Noël Coward was born in 1899 in Teddington, Middlesex. He made his name as a playwright with The Vortex (1924), in which he also appeared. His numerous other successful plays included Fallen Angels (1925), Hay Fever (1925), Private Lives (1933), Design for Living (1933) and Blithe Spirit (1941). During the war he wrote screenplays such as Brief Encounter (1944) and In Which We Serve (1942). In the fifties he began a new career as a cabaret entertainer. He published volumes of verse and a novel (Pomp and Circumstance, 1960), two volumes of autobiography and four volumes of short stories: To Step Aside (1939), Star Quality (1951), Pretty Polly Barlow (1964) and Bon Voyage (1967). He was knighted in 1970 and died three years later in Jamaica.
Noël Coward was born in 1899 in Teddington, Middlesex. He made his name as a playwright with The Vortex (1924), in which he also appeared. His numerous other successful plays included Fallen Angels (1925), Hay Fever (1925), Private Lives (1933), Design for Living (1933) and Blithe Spirit (1941). During the war he wrote screenplays such as Brief Encounter (1944) and In Which We Serve (1942). In the fifties he began a new career as a cabaret entertainer. He published volumes of verse and a novel (Pomp and Circumstance, 1960), two volumes of autobiography and four volumes of short stories: To Step Aside (1939), Star Quality (1951), Pretty Polly Barlow (1964) and Bon Voyage (1967). He was knighted in 1970 and died three years later in Jamaica.
Simon Stephens began his theatrical career in the literary department of the Royal Court Theatre, where he ran its Young Writers' Programme. His plays for theatre include Bluebird (Royal Court Theatre) Herons (Royal Court Theatre, 2001); Port (Royal Exchange Theatre, Manchester, 2002); One Minute (Crucible Theatre, Sheffield, 2003 and Bush Theatre, London, 2004); Christmas (Bush Theatre, 2004); Country Music (Royal Court Theatre Upstairs, 2004); On the Shore of the Wide World (Royal Exchange Theatre and National Theatre, London, 2005); Motortown (Royal Court Theatre Downstairs, 2006); Pornography (Tricycle Theatre, London, 2009); Harper Regan (National Theatre, 2008); Sea Wall (Bush Theatre, 2009); Heaven (Traverse Theatre, 2009); Punk Rock (Lyric Hammersmith, London, 2009); The Trial of Ubu (Essen Schauspielhaus/Toneelgroep Amsterdam, 2010); A Thousand Stars Explode in the Sky (co-written with David Eldridge and Robert Holman; Lyric Hammersmith, London, 2010); Wastwater (Royal Court Theatre Downstairs, 2011); Morning (Lyric Hammersmith, 2012); an adaptation of A Doll's House (Young Vic, 2012); an adaptation of The Curious Incident of the Dog in the Night-Time (National Theatre, 2012); Blindsided (Royal Exchange, 2014); and Birdland (Royal Court, 2014). His radio plays include Five Letters Home to Elizabeth (BBC Radio 4, 2001) and Digging (BBC Radio 4, 2003). Awards include the Pearson Award for Best New Play, 2001, for Port; Olivier Award for Best New Play for On the Shore of the Wide World, 2005; and for Motortown German critics in Theater Heute's annual poll voted him Best Foreign Playwright, 2007. His adaptation of Curious Incident of the Dog in the Night-Time won the 2015 Tony Award for Best Play.
