Race of Scorpions

( 5 )


With the bravura storytelling and pungent authenticity of detail she brought to her acclaimed Lymond Chronicles, Dorothy Dunnett presents The House of Niccolò series. The time is the 15th century, when intrepid merchants became the new knighthood of Europe. Among them, none is bolder or more cunning than Nicholas vander Poele of Bruges, the good-natured dyer's apprentice who schemes and swashbuckles his way to the helm of a mercantile empire.
In 1462, Nicholas is a wealthy ...
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With the bravura storytelling and pungent authenticity of detail she brought to her acclaimed Lymond Chronicles, Dorothy Dunnett presents The House of Niccolò series. The time is the 15th century, when intrepid merchants became the new knighthood of Europe. Among them, none is bolder or more cunning than Nicholas vander Poele of Bruges, the good-natured dyer's apprentice who schemes and swashbuckles his way to the helm of a mercantile empire.
In 1462, Nicholas is a wealthy 21-year-old. His beloved wife has died. His stepchildren have locked him out of the family business. He and his private army are the target of multiple conspiracies. And both contenders for the throne of Cyprus, the brilliant Queen Carlotta and her charismatic, sexually ambivalent brother James, are demanding his support. Walking a tightrope of intrigue, Dunnett's hero juggles adversaries and allies, from the delectable courtesan Primaflora to the Mameluke commander Tzani-Bey al Ablak, a man of undiluted evil. Masterfully paced, alive with sensual delights, Race of Scorpions confirms Dorothy Dunnett as the grande dame of the genre.
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Editorial Reviews

Publishers Weekly - Publisher's Weekly
The author of Niccol o Rising and The Spring of the Ram continues the bold adventures of Niccolo (Nicholas vanderok Poele) in this deftly drawn, complex novel of 15th-century intrigue. When Niccolo's wealthy older wife dies in Bruges, he finds himself--at age 21--in the dual role of prosperous merchant and sought-after military strategist. Niccolo's powerful private army is coveted by two warring rulers: steely Carlotta, Queen of Jerusalem, Cyprus and Armenia; and her lethally charming, illegitimate brother, James, who is determined to wrest the kingdom from his detested sister. Niccolo's suave demeanor and physical prowess, his ability to turn a profit as well as a battle, attracts dangerous lovers. The beautiful courtesan Primaflora and the vengeful Katerina--married to a nobleman but the mother of Niccolo's son (whose paternity is a secret)--both disguise their intentions. Through precisely rendered scenes, whether depicting a battle on the high seas, the operations of a dye works, a cleverly plotted ambush (using insects) or the gruesome tactics employed to destroy a proud city under siege, Dunnett furnishes fascinating images while spinning her admirable narrative web. (May)
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Product Details

  • ISBN-13: 9780517095614
  • Publisher: Random House Value Publishing, Incorporated
  • Publication date: 11/28/1992
  • Series: The House of Niccolo Ser.

Reading Group Guide

About the Book:The questions, discussion topics, historical background, and author biography are designed to enhance your group's reading and discussion of Dorothy Dunnett's eight bestselling novels in the House of Niccol?. We hope this guide will enrich your experience of these intriguing and adventuresome works of historical fiction.Discussion Questions:

For Discussion: Race of Scorpions

What are the key ingredients in the nature of James of Lusignan, king-in-the-making, of Cyprus? Will he be a better king than his sister Carlotta? What are some of the forces that bring Nicholas vander Poele to take a hand in this making? Does his recent equivocal experience in Trebizond influence Nicholas here?

When we first see Katelina van Borselen she is conversing with the troubador King Ren? of Anjou while he is painting an illustration of his recently written allegory on the theme of &quote;The Heart as Love's Captive.&quote; How does this theme frame the relationship of Nicholas and Katelina? How do they each react to love's captivity at the ancient black cone of Venus in Paphos? The ravine at Kalopetra? The shattered house in starving Famagusta?

Nicholas's great public achievements during his stay in Cyprus are the modernization of the sugar producing processes at Kouklia and the victorious military and diplomatic assault at Famagusta. What did each enterprise satisfy in him? What did he learn from them? What elements of failure are in each of them?

The conflicts at this time in Cyprus will shortly produce the setting of the story which Shakespeare will use for his tragedy Othello. What echoes and intimations of this play, its characters and themes, do you find in Dorothy Dunnett's novel?

How does the relationship between Nicholas and the young Diniz Vasquez replicate the nightmare version of Nicholas's relationship with his family? The ideal version? Why do you think Nicholas brought Diniz to work in the dye factory? How does Jordan de Reberac tarnish this relationship at the end?

For Discussion: The House of Niccol?

Throughout the eight books of the House of Niccol? series a picture emerges of Sophie de Fleury, the mother of Nicholas, and of her centrality in the life of her son. Can you put this picture together now —the Sophie of rumor and gossip, the Sophie of Nicholas's slowly revealed memories, of his maturer judgement, of Andro Wodman's reporting? Are there still some mysteries and obscurities in this portrait?

The House of Niccol? series offers a sustained and in many ways highly sophisticated version of the changes in intellectual, political and psychological structures which mark the transition from the medieval to the modern world. But like any good set of historical novels it abounds too in individual scenes and characters of great emotional, dramatic, and visual power, or stylistic verve, &quote;set pieces&quote; which hang in the memory even longer, perhaps, than the plot or the author's philosophy of history. What are some of your favorites here—scenes of comic impact or tragic illumination? Best-drawn villain or victim, most vexatious female adolescent? Most breathtaking fight or chase? Most engrossing moment of romance? Most stunning surprise?

At the opening of the second volume of the series, and at the closing of the last volume, the voice of an astrologer-character replaces that of the novelist-narrator. What do you make of this—some invitation to compare and contrast those two professions?

Some readers will have come to the Niccol? series after reading the Lymond Chronicles, to which they are a 'prequel'; others have now finished the Niccol? series and will go on to the sequel, the Lymond Chronicles. What are some of the dividends of doing it the first way? The second way? How (after a reading of both) are these two heroes, these two worlds, these two intricate plots, alike and different?

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