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Overview
Love’s her name, but it’s not her whole story . . .
Love Bukowski is a new sophomore at Hadley Hall, the posh prep school where her father is now principal. Raised by her single dad (with more than a little help from her funky aunt Mable), almost-sixteen-year-old Love is strong willed, with a wry sense of humor—but will she fit into the world of Hadley Hall? In the made-for-TV version of her life, she’s got cool friends and hot guys galore. But being a “fac brat” makes new friends hard to come by, and the guys—well, that remains to be seen. Now Love’s got to step it up if she’s going to overcome her less-than-glamorous reality and get that walk-on role in her own fantasies.
Product Details
| ISBN-13: | 9781480452237 |
|---|---|
| Publisher: | Open Road Media |
| Publication date: | 11/12/2013 |
| Series: | The Principles of Love , #1 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 256 |
| File size: | 3 MB |
| Age Range: | 12 - 18 Years |
About the Author
<DIV><P>Emily Franklin is the author of <I>The Girls' Almanac</I> and <I>Liner Notes</I> and numerous novels for young adults. She has edited three previous anthologies, including <I>It's a Wonderful Lie: 26 Truths About Life in Your Twenties</I>.</P></DIV>
Read an Excerpt
The Principles of Love
A Novel
By Emily Franklin
OPEN ROAD INTEGRATED MEDIA
Copyright © 2005 Emily FranklinAll rights reserved.
ISBN: 978-1-4804-5223-7
CHAPTER 1
Just to get this out of the way: yes, it's my real name. And no, I wasn't born on a commune (not unless you consider Boston, Massachusetts circa 1989 to be a commune). In the movie version of my life, there'd be some great story to go with how I got my name — a rock star absentee father who named me in his hit song, or a promise my real father made to his grandmother in the old country, at least a weepy love story of two people so happy about their daughter they had to give her my name. But there's not — there's just me.
Love. My name is Love. Maybe this makes you think of your first kiss (mine = Jared Rosen, who managed to knock out my top left tooth at the beginning of the summer and provide my first kiss — a peck — by August's end). Or maybe you cringe when I introduce myself, wondering if I come complete with a tacky poster of cuddly kittens tangled in wool (I had one in third grade that showed a tabby clawing the wall saying Hang in there! Thank God for paper recycling).
Trust me, despite what my name conjures up; I am not the sort to have a bed piled with fluffy kitties or well-loved stuffed animals. I actually don't even like cats all that much, not since I hugged little Snowball, my old neighbor's cat right before the freshman formal last year and wound up sucking down antihistamines and nursing facial hives in my gown. Not pretty.
Then again, pretty's not all it's cracked up to be — or so I hear. I'm not what you'd call pretty, not the even more tantalizing beautiful, though maybe I've got potential. Right now I suppose I could fall into the category of appealing. My Aunt Mable's always saying the girls who peak in high school show up looking downright average at their tenth reunion, so I'm hoping (hoping = counting on) that my best years are still ahead of me. I don't want to look back on my life and have sophomore year of high school stand out as a blue ribbon winner, though the chances of that happening are slim at best. Part of me wouldn't mind trading places with the shiny, perfectly blonde and still summer-tanned girls who probably emerged from the womb with a smile as wide as a Cadillac and legs from a music video. But since my life isn't one of those Disney movies where the heroine gets to swap places for a day and learn the secret to life, I have to be content to only know what it's like in my own life — and all I can say is — it's too soon to tell.
We've been here (here = the Hadley Hall campus) for four days. Four days and six hours. And still not one decent conversation, not one promising smile-nod combination over mushy tuna sandwiches and lemonade outside, courtesy of FLIK, the school food supplier. When my dad told me about orientation for Hadley, I guess I imagined days spent lounging on the quad, soaking up the last of the summer rays while meeting cute boys, bonding with my two, amazingly cool new best friends, and somehow forgetting that I have a forehead label — New Girl. Love, the New Girl. And not only that (here I'm imagining some lowly freshman pointing me out as someone who's even more lost than they are); I have the privilege of being the principal's daughter.
