The Prometheus Deceptionby Robert Ludlum, Frank Muller
Nicholas Bryson spent years as a deep cover operative for the American
Robert Ludlum is the acknowledged master of suspense and international intrigue. For over thirty years, in over twenty international bestsellers, he has a set a standard that has never been equaled. Now, with the Prometheus Deception, he proves that he is at the very pinnacle of his craft.
Nicholas Bryson spent years as a deep cover operative for the American secret intelligence group, the Directorate. After critical undercover mission went horribly wrong, Bryson was retired to a new identity. Years later, his closely held cover is cracked and Bryson learns that the Directorate was not what it claimed - that he was a pawn in a complex scheme against his own country's interests. Now, it has become increasingly clear that the shadowy Directorate is headed for some dangerous endgame - but no one knows precisely who they are and what they are planning. With Bryson their only possible asset, the director of the CIA recruits Bryson to find, reinfiltrate, and stop the Directorate. But after years on the sidelines, Bryson's field skills are rusty, his contacts unreliable, and his instincts suspect.
With everything he thought he knew about his own life in question, Bryson is all alone in a wilderness of mirrors - unsure what is and isn't true and who, if anyone, he can trust - with the future of millions in the balance.
“Welcome to Robert Ludlum's world…fast pacing, tight plotting, international intrigue” Cleveland Plain Dealer
“Muller's voice keeps the tension building and conveys a menacing yet thoughtful edge that pulls listeners into the action.” AudioFile
“Rarely has any writer of espionage novels come up with such an ambitious design that churns on so many levels.” Chicago Tribune
“Ludlum stuffs more surprises into his novels than any other six pack of thriller writers combined.” New York Times
- Macmillan Audio
- Publication date:
- Edition description:
- Product dimensions:
- 4.70(w) x 7.02(h) x 1.09(d)
Read an Excerpt
Five weeks later
The patient was conveyed by a chartered jet to a private landing strip twenty miles northwest of Washington, D.C. Although the patient was the only passenger on the entire aircraft, no one spoke to him except to ascertain his immediate needs. No one knew his name. All they knew was that this was clearly an extremely important passenger. The flight's arrival appeared on no aviation logs anywhere, military or civilian.
The nameless passenger was then taken by unmarked sedan to downtown Washington and dropped off, at his own request, near a parking garage in the middle of an unremarkable block near Dupont Circle. He wore an unimpressive gray suit with a pair of tasseled cordovan loafers that had been scuffed and shined a few too many times, and looked like one of a thousand midlevel lobbyists and bureaucrats, the faceless, colorless staffers of a permanent Washington.
Nobody gave him a second look as he emerged from the parking garage, then walked, stiffly and with a pronounced limp, to a dun-colored, four-story building at 1324 K Street, near Twenty-first. The building, all cement and gray-tinted glass, was scarcely distinguishable from all the other bland, boxy low-rises along this stretch of northwest Washington. These were the offices, invariably, of lobbying groups and trade organizations, travel bureaus and industry boards. Beside its front entrance a couple of brass plaques were mounted, announcing the offices of INNOVATION ENTERPRISES and AMERICAN TRADE INTERNATIONAL.
Only a trained engineer withhighly rarefied expertise might have noticed a few anomalous detailsthe fact, for example, that every window frame was equipped with a piezoelectric oscillator, rendering futile any attempt at laser-acoustic surveillance from outside. Or the high-frequency white-noise "drench" that enveloped the building in a cone of radio waves, sufficient to defeat most forms of electronic eavesdropping.
Certainly nothing ever attracted the attention of its K Street neighborsthe balding lawyers at the grains board, the grim-faced accountants in their ties and short-sleeved shirts at the slowly failing business consulting firm. People arrived at 1324 K Street in the morning and left in the evening and trash was deposited in the alley Dumpster on the appropriate days. What else did anybody care to know? But that was how the Directorate liked to be: hidden in plain view.
The man almost smiled to himself when he thought about it. For who would ever suspect that the most secretive of the world's covert agencies would be headquartered in an ordinary-looking office building in the middle of K Street, right out in the open?
