From the Publisher
“A thrilling adventure of literary alchemy . . . A magical, mystical tour de force of pure entertainment.”
—The Seattle Times
“Delicious . . . Hoffman is an unapologetic optimist, and optimism is in short supply these days. It feels like a vacation to curl up with [The Probable Future].”
—The New York Times Book Review
“Instantly alluring . . . A mysterious, modern-day fairy tale . . . Hoffman is an amazingly talented writer with a beautiful sense of sentence construction, an intriguing imagination, and the ability to create compelling, complex characters that readers care about.”
—Fort Worth Star-Telegram
“Hoffman’s ethereal tale of a family of women with supernatural gifts is a magical escape, grounded in the complex relationships between mothers and daughters.”
“HOFFMAN KNOWS HOW TO PUT MAGIC INTO HER NOVELS, sometimes as an element of the plot;
always in the quality of her writing.”
—The Hartford Courant
“The Probable Future dazzles with its bristling examination of life’s trying tests of the women of the Sparrow family. The electrifying result is an under-the-microscope look at love, friendship, and the ties that blind and bind.”
—The Seattle Times
“[A] bewitching story of gifted women unlucky at love . . . Hoffman is now expert at sketching the New England landscape in the past and future, and the equally chilly psychological landscape of extraordinary women trapped in an ordinary word. . . . She shows a deft hand at tracing the movement from child to adult, showing an unusual ability to create sympathetic characters of all ages.”
“Hoffman has perfected her very own entrancing style of magical realism and mystical romance anchored to the moody, history-laden Massachusetts countryside. . . . Hoffman’s newest cast of characters is unfailingly magnetic, from her eye-rolling teenagers to her wryly in-love seniors to her suddenly aflame fortysomethings, and the story she tells is as lush as it is suspenseful, as rich in earthy and sensuous detail as it is sweet and hopeful.”
“Hoffman is at her best, chronicling in meticulous and beautiful detail the ways the three Sparrow women are transformed . . . The characters are richly drawn, each idiosyncratically real and yet each just a bit of a sorceress.”
—Book magazine (four stars)
“Full-bodied, wholly absorbing characters . . . Hoffman’s storytelling is as spellbinding as ever.”
—Publishers Weekly (starred review)
“Spellbinding . . . Of all the magical realists writing today, she may have the best sense of balance.”
“Filled with vivid . . . characters and cinematic descriptions of New England landscapes, this book will be a hit.”
“[A] lyrical, magic-infused work . . . Another witches’ brew of ethereal characters [and] lush settings.”
“Delicious . . . Like a piece of old-fashioned chocolate cake, Hoffman’s novel feeds a craving.”
—The New York Times Book Review
“Delicious . . . Hoffman is an unapologetic optimist, and optimism is in short supply these days. It feels like a vacation to curl up with this fairy tale suffused with the ‘filmy green light’ of spring, smelling of ‘wild ginger and lake water,’ its sweetness balanced by deft touches of the Gothic.”
—The New York Times Book Review
And although Hoffman has long imbued life with elements of a fairy tale, as in earlier books like Practical Magic, the grim realities of the times in which we live make this story particularly seductive. Susan Kelly
The Los Angeles Times
Hoffman has peopled this book with a cast of believable, if not especially memorable, characters illustrating a range of human behavior, from the almost pathological selfishness of Will Avery to the deep-seated kindness and thoughtfulness of men like Dr. Stewart and Will's shy but loyal younger brother, Matt. She also paints an engaging picture of small-town New England life. Her themes — the importance of learning to see things as they are, the redemptive potential of kindness and love — are just as appealing. Her fiction may not be literature in the honorific sense, it may not even be "good writing," but there are good reasons why many people enjoy reading it.