When my dad and I arrived on campus, typical trunk loaded with boxes, laundry hamper filled with my still-dirty duds, some overly enthusiastic tour-leader showed us to the faculty housing. I followed my dad up the slate pathway towards the front door of a yellow Victorian house. Huge and with a wraparound porch, the house overlooks the playing fields and the rest of main campus. I stared at it, thinking of the card my dad gave me for my seventh grade birthday — one of those 3D cards that you unfold into a whole building — a large house with a turret and a carousel. I used to stare into that card as if I could get sucked into its landscape and experience some magical life for a while. This is what I thought of when I saw our new digs, minus the merry-go-round.
"This is Dean's Way," the tour guide boy explained, his hands flailing as he pointed out the features of our new abode — porch, view of central campus, doorknocker in the shape of a heart. I stared at the metal heart and wondered for a minute if this could be an omen (heart=love=me) but then I rolled my eyes at myself. I hate when I give myself Lifetime Network moments.
"This is for you," Tour Guide said and handed my dad a large manila envelope and reached out to shake my hand. It still feels weird to shake hands as an almost-sixteen-year old (almost = just under eight weeks until I'm highway-legal). Plus, Tour Guide never even asked my name. Around here, I guess I'm just a faculty brat.
My dad took the keys from the envelope (an envelope labeled, by the way, Principal Bukowski and daughter, as if I have no other identity) and began to fumble with the front door lock.
"Ready?" he asked and smiled at me.
I nodded, excited. Dad and I have lived in some pretty grim places before — the apartment on Yucca Street that lived up to its name, the rent-reduced properties on the campus of Seashore Community College — so I never planned on living large. We've moved around a fair bit, actually, and one of the reason's Dad signed the contract with Hadley Hall was to make sure we could stay in one place. The thought of living here, of calling this home, or not peeling up anyone's old apartment buzzer labels and slicking ours on top, feels both comforting (stability = good) and trapping (sameness = confining — or maybe I just mean revealing).
Dad rushed in, ever-eager to explore new places and see what problems (kitchen light out, bed in the wrong place for optimum light) he might fix. That's what he does, problem-solve and rearrange. Me, I'm more cautious. I lurked for a minute in the doorway, holding onto the heart-knocker and wondering what I'd find.
And I don't just mean that I stood there wondering what my new bedroom would look like. It was like right then, at the front door, I knew everything had changed — or would change, or was changing. The morphing process of leaving freshman year and the already hazy memories that went with it was happening. Soon, sophomore year at Hadley Hall— the Hadley Hall, with its ivy-coated brick and lush green lawns, its brood of young achievers, lacrosse-playing boys, and willowy girls — would begin. And I'd be in it.
CHAPTER 2In the made-for-television movie of this day, I'd wake up in my new house and while sipping my milky coffee, I'd meet my new best friend. We'd bond over loving the same sappy lyrics to 1970s songs (example = Brandi (You're a fine girl) — lame but awesome song from sometime in the late seventies). Then, later, I'd be getting ready to go for a jog (and by jog I mean slow, but hey — it's something) and the Kutcher-esque hot guy I saw yesterday by the track would happen to be running by and take time out of his exercise regime to give me a guided tour of campus ... and of himself. Heh. Unlikely — but then, it's a movie.
The reality of my life is this:
Outside, I can hear the buzz of bugs and the grunts from soccer and field hockey players from the fields near the house. I am decidedly unmotivated to get out of my bed — even though it's eleven o'clock. Last night, I caught my second third and fourth winds and wound up flipping stations between a 90210 rerun on cable and some infomercial that nearly convinced me to order that bizarre brush/hair die combo thing that supposedly makes it easy to home color. Not that it'd be useful for me since my hair is different enough already, penny-hued with some bright bits at the front (not so suitable for highlights or lowlights — more like dim-lights). I think about adding some wild streak of blue or something, but mainly this is when I'm PMSy and, as my Aunt Mable always says, Let No Woman Attempt Hair Change When Hormonally Challenged. This was, of course, after the Miss Clairol mishap that took her three trips to the salon to correct.
