Probable Cause

by Ridley Pearson

Overview

A police detective struggles to outwit a twisted killer in this “breathless” crime novel by the New York Times–bestselling author of Undercurrents (Chicago Tribune).
 
Carmel, California is a scenic, peaceful tourist haven where James Dewitt is the police force’s only detective. His usual caseload is stolen bicycles and the occasional burglary—but things are about to change with frightening speed.
 
A series of apparent suicides—which soon prove to be murders—shocks the community. Dewitt, a former forensic scientist, struggles with the smallest of clues in his quest for the killer, while departmental turf wars and local politics increase the pressures on his investigation. His steps are further dogged by renegade ex-cop Howard Lumbrowski—the man Dewitt blames for his wife’s death. How is Lumbrowski connected to the killings? And why does he have information from Dewitt’s confidential files? Dewitt finds himself playing a dangerous game, breaking his own rules in a desperate search for answers . . .
 
“A natural storyteller . . . He keeps the thread going, twisting the details . . . Dancing the forensic shuffle without missing a step.” —Richmond Times-Dispatch

Product Details

ISBN-13:	9780795339950
Publisher:	RosettaBooks
Publication date:	09/01/2018
Sold by:	Barnes & Noble
Format:	eBook
Pages:	401
File size:	954 KB

About the Author

Ridley Pearson is a New York Times–bestselling author with over twenty-four novels published. His work is extremely diverse, from children’s fiction to crime novels, paranormals and adventure; his novels often incorporate a compelling combination of realistic high-tech forensic wizardry and hair-trigger suspense. One of his best-known crime novels, Undercurrents, contained cutting-edge forensic ideas that helped solve a real-life homicide case. Another, Chain of Evidence, was the first to raise the possibility of a “crime gene”—which later became the focus of a high-profile genetics conference. He has published several popular crime series featuring recurring characters, as well as standalone novels under his own name and the pseudonyms Joyce Reardon, PhD, and Wendell McCall. His thriller, The Red Room, featuring John Knox, was released June 2014. Pearson was the first American to receive the Raymond Chandler Fulbright fellowship at Oxford University, the site of his research for bestselling novels No Witnesses and The Angel Maker. He was also a founding member and bass player for the Rock Bottom Remainders, a band comprised of bestselling authors including Dave Barry and Stephen King.

Hometown:

St. Louis, Missouri

Date of Birth:

March 13, 1953

Place of Birth:

Glen Cove, New York

Education:

Kansas University, B.A., Brown University

Website:

http://www.ridleypearson.com/

Read an Excerpt

CHAPTER 1

TUESDAY, JANUARY 10

1

"DBF at Scenic and Eighth," announced the warm-toned voice of Virginia Fraizer, who acted as both receptionist and radio dispatcher. Dead body found. Down by the beach. They used telephones where dead bodies were concerned. Too many blood- and-guts freaks monitoring police bands to use the radios for something like this. Thank God for Ginny. She seemed to hold the department together.

"I'm on my way," Detective Sergeant James Dewitt replied, returning the receiver to the cradle of the bedside phone. DBF! Not a one-eighty-seven, thank God. That would be a homicide. Not after just two months on the force. Had to hurry. Outdoor crime scenes deteriorated quickly, and to make matters worse, it had been raining when he had awakened at 5:30. He knew the location: a turnout in the blacktop in the otherwise impossibly narrow scenic road that fronted Carmel's beach. Enough room for three parked cars. A hit-and-run, maybe.

Dead body found. One thing was certain: He was wide awake now.

He was in his boxer underwear. He was waiting for the coffee to finish brewing, waiting to wake up Emmy and get her ready for school. He looked in the mirror. He was anything but on his way.

* * *

The body lay spread out on the pavement, posed inhumanly like a malfunctioning mannequin discarded on the showroom floor. Suicide, by the look of the car. A hose taped from the exhaust to the passenger window. Dewitt approached the body and stopped. Given the remarkable gift of life, he wondered how someone could choose death. Sight of the suicide made him angry and a thought flashed through his mind: If only this man's unwanted life could be traded for Julia's.

It was a chilly January morning. Dewitt wore his brown wool sport coat — his only wool sport coat — a garment that begged for replacement. Its two black buttons drooped like the sad eyes of a basset hound. His identifying trademark remained his bow ties, a holdover from his fifteen years in forensics: In the lab, a bow tie stays out of your way. He wore green paisley today, a gift from Emmy. He removed his glasses, exhaled onto their lenses, and afforded them a long methodical polish. He returned them to the bridge of his nose, seating them in a permanently pink dent there. He stepped over the body and squatted by the man's feet, taking one general all-encompassing look first, then focusing detail by detail, head to toe. James Dewitt still existed in the world of the microscopic particle. His eyes missed very little.

