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Queer Cinema, The Film Reader examines the relationship between cinematic representations of sexuality and their social, historical, and industrial contexts.
Clearly divided into an introductory overview and four topic areas, the Reader explores how recent critical thinking has approached queer sexualities in relation to the cinema. The four sections discuss:
• Authorship - examining the role of sexuality in the work of queer filmmakers such as George Cukor, Dorothy Arzner, Barbara Hammer, and the directors of New Queer Cinema
• Forms - exploring how genres such as the horror film, the musical, film noir, and the animated film construct queer cinematic spaces
• Camp - looking at how this reception strategy and mode of textual production, initially practised by pre-Stonewall queers, retains its critical charge even in contemporary mainstream popular culture
• Reception - considering three specific historical case-studies of how queer fans have interacted with media texts from Judy Garland to Star Trek.
The Reader concludes with an essay that queerly rethinks classical gaze theory and allows students and scholars of the subject to draw their own conclusions in their studies.
|1||Whose text is it anyway? : queer cultures, queer auteurs and queer authorship||19|
|2||Physique cinema, 1945-1969 : hard to imagine||35|
|3||Transgressive cinema : lesbian independent film||43|
|4||The new queer cinema||53|
|5||The monster and the homosexual||63|
|6||Queer negotiations of the Hollywood musical||75|
|8||Pronoun trouble : the "queerness" of animation||105|
|9||Camp and the gay sensibility||121|
|10||Reclaiming the discourse of camp||137|
|11||Judy Garland and gay men||153|
|12||Finding community in the early 1960s : underground cinema and sexual politics||167|
|13||"Out of the closet and into the universe" : queers and Star Trek||189|
|14||Reviewing queer viewing||209|