The Central Intelligence Agency in Langley, Virginia, and the National Security Agency in Fort Meade, Maryland, were housed in moated fortresses that proclaimed their existence! Here I am, they seemed to say, right here, pay no attention to me! They virtually dared their opponents to breach their securityas inevitably happened. The Directorate made those so-called clandestine bureaucracies look about as reclusive as the U.S. Postal Service.
The man stood inside the lobby of 1324 K Street and scanned the sleek brass panel, on which was mounted a perfectly conventional-looking telephone handset beneath a dial pad, from all appearances the sort of arrangement that appears in lobbies in office buildings around the world. The man picked up the handset and then pressed a series of numbers, a predetermined code. He kept his index finger pressed on the last button, the # sign, for a few seconds until he heard a faint ring, signifying that his fingerprint had been electronically scanned, analyzed, matched against a preexisting and precleared database of digitized fingerprints, and approved. Then he listened to the telephone handset as it rang precisely three times. A disembodied, mechanical female voice commanded him to state his business.
"I have an appointment with Mr. Mackenzie," said the man. In a matter of seconds his words were converted into bits of data and matched against another database of precleared voiceprints. Only then did a faint buzzing in the lobby indicate that the first inner set of glass doors could be opened. He hung up the telephone receiver and pushed open the heavy, bulletproof glass doors, entered a tiny antechamber, and stood there for a few seconds; as his facial features were scanned by three separate high-resolution surveillance cameras and checked against stored, authorized patterns.
The second set of doors opened onto a small, featureless reception area of white walls and gray industrial carpeting, equipped with hidden monitoring devices that could detect all manner of concealed weapons. On a marble-topped console in one corner, there was a stack of pamphlets emblazoned with the logo of American Trade International, an organization that existed only as a set of legal documents and registrations. The rest of the pamphlets were given over to an unreadable mission statement, filled with platitudes about international trade. An unsmiling guard waved Bryson past, through another set of doors and into a handsomely appointed hall, paneled in dark, buried walnut, where about a dozen clerical types were at their desks. It might have been an upscale art gallery of the sort one might find on Fifty-seventh Street in Manhattan, or perhaps a prosperous law firm.
"Nick Bryson, my main man!" exclaimed Chris Edgecomb, bounding from his seat at a computer monitor. Born in Guyana, he was a lithe, tall man with mocha skin and green eyes. He'd been at the Directorate for four years, working on the communications-and-coordination team; he fielded distress calls, figured out ways to relay information to agents in the field when it was necessary. Edgecomb clasped Bryson's hand warmly.
Nicholas Bryson knew he was something of a hero to people like Edgecomb, who yearned to be field operatives. "Join the Directorate and change the world," Edgecomb would joke in his lilting English, and it was Bryson he had in mind when he said it. It was a rare event, Bryson knew, that the office staff saw Bryson face-to-face; for Edgecomb, this was an occasion.
"Somebody hurt you?" Edgecomb's expression was sympathetic; he saw a strong man who had been hospitalized until recently. Then he continued hastily, knowing better than to ask questions: "I'll pray to Saint Christopher for you. You'll be a hundred percent in no time."
The Directorate's creed, above all, was segmentation and compartmentalization. No one agent or staffer should ever know enough to be in the position to jeopardize the security of the whole. The organizational chart was shrouded even to a veteran like Bryson. He knew a few of the desk jockeys, of course. But the field personnel all operated in isolation, through their own proprietary networks. If you had to work together, you knew each other only by a field legend, a temporary alias. The rule was more than procedure, it was Holy Writ.
"You're a good man, Chris," Bryson remarked.
Edgecomb smiled modestly, then pointed a finger upward. He knew Bryson had an appointmentor was it a summons?with the big man himself, Ted Waller. Bryson smiled, gave Edgecomb a friendly clap on the shoulder, and made his way to the elevator.
"Don't get up," Bryson said heartily as he entered Ted Waller's third-floor office. Waller did anyway, all six feet, four inches and three hundred pounds of him.
"Good Lord, look at you," Waller said, his eyes appraising Bryson with alarm. "You look like you came out of a POW camp."
