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Race Riots: Comedy and Ethnicity in Modern British Fiction [NOOK Book]
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| Introduction : preliminary convulsions | 3 | |
| 1 | Caliban and his progeny | 25 |
| 2 | Inferiority complexions : the London Charivari | 47 |
| 3 | White mischief : Evelyn Waugh's African Charivari | 73 |
| 4 | Joyce Cary's tragic African clown | 92 |
| 5 | Forster's funny bridge party : nation and humour in A passage to India | 113 |
| 6 | Roman Catholic carnival : Muriel Spark's passage to Jerusalem | 137 |
| 7 | The far and the near : Pym and Taylor | 160 |
| 8 | Samuel Selvon and the carnival of reverse colonization | 179 |
| 9 | Rerouting the comic : Salman Rushdie's The Satanic verses | 203 |
| 10 | "A funny kind of Englishman" : Hanif Kureishi's carnival of ethnicities | 228 |
| 11 | "Some subtleties of the isle" : Matthew Kneale's anti-Tempest | 248 |
| 12 | The empire laughs last | 269 |
Overview
From Black Mischief to The Buddha of Suburbia, twentieth-century British fiction is rife with racial humour. Challenging the common reluctance to take such comedy seriously, Michael Ross shows how humour directed at ethnic "others" exposes deep-seated national attitudes. Race Riots explores the development and implications of racial comedy in British literature from the early twentieth century to the present.Ross examines racial humour as a manifestation of post-colonialism and questions contemporary critiques of "political correctness." Looking at cartoons from pre-World War II issues of Punch, Ross shows how disdain for non-Europeans plays a key role...