Purgatorio: A Verse Translation by Jean Hollander and Robert Hollander

Overview

Now I shall sing the second kingdom,

there where the soul of man is cleansed,

made worthy to ascend to heaven.

In the second book of Dante’s epic poem The Divine Comedy, Dante has left hell and begins the ascent of the mount of purgatory. Just as hell had its circles, purgatory, situated at the threshold of heaven, has its terraces, each representing one of the seven mortal sins. With Virgil again as his ...

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Purgatorio: A Verse Translation by Jean Hollander and Robert Hollander

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Overview

Now I shall sing the second kingdom,

there where the soul of man is cleansed,

made worthy to ascend to heaven.

In the second book of Dante’s epic poem The Divine Comedy, Dante has left hell and begins the ascent of the mount of purgatory. Just as hell had its circles, purgatory, situated at the threshold of heaven, has its terraces, each representing one of the seven mortal sins. With Virgil again as his guide, Dante climbs the mountain; the poet shows us, on its slopes, those whose lives were variously governed by pride, envy, wrath, sloth, avarice, gluttony, and lust. As he witnesses the penance required on each successive terrace, Dante often feels the smart of his own sins. His reward will be a walk through the garden of Eden, perhaps the most remarkable invention in the history of literature.

Now Jean Hollander, an accomplished poet, and Robert Hollander, a renowned scholar and master teacher, whose joint translation of the Inferno was acclaimed as a new standard in English, bring their respective gifts to Purgatorio in an arresting and clear verse translation. Featuring the original Italian text opposite the translation, their edition offers an extensive and accessible introduction as well as generous historical and interpretive commentaries that draw on centuries of scholarship and Robert Hollander’s own decades of teaching and reasearch.

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Editorial Reviews

From the Publisher
”The Hollanders have rendered both the supple lyricism and the rich imagery of the Purgatorio with an admirably informed expertise. . . . A model for all translators.” The Literary Review

“The Hollanders’ translation . . . seems the most accessible and the closest to the Italian. . . . The provision of informative notes . . . is impeccable . . . with ample commentary easily and unobturisvely available at the end of each canto.” --Tim Parks, The New Yorker

“The Hollanders’ translation is probably the most finely accomplished and may well prove the most enduring.” --R.W. B. Lewis, Los Angeles Times

Publishers Weekly
With its elegant, carefully negotiated translations and canto-by-canto notes, outlines and annotations, this second volume from the Hollanders takes its place beside last year's Inferno and paves the way for Paradise. These translations, honed over Robert Hollander's 35 years teaching Dante at Princeton, are touted as the U.S. English standard for rendering Dante's layered meanings. (Feb.) Copyright 2002 Cahners Business Information.
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Product Details

  • ISBN-13: 9780385497008
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 1/6/2004
  • Edition description: Reprint
  • Pages: 848
  • Sales rank: 115,259
  • Product dimensions: 5.19 (w) x 8.01 (h) x 1.50 (d)

Meet the Author

Jean Hollander is a poet, teacher, and director of the Writers' Conference at the College of New Jersey.

Robert Hollander, her husband, has been teaching Dante’s Divine Comedy to Princeton students for forty years, and is the author of a dozen books and more than seventy articles on Dante, Boccaccio, and other Italian authors. He has received many awards, including the gold medal of the city of Florence, in recognition of his work on Dante.

They are at work on their translation of Paradiso, the conclusion of the Divine Comedy.

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Read an Excerpt

PURGATORIO I

OUTLINE

Introduction

1-6exordium: metaphor of little ship

7-12invocation: holy Muses, especially Calliope

I. The setting at the shore

13-18the restored delight caused by the sky before sunrise

19-21to the east: Venus in Pisces

22-27to the south: the four stars (apostrophe: "widowed hemisphere")

28-30to the north (direction of Ursa Major)

II. Cato the Younger

31-39a fatherly figure to be revered, bearded, his face aglow

40-48the challenge of this old man (Cato) to their presence

49-51Virgil: Dante must kneel and bow his head

52-84Virgil's responses to Cato:

52-57I come, guiding this man, by agency of a lady

58-66he is still alive, but was almost dead when I was sent to bring him through hell to here

67-69my guidance is in turn guided from above

70-75he seeks liberty, as you once did, dying for it in Utica on your way to heaven

76-80we break no law, since he is still alive and I am not in hell proper but share your wife's abode