"Thirty-three days in a U.S. government clinic in Morocco will do that to you," Bryson said. "It's not exactly the Ritz."
"Perhaps I should try being gutted by a mad terrorist someday." Waller patted his ample girth. He was even larger than the last time Bryson had seen him, though his avoirdupois was elegantly sheathed in a suit of navy cashmere, his bull neck flattered by the spread collar of one of his Turnbull & Asser shirts. "Nick, I've been tormenting myself since this happened. It was a serrated Verenski blade from Bulgaria, I'm told. Plunge and twist. Terribly low-tech, but it usually does the job. What a business we're in. Never forget, it's what you don't see that always gets you." Waller settled weightily back in the tufted-leather chair behind his oak desk. The early-afternoon sun filtered through the polarized glass behind him. Bryson took a seat in front of him, an unaccustomed formality. Waller, who was normally ruddy and seemingly robust, now looked pallid, the circles under his eyes deep. "They say you've made a remarkable recovery."
"In a few more weeks, I'll be as good as new. At least that's what the doctors tell me. They also say I'll never need an appendectomy, a side benefit I never thought of." As he spoke, he felt the dull ache in his lower-right abdomen.
Waller nodded distractedly. "You know why you're here?"
"A kid gets a note to see the principal, he expects a reprimand." Bryson feigned lightheartedness, but his mood was tense, somber.
"A reprimand," Waller said enigmatically. He was silent for a moment, his eyes settling on a row of leather-bound books on the shelves near the door. Then he turned back and said in a gentle, pained voice: "The Directorate doesn't exactly post an organizational chart, but I think you have some inkling of the command-and-control structure. Decisions, particularly ones concerning key personnel, do not always stop at my desk. And as important as loyalty is to you and to mehell, to most of the people in this goddamned placeit's coldhearted pragmatism that rules the day. You know that."
Bryson had only had one serious job in his life, and this was it; still, he recognized the undertones of the pink-slip talk. He fought the urge to defend himself, for that was not Directorate procedure; it was unseemly. He recalled one of Wallet's mantras: There's no such thing as bad luck, then thought of another maxim. "All's well that ends well," Bryson said. "And it did end well."
"We almost lost you," Waller said. "I almost lost you," he added ruefully, a teacher speaking to a prize student who has disappointed him.
"That's not pertinent," Bryson said quietly. "Anyway, you can't read the rules on the side of the box when you're in the field; you know that. You taught me that. You improvise, you follow instinctnot just established protocol."
"Losing you could have meant losing Tunisia. There's a cascade effect: when we intervene, we do so early enough to make a difference. Actions are carefully titrated, reactions calibrated, variables accounted for. And so you nearly compromised quite a few other undercover operations, in Maghreb and other places around the sandbox. You put other lives in jeopardy, Nickyother operations and other lives. The Technician's legend was intricately connected to other legends we'd manufactured; you know that. Yet you let your cover get blown. Years of undercover work compromised because of you!"
"Now, wait a second"
"Giving them `defective munitions'how did you think they wouldn't suspect you?"
"Damn it, they weren't supposed to be defective!"
"But they were. Why?"
"I don't know!"
"Did you inspect them?"
"Yes! No! I don't know. It never crossed my mind that the goods weren't as they were represented."
"That was a serious lapse, Nicky. You endangered years of work, years of deep-cover planning, cultivation of valuable assets. The lives of some of our most valuable assets! Goddamn it, what were you thinking?"
Bryson was silent for a moment. "I was set up," he said at last.
"Set up how?"
"I can't say for sure."
"If you were `set up,' that means you were already under suspicion, correct?"
"II don't know."
"`I don't know'? Not exactly words that inspire confidence, are they? They're not words I like to hear. You used to be our top field operative. What happened to you, Nick?"
"MaybesomehowI screwed up. Don't you think I've gone over it and over it in my mind?"
"I'm not hearing answers, Nick."
"Maybe there aren't any answersnot now, not yet."
"We can't afford such screwups. We can't tolerate this kind of carelessness. None of us can. We allow for margins of error. But we cannot go beyond them. The Directorate doesn't tolerate mistakes. You've known that since day one."
