Professor Satchafunkilus and the Musterion of Rock [Bonus DVD]

Editorial Reviews

All Music Guide - Jason Lymangrover
While a lot of guitar heroes sling their axes for the sole purpose of proving that they are the fastest shredder in the showroom, picking their Myxolydian scales to the nth degree, on the ridiculously named Professor Satchafunkilus and the Musterion of Rock Satriani shines in his ability to hold back and write tasteful verse/chorus songs with memorable hooks. Like the majority of his songs in his ever growing catalog, most of these are technically impressive numbers that never go overboard with the showboating and rely on a sense of feeling rather than virtuoso technique. When you're considered a guitar god, restraint is a virtue. Of course he can zip along on the ...
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Editorial Reviews

All Music Guide - Jason Lymangrover
While a lot of guitar heroes sling their axes for the sole purpose of proving that they are the fastest shredder in the showroom, picking their Myxolydian scales to the nth degree, on the ridiculously named Professor Satchafunkilus and the Musterion of Rock Satriani shines in his ability to hold back and write tasteful verse/chorus songs with memorable hooks. Like the majority of his songs in his ever growing catalog, most of these are technically impressive numbers that never go overboard with the showboating and rely on a sense of feeling rather than virtuoso technique. When you're considered a guitar god, restraint is a virtue. Of course he can zip along on the fretboard with the best of the best, but the trait that has always separated Satriani from the other guitarists gracing the cover of Guitar World for more than 20 years is his ability to blend technique with guitar lines that are melodic enough for a vocalist to sing. Thankfully, he never takes the microphone on this recording, but on the first half of the gentle and bluesy "Come on Baby," it's easy to imagine substituting his custom Ibanez with a human voice that coos the words "Come on baby, come on babe" on the choruses. Similarly, the "Diddle-Y-A-Doo-Dat" sounds like the title might suggest, starting out with some Yes-style prog licks and flipping into a John Scofield-flavored jazz-funk jam with bends and pull-offs that are best described as "diddleys" and "doo-dats." Neither cut quite astounds, but both demonstrate his versatility on the instrument and his ability to adapt to the climates of various genres. Likewise, the flamenco-flavored "Andalusia" starts off as a warm "Spanish Fly" acoustic number, exploding into a furious distorted solo backed by longtime drummer Jeff Campitelli and former David Lee Roth bassist Matt Bissonette. Along with his backing band, Satch's son ZZ Satriani gets a taste of his pop's spotlight, just like Wolfgang and Dweezil, and provides a few sax flutters on the semi-funky "Professor Satchafunklius." With the exception of these tracks, the remainder of the album is purely rockin', and doesn't vary much from his prior 12 releases. The anthemic "Overdriver" could be an outtake from Flying in a Blue Dream and will surely find a place in his G3 set list, "Musterion" sounds like a Not of this Earth moment, and the two-handed handiwork and blistering riffage on "Asik Vaysel" will definitely have air guitarists salivating. With the good comes the bad, and at the album's most embarrassing moment, "I Just Wanna Rock" advertises cornball clichés with a proudly clanked cowbell, a talkbox Frampton-izing, and a boisterous crowd chant-along. This is a new low for Joe -- practically an open letter admitting that he's OK with the idea of becoming passé. At a time when his former pupil Steve Vai is experimenting with radical orchestral arrangements, it would be nice to see the professor branch even further away from his trademark style, ditch the '80s production, and try something more unconventional, but for the most part he's doing what he does best here, and fans will be content with that. [The Deluxe Edition includes a bonus DVD with live performances of "Surfing with the Alien," "Ice 9," and "Crushing Day" from 2007's Surfing with the Alien 20th anniversary tour, and in-studio footage from recording sessions in L.A. and San Francisco.]
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Product Details

  • Release Date: 5/13/2008
  • Label: Sony Bmg Europe
  • UPC: 886972788623
  • Catalog Number: 727886

Tracks

Disc 1
  1. 1 Musterion (4:37)
  2. 2 Overdriver (5:06)
  3. 3 I Just Wanna Rock (3:27)
  4. 4 Professor Satchafunkilus (4:47)
  5. 5 Revelation (5:57)
  6. 6 Come on Baby (5:49)
  7. 7 Out of the Sunrise (5:43)
  8. 8 Diddle-Y-A-Doo-Dat (4:16)
  9. 9 Asik Vaysel (7:42)
  10. 10 Andalusia (6:51)
Disc 2
  1. 1 The Making of Professor Satchafunkilus...
  2. 2 Surfing with the Alien
  3. 3 Ice 9
  4. 4 Crushing Day
  5. 5 Behind the Scenes in L.A. and S.F.
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Album Credits

Performance Credits
Joe Satriani Primary Artist, Organ, Acoustic Guitar, Bass, Guitar, Piano, Electric Guitar, Keyboards, Vocals, Hand Clapping
Keith Baker Crowd Noise
Matt Bissonette Bass
Jeff Campitelli Percussion, Bongos, Drums, Tambourine, Hand Clapping, Shaker, cowbell, Crowd Noise
John Cuniberti Percussion, Tambourine, Hand Clapping, Crowd Noise
Chris Solberg Crowd Noise
Michael Manning Crowd Noise
Doug Doppler Crowd Noise
Amir Zitro Crowd Noise
Mike Boden Hand Clapping
Jeff "Duval" Brown Crowd Noise
Robert "RX Lord" Lewis Crowd Noise
John Crockett Crowd Noise
Doris A. Bergman Crowd Noise
John D. Bilbee Crowd Noise
Gary Brawer Crowd Noise
Gabriella Campitelli Crowd Noise
Chris Conn Crowd Noise
Chloe Cotsifas Crowd Noise
Jeffrey Cotsifas Crowd Noise
Melissa Doppler Crowd Noise
Alex Doty Crowd Noise
Cheryl Doty Crowd Noise
Edward R. Doty Crowd Noise
Sean Gelbaugh Crowd Noise
Jonathan Gilleland Crowd Noise
Jon Luini Crowd Noise
Maaike Luini Crowd Noise
Kevin Mayeda Crowd Noise
Nolan Meghrouni Brown Crowd Noise
Zak Meghrouni Brown Crowd Noise
Rubina Satriani Crowd Noise
ZZ Satriani Saxophone, Tenor Saxophone, Crowd Noise
John Sovik Crowd Noise
Technical Credits
Joe Satriani Composer, Producer, Engineer
John Cuniberti Producer, Engineer
Bernie Grundman Mastering
Rex Ray Art Direction
Mick Brigden Director
Eric Caudieux Digital Editing, Sound Design
Mike Boden Digital Editing
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