The Prince of Frogtown

( 19 )

Overview

The final volume of Rick Bragg's bestselling and beloved American saga documents a mesmerizing journey back in time to the lush Alabama landscape of Rick's youth, to Jacksonville's one-hundred-year-old mill and to Rick's father, the troubled, charismatic hustler coming of age in its shadow.

Inspired by Rick Bragg's love for his stepson, The Prince of Frogtown also chronicles his own journey into fatherhood, as he learns to avoid the pitfalls of his forebearers. With candor, ...

See more details below
Paperback
$10.49
BN.com price
(Save 34%)$15.95 List Price

Pick Up In Store

Reserve and pick up in 60 minutes at your local store

Other sellers (Paperback)
  • All (42) from $1.99   
  • New (12) from $5.43   
  • Used (30) from $1.99   
Prince of Frogtown

Available on NOOK devices and apps  
  • NOOK Devices
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK Study
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$11.99
BN.com price

Overview

The final volume of Rick Bragg's bestselling and beloved American saga documents a mesmerizing journey back in time to the lush Alabama landscape of Rick's youth, to Jacksonville's one-hundred-year-old mill and to Rick's father, the troubled, charismatic hustler coming of age in its shadow.

Inspired by Rick Bragg's love for his stepson, The Prince of Frogtown also chronicles his own journey into fatherhood, as he learns to avoid the pitfalls of his forebearers. With candor, insight, and tremendous humor, Bragg seamlessly weaves these luminous narrative threads together and delivers an unforgettable rumination about fathers and sons.

Read More Show Less

Editorial Reviews

From the Publisher
“Nothing less than a triumph.”—The Tennessean“Powerful.... [Bragg is] a storyteller on a par with Pat Conroy.” —Denver Post“Rick Bragg has made of the dark shadow in his life a figure of flesh and blood, passion and tragedy, and a father, at last, whose memory he can live with. And that is no small thing for any man to do.” —The New York Times Book Review“Bragg writes in that sumptuous, multilayered, image-rich Southern yarn-spinning manner that seduces as fast as you can read it. It unwinds beautifully.”—The Providence Journal“With The Prince of Frogtown, Bragg finds a heartening truth: He is not doomed to take up the defects of his forebears but learns instead to use them as a compass.... Readers will relish the journey.”—Rocky Mountain News“Vivid.... An evocative family memoir.”—Boston Globe“By turns gut-wrenching, hilarious and heartbreaking.... A way of looking hard at the past in order to break free of it.” —St. Petersburg Times“Bragg crafts flowing sentences that vividly describe the southern Appalachian landscape and ways of life both old and new. . . . His father’s story walks the line between humorous and heartbreaking . . . This book, much like his previous two memoirs, is lush with narratives about manhood, fathers and sons, families and the changing face of the rural South.”—Publishers Weekly (starred review)“Smooth and rich as bourbon.”—Kirkus“Bragg continues in the vein of his legendary storytelling, breathing life into a father he barely knew while learning to love a son.”—Library Journal
Publishers Weekly

Bragg (All Over but the Shoutin' ) continues to mine his East Alabama family history for stories, this time focusing on the life of his alcoholic father. Unlike his previous two memoirs, Bragg merges his father's history of severe hardships and simple joys with a tale from the present: his own relationship with his 10-year-old stepson. Bragg crafts flowing sentences that vividly describe the southern Appalachian landscape and ways of life both old and new. The title comes from his father, who grew up in the mill village in Jacksonville, Ala., a dirt-poor neighborhood known as Frogtown, a place where they didn't bother to name the streets, but simply assigned letters. His father's story walks the line between humorous and heartbreaking, mixing tales of tipping over outhouses as a child and stealing an alligator from a roadside show in Florida with the stark tragedies of drunkenness, brawling, dog fighting, chain gangs, meanness and his early death from tuberculosis. Juxtaposed with vignettes about Bragg's stepson, this memoir has great perspective as the reader sees Bragg, the son of a dysfunctional father who grew up very poor, grapple with becoming the father of a modern-day mama's boy. This book, much like his previous two memoirs, is lush with narratives about manhood, fathers and sons, families and the changing face of the rural South. (May)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Library Journal