The New York Times
There's something almost sinfully satisfying about Alice Hoffman's fiction. In this archly ironic age, it's deeply unhip to confess a taste for magic and happy endings, but most people can't survive on a strict diet of postmodern posturing. Like a piece of old-fashioned chocolate cake, Hoffman's 16th novel feeds a craving. It may not be especially memorable or surprising, but it's delicious while it lasts. Janice P. Nimura
Magic is once again knitted into the fabric of a Hoffman novel, this one revolving around a New England family living with the legacy of witchcraft. In colonial Unity, Mass., Rebecca Sparrow was tried as a witch and drowned because of her physical inability to feel pain. Her present-day descendants possess extraordinary gifts. Elinor, the dying matriarch of the Sparrow family, has the ability to discern liars. Her estranged daughter, Jenny Avery, can divine other people's dreams. And Jenny's 13-year-old daughter, Stella, knows how and when people will die. Jenny is recently divorced from Will Avery, a charming but erratic and hard-drinking music teacher; she and Stella live in Boston, where Stella is a charity case at the exclusive Rabbit School for girls. Brainy and unpopular, Stella chafes at her mother's invasive omniscience while trying to make sense of her own powers. When Stella asks her father, Will, to try to prevent a death, he ends up becoming a murder suspect, and her mother sends her to live with Elinor at Cake House, her home in Unity, until the scandal dies down. Jenny and Will soon join her, as does Will's brother, Matt, a reclusive scholar, and Stella's best friend, the audacious, jaded Juliet Aronson. Matt is studying the life of Rebecca Sparrow, and his research reveals strange echoes of Rebecca's story in the lives of her descendants. Subplots are numerous: Brock Stewart, Elinor's doctor, has been secretly in love with Elinor for years; his teenage grandson, Hap, meets the Sparrows and develops a crush on Juliet; and Will becomes close with Liza, an old high school classmate of Jenny's. The plot is crowded, and readers will wish for more time with each of the full-bodied, wholly absorbing characters, but few will complain: Hoffman's storytelling is as spellbinding as ever. Author tour. (June 24) Copyright 2003 Reed Business Information.
Hoffman has become a master at weaving the contemporary realities and difficulties of modern life with strange, secret pasts. The magic in this novel, reminiscent of Hoffman's earlier work, Practical Magic, is perhaps better described as witchcraft. Events are complicated by the pettiness of small-town standards and a landscape where everyone knows everyone else's business, yet it's to a small town an hour from Boston where the characters run the moment there is trouble. On another level, despite being able to see people's deaths in advance or read the dreams of others or be pierced with ten arrowheads and feel no pain, these characters seem reasonably ordinary-and angry. The author expertly conveys the tensions that pervade multiple generations of a family, whether it be a teenager's reaction to her parents' divorce, a widowed mother devoting all her attention to her garden, or a high school student with a promising future eloping with the town troublemaker. Listeners easily become involved in their lives and care what happens to them even when we can more or less guess the outcome. History, it would seem, can't help but repeat itself, but there are surprises. Read by Susan Ericksen, this program is essential for most audio collections.-Rochelle Ratner, formerly with "Soho Weekly News," New York Copyright 2003 Reed Business Information.
School Library Journal
Adult/High School-On her 13th birthday, Stella Avery receives a remarkable gift. Like her mother, grandmother, and other women in her family reaching back to the 1600s, she awakens to discover that she now has a special paranormal ability. Her mother, Jenny, dreams other people's dreams; and her grandmother, Elinor, can ferret out deceit and lies by looking into someone's eyes. When Stella foresees a woman's death and has her father warn the victim, a series of cataclysmic events ensue. Her father is charged with the woman's murder, Jenny and Stella are forced to move in with Elinor, and eventually the eerie tale of their matriarch, Rebecca Sparrow, is brought full circle. Hoffman introduces elements of magical realism, making the book reminiscent of her novel Practical Magic (Berkley, 1996). With a home environment that includes a haunted pond, roads full of toads, and snapping turtles at every bush, the setting emphasizes the women's otherworldliness. The strength of the Sparrow females allows them to face prejudice, love, accusations, threats, and death, all the while keeping their personal integrity, finding the capacity to go on, and experiencing life as good. Complexly constructed, with intertwined plots, memorable settings, and intriguing characters, this is a magnificent novel.-Pam Johnson, Fairfax County Public Library, VA Copyright 2003 Reed Business Information.
