Profit Margins: The American Silent Cinema and the Marginalization of Advertising

by Jeremy Groskopf

Overview

Between the advent of print advertising and the dawn of radio came cinema ads. These ads, aimed at a captive theater audience, became a symbol of the developing binary between upper-class film consumption and more consumerist media.

In Profit Margins, Jeremy Groskopf examines how the ad industry jockeyed for direct advertisement space in American motion pictures. In fact, advertisers, who recognized the import of film audiences, fought exhibitors over what audiences expected in a theater outing. Looking back at these debates in four case studies, Groskopf reveals that advertising became a marker of class distinctions in the cinema experience as the film industry pushed out advertisers in order to create a space free of ads. By restricting advertising, especially during the rise of high-class, palatial theaters, the film industry continued its ongoing effort to ascend the cultural hierarchy of the arts.

An important read for film studies and the history of marketing, Profit Margins exposes the fascinating truth surrounding the invention of cinema advertising techniques and the resulting rhetoric of class division.

Product Details

ISBN-13:	9780253059369
Publisher:	Indiana University Press
Publication date:	12/07/2021
Sold by:	Barnes & Noble
Format:	eBook
Pages:	346
File size:	7 MB
Age Range:	18 Years

About the Author

Jeremy Groskopf is Instructor of Communication Studies and Journalism at Averett University.

Table of Contents

Acknowledgments
Introduction: Advertising Looks at Cinema
1. The Front Cover Medium: Lantern Slides, Temporality, and the Commercial Break
2. Screen Sugar Pills: The Advertising Trailer and the Commercialized Intermission
3. Watch This Space: Peripheral Advertising Through Technologies
4. The Cinema Wants to Be Free: Parks, Tickets, and Advertiser-Funded Cinema
Conclusion: Intemperate Proclamations
Bibliography
Index

What People are Saying About This

Patrick Vonderau

Groskopf's book turns existing literature on its head by showing that advertising actually was in and all around cinema long before radio. . . . The author has collected a wealth of archival materials that enable him to carefully study the spread of advertising-related ideas and their adoption in terms of methods, devices, and business models.

Alisa Perren

In Profit Margins, Jeremy Groskopf uncovers intriguing connections between the film and advertising industries in the early 20th century. Convincingly argued, fluidly written, and supported by an impressive range of archival sources, Groskopf sheds light on the formative struggles that defined the early theatrical experience and its business model. From this we see how today's digital advertising practices date back to innovations made during the early years of cinema.

Kathryn Fuller-Seeley

In this meticulously researched, detailed and lively account, Groskopf unearths the lost connections between consumer advertising and the earliest American movie theaters. His fascinating illustrations and archival finds demonstrate that many current efforts to market to media audiences have long roots.

Editorial Reviews

"Groskopf's book turns existing literature on its head by showing that advertising actually was in and all around cinema long before radio. . . . The author has collected a wealth of archival materials that enable him to carefully study the spread of advertising-related ideas and their adoption in terms of methods, devices, and business models."—Patrick Vonderau, author of Films that Sell: Moving Pictures and Advertising

"In this meticulously researched, detailed and lively account, Groskopf unearths the lost connections between consumer advertising and the earliest American movie theaters. His fascinating illustrations and archival finds demonstrate that many current efforts to market to media audiences have long roots."—Kathryn Fuller-Seeley, author of Jack Benny and the Golden Age of American Radio Comedy

"In Profit Margins, Jeremy Groskopf uncovers intriguing connections between the film and advertising industries in the early 20th century. Convincingly argued, fluidly written, and supported by an impressive range of archival sources, Groskopf sheds light on the formative struggles that defined the early theatrical experience and its business model. From this we see how today's digital advertising practices date back to innovations made during the early years of cinema."—Alisa Perren, Associate Professor, University of Texas at Austin

From the Publisher