With this wrenching story of fathers and sons, Pulitzer Prize winner Bragg completes the personal saga he began with the best sellers All Over but the Shoutin' and Ava's Man. After 40 years of self-proclaimed bachelorhood, Bragg finds himself thrown into the uncomfortable and challenging position of becoming a stepfather. Learning to have a son brings to light the chasm separating Bragg from his own father. Readers are at last allowed to catch a glimpse of this passionate and clearly troubled alcoholic and Korean War veteran, dismissed in the earlier memoirs as a deadbeat villain. Abandoned by his father at age six, Bragg relies on accounts from his mother, brothers, cousins, and family friends to piece together his father's story, riddled with tales of white-whiskey bootlegging, run-ins with local law enforcement, and domestic disputes. Here, Bragg continues in the vein of his legendary storytelling, breathing life into a father he barely knew while learning to love a son. Recommended for public and academic libraries. [See Prepub Alert, LJ1/08.]
—Erin E. Dorney

Kirkus Reviews
Pulitzer Prize-winner Bragg returns to the rural Alabama home turf of Ava's Man (2001) and All Over But the Shoutin' (1997) with a double narrative that braids two emotional journeys. A recent marriage and the baggage that came with it-a ten-year-old stepson who still carried around his "blanky"-led the author to revisit the story of his father Charlie, whom he had previously depicted as an improvident, violent drunk who blighted the lives of Bragg's mother and two brothers. Here, extensive interviews with friends and relatives of the "Prince of Frogtown" (the neighborhood where Charlie and his brothers lived and battled in the streets) have produced a more dynamic, if not necessarily nobler portrait. In youth, Charlie drag-raced, swept away his best friend's girl and even stole the keys to the county jail. That was before combat in the Korean War, repeated run-ins with the local sheriff, an increasing taste for alcohol and a TB diagnosis. With considerable discernment, the author traces how his family was formed by a blue-collar town and its hardscrabble past, marked by Indian wars and the Civil War. His native area's cadences, smooth and rich as bourbon, seep naturally into Bragg's prose: Paternal grandfather Bob "never met a man he wouldn't fight at least twice, if insulted, and he intended to slap all the pretty off Handsome Bill Lively's face." Alternating chapters on his unnamed stepson, by contrast, resound more with the annoyance Bragg feels at the start than the love he professes at the end, at which point the author sounds uncomfortably self-congratulatory about the maturation of his stepson, now "the man I rushed him to be."A mixed bag, redeemed by the author's portrait of hisfather, rendered with rawboned honesty and heartache. First printing of 200,000. Agent: Amanda Urban/ICM
Read More Show Less

Product Details

  • ISBN-13: 9781400032686
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 4/7/2009
  • Series: Vintage
  • Pages: 272
  • Sales rank: 228,127
  • Product dimensions: 5.20 (w) x 7.90 (h) x 0.90 (d)

Meet the Author

Rick Bragg
Rick Bragg is the author of two best-selling books, Ava's Man and All Over but the Shoutin'. He lives in Alabama.

Biography

Rick Bragg caught his first break as a journalist when the competition for his first newspaper job decided to stick with his current position in a fast-food restaurant. From there, Bragg has moved from small newspapers in Alabama to the likes of The St. Petersburg Times, the Los Angeles Times and, finally, The New York Times.

He eventually won a reputation in one newsroom as "the misery writer." His assignments: Hurricane Andrew, Miami rioting, Haiti, and Susan Smith, the South Carolina woman accused of drowning her two boys in 1994 by driving her car into a lake. In 1996, while at the Times, Bragg covered the terrorist bombing of the Alfred P. Murrah Building in Oklahoma City and won the Pulitzer Prize.

"I've really served at all stations of the cross," Bragg said in a December 2002 interview with Writer magazine. "I've been pretty much everywhere. I don't think there's a difference between writing for a newspaper or magazine and doing a chapter in a book. People who think there is something pedestrian about journalism are just ignorant. The best writers who have put pen to paper have often had a journalism background. There are these boutique writers out there who think if they are not writing their novels sitting at a bistro with their laptops, then they're not real writers. That's ridiculous."

[Bragg left The New York Times in 2003 after questions surfaced regarding his use of uncredited stringers for some of his reporting. Bragg's departure was part of a larger ethics scandal that also claimed the newspaper's top two editors.]

Bragg's memoir, All Over but the Shoutin', recounts these stations, particularly his hardscrabble youth in rural Alabama, where he was brought up by a single mother who sacrificed everything for her children.