"You think there was something I could have done differently? Or maybe you think somebody else could have done it better?"
"You were the best we ever had, you know that. But as I told you, these decisions are reached at consortium level, not at my desk."
A chill ran through Bryson upon hearing the bureaucratese that told him Waller had already distanced himself from the consequences of the decision to let him go. Ted Waller was Bryson's mentor, boss, and friend, and, fifteen years ago, his teacher. He had supervised his apprenticeship, briefed him personally before the operations he worked on early in his career. It was an immense honor, and Bryson felt it to this day. Waller was the most brilliant man he'd ever met. He could solve partial differential equations in his head; he possessed vast stores of arcane geopolitical knowledge. At the same time his lumbering frame belied his extraordinary physical dexterity. Bryson recalled him at a shooting range, absently hitting one bull's-eye after another from seventy feet while chatting about the sad decline of British bespoke tailoring. The .22 looked puny in his large, plump, soft hand; it was so under his control that it might have been another finger.
"You used the past tense, Ted," Bryson said. "The implication being that you believe I've lost it."
"I simply meant what I said," Waller replied quietly. "I've never worked with anyone better, and I doubt I ever will."
By temperament and by training, Nick knew how to remain impassive, but now his heart was thudding. You were the best we ever had, Nick. That sounded like an homage, and homage, he knew, was a key element of the ritual of separation. Bryson would never forget Waller's reaction when he pulled off his first operational hat trickfoiling the assassination of a moderate reform candidate in South America. It was a taciturn Not bad: Waller had pressed his lips together to keep from smiling, and to Nick, it was a greater accolade than any that followed. It's when they begin to acknowledge how valuable you are, Bryson had learned, that you know they're putting you out to pasture.
"Nick, nobody else could have accomplished what you did in the Comoros. The place would have been in the hands of that madman, Colonel Denard. In Sri Lanka, there are probably thousands of people who are alive, on both sides, because of the arms-trading routes you exposed. And what you did in Belarus? The GRU still doesn't have a clue, and they never will. Leave it to the politicians to color inside the lines, because those are the lines that we've drawn, that you've drawn. The historians will never know, and the truth is, it's better that way. But we know that, don't we?"
Bryson didn't reply; no reply was called for.
"And on a separate matter, Nick, noses are out of joint around here about the Banque du Nord business." He was referring to Bryson's penetration of a Tunis bank that channeled laundered funds to Abu and Hezbollah to fund the coup attempt. One night during the operation more than 1.5 billion dollars simply disappeared, vanished into cyberspace. Months of investigation had failed to account for the missing assets. It was a loose end, and the Directorate disliked loose ends.
"You're not suggesting that I had my hand in the cookie jar, are you?"
"Of course not. But you understand that there are always going to be suspicions. When there are no answers, the questions linger; you know that."
"I've had plenty of opportunities for `personal enrichment' that would have been far more lucrative and considerably more discreet."
"You've been tested, yes, and you've passed with flying colors. But I question the method of diversion, the monies transferred through false flags to Abu's colleagues to purchase compromisable background data."
"That's called improvisation. It's what you pay me forusing my powers of discretion when and where necessary." Bryson stopped, realizing something. "But I was never debriefed about this!"
"You offered up the details yourself, Nick," said Waller.
"I sure as hell neveroh, Christ, it was chemicals, wasn't it?"
Waller hesitated a split-second, but just long enough that Bryson's question was answered. Ted Waller could lie, blithely and easily, when the need dictated, but Bryson knew his old friend and mentor found lying to him distasteful. "Where we obtain our information is compartmented, Nick. You know that."
Now he understood the need for such a protracted stay in an American-staffed clinic in Laayoune. Chemicals had to be administered without the subject's knowledge, preferably injected into the intravenous drip. "Goddamn it, Ted! What's the implicationthat I couldn't be trusted to undergo a conventional debriefing, offer the goods up freely? That only a blind interrogation could tell you what you wanted to know? You had to put me under without my knowledge?"
"Sometimes the most reliable interrogation is that which is conducted without the subject's calculation of his own best interest."