He was unaccustomed to victims — especially dead ones. Having served as a man of evidence for so many years, he tended toward the material evidence first, which justified, at least in his mind, disregarding the body at present, turning away and focusing his attention on the vehicle. Technically, he was Detective Dewitt now. Detective Sergeant. But at a crime scene such as this, he instinctively reverted to his former self, a forensic investigator, a specialist dealing in the invisible world of trace evidence. His colleagues derisively referred to forensic criminalists as "nitpickers." What did they know? Would your standard off-the-shelf detective have already noticed that there was no sand on the bottom of the decedent's shoes, this despite a sugarlike coating covering the entire parking lot? And if no sand on the bottom of the shoes, then how had the decedent placed that hose in the passenger window?

That was the beauty of hard evidence: It could either be explained or it couldn't. Witnesses might offer a dozen different accounts of the same incident, but the hard evidence eventually told one, and only one, story.

The car and the dead body would have to tell this story. Unlikely to have witnesses at this early hour. Dewitt carried surgical gloves and a Swiss Army knife in the right pocket of his sports coat; forceps, Baggies, small magnifying glass, and a Mag-Lite in his other. He snapped the pair of gloves on and called out to Patrolman Anderson, who was stringing the bright plastic POLICE LINE tape around the perimeter of the parking area, DO NOT CROSS, it warned. The wind changed and Dewitt could hear the comforting concussion of nearby surf more clearly, could smell the salt and the sap. The struggling Monterey pines with their wind- torn limbs and awkward weather-sculpted shapes leaned painfully toward shore.

Anderson ashamedly confirmed that he had dragged the body from the car. Dewitt was going to have to call a meeting of Carmel's twenty patrolmen and remind them of the responsibilities of the first officer, the first cop to arrive at a crime scene. The problem was not stupidity as much as unfamiliarity. Carmel saw few dead bodies in any given year. However, procedures were what kept investigations consistent, and the courts required consistency.

Dewitt fished out the dead man's wallet. California driver's license. Name: John Galbraith Osbourne. Sacramento. The detective experienced a short flutter in his heart, like sudden indigestion. Third card down was the organ-donor card. Another flutter, this time more painful. The card contained an entry for the next of kin to be notified upon death: Jessica Joyce Osbourne. Everyone knew Jessie Osbourne, the fiercely outspoken Republican state representative. "Jammin' Jessie" they had called her last year because she had played basketball with the statehouse boys for a charity function and had come out of the game at halftime with two points, two assists, and a bloody nose. At fifty-five, Osbourne still had the spunk of a young woman.

Dewitt slipped the wallet into a Baggie and then removed his glasses again, polishing them slowly and then hooking them back around his ears, establishing them on his nose.

He circled the Tercel once, eyes alert. Osbourne had done a neat job of it — but why here? The location of the crime scene itself was as much a piece of evidence as anything. Did he want to die with a nice view? Had there been any view an hour earlier, or had it been too dark? Why here?

Rusty, his shepherd collie mutt, barked from the back of Dewitt's unmarked police car, a Mercury Zephyr. Dewitt shouted a reprimand and the dog went silent.

Dewitt knelt by the body again. Decent-looking guy except for his bluish gray skin. The headlights of the arriving coroner's wagon swept the pavement as it descended the hill of Eighth. Three jewels sparkled in the light, drawing Dewitt's attention. He duck-walked the short distance. Fresh motor oil by the look of it. It had been raining heavily when Dewitt had awakened at 5:30, yet this oil had not washed away. Was that possible in that strong a rain? Using his Swiss Army knife, he took a sample of some of the oil, sealed it in a Baggie, and then labeled it.

"Was your radio car parked over here at any time?" he shouted over to Anderson.

"No, sir," Anderson replied as he finished with the crime-scene ribbon by tying it off to the bumper of his radio car.

Dewitt carried what amounted to a portable crime lab in the trunk of the Zephyr. Besides the spare tire, the bulletproof police vest, and the first-aid kit, he kept two large black salesman bags back there. Between them, they carried every conceivable investigator's tool. He retrieved his camera and photographed the oil and its relationship to the crime scene. Rusty protested from the backseat and had to be silenced again.

"What's up?" Anderson asked, joining him a moment later.

Looking the young patrolman in the eye, Dewitt pointed his gloved finger at the dead man, John Osbourne. "He had a visitor," he said.