81-84for love of Marcia let us proceed; then I will report to her your kindness to us when I return

85-108Cato's rejoinder to Virgil:

85-90I loved Marcia in the life below; now the new law that accompanied my release forbids further feeling

91-93if a heavenly lady leads you there is no need for flattery

94-99gird and bathe him so that he may approach the angel with his vision clear

100-108descend to the edge of the sea to the rushes in the mud; then ascend by an easier path, guided by the sun

109-111Cato's departure and Dante's acquiescence

III. The shore again

112-114Virgil urges Dante to descend the slope toward the sea

115-117Dante makes out the waves of the sea

118-121their going compared to that of a man who finds the path he had lost

122-133in a place still moist with dew Virgil cleanses Dante's face and, at the shore, girds Dante as he had been bidden

134-136a wonder: the plant, once plucked, grows back again

PURGATORIO I

Per correr miglior acque alza le vele

omai la navicella del mio ingegno,

3 che lascia dietro a se mar si crudele;

e cantero di quel secondo regno

dove l'umano spirito si purga

6 e di salire al ciel diventa degno.

Ma qui la morta poesi resurga,

o sante Muse, poi che vostro sono;

9 e qui Calliope alquanto surga,

seguitando il mio canto con quel suono

di cui le Piche misere sentiro

12 lo colpo tal, che disperar perdono.

Dolce color d'or-ental zaffiro,

che s'accoglieva nel sereno aspetto

15 del mezzo, puro infino al primo giro,

a li occhi miei ricomincio diletto,

tosto ch'io usci' fuor de l'aura morta

18 che m'avea contristati li occhi e 'l petto.

Lo bel pianeto che d'amar conforta

faceva tutto rider l'or-ente,

21 velando i Pesci ch'erano in sua scorta.

I' mi volsi a man destra, e puosi mente

a l'altro polo, e vidi quattro stelle

24 non viste mai fuor ch'a la prima gente.

Goder pareva 'l ciel di lor fiammelle:

oh settentr-onal vedovo sito,

27 poi che privato se' di mirar quelle!

To run its course through smoother water

the small bark of my wit now hoists its sail,

3 leaving that cruel sea behind.

Now I shall sing the second kingdom,

there where the soul of man is cleansed,

6 made worthy to ascend to Heaven.

Here from the dead let poetry rise up,

O sacred Muses, since I am yours.

9 Here let Calliope arise

to accompany my song with those same chords

whose force so struck the miserable magpies

12 that, hearing them, they lost all hope of pardon.

Sweet color of oriental sapphire,

hovering in the calm and peaceful aspect

15 of intervening air, pure to the horizon,

pleased my eyes once more

as soon as I had left the morbid air

18 that had afflicted both my chest and eyes.

The fair planet that emboldens love,

smiling, lit up the east,

21 veiling the Fishes in her train.

I turned to the right and, fixing my attention

on the other pole, I saw four stars

24 not seen but by those first on earth.

The very sky seemed to rejoice

in their bright glittering. O widowed

27 region of the north, denied that sight!

Com' io da loro sguardo fui partito,

un poco me volgendo a l'altro polo,

30 la onde 'l Carro gia era sparito,

vidi presso di me un veglio solo,

degno di tanta reverenza in vista,

33 che piu non dee a padre alcun figliuolo.

Lunga la barba e di pel bianco mista

portava, a' suoi capelli simigliante,

36 de' quai cadeva al petto doppia lista.

Li raggi de le quattro luci sante

fregiavan si la sua faccia di lume,

39 ch'i' 'l vedea come 'l sol fosse davante.

"Chi siete voi che contro al cieco fiume

fuggita avete la pregione etterna?"

42 diss' el, movendo quelle oneste piume.

"Chi v'ha guidati, o che vi fu lucerna,

uscendo fuor de la profonda notte

45 che sempre nera fa la valle inferna?

Son le leggi d'abisso cosi rotte?

o e mutato in ciel novo consiglio,

48 che, dannati, venite a le mie grotte?"

Lo duca mio allor mi die di piglio,

e con parole e con mani e con cenni

51 reverenti mi fe le gambe e 'l ciglio.

Poscia rispuose lui: "Da me non venni:

donna scese del ciel, per li cui prieghi

54 de la mia compagnia costui sovvenni.