Actually, I kind of pride myself on never having ordered from tv before — not that there's a fundamental flaw with it — but there's a principle there. Maybe I feel like if I started, there'd be no turning back — and pretty soon I'd wind up with that weird mop and the orange goop that strips paint and the hair-braiding contraption that I know would create such tangles I'd need to cut great lops of hairs off. So I avoid potential psychological damage (and smelly fumes) by refraining from any and all made-for-tv offers.
Plus, Aunt Mable already signed me up for the Time/Life Singer-Songwriter discs. They arrive each month. She wants to edu-ma-cate me on the finer decades of rock and folk, long before OutKast and Britney. Most of the songs sound like an advertisement for deodorant, but I love the cheesiness of the lyrics, the mellow strumming of the guitars. Instead of John Mayer introspection, there's just old fashioned lust or odes to seventies fashion. Half the time, the guy's singing about making it with his lady or the woman's crooning about how her disco man done her wrong — what's not to appreciate there? Plus, sometimes Aunt Mable will listen with me and tell me about how a particular song makes her think of being a cheerleader, eating grilled cheese, and making out with Bobby Stanhope in the back of his Camero.
With so much late summer sunshine streaming in my window, I can't stay in bed any longer. It's harder to be a lazy slob in warm weather — hiding under the covers is much more gratifying in winter or heavy rains. I slide out of bed and onto the floor, pressing play so I can hear the latest disc — it arrived yesterday — my first piece of mail to this new address. The typed label proved that I don't even need a street number anymore — just my name, Hadley Hall, Fairfield, Massachusetts and the zip. Fairfield is "just outside Boston" — that's how the school catalogue describes it, although my dad and I clocked it in the car and it nearly twenty-four miles, so it's not as if you can walk it. Probably because of my own moniker, I am name-focused and tend to over-analyze place names, so when my dad announced ("Love, pack your bags — we're going to prep school!" as if he'd have to endure the mandatory school blazer with me) we were moving to Fairfield, I couldn't help but picture green expanses and fair maidens traipsing along in long dresses, books carried by the same guy who'd throw his blazer over a mud puddle for easy-stepping.
Anyway, I was partially right. Fairfield is easy on the eyes, as are most of the Hadley students I've seen so far. Doing my usual shower routine, lathering all parts and hair while naked lip-synching, I wonder for a minute what life would be like here if the town were called "Hellville" or "Zitstown" — but when I emerge, clean and wet, and wipe the steam from the window, I can still see the soccer players and beautiful full elm trees. No ugliness here.
"She's going to be here any minute," my dad yells up from his post in the kitchen. I know his routine so well that I can tell he's already come back from the gym eaten the first half of his multigrain bagel. He doesn't use jam, he squashes fresh fruit onto the bread and munches away. He will have already set aside the last cup of coffee for me in the microwave which he will nuke for forty-six seconds prior to my arrival in the kitchen. We have a system — it's what happens when you live with just one parent — either you don't know each other at all, or you're way-too-familiar.
"Hey," I say right as the microwave beeps to signal my caffeine is ready.
"Big shopping day?" Dad asks. He flips through a book. I shrug — I'm not Prada-obsessed or anything, but I enjoy looking around at what's out there. Mainly, it's an excuse to get off campus and be with Aunt Mable, who gives me regular reality checks.
"What's that?" I lean over his shoulder. Dad smells like strawberries and the original Polo from the green bottle. Dad smell. "Or, better yet, who is that?" The book in front of him contains black and white photos.
Dad puts on his game show announcer voice, "The Faces of Hadley Hall!" I reach for the book. He holds it back and says in a regular voice. "I'm just trying to familiarize myself with the rest of the faculty. You'll get your own copy later in the year."
"And the IPSs?" (IPSs=Issue Prone Students — teacher code for screw-ups).
"Maybe," Dad says and bites the rest of his bagel. "Eat something."
