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Editorial Reviews
All Music Guide - William Ruhlmann
One reason why it is better to be a music critic than a film critic is illustrated by this album. The poor film critic may be left to ponder why filmmakers have chosen to do so many screen adaptations of Jane Austen's 1813 novel Pride and Prejudice for both theatrical release and television broadcast, especially in recent years, and to weigh the competing talents of, say, Laurence Olivier, Colin Firth, and, now, Matthew MacFadyen in portraying the character of Mr. Darcy. But the music critic isn't really called upon to compare Herbert Stothart's score for the 1940 film with Carl Davis' music for the 1995 TV mini-series, and, now, Dario Marianelli's. They are entirely ...