Ma da ch'e tuo voler che piu si spieghi

di nostra condizion com' ell' e vera,

57 esser non puote il mio che a te si nieghi.

Once I had drawn my gaze from them,

barely turning toward the other pole

30 where the constellation of the Wain had set,

I saw beside me an old man, alone,

who by his looks was so deserving of respect

33 that no son owes his father more.

His beard was long and streaked with white,

as was his hair, which fell

36 in double strands down to his chest.

The rays of those four holy stars

adorned his face with so much light

39 he seemed to shine with brightness of the sun.

'What souls are you to have fled the eternal prison,

climbing against the dark and hidden stream?'

42 he asked, shaking those venerable locks.

'Who was your guide or who your lantern

to lead you forth from that deep night

45 which steeps the vale of hell in darkness?

'Are the laws of the abyss thus broken,

or has a new decree been made in Heaven,

48 that, damned, you stand before my cliffs?'

My leader then reached out to me

and by his words and signs and with his hands

51 made me show reverence with knee and brow,

then answered him: 'I came not on my own.

A lady descended from heaven and at her request

54 I lent this man companionship and aid.

'But since it is your will that I make plain

the true condition of our presence here,

57 it cannot be that I deny your wish.

Questi non vide mai l'ultima sera;

ma per la sua follia le fu si presso,

60 che molto poco tempo a volger era.

Si com' io dissi, fui mandato ad esso

per lui campare; e non li era altra via

63 che questa per la quale i' mi son messo.

Mostrata ho lui tutta la gente ria;

e ora intendo mostrar quelli spirti

66 che purgan se sotto la tua balia.

Com' io l'ho tratto, saria lungo a dirti;

de l'alto scende virtu che m'aiuta

69 conducerlo a vederti e a udirti.

Or ti piaccia gradir la sua venuta:

liberta va cercando, ch'e si cara,

72 come sa chi per lei vita rifiuta.

Tu 'l sai, che non ti fu per lei amara

in Utica la morte, ove lasciasti

75 la vesta ch'al gran di sara si chiara.

Non son li editti etterni per noi guasti,

che questi vive e Minos me non lega;

78 ma son del cerchio ove son li occhi casti

di Marzia tua, che 'n vista ancor ti priega,

o santo petto, che per tua la tegni:

81 per lo suo amore adunque a noi ti piega.

Lasciane andar per li tuoi sette regni;

grazie riportero di te a lei,

84 se d'esser mentovato la giu degni."

"Marz*a piacque tanto a li occhi miei

mentre ch'i' fu' di la," diss' elli allora,

87 "che quanta grazie volse da me, fi.

'This man has not yet seen his final sunset,

but through his folly was so close to it

60 his time was almost at an end.

'I was sent to him, as I have said,

for his deliverance. No other way

63 but this could he be saved.

'I have shown him all the guilty race

and now intend to let him see those spirits

66 who cleanse themselves within your charge.

'How I have led him would take long to tell.

Descending from on high a power aids me

69 to bring him here that he may see and hear you.

'May it please you to welcome his arrival,

since he's in search of liberty, which is so dear,

72 as he well knows who gives his life for it.

'You know this well, since death in Utica

did not seem bitter, there where you left

75 the garment that will shine on that great day.

'Not by us are the eternal edicts broken,

for this man lives and Minos does not bind me,

78 but I am of the circle where your Marcia

'implores with her chaste eyes, O holy breast,

that you still think of her as yours.

81 For love of her, then, I beseech you,

'allow us passage through your seven kingdoms.

I will report to her your kindness--

84 if you deign to be mentioned there below.'

'Marcia so pleased my eyes while I still lived,'

he said, 'that whatever favor

87 she sought of me, I granted.

Or che di la dal mal fiume dimora,

piu muover non mi puo, per quella legge

90 che fatta fu quando me n'usci' fora.

Ma se donna del ciel ti move e regge,

come tu di', non c'e mestier lusinghe:

93 bastisi ben che per lei mi richegge.

Va dunque, e fa che tu costui ricinghe

d'un giunco schietto e che li lavi 'l viso,

96 si ch'ogne sucidume quindi stinghe;

che non si converria, l'occhio sorpriso

d'alcuna nebbia, andar dinanzi al primo

99 ministro, ch'e di quei di paradiso.