"In his sad, beautiful, funny and moving memoir...Rick Bragg gives us a report from the forgotten heart of 'white trash' America, a sort of Pilgrim's Progress or Up from Slavery about how a clever and determined young man outwitted fate," The New York Times Book Review wrote in 1997. "The story he tells, of white suffering and disenfranchisement, is one too seldom heard. It is as if a descendant from one of the hollow-eyed children from Let Us Now Praise Famous Men had stepped out of a photograph to tell his own story, to narrate an experience that even Agee could not penetrate because he was not himself 'trash.' "

In 2001, Bragg went back a generation in his family's story and wrote about his grandfather, a hard-drinking fighter who made whiskey in backwoods stills along the Alabama-Georgia border and died at 51. His widow would rebuff her grandchildren's questions about remarrying: "No, hon, I ain't gonna get me no man...I had me one."

The Los Angeles Times called Ava's Man "a big book, at once tough and sentimental," while The New York Times said, "It is hard to think of a writer who reminds us more forcefully and wonderfully of what people and families are all about."

Bragg acknowledges that his language is stolen -- plucked from the mouths of the family members he has interviewed, filling notebooks and jotting stories on whatever was at hand -- the back of airplane tickets, for example. The biggest challenge, he would later say, was finding an order in the mess of folksy storytelling. "Talking to my people is like herding cats," he told The Kansas City Star in 2002. "You can't rely on them to walk down the road and not run into the bushes."

And, then, there would be the recollection that would come along just a little too late.

"The most agonizing thing was to finish the manuscript, know that I had pleased [the family], then have one of them say, ‘Oh, yeah, hon, I just thought of something else' -- and it would be the best story you ever heard," he told the Star.

Good To Know

Bragg brought his mother, Margaret, to New York for the Pulitzer Prize ceremony. She had never been to the city, never been on an airplane, never ridden on an escalator, and hadn't bought a dress for herself in 18 years.

In an interview with Writer, Bragg describes life as a newspaper correspondent: "If I travel for the paper, that means I fly to a city I've probably never been to, get off a plane, rent a car, drive out in bumper-to-bumper traffic heading for a little town that nobody knows the name of and can't give me directions to, and it's not on the map. When I get there, I try to get information in 15 minutes for a story I have to write in 45."

He wrote Ava's Man because his fans wanted to know more about his mother's childhood.

Read More Show Less
    1. Hometown:
      New Orleans, Louisiana
    1. Date of Birth:
      July 26, 1959
    2. Place of Birth:
      Possum Trot, Alabama
    1. Education:
      Attended Jacksonville State University for six months in 1970; attended Harvard University, 1992-1993

Read an Excerpt

The ditch cleaved frogtown into two realms, and two powerful spirits heldsway,one on each side. One was old, old as the Cross, and the other had aged only a few days in a gallon can. Both had the power to change men’s lives. On one side of the ditch, a packed-in, pleading faithful fell hard to their knees and called the Holy Ghost into their jerking bodies in unknown tongues. On the other side, two boys, too much alike to be anything but brothers, flung open the doors of a black Chevrolet and lurched into the yard of 117 D Street, hallelujahs falling dead around them in the weeds. In the house, a sad-eyed little woman looked out, afraid it might be the law. When your boys are gone you’re always afraid it might be the law. But it was just her two oldest sons, Roy and Troy, floating home inside the bubble of her prayer, still in crumpled, cattin’-around clothes from Saturday night, still a little drunk on Sunday morning. They were fine boys, though, beautiful boys. They were just steps away now, a few steps. She would fry eggs by the platterful and pour black coffee, and be glad they were not in a smoking hulk wrapped around a tree, or at the mercy of the police. She thought sometimes of walking over to the church to see it all, to hear the lovely music, but that would leave her boys and man unsupervised for too long. Her third son was eleven or so then. He could hear the piano ring across the ditch, even hear people shout, but he could smell the liquor that was always in the house on a Sunday and even steal a taste of it when no one was looking, so it was more real.

The holy ghost moved invisible, but they could feel it in the rafters, sense it racing inside the walls. It was as real as a jag of lightning, or an electrical fire.

The preacher stood on a humble, foot-high dais, to show that he did not believe he was better than them. “Do you believe in the Holy
Ghost?” he asked, and they said they did. He preached then of the end of the world, and it was beautiful.