"Meaning you guys thought that I'd lie to cover my ass?"
Waller's reply was quiet, chilling. "Once assessments are made that an individual is not one hundred percent trustworthy, contrary assumptions are made, at least provisionally. You detest it, and I detest it, but that's the brutal fact of an intelligence bureaucracy. Particularly one as reclusivemaybe paranoid is the more accurate word hereas we are."
Paranoid. In fact, Bryson had learned long ago that to Waller and his colleagues at the Directorate, it was an article of faith that the Central Intelligence Agency, the Defense Intelligence Agency, and even the National Security Agency were riddled with moles, hamstrung by regulation, and mired in an arms race of disinformation with their hostile counterparts abroad. Waller liked to call these, the agencies whose existence was emblazoned on Congressional appropriations bills and organization charts, the "woolly mammoths." In his earliest days with the Directorate, Bryson had innocently asked whether some measure of cooperation with the other agencies didn't make sense. Waller had laughed. "You mean, let the woolly mammoths know we exist? Why not just send a press release to Pravda?" But the crisis of American intelligence, in Waller's view, went far beyond the problems of penetration. Counterintelligence was the true wilderness of mirrors. "You lie to your enemy, and then you spy on them," Waller had once pointed out, "and what you learn is the lie. Only now, somehow, the lie has become true, because it's been recategorized as `intelligence.' It's like an Easter-egg hunt. How many careers have been madeon either sideby people who have painstakingly unearthed eggs that their colleagues have just as painstakingly buried? Colorful, beautifully painted Easter eggsbut fakes nonetheless."
The two had sat talking through the night in the below-ground library underneath the K Street headquarters, a chamber furnished with seventeenth-century Kurdish rugs on the floor, old British oil paintings of the hunt, of loyal dogs grasping fowl in their pedigreed mouths.
"You see the genius of it?" Waller had gone on. "Every CIA adventure, botched or otherwise, will eventually come under public scrutiny. Not so for us, simply because we're on nobody's radar." Bryson still remembered the soft rattle of ice cubes in the heavy crystal glass as Waller took a sip of the barrel-proof bourbon he favored.
"But operating off the grid, practically like outlaws, can't exactly be the most practical way to do business," Bryson had protested. "For one thing, there's the matter of resources."
"Granted, we don't have the resources, but then we don't have the bureaucracy, either, the constraints. All in all, it's a positive advantage, given our particular purview. Our record is proof of it. When you work in ad hoc fashion with groups around the world, when you don't shy from extremely aggressive interventions, then all you need is a very small number of highly trained operatives. You take advantage of on-the-ground forces. You succeed by directing events, coordinating the desired outcomes. You don't need the vast overheads of the spy bureaucracies. All you really need is brains."
"And blood," said Bryson, who had already seen his share of it by then. "Blood."
Waller had shrugged. "That great monster Joseph Stalin once put it quite aptly: you can't make an omelet without breaking some eggs." He spoke about the American century, about the burdens of empire. About imperial Britain in the nineteenth century, when Parliament would debate for six months about whether to send an expeditionary force to rescue a general who had been under siege for two years. Waller and his colleagues at the Directorate believed in liberal democracy, fervently and unequivocallybut they also knew that to secure its future, you couldn't play, as Waller liked to say, by Queensbury rules. If your enemies operated by low cunning, you'd better summon up some good old low cunning of your own. "We're the necessary evil," Waller had told him. "But don't ever get cockythe noun is evil. We're extra-legal. Unsupervised, unregulated. Sometimes I don't even feel safe knowing that we're around." There was another soft rattle of ice cubes as he drained the last drops of bourbon from the glass.
Nick Bryson had known fanaticsfriendlies and hostiles bothand he found comfort in Waller's very ambivalence. Bryson had never felt he'd fully had the measure of Waller's mind: the brilliance, the cynicism, but mostly the intense, almost bashful idealism, like sunlight spilling through the edge of drawn blinds. "My friend," Waller said, "we exist to create a world in which we won't be necessary."
