New York Times
Pursuitby Thomas Perry, Tom Weiner
–The New York Times
Roy Prescott is all alone in the world, living lies, making plans, meticulously going/i>/i>
“BRILLIANT . . . A BONA FIDE NAIL-BITER . . . Thomas Perry’s cerebral thrillers unfold methodically, in extremely sharp focus. His attention to detail is so intense that it generates its own brand of quiet suspense.”
–The New York Times
Roy Prescott is all alone in the world, living lies, making plans, meticulously going about his job. Prescott’s job is to hunt people down . . . and then to kill them. Now he has been hired to find a monster–a man who is as alone as he is, as smart, as methodical, as deadly, and even more arrogant. Prescott knows that to find this monster he must get inside his head, get him angry, and force him to come after him. Soon he gets his wish. With a little luck, the killer even makes a mistake–trying to prove a point to Prescott. But Prescott needs no proof. He already knows what he’s up against. He knows that innocent people are going to die. The only question now is which one of them will get the first shot–which one will get the last. . . .
Author Biography: Thomas Perry won an Edgar for The Butcher’s Boy, and Metzger’s Dog was a New York Times Notable Book of the Year. His other books include Death Benefits, Blood Money, The Face-Changers, and Shadow Woman, Dance for the Dead, and Vanishing Act. He lives in Southern California with his wife and two daughters.
New York Times
–The New York Times
“Perry is the best suspense writer in the business. . . . Pursuit is relentless, filled with twists and turns, that rare page-turner that keeps one reading late into the night to finish.”
–The Boston Globe
“Once Prescott takes the job, the novel shifts into a gear so high that putting the book aside is no longer an option. . . . a bravura performance from one of the few crime writers who never lets you down.”
–Los Angeles Times
“[A] dazzling new thriller . . . Perry has devised a game board of infernal ingenuity.”
–The New York Times Book Review
“A compulsive page-turner . . . Pursuit is expertly crafted and features a climax guaranteed to set hearts racing.”
–The Denver Post
“A thriller that actually thrills.”
–The Plain Dealer
- Blackstone Audio, Inc.
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- 6.72(w) x 6.16(h) x 1.17(d)
Read an Excerpt
Daniel Millikan looked down at the thirteenth corpse. This one was at the back of the restaurant kitchen, dressed in a white uniform with a ridiculous paper hat on his head that was supposed to keep his hair out of the food, and a long apron that had been filthy even before the blood had gushed down to soak it red. Millikan corrected himself. This was the first corpse, and the one a few feet from it was second. The others, logically, came later.
He bent to let the light catch the tile floor just right so he could tell if there had been any wet footprints in the kitchen, but there had not. There were none in the dining room either: the killer had been here, done his work, and locked the door behind him before the rain had begun. Time in the restaurant had been stopped at—he would guess—around nine-thirty. The light, misty spring rain had not reached Louisville and begun to gleam on the street pavements until late at night, after Daniel Millikan had finished his speech at the conference and retired to his hotel downtown. He had still been awake and noticed it when the rivulets began to run down the window of his room. He had been frustrated because he needed to catch the plane back to California at seven tomorrow morning, but he had been too agitated and restless to sleep.
He never felt tense while lecturing his own students at the college in Los Angeles, but the audience tonight had been people he thought of as grown-ups. They were serious men and women of his own generation who had heard of him and—at least some of them—read his books. They had come to take a look at the expert . . . or, more accurately, at the alleged expert.They had listened to his lecture on the interpretation of homicide evidence with a polite attentiveness that he could only call professional. In the faces of the grown-ups there was always a reserve, something they held back or maybe even disguised, possibly because they had worked homicides and, unlike Millikan, expected to do it again.
He had considered pouring one of the little bottles of scotch from the bar cabinet into a glass, diluting it with tap water, and swallowing enough to help him sleep. He was glad that the two cops had arrived in the lobby and rung his room before he had done it, instead of after. Lieutenant Cowan's voice on the telephone had been courteous but confident: after delivering that particular lecture, Millikan could hardly say he would not dress and go with the police to look at a homicide scene. Right now, he was glad that his brain was functioning quickly and efficiently, but he knew that when he got back to the hotel, he was going to want that drink.
Millikan studied the angle of the body, judged the steps from the back door: ten to twelve. It was easy to see where the boning knife had come from. The row of black-handled kitchen knives in the gleaming stainless steel rack had only one gap. The killer had slipped in the back door and silently cut the dishwasher's throat with the knife he had found. That was a disquieting sign. This killer had been right about too many things: that there would be a weapon where he could reach it; that it would be at least as good and as sharp as anything he could buy and carry; that it would not be of any use to the police, because tracing it led only to the rack on the wall; that he would be quiet enough to take twelve paces unheard and formidable enough to fall on a healthy, strong man in a brightly lighted room and kill him without so much as knocking over a pan or letting him cry out. Millikan judged the distance from the back door to the body again—a good thirty feet. Maybe this killer was invisible.