They were still a new denomination then, but had spread rapidly in the last fifty years around a nation of exploited factory workers, coal miners, and rural and inner-city poor. Here, it was a church of lintheads, pulpwooders and sharecroppers, shoutin’ people, who said amen like they were throwing a mule shoe. Biblical scholars turned their noses up, calling it hysteria, theatrics, a faith of the illiterate. But in a place where machines ate people alive, faith had to pour even hotter than blood.

It had no steeple, no stained glass, no bell tower, but it was the house of Abraham and Isaac, of Moses and Joshua, of the Lord thy
God. People tithed in Mercury dimes and buffalo nickels, and pews filled with old men who wore ancient black suit coats over overalls,
and young men in short-sleeved dress shirts and clip-on ties. Women sat plain, not one smear of lipstick or daub of makeup on their faces, and not one scrap of lace at their wrists or necks. Their hair was long, because Paul wrote that “if a woman have long hair, it is a glory to her, for her hair is given her for a covering.” Their hair and long dresses were always getting caught in the machines, but it was in the Scripture, so they obeyed. Some wore it pinned up for church, because of the heat, but before it was over hairpins would litter the floor.

They listened as the preacher laid down a list of sins so complete it left a person no place to go but down.

“They preached it hard, so hard a feller couldn’t live it,” said Homer Barnwell, who went there as a boy.

The people, some gasping from the brown lung, ignored the weakness in their wind and pain in their chests and sang “I’ll Fly Away”
and “Kneel at the Cross” and “That Good Ol’ Gospel Ship.” A woman named Cora Lee Garmon, famous for her range, used to hit the high notes so hard “the leaders would stand out in her neck,” Homer said.

Then, with the unstoppable momentum of a train going down a grade, the service picked up speed. The Reverend evoked a harsh
God, who turned Lot’s wife into a pillar of salt, and condemned the Children of Israel, who gave their golden earrings to Aaron to fashion Baal, the false god. “I have seen this people,” God told Moses, “and behold, it is a stiff-necked people. Now therefore let me alone, so that my wrath may wax hot against them.”

As children looked with misery on a service without end, the preacher read chapter 2 of the Acts of the Apostles:

And when the day of Pentecost was fully come, they were all with
one accord in one place. And suddenly there came a sound from
heaven as of a rushing mighty wind, and it filled all the house
where they were sitting. And there appeared unto them cloven
tongues like as of fire, and it sat upon each of them. And they were
all filled with the Holy Ghost, and began to speak with other
tongues . . .

The congregants’ eyes were shut tight.

“Do you feel the Spirit?” the Reverend shouted.

Their hands reached high.

“Can you feel the Holy Ghost?”

They answered one by one, in the light of the full Gospel.

“Yeeeeesssss.”

Then, as if they had reached for a sizzling clothesline in the middle of an electrical storm, one by one they began to jerk, convulsing in the grip of unseen power. Others threw their arms open wide, and the Holy Ghost touched them soul by soul.

Some just stood and shivered.

Some danced, spinning.

Some leapt high in the air.

Some wept.

Some shrieked.

Some of the women shook their heads so violently that their hair came free and whipped through the air, three feet long. Hairpins flew.

The Ghost was in them now.

They began to speak in tongues.

The older church people interpreted, and the congregation leaned in, to hear the miracle. It sounded like ancient Hebrew,maybe, a little,
and other times it sounded like nothing they had heard or imagined. They rushed to the front of the church and knelt in a line, facing the altar, so the preacher could lay his hands on them, and–through the Father, in the presence of the Holy Ghost–make them whole.

One by one, they were slain in the Spirit, and fell backward, some of them, fainting on the floor. The services could last for hours, till the congregants’ stomachs growled. “If it’s goin’ good,” Homer said, “why switch it off ?”

As strong as it was, as close, it was as if sounding brass or a tinkling cymbal, across that ditch.

“We could have by God stayed longer if you’d have brought some damn money,” griped Roy, as they meandered toward the house. It is unclear where they had been that weekend, but apparently they had a real good time. Roy, the prettiest of all of them, leaned against the car for balance, and cussed his older brother a little more.Roy’s eyes were just like my father’s, a bright blue, and his hair was black. He was tall for a Bragg, and the meanest when he drank. He was not a dandy and just threw on his clothes, but was one of those men who would have looked elegant standing in a mudhole.

Troy cussed him back, but cheerfully. He always wore snow-white T-shirts, black pants and black penny loafer shoes, and as he blithely dog-cussed his brother he bent over, took off one loafer and dumped several neatly folded bills into his hand. Then, hopping around on one foot, he waved the bills in his brother’s face.