Meet the Author
Robert Ludlum is the author of twenty-two novels published in thirty-two languages and forty countries. Read by hundreds of millions world-wide, his books include The Scarlatti Inheritance, The Chancellor Manuscript, The Acquitaine Progression, The Icarus Agenda, and The Bourne Identity. He divides his time between homes in Florida and Montana.
- Date of Birth:
- May 25, 1927
- Date of Death:
- March 12, 2001
- Place of Death:
- Naples, Florida
- B.A., Wesleyan University, 1951
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >
The plot was decent, very Ludlum-esque. Characters were not developed well and the ending was anticlimactic. Disappointing wnen compared to his earlier works such as parsifal mosaic, gemini contenders and bourne idenity. A marginal read for Ludlum fans.
Im 21 black hair green eyea i have a little bro by the name of Axios im a guy obviously im a butler and i have a secret that i cant tell only my brother knows about it
Name: Yin. Simple. <br> Gender: &female (Female) <br> Age: Very very old...Though that doesn't affect her appearance. She looks about 17... <br> Appearance: 5'7, extremely pale skin with very little color, white eyes, (No, she isn't blind. And far from it.) She has rib-length straight black hair with symmetrical(?) bangs, not the skinniest person, but a decent weight, thin eyebrows, strong chin, long nose.... <br> Attire: A sleevless very long dress that's so black it's hard to tell exactly what you're looking at. Due to this, it's hard to describe. And on fancier occasions, she wears an ebony circlet that has a single black crystal dropping onto her forehead.... <br> Persona: Considering she hosts the spirit of Yin, she can be very negative, sarcastic, anti-social, and cruel. Though in truth, all she wants is a group of trustworthy friends. She's very protective, and tries not to let emotions get in the way. <br> Powers: She can manipulate emotions, (Though she rarely does.) And control negative energy. <br> History: She won't say. She knows, but she won't tell. <br> Weapon(s): Her powers. She mainly uses strong blasts. <br> Her Goal In Life: Keep Yang alive at all costs. <br> Social Status: Single. She finds most people disgusting. Plus if she ever were to go that far, (very unlikely) her vows would prevent her from doing such a thing. <br> Anthem: 'Abraham's Daughter' by Arcade Fire. <br> Siggy: 东 Yin <p> Name: Yang <br> Gender: Male <br> Age: Same as Yin. Looks about the same age, too. <br> Appearance: Similar features to Yin, same nose, same chin, same eyebrows. The similarities stop there, though. He has white hair. Like, paper-white. Pale skin, black eyes, not muscular, 5'9, his mouth naturallly tilts upward, giving him a very friendly appearance. <br> Attire: A white T-Shirt, and over that, a white military-like coat. Black jeans, and sneakers. Oftentimes a white top hat, as well. <br> Persona: Positive, cheerful, immature, child-like, not extremely intelligent..... <br> Powers: He can fiddle with memories, and control positive energy. <br> History: He remembers very little... <br> Weapon(s): His powers. <br> His Goal In Life: None, currently... <br> Social Status: Similar to Yin's.... <br> Anthem: 'Dog Days Are Over' by Florence + The Machine. <br> Siggy; 並 Yang. <br> Other: Both Yin and Yang are connected. If one gets damaged, the other one will feel the pain. The Spirit of Yang hosts Yang. Yin's powers weaken during the day. Yang's powers weaken at night....