Questa isoletta intorno ad imo ad imo,

la giu cola dove la batte l'onda,

102 porta di giunchi sovra 'l molle limo:

null' altra pianta che facesse fronda

o indurasse, vi puote aver vita,

105 pero ch'a le percosse non seconda.

Poscia non sia di qua vostra reddita;

lo sol vi mosterra, che surge omai,

108 prendere il monte a piu lieve salita."

Cosi spari; e io su mi levai

sanza parlare, e tutto mi ritrassi

111 al duca mio, e li occhi a lui drizzai.

El comincio: "Figliuol, segui i miei passi:

volgianci in dietro, che di qua dichina

114 questa pianura a' suoi termini bassi."

L'alba vinceva l'ora mattutina

che fuggia innanzi, si che di lontano

117 conobbi il tremolar de la marina.

'Now that she dwells beyond the evil stream

she cannot move me any longer,

90 according to the law laid down at my deliverance.

'But if, as you say, a lady from Heaven

moves and directs you, there is no need of flattery.

93 It is enough you ask it in her name.

'Go then, make sure you gird him

with a straight reed and bathe his face,

96 to wipe all traces of defilement from it,

'for it would not be fitting to appear,

his eyes still dimmed by any mist,

99 before the minister, the first from paradise.

'This little island, at its lowest point,

there where the waves beat down on it,

102 grows reeds in soft and pliant mud.

'There no other plant can leaf,

or harden to endure,

105 without succumbing to the battering waves.

'After you are done, do not come back this way.

The sun, now rising, will disclose

108 an easier ascent to gain the peak.'

With that he vanished, and I stood up,

speechless. Coming closer to my leader,

111 I turned my eyes to him.

He began: 'My son, follow my steps.

Let us turn around, for this plain slopes

114 from here, down to its lowest edge.'

Dawn was overtaking the darkness of the hour,

which fled before it, and I saw and knew

117 the distant trembling of the sea.

Noi andavam per lo solingo piano

com' om che torna a la perduta strada,

120 che 'nfino ad essa li pare ire in vano.

Quando noi fummo la 've la rugiada

pugna col sole, per essere in parte

123 dove, ad orezza, poco si dirada,

ambo le mani in su l'erbetta sparte

soavemente 'l mio maestro pose:

126 ond' io, che fui accorto di sua arte,

porsi ver' lui le guance lagrimose;

ivi mi fece tutto discoverto

129 quel color che l'inferno mi nascose.

Venimmo poi in sul lito diserto,

che mai non vide navicar sue acque

132 omo, che di tornar sia poscia esperto.

Quivi mi cinse si com' altrui piacque:

oh maraviglia! che qual si scelse

l'umile pianta, cotal si rinacque

136 subitamente la onde l'avelse.

We went along the lonely plain,

like someone who has lost the way

120 and thinks he strays until he finds the road.

When we came to a place where the dew

can hold its own against the sun

123 because it is protected by a breeze,

my master gently spread

his hands upon the grass.

126 And I, who understood what he intended,

raised my tear-stained cheeks

and he restored the color

129 hell had obscured in me.

Now we came to the empty shore.

Upon those waters no man ever sailed

132 who then experienced his return.

There he girded me as it pleased Another.

What a wonder it was that the humble plant

he chose to pick sprang up at once

136 in the very place where he had plucked it.

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First Chapter

PURGATORIO I



OUTLINE



Introduction



1-6exordium: metaphor of little ship

7-12invocation: holy Muses, especially Calliope



I. The setting at the shore



13-18the restored delight caused by the sky before sunrise

19-21to the east: Venus in Pisces

22-27to the south: the four stars (apostrophe: "widowed hemisphere")

28-30to the north (direction of Ursa Major)



II. Cato the Younger



31-39a fatherly figure to be revered, bearded, his face aglow

40-48the challenge of this old man (Cato) to their presence

49-51Virgil: Dante must kneel and bow his head

52-84Virgil's responses to Cato:

52-57I come, guiding this man, by agency of a lady

58-66he is still alive, but was almost dead when I was sent to bring him through hell to here

67-69my guidance is in turn guided from above

70-75he seeks liberty, as you once did, dying for it in Utica on your way to heaven

76-80we break no law, since he is still alive and I am not in hell proper but share your wife's abode

81-84for love of Marcia let us proceed; then I will report to her your kindness to us when I return

85-108Cato's rejoinder to Virgil:

85-90I loved Marcia in the life below; now the new law that accompanied my release forbids further feeling

