and a tall glass. She kicked her shoes off and settled back for a refreshing drink. A few minutes later Sistonie came home and stood, frozen with disapproval, in the doorway. Her eyebrows arched, her jaw tightened. She opened her mouth to speak; but my grandmother's gaze was steadfast, her expression implacable. Wisely, Sistonie held her tongue. "Good evening, Virginia," she said evenly, and turned to go up the stairs.
"Good evening, Dr. Whipper," Be-Be called after her pleasantly, refilling her glass.
It seems I was always looking for my mother-waiting for her return. I had started traveling among the three women in my family at an early age, accompanied and-by the time I was eight-alone, on trains, subways, and buses. Later I remembered those years by associating them with years of school: I was living with Sistonie in Washington during part of second grade, and with Be-Be in Saratoga during the rest of second and all of fourth, fifth, and seventh grades. I was with my mother in New York City for first, third, sixth, and eighth grades and through high school.
Of course, while it was all happening, it was a collage of sensations and events: a snatch of music coming from an open window (years later I identified it as the Grieg Concerto), the reassuring yellow of a banana my mother left beside my bed one morning when we were staying at someone else's house, the rush of freedom as I dashed headlong down the glorious corridor of trees at the zoo. I remember, in particular, sitting in the tub at 511 Florida Avenue, my favorite place in the old house. I was five or six years old and visiting Sistonie for a week, a month, a season. I wasn't quite sure. I was counting on the now-time of the tub to get me through. I watched, fascinated, as the water swirled down the drain, going round and round as I twisted a gold ring with a green stone on my finger, wishing and wishing and wishing for my mother.
The water was gone, and I was still wishing in the damp of the tub, when Sistonie came in. Her queenly presence seemed to precede her. In fact, there in the bathroom the scents of her sweet-smelling powders, emanating from a dresser drawer, always made her seem close by.
"What are you doing?" Sistonie asked, as she saw me sitting there in the empty tub. I told her, and her voice came lower, closer, piercing through my longing with surprising tenderness.
"Sometimes," she replied, "if you wish for something hard enough, it will come true."
What had Sistonie wished for? I find myself wondering. Had she ever wished for her own mother, only to have her suddenly appear? I never thought to ask.
Sistonie graduated from Howard Medical School in 1903, one of four women in her class; Howard was, in fact, the first American medical school to open its doors to women. In its early years, black and white women came from all over the country to study there. But unlike those of her colleagues who used their diplomas only to improve their salaries or social status, Sistonie-who had already spent ten years teaching in the segregated Washington schools-chose to practice.
From the Trade Paperback edition.
|1||The Women in the House||9|
|4||In the Kitchen with Be-Be||32|
|6||From My Mother's Window||54|
|7||An Exotic Flower||73|
|8||The Dead are Still Alive||84|
|10||An Illuminated Diary||99|
|11||The Magnificent Whippers||108|
|12||Dear, Dear Boston||115|
|14||An Album of the Heart||137|
|16||Tough on Black Actors||171|
|17||Return to the South||186|
|18||A Little Lump of Gold||209|
Posted October 25, 2004
Caole Ione has provided her reading audience with an amazing saga regarding the proud Black women in her family. The novel's setting is primarily in New York but she takes us to SC, D.C.,France and Spain as she translates details rearding her foremothers' pain, sorrows and even the happy times. I enjoyed this novel immensely. It should be introduced and used in Black history and Black Literature classes.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted December 23, 2000