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| Peabo Bryson | Primary Artist, Percussion, Keyboards, Vocals |
| Jeanie Tracy | Background Vocals |
| George Martin | Synthesizer |
| Jim Brown | Saxophone |
| Charles Bryson | Percussion |
| Pat Buchanan | Guitar |
| Bill Mueller | Guitar |
| Derek Scott | Guitar |
| Sharon Scott | Background Vocals |
| Yonrico Scott | Drums |
| Myra Walker | Keyboards, Background Vocals |
| Dwight Watkins | Synthesizer, Bass, Vocals |
| Oliver Wells | Keyboards |
| Brenda Williams | Background Vocals |
| Cheryl Wilson | Background Vocals |
| Jimmy Brown | Saxophone |
| Oliver W. Wells | Keyboards |
| Valerie Jones | Background Vocals |
| Derek Scott | Guitar |
| Charles Bryson | Percussion |
| Peabo Bryson | Arranger, Producer, Liner Notes, Audio Production |
| Ron Christopher | Engineer |
| Yonrico Scott | Programming, drum machine |
| Dwight Watkins | Arranger, Programming, Producer, drum machine |
| Bob Defrin | Art Direction |
| Doug Johnson | Engineer |
Editorial Reviews
All Music Guide - Ron Wynn
A prototype album for late-'80s urban contemporary music. Bryson made some over-produced, effectively sung ballads and a few decent up-tempo tracks, and the results were disappointing but mildly successful. The album did get extensive publicity and support, but there were no hits.