91-93if a heavenly lady leads you there is no need for flattery

94-99gird and bathe him so that he may approach the angel with his vision clear

100-108descend to the edge of the sea to the rushes in the mud; then ascend by an easier path, guided by the sun

109-111Cato's departureand Dante's acquiescence



III. The shore again



112-114Virgil urges Dante to descend the slope toward the sea

115-117Dante makes out the waves of the sea

118-121their going compared to that of a man who finds the path he had lost

122-133in a place still moist with dew Virgil cleanses Dante's face and, at the shore, girds Dante as he had been bidden

134-136a wonder: the plant, once plucked, grows back again



PURGATORIO I



Per correr miglior acque alza le vele

omai la navicella del mio ingegno,

3 che lascia dietro a se mar si crudele;



e cantero di quel secondo regno

dove l'umano spirito si purga

6 e di salire al ciel diventa degno.



Ma qui la morta poesi resurga,

o sante Muse, poi che vostro sono;

9 e qui Calliope alquanto surga,



seguitando il mio canto con quel suono

di cui le Piche misere sentiro

12 lo colpo tal, che disperar perdono.



Dolce color d'or-ental zaffiro,

che s'accoglieva nel sereno aspetto

15 del mezzo, puro infino al primo giro,



a li occhi miei ricomincio diletto,

tosto ch'io usci' fuor de l'aura morta

18 che m'avea contristati li occhi e 'l petto.



Lo bel pianeto che d'amar conforta

faceva tutto rider l'or-ente,

21 velando i Pesci ch'erano in sua scorta.



I' mi volsi a man destra, e puosi mente

a l'altro polo, e vidi quattro stelle

24 non viste mai fuor ch'a la prima gente.



Goder pareva 'l ciel di lor fiammelle:

oh settentr-onal vedovo sito,

27 poi che privato se' di mirar quelle!



To run its course through smoother water

the small bark of my wit now hoists its sail,

3 leaving that cruel sea behind.



Now I shall sing the second kingdom,

there where the soul of man is cleansed,

6 made worthy to ascend to Heaven.



Here from the dead let poetry rise up,

O sacred Muses, since I am yours.

9 Here let Calliope arise



to accompany my song with those same chords

whose force so struck the miserable magpies

12 that, hearing them, they lost all hope of pardon.



Sweet color of oriental sapphire,

hovering in the calm and peaceful aspect

15 of intervening air, pure to the horizon,



pleased my eyes once more

as soon as I had left the morbid air

18 that had afflicted both my chest and eyes.



The fair planet that emboldens love,

smiling, lit up the east,

21 veiling the Fishes in her train.



I turned to the right and, fixing my attention

on the other pole, I saw four stars

24 not seen but by those first on earth.



The very sky seemed to rejoice

in their bright glittering. O widowed

27 region of the north, denied that sight!



Com' io da loro sguardo fui partito,

un poco me volgendo a l'altro polo,

30 la onde 'l Carro gia era sparito,



vidi presso di me un veglio solo,

degno di tanta reverenza in vista,

33 che piu non dee a padre alcun figliuolo.



Lunga la barba e di pel bianco mista

portava, a' suoi capelli simigliante,

36 de' quai cadeva al petto doppia lista.



Li raggi de le quattro luci sante

fregiavan si la sua faccia di lume,

39 ch'i' 'l vedea come 'l sol fosse davante.



"Chi siete voi che contro al cieco fiume

fuggita avete la pregione etterna?"

42 diss' el, movendo quelle oneste piume.



"Chi v'ha guidati, o che vi fu lucerna,

uscendo fuor de la profonda notte

45 che sempre nera fa la valle inferna?



Son le leggi d'abisso cosi rotte?

o e mutato in ciel novo consiglio,

48 che, dannati, venite a le mie grotte?"



Lo duca mio allor mi die di piglio,

e con parole e con mani e con cenni

51 reverenti mi fe le gambe e 'l ciglio.



Poscia rispuose lui: "Da me non venni:

donna scese del ciel, per li cui prieghi

54 de la mia compagnia costui sovvenni.



Ma da ch'e tuo voler che piu si spieghi

di nostra condizion com' ell' e vera,

57 esser non puote il mio che a te si nieghi.



Once I had drawn my gaze from them,

barely turning toward the other pole

30 where the constellation of the Wain had set,



I saw beside me an old man, alone,

who by his looks was so deserving of respect

33 that no son owes his father more.