“You lying son of a bitch,”Roy said.

Troy, his shoe still in his hand, just hopped and grinned, trying not to get his white sock dirty.

He sniffed the money, like it was flowers.

“I’ll kill you,”Roy said.
But they were always threatening to kill somebody.

Troy, in a wobbly pirouette, laughed out loud.

In seconds, they were in the dirt, tearing at clothes and screaming curses, and rolled clear into the middle of D Street, in a whirl of blood and cinders.

The commotion drew first Velma and then Bobby from inside the house.Velma, unheard and ignored, pleaded for them to stop. Bobby,
on a binge and still dressed only in his long-handles, cackled, hopped, and did a do-si-do.

My father banged through the door and into the yard, and, like a pair of long underwear sucked off a clothesline by a tornado, was carried away by the melee.

In the rising dust, they clubbed each other about the head with their fists, split lips and blacked eyes and bruised ribs. My father, smaller than his brothers, was knocked down and almost out. Velma bent over my father, to make sure he was breathing, and yelled at the older two: “I’ll call the law.” Then she left walking, to find a telephone.

How many times did Velma make that walk to a borrowed telephone, having to choose between her sons’ freedom and their safety?
My Aunt Juanita, driving through the village, remembers seeing her walking fast down the street. “Her heels was just a’clickin’ on the road,” she said.

She stopped and, through the window, asked Velma if she was all right.

“The boys is killing each other,” she said.

In the yard, the boys were staggering now, about used-up. The neighbors watched from their porches, but no one got in the way. The distant scream of a police siren drifted into the yard.Velma had found a telephone.

By the time the police came, the street was empty and quiet in front of 117, the brothers inside, ruining Velma’s washrags with their blood. Bobby had enjoyed himself immensely, and gone a half day without pants of any kind. Velma walked back, her flat shoes clicking slowly now. But her boys were safe, and nothing mattered next to that.

In the aftermath, she cooked a five-pound block of meat loaf, a mountain of fried potatoes, a cauldron of pinto beans, and dishpans of squash and okra–nothing special, just the usual supper for the kin that, every Sunday, trickled in to eat.

It was nothing special, either, that fight, nothing to get all worked up about. The brothers regularly fought in the middle of D Street. “I
watched ’em fight,” said Charles Parker, who lived next door.

Or, as Carlos put it: “You didn’t never ask about that big fight Roy and Troy had, you asked about which one. It happened regular.” It was just part of the rhythm of the week, the rhythm of their lives.

Most lives move to one kind or another. On the coast, they move to tides, and in a factory town they move to an assembly line. For Carlos, a body and fender man and wrecker driver, life moved to the rhythms of the highway, to the voice of the dispatcher on the radio. In the week he cruised slow and easy, but on Friday nights, when drinkers hit the roads, the dispatcher’s voice crackled with possibility. He stomped the accelerator and raced from ditch to ditch, his winch cable whining, yellow lights spinning, mommas crying, ambulances screaming away or, if it was a bad one, not screaming at all.

For his cousins on D Street, it was the bootlegger’s rhythm. “The boys and Uncle Bobby all worked, and only dranked on weekends. They’d get goin’ real good on Friday and still be goin’ on a Sunday. Of course, sometimes they could still be going on a Tuesday, depending on how much liquor they had. They were the best people in the world, gentle people, when they were all right. But all your daddy’s life, on a weekend, there was liquor there in that house.”

In the calm of a Monday, the nights had a warmth and peace in Velma’s house. After work, her extended family gathered in her kitchen, eating, talking, babies riding on their knees. But mostly, in that quiet, she cooked. “Oh my,” said Carlos, “did she cook.” She cooked showpiece meals, meals most people only got on Thanksgiving or Christmas Day, and Carlos loved to go see his Aunt Velma in the calm. “It didn’t matter what time of night or day it was, or even if she had to get out of bed, when you went to Aunt Velma’s house the first thing she did was ask you, ‘Y’all boys had something to eat?’ It didn’t matter if you’d done eat, ’cause Velma was gonna feed you anyway.”