A teenaged girl's prophetic powers constitute the eye of several storms brewed up in the magical-realist's overstuffed, ungainly, improbably absorbing 16th novel. Taking a page or two from her Practical Magic (1995), Hoffman (Blue Diary, 2001, etc.) once again creates a trio of women gifted and burdened with extrasensory powers. Stella Avery discovers on her 13th birthday that she is able to see people's futures-an alarming phenomenon that causes her father Will to be falsely suspected of murder. Stella's mother Jenny, contentedly divorced from the feckless Will (who has a long history of selfish and irresponsible behavior), similarly troubled by her own ability to "read" people's dreams, sends Stella away from scandal and possible danger to live with maternal grandmother Elinor, a widowed recluse who tends her beloved garden and considers the fruits of her ability to "smell out" falsehood, while she's dying of cancer. First Jenny, then Will follow Stella's path, and the tale opens-often quite awkwardly-to involve Elinor's physician and friend Brock Stewart (who has secretly loved her for decades); Jenny's formerly mousy high-school classmate Liza Hull (a woman reawakened and transformed by love); Dr. Stewart's affable grandson Hap, who befriends Stella and falls for her acerbic visiting girlfriend Juliet Aronson; Will's "good" brother Matt, a scholarly bachelor who has never forgotten Jenny; and the 17th-century figure of Rebecca Sparrow, a troubled and doomed woman evoked by both Matt's historical researches and the experiences of her descendants, which are eventually seen to be replicating Rebecca's own. Hoffman flits from one center of interest to another like a distracted butterfly.The effect is both jarring and intriguing. We're interested in all her people, but their subordination to the increasingly busy plot tends to drain away interest created by their beguiling individual eccentricities. Enough stylish invention here for several novels, but this one's center cannot hold. Maybe next time. Author tour. Agent: Elaine Markson/Elaine Markson Agency
Read an Excerpt
I. Anyone born and bred in Massachusetts learns early on to recognize the end of winter. Babies in their cribs point to the brightening of the sky before they can crawl. Level-headed men weep at the first call of the warblers. Upstanding women strip off their clothes and dive into inlets and ponds before the ice has fully melted, unconcerned if their fingers and toes turn blue. Spring fever affects young and old alike; it spares no one and makes no distinctions, striking when happiness is least expected, when joy is only a memory, when the skies are still cloudy and snow is still piled onto the cold, hard ground.
Who could blame the citizens of Massachusetts for rejoicing when spring is so close at hand? Winter in New England is merciless and cruel, a season that instills a particular melancholy in its residents and a hopelessness that is all but impossible to shake. In the small towns surrounding Boston, the leaden skies and snowy vistas cause a temporary color blindness, a condition that can be cured only by the appearance of the first green shoots of spring. It isn't unusual for whole populations of certain towns to find they have tears in their eyes all through the month of March, and there are those who insist they can see clearly for the very first time.
Still, there are some who are slower to discern the signs of spring. They distrust March and declare it to be the most perilous time of the year. These are the stubborn individuals who continue to wear woolen coats on the finest of days, who insist it is impossible to tell the difference between a carpet of snowdrops and a stretch of ice in this slippery season, even with twenty-twenty vision. Such people cannot be convinced that lions will ever be turned into lambs. In their opinion, anyone born in March is sure to possess curious traits that mirror the fickle season, hot one minute, cold the next. Unreliable is March's middle name, no one could deny that. Its children are said to be just as unpredictable.
In some cases, this is assuredly true. For as long as their history has been known, there have been only girl children born to the Sparrow family and every one of these daughters has kept the family name and celebrated her birthday in March. Even those babies whose due dates were declared to be safely set within the snowy margins of February or the pale reaches of April managed to be born in March. No matter when an infant was due to arrive, as soon as the first snowdrops bloomed in New England, a Sparrow baby would begin to stir. Once leaves began to bud, once the Blue Star crocus unfolded, the womb could no longer contain one of these children, not when spring fever was so very near.
And yet Sparrow babies were as varied as the days of March. Some were calm and wide-eyed, born with open hands, always the sign of a generous nature, while others arrived squalling and agitated, so full of outrage they were quickly bundled into blue blankets, to ward off nervous ailments and apoplexy. There were babies in the Sparrow family who had been born while big, soft snowflakes fell and Boston Harbor froze solid, and those whose births took place on the mildest of days, so that they drew their first breaths while the robins built nests out of straw and twigs and the red maples blushed with a first blooming.
But whether the season had been fair or foul, in all this time there had been only one baby to be born feet first, the mark of a healer, and that child was Stella Sparrow Avery. For thirteen generations, each one of the Sparrow girls had come into this world with inky hair and dark, moody eyes, but Stella was pale, her ashy hair and hazel eyes inherited, the labor nurses supposed, from her handsome father's side of the family. Hers was a difficult birth, life-threatening for both mother and child. Every attempt to turn the baby had failed, and soon enough the doctors had begun to dread the outcome of the day. The mother, Jenny Avery, an independent, matter-of-fact woman, who had run away from home at seventeen and was as unsentimental as she was self-reliant, found herself screaming for her mother. That she should cry for her mother, who had been so distant and cold, whom she hadn't even spoken to in more than a decade, astounded Jenny even more than the rigors of birth. It was a wonder her mother wasn't able to hear her, for although Elinor Sparrow was nearly fifty miles from Boston, Jenny's cries were piercing, desperate enough to reach even the most remote and hard-hearted. Women on the ward who had just begun their labor stuck their fingers in their ears and practiced their breathing techniques, praying for an easier time. Orderlies wished they were home in bed, with the covers drawn up. Patients in the cardiac unit felt their hearts race, and down in the cafeteria the lemon puddings curdled and had to be thrown away.