Name: Look up ya lazy <p> Gender: Male (AKA-Bro) <p> Age: 18 <p> Looks: Really dark brown spicky hair. He has a tough straight bod. About 6'5. Wears usually dark clothing and skinny jeans. And he has a 6 foot wing span of jet black angel wings. <p> Abnormal Ability: He was geneticly inhanced with bird DNA (he has giant angel wings). And he has a new ability to read minds, so he pretty much sucks at it. <p> History: Coal was born and raised in a sercret British lab, intil he exscaped, when he was 16, and was on the loose (most people would call him the death angel on the news). Now he takes place here. <p> Likes: Learning, flying, and being a couch potatoe. <p> Dislikes: (weakspot) thisty girls :P
Name: Evelyn Marie <br> Nickname: Eve, or Evie; but only Adam can call her Evie! <br> Age: 16 <br> Gender: -_- <br> Human Looks: she has pale skin, and long bright ginger hair. Her eyes are luminous green cat eyes and freckles are sprinkled across the bridge o her nose. She has a long fluffy ginger tail and pointy ginger cat ears; each tipped with white, and large sharp teeth. <br> Species: Witch/Shapeshifter- mostly cats, or cat-like creatures(foxes, lions, tigers, etc.) <br> Animal Looks: red fur, with white eat tips, tail-tips, and paws/feet. <br> Persona: Nice, sometimes shy, and SUPER BUBBLY;D <br> Sexual Orientation: straight <br> Bf: N/A <br> Height/Weight: 4'11"/100lbs. <br> Outfits: will update her OOTD daily(OOTD- Outfit Of The Day) <br> Family: Adam Joseph(brother) <br> Theme Song: Ballad of Mona Lisa - Panic At The Disco! <p> Name: Adam Joseph <br> Age: 17 <br> Gender: >_< <br> Human Looks: he has short black hair and deep amber wolf eyes. He's got broad shoulders, and a 6 pack.(thank god for the swim team!) He has a pure black wolf tail, and pointy black wolf ears. His canines are sharp and pointed. <br> Species: Wizard/Shapeshifter- mostly wolves, or wolf-like creatures(dogs, foxes, coyotes, etc.) <br> Animal Looks: pure black fur, with piercing Amber eyes. <br> Persona: he is calm, cool, and collected. He has "swagger", and is VERY protective of Eve. <br> Sexual Orientation: Bi-Sexual <br> Bf/Gf: N/A <br> Height: 6'2" <br> Outfits: look at Eve's <br> Family: Evelyn Marie(sister) <br> Theme Song: I'm Weird - Ghost Town
Name: Zero, or M <p> Age: Her age is infinite, she simply appeared rather than being born <p> Gender: *face-scythes* <p> Species: Poke-human Glitch <p> Formes: Glitch Forme, Ghost Forme, Fame Forme, Wild Forme, and Lavender Town Forme <p> Glitch Forme: M seems transparent and pixellated, with long, wavy light grey hair with streaks of darker shades of grey here and there. Her skin is pale, with lines over it like on a computer screen. Her eyes are completely black. She wears a black sweater, a light grey skirt with a pixel pattern on it, and black tights. She doesn't have any shoes. <p> Ghost Forme: Zero is still pale, with black hair that undulates and floats by itself and has a purple aura. Her eyes are white and slightly narrowed, and her clothes consist of a flowy purple dress with a shiny black netting dress over it. She wears the same black tights and still no shoes. <p> Fame Forme: M can look like any Pokemon gijinka in this forme but jumbled up and parts of her body are replaced by random pixels. <p> Wild Forme: Zero has hair that is long and straight, and is either red, yellow, or blue depending on the type she will be using. She wears a t-shirt of the color of her hair, and black jeans. Her eyes are grey. <p> Lavender Town Forme: Zero is pale, with short, choppy silver hair and brown eyes. She wears a white dress with black markings like a broken glass. She also wears black knee-socks and wields two small scythes made of bones. <p> Glitch Forme Powers: Can glitch any electronic device. <p> Ghost Forme Powers: Can manipulate fear. <p> Fame Forme Powers: The enemy becomes confused and easier to attack. <p> Wild Forme Powers: With red hair, fire. With yellow, lightning. And blue, water. <p> Lavender Town Forme Powers: Can make enemies sick and uses scythes to attack. <p> Persona: Sly, mysterious, discorded, cute, lovable <p> Likes: Candy, video games, and freaking people out <p> Other: Whoo! I'm finally done!
Name: Isis (i-sis) Age:19 Looks: dark blood red spiky hair , Dark blue eyes, pointy ears, long fangs. Personality: calm laid back not desperate respects peoples privacy. But never follows rules and loves adventure great listner. Power: shifts into anything, in light form ar shadow form, can turn into any element, he never does this but can control a body by going inside it in lightform Species:light and shadow shifter NOTE: he cant talk born without a voice but he will find his voice, until thenvhe light rights in the air. ____________________________________________ Name: Oasis (O-way-sis Age :17 Looks: Scarlet Hair red ends Dark violet eyes, ears not as pointy as her brothers. Fangs Personality:not desperate for anything independent never judges, nice dangerois loves danger and thrill. Power: can see into a persons past, shifts into anything either in light form or shadow form. Can revive something or make it die. Species: light and shadow shifter NOTE: dosnt have voice yet she is still looking for it, until then she light writes in the air.