Millikan looked in the other direction, toward the swinging door to the dining room. After the dishwasher was dead, the killer had dropped the knife into the soapy water in the sink. Then one of the waiters had come in from the dining room. The killer had not tried to reach into the sink to retrieve the knife or pulled out his gun. He had simply broken the waiter's neck, let his body fall into the blood that was already draining onto the tile floor beside the first man, and gone on.
He had walked the next ten feet to that door, stepped into the dining room, and started shooting. The shooting should have been comforting to Millikan, because that was what lots of lifelong losers had chosen as their final act. In those cases it was half murder and half suicide, because they were trying to induce the police to come and put them out of their misery. If the cops didn't appear right away, they usually shot themselves. But this time, the shooting was full of signs that something else had been going on.
The killer had not simply arrived at the restaurant, burst in, and pulled out a gun. He had come first to the front of the building, put a chain and padlock on the front door, and covered the window with a closed sign before he had gone around to the back. That was disturbing. It had been meant to keep new customers from coming in, of course, but it also ensured that once the shooting started, the only way out would be to step over the shooter. This killer had known too much about the way people would behave: they wouldn't even try. The ones near the front door would grasp the handle and get the bad news. The ones farther from it would go low—try to hide behind tables and chairs and each other—and a few would just be paralyzed, too amazed to do anything but let their jaws drop open. This killer had known what to expect.
The shooter had selected. Probably the first round was the one he put through the forehead of the man at the third table. The position of the body indicated the man hadn't dodged or ducked, just looked up and died. The others had come after. They were sprawled, hit anywhere—backs, faces, whatever was visible—when they ran or crouched. Millikan had one more thing to look for. He walked along the far wall, then stood at the front door, examined the backs of seats and the vinyl upholstery of the booths. He lingered for a moment over the spot where the bodies of the two children lay.
Lieutenant Cowan was at his elbow. Cowan was aware that Millikan had made the full tour now, and that he had seen it all. “What do you think?” he asked. Cowan seemed to be in his early thirties, but he had that red-faced, apoplectic look that two of Millikan's uncles had developed when he was a child. They had looked as though it would take only one more aggravating circumstance to make them explode. Millikan pursed his lips, then looked down again. “I don't envy you. I think you've got the genuine article here.”
“What do you mean—the genuine article? A random shooter? We figured out that much. All we had to do was count.”
Millikan shook his head. “Not a nutcase. A pro.”
Cowan seemed to be struggling to keep his reaction from being impolite. Millikan was doing the department a favor, and he was an important man, a name. “Why would a professional killer come in and do all these people in a restaurant—little kids, like this? Did somebody pay him for the first dozen people he saw?”
“He wants you to think he's a guy who wears camouflage fatigues around the house. He wants you to think that tonight he got a big headache and heard Jesus tell him he wanted new angels. But that isn't who he is. He came for one of these people. Just one. My guess would be this guy over here with his brain blown out of the back of his skull. He shot him first.”
Cowan's face compressed in a wince, his eyes squinting at the floor. “I'm not sure what to do with that.”
“What I'd suggest is that you look as hard as you can for the shooter from now until dawn. You won't find him, but you might learn something you'd like to know about him. Then find out who would have paid to have one of these people killed, and get that person into a very small room. Offer him a deal that he can't pass up.”
“A deal—on thirteen people?” Cowan was shocked.
Millikan shrugged. “It's the way you get a hired killer.” His eyes turned away from Cowan and returned to the front wall of the restaurant. He bent over and walked the length of it.
“What are you looking for now?”
“Holes.” Millikan gestured at the door. “None there, either, except the ones that went through somebody. None anywhere. He comes in the back, silently takes out the dishwasher—”
“He was the cook,” said Cowan. “Or one of them. The others went home when the last meal of the night was delivered.”
“All right, the cook. He does him with a knife he finds. It doesn't affect him at all. He puts the knife in the sink to let the prints soak off. The waiter comes in and surprises him, but not enough to do any good. He gives the waiter's neck a twist and drops him on the way into the dining room. He pulls out the gun he brought. His hand is absolutely steady—no fear, not even any nerves. He pops eleven people, with no misses, and at least one fatal round for everybody.” Millikan paused and looked into Cowan's eyes. “No misses. Ever see multiple handgun fatalities with no misses before? Once the first round goes off, people are running, dodging. Then he steps back out, and he's gone.” Millikan looked around him again, then sighed. “Maybe the deal isn't such a good idea, but it's worth a try. I don't think this is a guy I'd rat out for a shorter sentence. I'd take my chances on an appeal.”
Cowan's jaw was tightening and opening, chewing on nothing. “Because he's a good shot?”
“No,” said Millikan. “I'm a good shot, you're a good shot. It's because he's got no more feeling about any of this than a pike snapping up a few minnows. As soon as he thought of it, these folks were dead.” Millikan began to button his raincoat. “When your forensics people are done, I'd appreciate it if somebody would send me a copy. I'm curious about him. And tell your D.A.'s office I'll be happy to fly back and serve as an expert witness if you get him.”