The iron stove had a cast-iron warmer on the top, and in that warmer would be pork roasts and pork chops and fried chicken, twogallon pots of butter beans with salt pork, navy beans with ham bone, rattlesnake beans glistening with bacon fat, pans of chicken and dressing, macaroni and cheese, cornbread and cathead biscuits, mounds of mashed potatoes and sweet potatoes, skillets of fried green tomatoes.
She made meat loaf in a washtub, working loaf bread into the meat, onions and spices with her hands. There would be fried pies, apple and peach, in the warmer, and a banana puddin’ in the icebox. She cooked her pies in a pan the size of a Western Flyer, and she did not cut you a piece but scooped out a mound, a solid pound of pie.

It was not just food. There was a richness in it, of cream and butter and bacon fat. Her dishes were chipped and her forks were worn, pitted steel, but when people were done the utensils looked like they had been licked clean, and sometimes they were. She taught generations of women to cook, including my own mother, who thinks of her with every shaker of salt. Generations of men, like Carlos, get teary-eyed when they think of her supper table on a random Monday, because they know it will never be that good again.

In the calm of a Tuesday, the mercurial Roy lay on the couch in the living room with a baby asleep on his chest. He would fight an army when he was drinking, fight laughing, bleeding, but sober he was a gentle man. “Whose baby are you?” he always asked, as the infants opened their eyes. “Roy rocked the babies in the rocking chairs, when he was all right,” my mother said. “He would sing, and hum to them, and he would even diaper them–I guarantee you that your daddy never got nowhere near a diaper.” Roy was not married then, and had no children of his own. He just loved babies, and would rock Troy’s children and sing, and hum the part where the bough breaks, and the baby falls.

He was a mechanic, a good one, with a set of paid-for tools. Women chased him. He had everything to live for, on a Tuesday, and no reason to dull his life with liquor, no reason to hide in a whiskey haze.

In the quiet of a Wednesday, Troy walked home from his job at the mill, to tend his birds. In that time and place, it was as noble a job as being a horse breeder. He opened the coop and stuck his hand in toward the fierce creature inside, eyes yellow, beak sharp as a cat’s claw, trilling a warning so low it was almost a growl. But it did not draw blood as he reached in and lifted it out.

He would sit on the porch, a cup of Red Diamond coffee on the rail, and stroke its beak, cooing to it, as if he wanted it to understand the awful sacrifice he was asking it to make. He had one bird that had won seven fights, a remarkable feat in a death sport, and he would run his fingers through its feathers, looking for parasites. He would treat it with Mercurochrome, like a child with a skinned knee, and let it peck corn from his palm. He fed them a mix of vitamins and racing pigeon feed, to make them strong and fast, and spiked their diet with pickling lime, to stanch the bleeding when they were cut.

From the Hardcover edition.

Read More Show Less

Table of Contents

Prologue: The Stream 3

The Boy 14

Ch. 1 In a Cloud of Smoke 20

The Boy 35

Ch. 2 The Village 39

The Boy 57

Ch. 3 Bob 61

The Boy 72

Ch. 4 Fearless 76

The Boy 89

Ch. 5 The Bootlegger's Rhythm 92

The Boy 103

Ch. 6 Flying Jenny 106

The Boy 117

Ch. 7 My Fair Orvalene 120

The Boy 123

Ch. 8 The Hanging 128

The Boy 135

Ch. 9 Settin' the World on Fire 137

The Boy 150

Ch. 10 What You're Supposed to Do 154

The Boy 158

Ch. 11 At Least a Hundred Dollars Then 161

The Boy 173

Ch. 12 Ross 175

The Boy 195

Ch. 13 Dallas 197

The Boy 205

Ch. 14 Ride 208

The Boy 222

Ch. 15 One Friend 226

The Boy 233

Ch. 16 Amen 236

The Boy 238

Ch. 17 The Circle 242

The Boy 250

Acknowledgments 253

Read More Show Less

Reading Group Guide

1. Why does Rick Bragg now feel compelled to write about his father, a man he had dismissed as "nothing more than the sledge I used to pound out [his mother's] story of unconditional love" [p. 10-11]?

2. In what ways is Bragg's new stepson, "the boy," different from him? How does Bragg react at first to the boy? How does their relationship change over the course of the book?

3. "The thing that outsiders never understood about old country music, the music derived from Irish ballads and mountain folk songs," Bragg writes, "was that the sadder it was, the better it made you feel. It told you that you were not alone on this miserable rock, not fighting anything special, anything new" [p. 156]. Does reading The Prince of Frogtown have a similar effect? How does Bragg manage to make what is by and large a sad story so much fun to read?