Height-6'7 <p> Looks- a glowing human with 6 tentacles sprouting from his back. <p> Gender-......... male. Personality- get to know him. <p> Updating.
Name; Severd Novux III but goes by Sev. <br>Gender; Male <br>Species; Demon Lord, Demon of Corruption. <br>Looks; Black hair that is slicked back, one red eye and one blue eye, grey ram horns, pointed ears, grey tail with a heart shaped tail tip, pointed teeth and wears an all white suit, carries a black septor with a blood red crystal ball at the end that contains his souls he has taken. Sev is tall, 6"5 and has board shoulders. <br>Persona; Sly, mischevious, deviant, secretive, but can be kind and caring. <br>Other; He adopted Mythic. <p>|•••••••••••••| <br>Name; Mythic Alphane Novux. <br>Gender; Female <br>Species; Half Demoness and Half Siren <br>Looks; Long, unrulycrimson red hair with strips of blonde throughout, her hair is a special feature ong with her eyes. Many claim to think Mythic's hair moves without the wind blowing and her eyes are silver in color and heavily lashed. Small, black horns, pointed canine teeth, black tail with a silver underside and dagger tail tip, Mythic is short in stature and quite alluting due to unique appearance. She wears a blaxk and gold snake skin dress with no shoes. <br>Persona; Alluring, creative, musical, whimisical, watchful, sly, and intelligent. <br>Other; She has never been outside the Estate.
I purchased this book because it was written by Robert Ludlum. If it was, indeed, written by Mr. Ludlum, it totally lacks the true Ludlum touch. First off, it doesn't begin to read to read like any Ludlum book I ever read. The main character is two dimensional, to say the least. He's a character I can't begin to identify and is way too comic book-esque for my tastes. This super-hero goes from one major wound to the next with no recovery time between act between very contrived action scenes that are almost impossible to believe. I labored through half the pages in this book before I could begin to warm up to Mr. Bryson (out hero). There's way too much introspection by Bryson in a convoluted plot that is so predictable that it induced far too many yawns and drooping eyelids. Along the way, we're regaled by reprises from "The Matarese Circle", "The Bourne Identity" and a few other books written by Mr. Ludlum. Technical faux pas abound, and there is far too much unnecessary and boring detail about the technology of the day, much of it that either makes no sense or is inserted as what appears to be the author's attempt at showing us how very superior the author is to us ordinary creatures in terms of his technical knowledge. I for one don't particularly care to be educated (sometimes incorrectly) by text that only interrupts the flow of the story at hand while lending no particular excitement to that story. This is not Ludlum at his best. Frankly, I have my doubts that "The Prometheus Deception" is Ludlum at all, except perhaps as an old outline for a book Mr. Ludlum was planning to write. If Robert Ludlum actually did write this book before his unfortunate death in the same year it was published, it is a poor swansong at best.
This book is the epitome of all stories on international espionage and cloak and dagger thrillers, I have read Nick Carter, James Hadley Chase, Sidney Sheldon, Ian Fleming's James Bond etc etc but this Ludlum book is far above their class. Unfortunately it has no sequel like Jason Bourne series which are coincidently being destroyed by one Eric Lustabader, the spirit of Ludlum will not forgive Lustabader for the rubbish he has made out of a wonderful story, I wonder who assigned him to do that. Anyway I think Nick Bryson and Prometheus Deception deserve a good Hollywood script and a well budgeted film. I wish I had the funds to finance such a project! Please get someone to write a sequel so that Bryson can deal with Ted Waller!
This book will keep anyone entertained, without sacrificing good story for action sequences.
A must read for Ludlum fans! Easily the best book published after the death of the acclaimed author.