Deceiving Appearances and Labels Have Profound Consequences!
Do others ever misjudge you? Did you, as a result, ever have a nickname you didn¿t like? Did you appreciate that experience? How did you overcome it? What if you had been switched in the baby nursery at the hospital for another child? How might your life have been different? These are the kinds of thoughts that will occur to you as you read Pudd¿nhead Wilson. I was attracted to the story after reading about its genesis in the new illustrated biography of Mark Twain. Pudd¿nhead Wilson is tragic story about the consequences of two children being switched at birth in the slave-holding society of the American South. Those who admire the eloquent portrayal of common humanity among African-Americans and whites in Huckleberry Finn will find more examples of this point to delight them in Pudd¿nhead Wilson. Pudd¿nhead Wilson was a novel that gave Mark Twain a great many problems. The book started as a short story about Italian Siamese twins with a farcical character, as the drunken twin caused the Prohibitionist one to get into trouble with his woolly headed sweetheart. As Twain turned the story into a novel, the most important characters began to disappear in favor of new characters. Stymied, Twain realized that he had written two stories in one novel. He then excised the original of the two stories in favor of the tragedy, while leaving many satirical and ironic characteristics. Part of this switch no doubt related to Twain¿s growing pessimism as he grew older and to the personal tragedies and financial difficulties dogged his efforts and life. Perhaps it is this deep plot difficulty that caused Twain to leave the novel with two rather large flaws, which vastly reduce its effectiveness. The first flaw is building a plot around switching two children at birth to establish that perceived racial differences and slavery had been unjust. Unfortunately, the ¿bad¿ actor in the novel turns out to be the irresponsible Tom Driscoll (ne Valet de Chambre), who is 1/32 African-American but is raised as a white free man. Thus, those readers who wish to believe in racial differences affecting character can point to that underlying racial factor as still being present in explaining the misbehavior in the story . . . despite what appears to have been Twain¿s opposite intention. Had Twain developed his story to make the false Tom morally equal to his all-white counterpart Chambers (ne Thomas a Beckett Driscoll), the story would have worked much better in condemning racism and slavery. The second flaw involves having the story turn on establishing the unchanging nature of finger prints in a trial conducted in a small Missouri town many decades before that point was scientifically proven and legally accepted. For us today, the story moves slowly because we know all about fingerprints as a means of identification which makes much of the eventual resolution easy to anticipate, and also because Twain left many unnecessary remnants of his other story in the book. Despite these weaknesses, the Pudd¿nhead Wilson has many brilliant sections that strikingly portray how the concepts and realities of slavery corrupted both African-Americans and slave-holders. Because of thefts in the Driscoll household, the real Tom¿s father threatens to sell his slaves down the river (a fate to be avoided). When three of them confess, he agrees to sell them locally. Frightened by the potential for her child to be sold in the future, Roxy plans to kill herself and her son. By accident, she realizes that she can successfully switch the two children¿s clothing, since both of them look the same to Tom¿s father, and ensure that her son will never be sold, because he will be raised as the master¿s son, a white person. Many of the ways for rearing white child are bad for Tom, making him spoiled and disagreeable. Chambers does much better on a simple diet, and from performing physical labor. Tom is arrogant and nasty. Chambe
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