4. In what ways do family history and social history intersect in the life of Charles Bragg? How do working conditions and class divisions in Jacksonville, Alabama, as well as the drinking habits of his own father, affect the kind of man Charles Bragg becomes? What other major events play a decisive role in shaping his character and determining his fate?

5. Bragg writes that everything he knew about being a father was wrong, but what kind of father does he turn out to be? What effect does he have on his stepson?

6. In the Prologue, Bragg writes: "In this book I close the circle of family stories in which my father occupied only a few pages, but lived between every line" [p. 13]. In what ways does The Prince of Frogtown fill out the portrait of Bragg's family life that he began in Ava's Man and further explored in All Over but the Shoutin'? In what ways was Bragg's father a hidden but powerful presence in the earlier books?

7. Why are memoirs about family life so compelling? Why would so many people, from such a wide array of backgrounds, many of them quite different from Bragg's own, find a story about his family so engaging?

8. Bragg says that his father's friend Jack "does not merely tell me he loved my father, he shows me, painting pictures on the dark..." [p. 138]. How does Bragg himself show rather than tell how people feel throughout the book? What are some of the most vivid and emotionally revealing scenes in The Prince of Frogtown?

9. Bragg writes about people who don't often make it into the pages of bestsellers—drinkers and brawlers, people who work in the cotton mills, or cleaning other people's houses, people who are poor but proud and live in towns like Leesburg, Blue Mountain, Piedmont, and Jacksonville, in the foothills of the Appalachians. What makes these people so fascinating to read about? Why do they so seldom appear in the pages of American literature?

10. What does the book as a whole say about fathers and sons? How is Bragg able to become such a good father, in spite of having grown up with a father her barely knew and who was such a terror when he was present?

11. Why does Bragg's mother decide to return to Jacksonville even though the family seems to have created a much better life for themselves in Dallas? Does she make the right decision? What effect does her leaving have on her husband?

12. Charles Bragg at first appears to be a somewhat one-dimensional man-a bad father who mistreats his family and drinks himself to death. How does Bragg create a much more nuanced portrait of his father? How is Charles Bragg remembered by those who knew him better than Bragg did himself? How should he finally be judged?

13. What are some of the funnier moments in The Prince of Frogtown? What makes Rick Bragg's self-deprecating sense of humor so engaging?

14. Near the end of the book, after he fails to secure an early release from prison for his youngest brother, Bragg writes: "I am sick of this, I thought, sick of this cycle, sick of being at the mercy of something as insignificant as a drink of alcohol" [p. 246]. Just how destructive a force has alcohol been in Bragg's family, and in the mill-town where he grew up? What tragedies can be directly linked to alcohol in the book?

15. What makes the ending of The Prince of Frogtown so bittersweet? Why is this way of ending the book so fitting for the story Bragg has told?

Read More Show Less

Customer Reviews

Average Rating 4
( 19 )
Rating Distribution

5 Star

(11)

4 Star

(4)

3 Star

(1)

2 Star

(2)

1 Star

(1)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 19 Customer Reviews
  • Anonymous

    Posted May 21, 2008

    A Great Tale of Less Than Perfect People

    I enjoyed Rick Bragg's first two books covering his disfunctional family life and this is equally enjoyable. It's always good to take a look at those not so perfect people in the world. Those who do the best they can even when that really isn't enough. Well written and enjoyable.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 2, 2008

    A reviewer

    I can't wait for this book to come out. Mr. Bragg is my favorite author and he writes great personal story books. He makes the characters so real and genuine. I have never be able to meet him but have talked to him on the phone and he is a very nice gentlemen. He writes a lot about his own family and his childhood. His mother sounds like a wonderful lady and she did a very good job raising Rick.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 14, 2013

    J

    J

    Was this review helpful? Yes  No   Report this review
  • Posted April 27, 2012

    more from this reviewer

    I love Rick Bragg

    This one is good too. Charles Bragg is hard to be sympathetic with. But I love the way Rick Bragg writes. I would read anything he publishes. He's great.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 10, 2012

    Loved it!

    I really, really enjoyed The Prince of Frogtown. In fact, I have loved every Rick Bragg book I've read: All Over But The Shoutin', Ava's Man, & this one. I also love the column he writes every month in Southern Living magazine. He just seems to write so honestly & naturally. I give him credit for trying to present his father in a fair way. That had to have been hard, considering the kind of father Charles Bragg was. Really, though, looking at both sides of Rick's family--it's amazing he turned out as he did! From his family history, you'd have thought he didn't stand a chance. Obviously, Rick's mother deserves a tremendous amount of credit--she just never gave up trying to raise her boys well, despite all the difficulties her husband caused. I'm not convinced however, that Charles' experience in Korea was such a big reason for his problems. Read the book, & decide for yourself!

