Psychophysical Acting: An Intercultural Approach after Stanislavski

by Phillip B. Zarrilli

Overview

Psychophysical Acting is a direct and vital address to the demands of contemporary theatre on today’s actor. Drawing on over thirty years of intercultural experience, Phillip Zarrilli aims to equip actors with practical and conceptual tools with which to approach their work. Areas of focus include:

• an historical overview of a psychophysical approach to acting from Stanislavski to the present
• acting as an ‘energetics’ of performance, applied to a wide range of playwrights: Samuel Beckett, Martin Crimp, Sarah Kane, Kaite O’Reilly and Ota Shogo
• a system of training though yoga and Asian martial arts that heightens sensory awareness, dynamic energy, and in which body and mind become one
• practical application of training principles to improvisation exercises.

Psychophysical Acting is accompanied by Peter Hulton’s downloadable resources featuring exercises, production documentation, interviews, and reflection.

Product Details

ISBN-13:	9781134313358
Publisher:	Taylor & Francis
Publication date:	10/12/2012
Sold by:	Barnes & Noble
Format:	eBook
Pages:	270
File size:	12 MB
Note:	This product may take a few minutes to download.

About the Author

Phillip Zarrilli is internationally known for training actors in psychophysical process through Asian martial arts and yoga, and as a director/actor. He is the founding Artistic Director of The Llanarth Group based in West Wales, UK. He is also Professor of Performance Practice at Exeter University. His many publications include Acting Reconsidered (2002), Kathakali Dance-Drama (2000), and co-author of Theatre Histories: An Introduction (2006).

Table of Contents

Foreword by Eugenio Barba. A preface in three voices. Introduction: a psychophysical approach to acting Part 1: What is the actor’s work? 1. Historical context 2. Beginning with the breath 3. An enactive approach to acting and embodiment Part 2: Work on oneself 4. The source traditions: yoga, kalarippayattu, and taiqiquan 5. The psychophysical actor’s "I can" 6. Exercises for "playing" in-between: structured improvisations Part 3: Production case studies 7. The Beckett Project 8. The Water Station by Ota Shogo 9. Speaking Stones: Images, voices, fragments … from that which comes after, with Text by Kaite O’Reilly and German translation by Frank Heibert 10. 4:48 Psychosis by Sarah Kane 11. Attempts on Her Life by Martin Crimp

Editorial Reviews

'Being taken step-by-step through these highly evocative and fascinating exercises and concepts of actor training by a master such as Zarrilli certainly qualifies as essential reading.' – David Zinder

'An Essential Study' - Anne Hill

'The exercises and concepts used in the book are amplified to great effect by the accompanying DVD-ROM, which is very well done and adds extended video and audio clips that demonstrate what his hands-on work looks like in training and performance.' - Anne Hill

'Zarrilli's latest book reveals that rare breed of scholar-practitioner able to transition seamlessly between theory and praxis' – Rachel Bowditch, The Drama Review

'The book proposes a radical paradigm shift within undergraduate and graduate acting and directing training and should be required reading for performers, directors, and theatre educators. It has the potential to transform the field in significant wasy by offering a new understanding of what constitutes engaging performance and actor training in the 21st century' – Rachel Bowditch, The Drama Review

'Being taken step-by-step through these highly evocative and fascinating exercises and concepts of actor training by a master such as Zarrilli certainly qualifies as essential reading.' – David Zinder, Tel Aviv University, Israel

'The book proposes a radical paradigm shift within undergraduate and graduate acting and directing training and should be required reading for performers, directors, and theatre educators. It has the potential to transform the field in significant ways by offering a new understanding of what constitutes engaging performance and actor training in the 21st century' – Rachel Bowditch, The Drama Review

From the Publisher