At last the child arrived, after seventeen hours of brutal labor. The obstetrician in charge snapped one tiny shoulder to ease the birth, for the mother's pulse was rapidly dropping. It was at this very moment, when the baby's head slipped free and Jenny Avery thought she might lose consciousness, that the cloudy sky cleared to reveal the silvery splash of the Milky Way, the heart of the universe. Jenny blinked in the sudden light which poured in through the window. She saw how beautiful the world was, as though for the very first time. The bowl of stars, the black night, the life of her child, all came together in a single band of light.
Jenny hadn't particularly wanted a baby; she hadn't yearned for one the way some women did, hadn't gazed longingly at rocking horses and cribs. Her stormy relationship with her own mother had made her wary of family ties, and her marriage to Will Avery, surely one of the most irresponsible men in New England, hadn't seemed the proper setting in which to raise a child. And yet it had happened: this baby had arrived on a starry night in March, the month of the Sparrows, season of snow and of spring, of lions and lambs, of endings and beginnings, green month, white month, month of heartache, month of extreme good luck.
The infant's first cries weren't heard until she was tucked into a flannel bunting; then little yelps echoed from her tiny mouth, as though she were a cat caught in a puddle. The baby was easily soothed, just a pat or two on the back from the doctor, but it was too late: her cries had gone right through Jenny, a hook piercing through blood and bones. Jenny Sparrow Avery was no longer aware of her husband, or the nurses with whom he was flirting. She didn't care about the blood on the floor or the trembling in her legs or even the Milky Way above them in the sky. Her eyes were filled with dizzying circles of light, little pinpricks that glimmered inside her eyelids. It wasn't starlight, but something else entirely. Something she couldn't comprehend until the doctor handed her the child, the damaged left shoulder taped up with white adhesive as though it were a broken wing. Jenny gazed into her child's calm face. In that instant she experienced complete devotion. Then and there, on the fifth floor of Brigham and Women's Hospital, she understood what it meant to be blinded by love.
The labor nurses soon crowded around, cooing and praising the baby. Although they had seen hundreds of births, this child was indeed exceptional. It wasn't her pale hair or luminous complexion which distinguished her, but her sweet temperament. Good as gold, the nurses murmured approvingly, quiet as ashes. Even the most jaded had to agree this child was special. Perhaps her character was a result of her birth date, for Jenny's daughter had arrived on the twentieth of March, the equinox, when day and night are of equal length. Indeed, in one tiny, exhausted body, there seemed to exist all of March's traits, the evens and the odds, the dark and the light, a child who would always be as comfortable with lions as she was with lambs.
Jenny named the baby Stella, with Will's approval, of course. For despite the many problems in the marriage, on this one point they agreed: this child was their radiant and wondrous star. There was nothing Jenny would not do for their daughter. She, who had not spoken to her own mother for years, who had not so much as mailed a postcard back home after she'd run off with Will, now felt powerless to resist the mighty forces of her own maternal instinct. She was bewitched by this tiny creature; the rest of the world fell away with a shudder, leaving only their Stella. Jenny's child would not spend a single night apart from her. Even in the hospital she kept Stella by her side rather than let her be brought to the nursery. Jenny Sparrow Avery knew exactly what could happen if you weren't there to watch over your child. She was quite aware of how wrong things could go between mothers and daughters.
Not everyone was doomed to repeat history, however. Family flaws and old sorrows needn't rule their lives, or so Jenny told herself every night as she checked on her sleeping daughter. What was the past, after all, but a leaden shackle one had a duty to try and escape? It was possible to break chains, regardless of how old or how rusted, of that Jenny was certain. It was possible to forge an entirely new life. But chains made out of blood and memory were a thousand times more difficult to sever than those made of steel, and the past could overtake a person if she wasn't careful. A woman had to be vigilant or before she knew it she'd find herself making the same mistakes her own mother had made, with the same resentments set to boil.