2

Police Chief Clarence Hindeman's office, the biggest in the building, was by no means large. The clock on the wall read 3:30. Dewitt had yet to eat lunch. Commander Karl Capp and James Dewitt sat in gunmetal gray steel chairs facing their superior, who presided from behind a large but nondescript matching steel desk, the window behind him looking out on Carmel's picturesque storefronts.

Karl Capp, who had been born perspiring, chewed vigorously on a Mongol number-two pencil. His soft round belly protruded over his tight belt, and he sat with his feet spread to accommodate its sag. He had a pale rubbery face and bright red cheeks. He lived under the conspiracy of angry eyes. Even when smiling, Capp had a bully image to overcome. Flecks of yellow pencil paint clung like canker sores to his lower lip.

Capp was clearly uncomfortable. A veteran Monterey Peninsula cop and a man who ran his own show — with Hindeman more as a figurehead, by his way of thinking — the commander didn't like being on this side of a desk. He made a point of establishing and maintaining the pecking order. Capp had yet to speak business in Dewitt's office. Instead, the detective sergeant was always summoned to the commander's office, where Capp apparently found security in his leather throne of an office chair.

Clarence Hindeman, a physical man, rock solid in his early fifties, sported an ash-gray trimmed beard that hid his lack of chin. He preferred an open-neck shirt and a Western bolo to a conventional tie. He used his hands when he spoke, hard calloused hands that reflected his hobbies of carpentry and river rafting. He spoke in a forced, hoarse voice through a constricted throat. "So what we've got here is the apparent suicide of Jessie Osbourne's boy."

Capp said boldly, "Apparent? We put this sucker to bed just as quickly as we can."

"Apparent suicide," Dewitt reminded. "There are some inconsistencies."

"What the hell does that mean?" Capp complained.

"I'd like to keep this open for a couple of days," Dewitt explained. "Wait for the various reports before we issue any statement. His clothes have been sent to the lab. Jessie Osbourne's people gave us the name of a cousin, Priscilla Laughton, to I.D. him. Wanted to speak with Jessie, but she hasn't returned my call. Autopsy is tentatively scheduled for tomorrow, though Thursday seems more likely. The thing of it is, Commander," he said, addressing Capp, "if we go making a statement that we then have to correct, we're a lot worse off. This'll take a day or two at the most. A couple of tests and we're a hell of a lot more certain what we have here."

"You have Jessie's permission for the autopsy?" Capp asked. "That surprises me."

"Don't need it," Dewitt said, looking to Clarence for support.

"Officially, Karl, we have to go with suspicious causes for the time being. That's why I thought we should talk. You've read Dewitt's notes I take it?"

"Manny Roth's not going to like this, Chief," Capp said. His tongue found a flake of yellow paint he had missed on his lip. He spit it out. "He and Jessie are tight. She's the one sponsoring his fund raiser, don't forget."

"Our distinguished Mayor is a former golf pro, Commander," Dewitt reminded, "not a policeman. There are certain procedures —"

"And our detective's a former nitpicker," Capp interrupted. "If you were a policeman with a little more experience, you might understand the difference in approach between the Salinas lab and a cop shop." To Hindeman he said, "In my opinion we ought to rethink this assignment, Chief. I realize I'm supposed to be the desk cop, but Dewitt's only been with us two months. You couldn't have foreseen something like this when you brought him on."

For Dewitt, the five months since the death of Steven Miller had been hell. He had been arrested on a charge of voluntary manslaughter for the shooting of Miller, and had endured a three- week trial that carried with it the pain of front-page publicity. His acquittal by jury was covered by CNN's "Prime Time News" and picked up the following day by all three networks.

He had been rescued by his friend of several years, Clarence Hindeman, now Carmel's Chief of Police, who had called with a job offer of Detective Sergeant, a newly created position on the Carmel force, designed specifically for a man of Dewitt's talents and experience. He had hoped, by accepting Hindeman's offer, to settle into a quiet existence of tracing down bad checks and stolen bicycles in a small resort community. With the discovery of Osbourne's body, he sensed they had a major case on their hands. It would be a simple matter to accede to Capp's wishes, and forfeit the case. Instead, however, Dewitt, catching Hindeman's eye, shook his head no. He wouldn't give in that easily.

Hindeman said sharply, "It's Dewitt's case, Karl. He reports to you, same as every investigation. This is why I brought him on: He has fifteen years of forensics behind him. Eight of those as an investigator. We're set up just fine to handle this —"

"He's never handled a one-eighty-seven —"

"One-eighty-seven?" asked Hindeman. "Who said anything about a homicide? We're talking suicide here."

"He's talking one-eighty-seven," Capp contradicted, pointing at Dewitt. "He's implying a one-eighty-seven."

"I'm asking for some reports," Dewitt complained, "nothing more. Besides which, I've handled plenty of one-eighty-sevens as an FI. That's not an issue here."