His beard was long and streaked with white,

as was his hair, which fell

36 in double strands down to his chest.



The rays of those four holy stars

adorned his face with so much light

39 he seemed to shine with brightness of the sun.



'What souls are you to have fled the eternal prison,

climbing against the dark and hidden stream?'

42 he asked, shaking those venerable locks.



'Who was your guide or who your lantern

to lead you forth from that deep night

45 which steeps the vale of hell in darkness?



'Are the laws of the abyss thus broken,

or has a new decree been made in Heaven,

48 that, damned, you stand before my cliffs?'



My leader then reached out to me

and by his words and signs and with his hands

51 made me show reverence with knee and brow,



then answered him: 'I came not on my own.

A lady descended from heaven and at her request

54 I lent this man companionship and aid.



'But since it is your will that I make plain

the true condition of our presence here,

57 it cannot be that I deny your wish.



Questi non vide mai l'ultima sera;

ma per la sua follia le fu si presso,

60 che molto poco tempo a volger era.



Si com' io dissi, fui mandato ad esso

per lui campare; e non li era altra via

63 che questa per la quale i' mi son messo.



Mostrata ho lui tutta la gente ria;

e ora intendo mostrar quelli spirti

66 che purgan se sotto la tua balia.



Com' io l'ho tratto, saria lungo a dirti;

de l'alto scende virtu che m'aiuta

69 conducerlo a vederti e a udirti.



Or ti piaccia gradir la sua venuta:

liberta va cercando, ch'e si cara,

72 come sa chi per lei vita rifiuta.



Tu 'l sai, che non ti fu per lei amara

in Utica la morte, ove lasciasti

75 la vesta ch'al gran di sara si chiara.



Non son li editti etterni per noi guasti,

che questi vive e Minos me non lega;

78 ma son del cerchio ove son li occhi casti



di Marzia tua, che 'n vista ancor ti priega,

o santo petto, che per tua la tegni:

81 per lo suo amore adunque a noi ti piega.



Lasciane andar per li tuoi sette regni;

grazie riportero di te a lei,

84 se d'esser mentovato la giu degni."



"Marz*a piacque tanto a li occhi miei

mentre ch'i' fu' di la," diss' elli allora,

87 "che quanta grazie volse da me, fi.



'This man has not yet seen his final sunset,

but through his folly was so close to it

60 his time was almost at an end.



'I was sent to him, as I have said,

for his deliverance. No other way

63 but this could he be saved.



'I have shown him all the guilty race

and now intend to let him see those spirits

66 who cleanse themselves within your charge.



'How I have led him would take long to tell.

Descending from on high a power aids me

69 to bring him here that he may see and hear you.



'May it please you to welcome his arrival,

since he's in search of liberty, which is so dear,

72 as he well knows who gives his life for it.



'You know this well, since death in Utica

did not seem bitter, there where you left

75 the garment that will shine on that great day.



'Not by us are the eternal edicts broken,

for this man lives and Minos does not bind me,

78 but I am of the circle where your Marcia



'implores with her chaste eyes, O holy breast,

that you still think of her as yours.

81 For love of her, then, I beseech you,



'allow us passage through your seven kingdoms.

I will report to her your kindness--

84 if you deign to be mentioned there below.'



'Marcia so pleased my eyes while I still lived,'

he said, 'that whatever favor

87 she sought of me, I granted.



Or che di la dal mal fiume dimora,

piu muover non mi puo, per quella legge

90 che fatta fu quando me n'usci' fora.



Ma se donna del ciel ti move e regge,

come tu di', non c'e mestier lusinghe:

93 bastisi ben che per lei mi richegge.



Va dunque, e fa che tu costui ricinghe

d'un giunco schietto e che li lavi 'l viso,

96 si ch'ogne sucidume quindi stinghe;



che non si converria, l'occhio sorpriso

d'alcuna nebbia, andar dinanzi al primo

99 ministro, ch'e di quei di paradiso.



Questa isoletta intorno ad imo ad imo,

la giu cola dove la batte l'onda,

102 porta di giunchi sovra 'l molle limo:



null' altra pianta che facesse fronda

o indurasse, vi puote aver vita,

105 pero ch'a le percosse non seconda.



Poscia non sia di qua vostra reddita;

lo sol vi mosterra, che surge omai,

108 prendere il monte a piu lieve salita."



