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A landmark volume exploring the public presentation and application of folk culture in collaboration with communities, Public Folklore is available again with a new introduction discussing recent trends and scholarship. Editors Robert Baron and Nick Spitzer provide theoretical framing to contributions from leaders of major American folklife programs and preeminent folklore scholars, including Roger D. Abrahams, Robert Cantwell, Gerald L. Davis, Archie Green, Bess Lomax Hawes, Richard Kurin, Daniel Sheehy, and Barbara Kirshenblatt-Gim-blett. Their essays present vivid accounts of public folklore prac-tice in a wide range of settings-nineteenth-century world's fairs and minstrel shows, festivals, mu-seums, international cultural ex-change programs, concert stages, universities, and hospitals.
Drawing from case studies, historical analyses, and their own experiences as advocates, field re-searchers, and presenters, the es-sayists recast the history of folk-lore in terms of public practice, while discussing standards for presentation to new audiences. They approach engagement with tradition bearers as requiring collaboration and dialogue. They critically examine who has the authority to represent folk culture, the ideologies informing these representations, and the effect upon folk artists of encountering revived and new audiences within and beyond their own communities. In discussions of the relationship between public practice and the academy, this volume also offers new models for integrating public folklore training within graduate studies.
Robert Baron directs the Folk Arts Program at the New York State Council on the Arts and has been a non-resident Fellow at the W. E. B. Du Bois Institute for African and African American Research at Harvard University. Nick Spitzer is host and creator of public radio's American Routes and folklore professor at the University of New Orleans.
|Pt. 1||Reflections and Directions|
|The Public, the Folklorist, and the Public Folklorist||17|
|Public Folklore's Name: A Partisan's Notes||49|
|Happy Birthday, Dear American Folklore Society: Reflections on the Work and Mission of Folklorists||65|
|Pt. 2||Metaphors and Methods of Practice|
|Cultural Conversation: Metaphors and Methods in Public Folklore||77|
|"So Correct for the Photograph": "Fixing" the Ineffable, Ineluctable African American||105|
|Public Folklore: A Glimpse of the Pattern That Connects||119|
|Field Work and Social Work: Folklore as Helping Profession||145|
|The Journey of David Allen, Cane Carver: Transformations through Public Folklore||159|
|Presenting Folklife in a Soviet-American Cultural Exchange: Public Practice during Perestroika||183|
|Crossover Dreams: The Folklorist and the Folk Arrival||217|
|Feet on the Ground, Head in the Clouds: Some Thoughts on the Training of Public Folklorists||231|
|Pt. 3||Recovering a History of Public Folklore|
|The Foundations of American Public Folklore||245|
|Feasts of Unnaming: Folk Festivals and the Representation of Folklife||263|
|Postwar Public Folklore and the Professionalization of Folklore Studies||307|
|Public Folklore: A Bibliographic Introduction||339|