All three launched into a brief shouting match, which was only silenced by Rusty barking from the corner. Hindeman allowed Dewitt the luxury of having the dog in the station house. Rusty was technically considered a mascot. Hindeman gained control again. Dewitt snapped his fingers twice; Rusty lay down.

"I've handled dozens of one-eighty-sevens," Dewitt resumed. "There's very little difference —"

"There's a fuckin' huge difference," Capp disagreed.

"The point is moot," Hindeman roared. "Have you or haven't you read Dewitt's crime-scene notes?"

"So there's no sand on the bottom of the guy's shoes. So there's some motor oil nearby. It's a parking lot for Christ's sake. That's enough for suspicious causes, Chief? Gimme a break! We're talking about Jessie Osbourne's son, unless I missed something."

"Dewitt? You want to respond to that?" By nature of his rank and position, Hindeman tried to remain as neutral as possible, this despite their friendship, despite the fact their daughters were best friends. Although he slipped from time to time, Clarence Hindeman made a point of calling Dewitt by his last name when around the station house. He couldn't afford to play favorites.

"I'm simply pursuing a variety of possibilities," Dewitt explained. "One thing you learn as a 'nitpicker,'" he said with a glance at Capp, "the evidence will tell one and only one story. Anderson compromised the site. That's an added headache. If you read my report, then you're familiar with the fact that Osbourne's luggage was jammed into the back of the trunk. Why? Can you explain that easily?"

"Who cares?"

"I care! I have evidence that isn't adding up."

"Completely circumstantial," Capp sneered.

"Agreed. I won't argue that. The evidence is circumstantial, and it may be nothing. But we won't know that until all the evidence is in, right? Why are we making such a big deal out of this?" he asked Hindeman. "All I'm asking is we run a few tests and eliminate any surprises."

"You're asking to delay a statement to the press. This is Jessie Osbourne's son, Dewitt. This is an election year. You need it spelled out?"

"Since there are those in this department who do not hold my opinion in very high regard," he said, directing his comment at his commander, "I thought it only appropriate to solicit outside help. You will accept an opinion from the Salinas lab, I take it?"

"Don't start with me, Dewitt."

"Is that a yes or a no?"

Capp's face turned scarlet and he adjusted his weight in the chair. "I think this is a mistake. My vote is to clean it up, make a statement to the press, and get this behind us as quickly as we can. Drawing it out with a bunch of circumstantial evidence isn't going to help anyone, least of all Jessie Osbourne. And if Jessie's unhappy, then Manny's unhappy, and that's bad for business."

"Karl," Hindeman said, disappointed. "I'm not looking for votes, I'm looking for input. Are you saying that the John Osbourne death is clearly a suicide? This in light of what Dewitt has turned up?"

"I'm saying he hasn't turned up squat." He considered this for a moment. "You talk to Bill Saffeleti about some oil drops and the way this guy packed his trunk. You tell me how the DA's office feels about it. Save ya the trouble. They'll laugh you outta town."

Dewitt told Hindeman, "I think I'm being misunderstood here. We're a small outfit. We don't want to look like one by making a statement prematurely. A suicide note would help. A despondent phone call made to a close friend. Something along those lines. There again: We have to do the leg work if we're going to explain this thing. I want to know where Osbourne was coming from, where he was headed, what he was up to. I want to be able to sit Jessie Osbourne down and tell her exactly what her son did from say six last night to six this morning. The media, if no one else, will put his last twenty-four hours together. Do we risk playing catch-up with the media?"

"Karl?"

"I don't like it. The guy sucked fumes, Chief. Let's bury him, not slice him open."

(Continues…)

---

Excerpted from "Probable Cause"
by .
Copyright © 2014 Ridley Pearson.
Excerpted by permission of RosettaBooks.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

---

Table of Contents

PROLOGUE,
1: TUESDAY, JANUARY 10,
2: WEDNESDAY,
3: THURSDAY,
4: FRIDAY,
5: SATURDAY,
6: SUNDAY,
7: MONDAY,
8: TUESDAY,
9: WEDNESDAY,
10: THE PREPARATION,
11: THE HEARING,
12: TRAPPER JOHN,
13: LAST CALL,
14: POINT LOBOS,
15: GRAND JURY,
16: EPILOGUE,

Editorial Reviews

"Fascinating...Breathless!" —Chicago Tribune

"A natural storyteller...he keeps the thread going, twisting the details...dancing the forensic shuffle without missing a step," —Richmond Times-Dispatch

"So unusual that finding who-done-it is far from the end of the story." —The West Coast Review of Books

From the Publisher