Jenny was not about to let herself relax or take the slightest bit of good fortune for granted. There wasn't a day when she wasn't on guard. Let other mothers chat on the phone and hire baby-sitters; let them sit on blankets in the Boston Common on sunny days and on blustery afternoons make angels in the snow. Jenny didn't have time for such nonsense. She had only thirteen years in which to prevail over her family's legacy, and she planned to do exactly that, no matter the cost to herself.
In no time she became the sort of mother who made certain no drafts came in through the windows, who saw to it that there were no late-night bedtimes or playing in the park on rainy days, a sure cause of bronchitis and pleurisy. Cats were not allowed in the house, too much dander; dogs were avoided, due to distemper, not to mention allergies and fleas. It did not matter if Jenny took a job she despised at the bank on Charles Street or if her social life was nonexistent. Friends might fall away, acquintances might come to avoid her, her days of reviewing mortgage applications might bore her silly, but Jenny hardly cared about such distractions. Her only interest was Stella. She spent Saturdays chopping up broccoli and kale for nourishing soups; she sat up nights with Stella's earaches, stomachaches, bouts of chicken pox and flu. She laced boots and went over lessons, and she never once complained. Disappointments, fair-weather friends, math homework, illnesses of every variety were dealt with and put in their proper place. And if Stella grew up to be a wary, rather dour girl, well, wasn't that preferable to running wild the way Jenny had? Wasn't it better to be safe than sorry? Selfish pleasures dissolved the way dreams did, Jenny knew that for certain, leaving behind nothing more than an imprint on the pillowcase, a hole in your heart, a list of regrets so long you could wrap them around yourself like a quilt, one formed from a complicated pattern, Love knot or Dove in the window or Crow's-foot.
Soon enough, Jenny's marriage to Will Avery fell apart, unwound by mistrust and dishonesty, one thread and one betrayal at a time. For quite a while there had been nothing holding these two together but a shared history, the mere fact that they'd grown up together and had been childhood sweethearts. If anything, they stayed together longer than they might have merely for the sake of their daughter, their Stella, their star. But children can tell when love has been lost, they know when silence means peace and when it's a sign of despair. Jenny tried not to think what her mother might say if she knew how badly their marriage had ended. How self-righteous Elinor Sparrow would be if she ever found out that Will, for whom Jenny had given up so much, now lived in his own apartment on the far end of Marlborough Street, where at last he was free to do as he pleased, not that he hadn't done so all along.
That Will was unfaithful should have been evident: whenever he lied, white spots appeared on his fingernails, and each time he was with another woman, he developed what Jenny's mother had called "liar's cough," a constant hacking, a reminder that he'd swallowed the truth whole. Every time Will came back to Jenny, he swore he was a changed man, but he had remained the same person he'd been at the age of sixteen, when Jenny had first spied him from her bedroom window, out on the lawn. The boy who had always looked for trouble didn't have to search for it after a while: it found him no matter where he was, day or night. It followed him home and slipped under the door and lay down beside him. All the same, Will Avery had never presented himself as anything other than the unreliable individual that he was. He'd never claimed to have a conscience. Never claimed anything at all. It was Jenny who had insisted she couldn't live without him. Jenny who forgave him, who was desperate for one of his dreams, one that would remind her of the reason she fell in love with him in the first place.
Indeed, if Elinor Sparrow found out they had broken up, she certainly would not have been surprised. She had correctly judged Will Avery to be a liar the moment she met him. She knew him for what he was at first sight. That was her talent, after all. One sentence and she knew. One shrug of the shoulders. One false excuse. She had marched Will Avery right out of the house when she found him lurking in the parlor, and she'd never let him return, not even when Jenny begged her to reconsider. She refused to change her opinion. Elinor was still referring to him as The Liar on the brilliant afternoon when Jenny left home. It was the spring of Jenny's senior year of high school, that feverish season when rash decisions were easily made. By the time Jenny Sparrow's classmates had been to the prom and were getting ready for graduation, Jenny was working in Bailey's Ice Cream Parlor in Cambridge, supporting Will while he managed to ruin his academic career with hardly any effort. Effort, on the other hand, was all Jenny seemed to possess. She washed dishes after a full day of work; she toted laundry to the Wash and Dri on Saturdays. At eighteen, she was a high school dropout and the perfect wife, exhausted, too busy for anything like regret. After a while her life in her hometown of Unity seemed like a dream: the common across from the meetinghouse where the war memorials stood, the linden trees, the smell of the laurel, so spicy just before blooming, the way everything turned green, all at once, as though winter itself was a dream, a fleeting nightmare made up of ice and heartlessness and sorrow.