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The Prosaic Soul of Nikki Giovanni

The Prosaic Soul of Nikki Giovanni

by Nikki Giovanni

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For the first time, the collected prose of national treasure Nikki Giovanni

Gemini: An Extended Autobiographical Statement on My First Twenty-Five Years of Being a Black Poet
Nominated for the National Book Award, this is a journey -- both private and public -- through the trials and triumphs of 1960s America.

Sacred Cows ... And Other


For the first time, the collected prose of national treasure Nikki Giovanni

Gemini: An Extended Autobiographical Statement on My First Twenty-Five Years of Being a Black Poet
Nominated for the National Book Award, this is a journey -- both private and public -- through the trials and triumphs of 1960s America.

Sacred Cows ... And Other Edibles
Winner of the Ohioana Library Award, these fresh and wryly humorous essays explore some of America's lofty institutions and the poet's pivotal life experiences.

Racism 101
This collection of essays contributes a vital and critical chapter to the debate on American national values.

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The Prosaic Soul of Nikki Giovanni

Chapter One

400 Mulvaney Street

I was going to Knoxville, Tennessee, to speak. I was going other places first but mostly to me I was going home. And I, running late as usual, hurried to the airport just in time.

The runway is like an aircraft carrier—sticking out in the bay -- and you always get the feeling of drunken fly-boys in green airplane hats chomping wads and wads of gum going "Whooooopie!" as they bring the 747 in from Hackensack to La Guardia. It had been snowing for two days in New York and the runway was frozen. They never say to you that the runway is frozen and therefore dangerous to take off from, and in fact you'd never notice it because all the New York airports have tremendous backups -- even on clear days. So sitting there waiting was not unusual but I did notice this tendency to slide to the side with every strong wind, and I peeked out my window and noticed we were in the tracks of the previous jet and I thought: death has to eat too. And I went to sleep.

The whole thing about going to Knoxville appealed to my vanity. I had gotten a call from Harvey Glover about coming down and had said yes and had thought no more of it. Mostly, as you probably notice, artists very rarely have the chance to go back home and say, "I think I've done you proud." People are so insecure and in some cases jealous and in some cases think so little of themselves in general that they seldom think you'd be really honored to speak in your home town or at your old high school. And other people are sometimes so contemptuous of home that they in fact don't want to come back. This has set up anegative equation between the artist and home.

I was excited about going to Knoxville but I didn't want to get my hopes up. What if it fell through? What if they didn't like me? Oh, my God! What if nobody came to hear me? Maybe we'd better forget about it. And I did. I flew on out to Cleveland to make enough money to be able to go to Knoxville. And Cleveland was beautiful. A girl named Pat and her policeman friend couldn't have been any nicer. And he was an intelligent cop. I got the feeling I was going to have a good weekend. Then my mother met me at the Cincinnati airport, where I had to change over, and had coffee with me and had liked my last television appearance. Then they called my flight, and on to Knoxville. When we were growing up Knoxville didn't have television, let alone an airport. It finally got TV but the airport is in Alcoa. And is now called Tyson Field. Right? Small towns are funny. Knoxville even has a zip code and seven-digit phone numbers. All of which seems strange to me since I mostly remember Mrs. Flora Ford's white cake with white icing and Miss Delaney's blue furs and Armetine Picket's being the sharpest woman in town -- she attended our church -- and Miss Brooks wearing tight sweaters and Carter-Roberts Drug Store sending out Modern Jazz Quartet sounds of "Fontessa" and my introduction to Nina Simone by David Cherry, dropping a nickel in the jukebox and "Porgy" coming out. I mostly remember Vine Street, which I was not allowed to walk to get to school, though Grandmother didn't want me to take Paine Street either because Jay Manning lived on it and he was home from the army and very beautiful with his Black face and two dimples. Not that I was going to do anything, because I didn't do anything enough even to think in terms of not doing anything, but according to small-town logic "It looks bad."

The Gem Theatre was on the corner of Vine and a street that runs parallel to the creek, and for 10 cents you could sit all day and see a double feature, five cartoons and two serials plus previews for the next two weeks. And I remember Frankie Lennon would come in with her gang and sit behind me and I wanted to say, "Hi. Can I sit with you?" but thought they were too snooty, and they, I found out later, thought I was too Northern and stuck-up. All of that is gone now. Something called progress killed my grandmother.

Mulvaney Street looked like a camel's back with both humps bulging -- up and down -- and we lived in the down part. At the top of the left hill a lady made ice balls and would mix the flavors for you for just a nickel. Across the street from her was the Negro center, where the guys played indoor basketball and the little kids went for stories and nap time. Down in the valley part were the tennis courts, the creek, the bulk of the park and the beginning of the right hill. To enter or leave the street you went either up or down. I used to think of it as a fort, especially when it snowed, and the enemy would always try to sneak through the underbrush nurtured by the creek and through the park trees, but we always spotted strangers and dealt. As you came down the left hill the houses were up on its side; then people got regular flat front yards; then the right hill started and ran all the way into Vine and Mulvaney was gone and the big apartment building didn't have a yard at all.

Grandmother and Grandpapa had lived at 400 since they'd left Georgia. And Mommy had been a baby there and Anto and Aunt Agnes were born there ...

The Prosaic Soul of Nikki Giovanni. Copyright © by Nikki Giovanni. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Meet the Author

Nikki Giovanni, poet, activist, mother, and professor, is a seven-time NAACP Image Award winner and the first recipient of the Rosa Parks Woman of Courage Award, and holds the Langston Hughes Medal for Outstanding Poetry, among many other honors. The author of twenty-eight books and a Grammy nominee for The Nikki Giovanni Poetry Collection, she is the University Distinguished Professor of English at Virginia Tech in Blacksburg, Virginia.

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