A car horn beeps. I can see Aunt Mable's car out the front window. She emerges from the driver's side and sits on the hood of the rusting black Saab 900. With jean cut-offs, black tank top and Ugg boots the same camel color as her ringlets, Aunt Mable always looks like a rock star herself — Sheryl Crow's lost sister or something.
"I gotta go," I say. "You know I'll eat more than my fair share with Mable — she's taking me on a culinary tour as well as showing me her personal fashion finds."
"Here," Dad hands me a key. "Your name here."
"My name here." I say back. This is our I love you.
I take the house key and head outside. He could ask when I'll be home and I could answer that I don't know or make up some time frame, but the truth is, Dad doesn't set rules like that for me. He knows I'll call and tell him where I am and what I'm doing and it's not a big enough deal to bother setting up some structure that I have to follow. Besides, I'm a lousy liar, and I never want to lie to him — it's his Jedi mind trick. He figures if he gives me enough freedom, I won't actually want it all. Here's the thing: up till now, it's been true.
Before I even reach the Saab, my senses are overwhelmed. Mable's new carfume wafts from the rolled down windows, and my aunt sits cross-legged on the hood of the car singing along to Guns n' Roses (Sweet Child o' Mine) at the top of her voice.
"Skipping decades?" I ask and join in on the chorus.
"After you are thoroughly informed of the 1970s, you will pass go and move on to obscure 80s tunes," she says.
"Axel Rose is not obscure," I say.
"True," she nods and slides off the hood to hug me. "But this is a classic."
Mable drives the twenty-four miles into Boston using back roads, and explains the various towns and subway stops along the way. We pass suburbs and slumburbs, a country club or two, industrial buildings, and a huge water tower splashed with brightly colored paints.
"Supposedly you can see faces and words in the mural," Mable says, pointing to the tower. "Personally, I think you can see Clapton's profile in the red part."
We make our way over Mass Ave, where hipsters and homeless people mingle. Passing by Berklee College of Music, I watch as students heft guitars, keyboards, and massive drums in the late summer heat. Aunt Mable watches me absorb the scene.
"Here we are, the Mecca of vintage apparel," she says, sweeping her arm towards a store front like it's a new car on display.
"Baggy Bertha's?" I'm skeptical. Let me state that my own personal style is not fully developed. Not that I don't know what I like — I do, and I'm well aware of what makes me gag — but I'm sort of all over the place when it comes to picking out clothes. I have no trouble finding items that appeal (a pair of black flip-flops with plastic red flowers on them, faded Levi's 501s, two close-fitting tops — one electric blue, one layered white and grey) yet I have no idea how to put them together. It's like I'm a crow drawn to shiny things. After shopping I usually get home and sift through my purchases, only to find there's not one presentable outfit in the lot. It's why I tend to stick to music instead.
"Perfect," Mable says of the suede jacket in front of her. "This, too. And let's try this."
She collects clothes and I wander around the vintage shoe section, agog at the array of coolness and crap up for grabs. Next to thigh-high pleather boots (think Julia Roberts in the hooker phase of Pretty Woman) are Mary Janes and saddle shoes, Elton John disastrous sparkly clunkers circa 1976, and then — the black ankle boots I've longed for, like a riding boot only not in a dominatrix way. Plus, the heel would give me an extra couple of inches (I'm what the pediatrician called "on the smaller end of the growth chart" — better known as 5' 2"). I hold up my footwear find to Mable, who's clad in a bonnet and purple boa yet still manages to be sexy.
Mable makes me try on the Aerosmith —inspired lycra outfit she's picked out and I make her don a dress out of a fairy tale — not a Drew Barrymore kind of fairy tale, the Little Bo Peep kind. We stand in front of the three-way mirror looking at the flipside images of ourselves.
"I'll never be this kind of rock star," I say, toying with the fringe on the sleeves.
Mable smoothes her frilly petticoat. "If I placed an on-line personals ad with this picture of myself, would I find the love of my life?"
(Continues...)
Excerpted from The Principles of Love by Emily Franklin. Copyright © 2005 Emily Franklin. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
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