“What could you say in court?”
“Same as I told you. He's trying to look like somebody who went berserk, but he's not. He's a pro. If you get him once, this is a guy you really don't want to let out again. Not ever.”
“You don't seem to think we'll get him.”
Millikan avoided his eyes. “I hope you do.”
Cowan seemed to soften a bit, hoping for some trick, some secret. “We're doing everything we can right now—going house to house. They called in another shift. They're stopping people on the streets for a mile around to see if they saw or heard anything. I don't want bodies dropping all over the place.”
“That won't happen,” said Millikan. “There's not enough work in a city the size of Louisville to keep him occupied. He's had a lot of practice, so if he lived here, you would have noticed. I think he came to town for this.” He looked at his watch. “Can you spare the man who picked me up to take me back to the hotel? I've got to check out and get to the airport.”
“Sure,” said Cowan. “He's waiting out there.” Cowan hesitated. “I appreciate your coming to take a look. You spent practically the whole night here.”
“Don't worry about it,” said Millikan. “I'm sorry I couldn't tell you anything more optimistic.”
The two men shook hands at the door, and Millikan muttered, “Good luck.” He stepped out onto the sidewalk. The rain had begun again, so he hurried toward the open door of the patrol car.
Millikan's plane for Chicago left at seven a.m., but with the delay in Chicago he didn't reach Los Angeles until seven in the evening. He spent the next two days preparing the final examination he was going to give in a week. He was in his small, cramped office in the basement of an old brick building at the university when the call came.
The voice was a woman's. She asked for Professor Millikan, then said significantly, “We're calling from Louisville.”
“This is Daniel Millikan,” he said.
“Is this a convenient time for you to speak with Mr. Robert Cushner?”
Millikan could tell that Robert Cushner was a name he was supposed to know. The woman's voice had conveyed that there was no question that Millikan would be willing to talk to him, only when. But she had said the only word that was necessary: Louisville.
“Now is fine,” he said.
There was a click and the background noise disappeared. A man's voice said, “Professor Millikan?”
“I understand you were called in to examine the scene of my son's murder.”
Millikan felt a wave of heat rise up his back and stiffen his spine. “Your son?” He recovered. “I'm very sorry, Mr. Cushner. I happened to be at a conference at the University of Louisville. The police knew I was there, because a few of them had attended some of the seminars. One of them called and asked if I would examine a crime scene. The names of the victims weren't known at the time, so I didn't recognize your name. Please accept my condolences. It's very sad that he was in the wrong—”
“He wasn't,” interrupted Cushner. “He wasn't some unlucky bystander or inconvenient witness or something. He was the target. Now, I understand you took one look at the mess in there and knew that.”
“Oh,” said Millikan. His son was the young man alone at the third table, the man with the hole through his forehead. “It was only a theory.”
From the Hardcover edition.
Meet the Author
Thomas Perry won an Edgar for The Butcher’s Boy, and Metzger’s Dog was a New York Times Notable Book of the Year. His other books include Death Benefits, Blood Money, The Face-Changers, and Shadow Woman, Dance for the Dead, and Vanishing Act. He lives in Southern California with his wife and two daughters.
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Most Helpful Customer Reviews
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The book was enjoyable for the most part. I especially found the middle ofthe book interesting when the protagonist (Roy) is tracking and setting up to find the antagonist (Varney). Throughout the story, I was able to buy into the character Varney and his actions. While I liked Roy, he was not really believeable. The story seemed to prefer to set up one on one macho displays of cat & mouse. Knowing all that Roy would have known based on his experience, he would never have toyed with his adversary. There was also one minor loose end that would have been intersting to finish up regarding the artist in New York; but instead, it was left hanging.
One of the best 'mystery' books I've read in a long time. Great story with lots of vivid detailed imagery. Not for the faint of heart but I would HIGHLY recommend this to anyone looking to be entertained. The only downside was the fairly predictable conclusion but even that didn't take away for this book.
I read this book in manuscript form while working at the publisher's ad agency. Reading manuscripts is often a dreadful task as many novels are poorly written. PURSUIT was a wonderful exception! Whereas most modern thrillers are overwritten (ie: characters with very little bearing on the story get a full page or more of description or there are endless chapters that do nothing to advance the plot) Perry gives us a taut, electric tale of a hunter and his prey that grabs you by the throat from the first page and simply will not let go until the last. Although the styles are quite different, PURSUIT reminded me of the thrill I used to get from reading Ian Fleming's original James Bond novels. Thank you, Mr. Perry, and please bring back Roy Prescott soon!
Thomas Perry begins pursuit at Page One and it relentlessly escalates from there. I read a lot. This is by far the best I've read of the genre. My friends say they can't put it down and neither could I. this is a no-brainer. spnd the money. it's well worth it.