    Was this review helpful? Yes  No   Report this review
  • Posted September 30, 2009

    You must read this touching, funny memoir!!

    Pulitzer prize winner Rick Bragg has magnificently written a truly remarkable memoir.touching, engaging, funny and filled with emotion. Preceded by companion Bragg family memoirs, All Over But the Shoutin' and Ava's Man, this poignant book focuses on the author's father. Charles Bragg grew up in the working class Frogtown neighborhood of mill town Jacksonville, Alabama, and his life was marked by alcoholism, poverty and violence. Following his Korean War service, he deteriorated into an abusive, raging alcoholic who eventually left his family when his sons were young. When author, Rick Bragg, marries late in life, he finds himself helping to raise his youngest step-son, a 10 year-old he simply calls "the boy". Polar opposites in terms of personality and upbringing, he struggles to understand this gentle child. Trying to discern how to be a father, the author reexamines the man his father was through interviews with relatives and friends, and reflects on what he has learned. Chapters alternate between Charles Bragg's life and the author's heartwarming, developing relationship with the boy. Rick Bragg is an exceptionally gifted storyteller who tells his story with beautifully crafted sentences that utterly captivated me. He describes in vivid detail the story of the region.the harsh life of those living in the mill villages and the history of the unfortunate mill people in general. I found myself intrigued by the contrast of the father he had with the step-father he was becoming. This book taught me a lot about relationships.between family members, boyhood friends, neighbors and other relatives. I absolutely loved this hilarious, compelling and insightful memoir and I highly recommend it!

    Was this review helpful? Yes  No   Report this review
  • Posted November 30, 2008

    Completely Absorbing Read!

    As a big fan of Rick Bragg's previous books, I was very anxious to read Prince of Frogtown, and I was totally captivated by his moving story. As with "All Over but the Shouting" and "Ava's Man", I found myself weeping in places in the book. Those of us who grew up poor in the South during this same time can especially relate to Rick's writing. I read the entire book in just two evenings, and was left wanting to know more about the younger brother. Hopefully this isn't the last of Bragg's family stories. This is a must-read for anyone, but much better enjoyed after reading the previous two books about his Mother and Grandfather.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 30, 2008

    Keep your pages coming, please!

    His works are so alive and come from the pages as true people living , loving and will be with me for a long time, until his next book arrives for me to live with them too.Thank you Rick Bragg for the insight into your family.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 22, 2008

    Another great book

    Another great book from Rick Bragg. His descriptions make me feel like I am really there. I laughed and I cried. He has a way with words that left me in awe. This will definitely go on my all-time favorites list, along with All Over But the Shoutin' and Ava's Man.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 9, 2008

    A reviewer

    I think Rick Bragg tells his family story so well I feel I know the whole family. He is a master of language and my family has read each of his books several times. I had the chance to visit 'Frogtown' in the beautiful city of Jacksonville, AL. I would recommend the book and visit to the area of his roots to anyone. My family and I are big fans of Rick Bragg!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 23, 2008

    no appeal

    This book is nowhere near the quality of his other two books about his family. Very disappointing. Would recommend checking it out from the library instead of purchasing it. Ava's Man is one of the best books I have ever read-this book is not even worth re-reading. Has no appeal, nothing interesting happens. Boring.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 9, 2008

    Not Bragg's Best Read

    This book doesn't have the same appeal or 'heart' as Bragg's other books. I would have rather read a book about 'Hootie' or his brother Sam. Sorry, but this one will not be a re-read for me.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 31, 2011

    No text was provided for this review.

  • Anonymous

    Posted August 20, 2009

    No text was provided for this review.

  • Anonymous

    Posted July 24, 2009

    No text was provided for this review.

  • Anonymous

    Posted May 21, 2010

    No text was provided for this review.

  • Anonymous

    Posted December 25, 2010

    No text was provided for this review.

  • Anonymous

    Posted May 29, 2010

    No text was provided for this review.

  • Anonymous

    Posted July 25, 2009

    No text was provided for this review.

Sort by: Showing all of 19 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)