Cosi spari; e io su mi levai

sanza parlare, e tutto mi ritrassi

111 al duca mio, e li occhi a lui drizzai.



El comincio: "Figliuol, segui i miei passi:

volgianci in dietro, che di qua dichina

114 questa pianura a' suoi termini bassi."



L'alba vinceva l'ora mattutina

che fuggia innanzi, si che di lontano

117 conobbi il tremolar de la marina.



'Now that she dwells beyond the evil stream

she cannot move me any longer,

90 according to the law laid down at my deliverance.



'But if, as you say, a lady from Heaven

moves and directs you, there is no need of flattery.

93 It is enough you ask it in her name.



'Go then, make sure you gird him

with a straight reed and bathe his face,

96 to wipe all traces of defilement from it,



'for it would not be fitting to appear,

his eyes still dimmed by any mist,

99 before the minister, the first from paradise.



'This little island, at its lowest point,

there where the waves beat down on it,

102 grows reeds in soft and pliant mud.



'There no other plant can leaf,

or harden to endure,

105 without succumbing to the battering waves.



'After you are done, do not come back this way.

The sun, now rising, will disclose

108 an easier ascent to gain the peak.'



With that he vanished, and I stood up,

speechless. Coming closer to my leader,

111 I turned my eyes to him.



He began: 'My son, follow my steps.

Let us turn around, for this plain slopes

114 from here, down to its lowest edge.'



Dawn was overtaking the darkness of the hour,

which fled before it, and I saw and knew

117 the distant trembling of the sea.



Noi andavam per lo solingo piano

com' om che torna a la perduta strada,

120 che 'nfino ad essa li pare ire in vano.



Quando noi fummo la 've la rugiada

pugna col sole, per essere in parte

123 dove, ad orezza, poco si dirada,



ambo le mani in su l'erbetta sparte

soavemente 'l mio maestro pose:

126 ond' io, che fui accorto di sua arte,



porsi ver' lui le guance lagrimose;

ivi mi fece tutto discoverto

129 quel color che l'inferno mi nascose.



Venimmo poi in sul lito diserto,

che mai non vide navicar sue acque

132 omo, che di tornar sia poscia esperto.



Quivi mi cinse si com' altrui piacque:

oh maraviglia! che qual si scelse

l'umile pianta, cotal si rinacque

136 subitamente la onde l'avelse.



We went along the lonely plain,

like someone who has lost the way

120 and thinks he strays until he finds the road.



When we came to a place where the dew

can hold its own against the sun

123 because it is protected by a breeze,



my master gently spread

his hands upon the grass.

126 And I, who understood what he intended,



raised my tear-stained cheeks

and he restored the color

129 hell had obscured in me.



Now we came to the empty shore.

Upon those waters no man ever sailed

132 who then experienced his return.



There he girded me as it pleased Another.

What a wonder it was that the humble plant

he chose to pick sprang up at once

136 in the very place where he had plucked it.



PURGATORIO I



1-3. The opening metaphor of the new cantica relies on a topos familiar from classical poetry and medieval reformulations (see Curt.1948.1, pp. 128-30) that tie the ingenium (genius) of the poet, treating his material, to the voyage of a ship over difficult waters. Dante's ship, for now, is a small one (but cf. Par. II.1-3, where it is implicitly a much larger vessel), raising its sails over better ("smoother") "water" than it traversed in hell. While this metaphor will be important in Paradiso (II.1-18; XXXIII.94-96), framing that cantica and representing the voyage as a whole, it was only implicit in Inferno (as at Inf. I.22-24). Once again we see Dante adding elements retroactively as the poem advances; we are now asked to understand that it has been, in metaphor, a ship all along, that hell is to be understood as a "sea" in retrospect.
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Foreword

In the years of my reading Dante, after the first overwhelming, reverberating spell of the Inferno, which I think never leaves one afterward, it was the Purgatorio that I had found myself returning to with a different, deepening attachment, until I reached a point when it was never far from me...Of the three sections of [The Divine Comedy], only Purgatory happens on the earth, as our lives do, with our feet on the ground, crossing a beach, climbing a mountain. All three parts of the poem are images of our lives, but there is an intimacy peculiar to the Purgatorio. Here the times of day recur with all the sensations and associations that the hours bring with them, the hours of the world we are living in as we read the poem.
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