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4.2 4
by Tim Parks

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A riveting white-water ride down a raging river in the Italian Alps, pitting people against Nature.


A riveting white-water ride down a raging river in the Italian Alps, pitting people against Nature.

Editorial Reviews

Daniel Soar
One of the cleverest aspects of this very clever book is that it isn't clear which of its many striking images we're meant to be left with: is it the DeLillo-ish vision of masked terrorists chained to the railings of the Reichstag, a group with which Clive may be too closely linked? Is it Vince's cool and urbane exchange of banter with the London colleagues he may secretly want to abandon? Or is it simply the thrilling and meaningless rush of capsizing in a turbulent river? No matter. Parks makes all of them good smart fun.
— The New York Times
Publishers Weekly
Parks, whose Europa was shortlisted for the Man Booker Prize, sets his highly engrossing novel on a swollen, swift-moving river in the Italian Alps, where 13 Brits from a London kayak club have come to run the rapids. Vince, a timid, middle-aged banker, recently widowed, serves as the story's center and worries that he won't be able to keep up with the group. He has good reason: Clive, the guide, is a fierce environmentalist and veteran of antiglobalization demonstrations whose frustration with peaceful protests coupled with his shock over the death of two fellow demonstrators leads him to consider-with ominous undertones-doing "something bigger" for the cause. In Clive's wake is Michela, a young Italian whose clinging, worshipful love of Clive renders her increasingly unstable as the trip progresses. Parks keeps the kayaking scenes lively, and he nails the strange hierarchical culture of group trips-and their possibility for implosion. It's part of what transforms Vince, who begins by ruminating over his wife's cryptic last words ("I'm so, so sorry"), but who, over the course of the trip, loses himself in the immediacy of the rushing river, and in Michela, with whom he forges a peculiar bond. It's an urgent, thoughtful and convincing portrayal. (May) Copyright 2006 Reed Business Information.
Library Journal
On the surface, this latest novel from Parks (Destiny) tells the story of a group of kayaking enthusiasts learning how to hold their own in the white water of the Italian Alps. In fact, this novel is about the inner struggles of three of these characters: Clive, the rugged instructor who yearns to change the world; Michela, his loyal girlfriend, whose deepest wish is to leave Italy; and Vince, a high-powered British banker who is literally and figuratively drowning in the aftermath of his wife's death. On a more philosophical level, Parks also examines the nature of extreme sports and those who participate in them. Parks's writing style perfectly matches his subject matter. It ebbs and flows like a river, twisting and turning like the rapids. Eschewing quotation marks, his dialog flows into the narrative as seamlessly as a creek meeting a river. While some readers may become alienated by the incessant jargon, kayakers and canoeists will love this book precisely because of Parks's intimate knowledge of the sport. Recommended for large fiction collections.-Karen Walton Morse, Univ. at Buffalo Lib., NY Copyright 2006 Reed Business Information.
Kirkus Reviews
The prolific British author's 12th novel returns him to Italy (where Parks and his family reside) for an intriguing change of pace. It's the story of a four-day "community experience" in which 15 would-be adventurers-six adults and nine teenagers-embark on a white-water kayaking trip along the Aurino River in the Southern Tyrol region of the Italian Alps. They're a predictably mixed lot, including middle-aged bank executive Vincent, a recent widower, and the daughter (Louise) who's growing up (and away from him) too quickly to be capable of sharing in his grief; overweight, over-eager Keith, an ardent, ingenuous boy in a swollen man's body; cold-fish Max, a know-it-all student ruled by a mordant, contemptuous sense of humor; and river guide Clive, an aging ecological activist who does not refrain from delivering lectures on global warming (e.g., melting glaciers are making the waters they're all traveling far more dangerous than usual) and irresponsible public policies-that is, when he's not dashing off to earth-friendly conferences or protest demonstrations, or punishing his younger Italian girlfriend Michela by refusing to have sex. Vince's burgeoning interest in the attractive Michela sparks one helpful complication, as do the cantankerous pronouncements of "canoeing" instructor Adam, whose bitter distrust of the motives of self-declared earth-savers estranges him from his own confused, withdrawn son, Mark. It's all more than a little contrived and top-heavy-as is an enthusiast's overabundance of detail about the metaphysics and techniques of braving those all-too-symbolic rapids (they are the meandering and treacherous currents of our lives, dear reader, and you are not to forget it).Nevertheless, Parks writes so knowledgeably and graphically about the exhilaration of engaging the unknown on its own unforgiving terms that it's impossible not to be swept along the Aurino, despite the narrative's blustering excesses. Not for every taste, but it's another illustration of the range of Tim Parks's seemingly inexhaustible talents.

Product Details

Random House Adult Trade Publishing Group
Publication date:
Product dimensions:
5.28(w) x 8.46(h) x 0.75(d)

Read an Excerpt


a novel
By Tim Parks

Arcade Publishing

Copyright © 2005 Tim Parks
All right reserved.

ISBN: 1-55970-811-5

Chapter One


This isn't the right world, he told her. For us. He unrolled a sleeping bag and laid down on the planks. Be strong, he said. Earlier, immediately on their return, they had tried out the stretch downstream from Sand in Taufers. Filthy cities, Clive muttered. Michela looked taller and slimmer in her wetsuit beneath the large backdrop of the Alps, if possible even younger. Filthy Milanese, he insisted, pulling tight his spraydeck. Old misanthrope! she laughed. She was happy. It was right to go, she said, I don't regret it at all, but great to be back.

So it was. They seal-launched from the bank. The river was high. It slid solid beneath the bridge. She knew she loved him and so was thinking only of the practical arrangements: the campsite, the pitches, the food, the equipment. This is the big day. These are her duties. I hope they don't bring any basket cases, she called. Clive was already away downstream. He broke in and out of the swift flow. The merest hint of an eddy was refuge enough. He was so stable on the flood. He used so few paddle strokes, so little energy. Michela darted behind. She was aware that basket case was his expression. She was aware of emulating his deft certainty in the strong water. It's not my element yet. Clivebroke out again. His yellow boat slewed to stop with its prow in only a handkerchief of stillness behind the lure of something submerged. The river tugged by. Move off! she called. The current was faster. Make room! He shook his head. He was laughing. The eddy was too small for two. Meanie! Now she must take the rapids first.

Suddenly alone, the river's horizon comes to meet you. There's a certain glassiness to it and as the roar swells the water grows more compact, it pulls more earnestly. The mountains around and above are quite still. Already you are past the point of no return. You must choose your spot. Michela knows the right place, slightly left of centre. But just before the plunge, she sees it has changed in their week away. The river is constantly changing. A rock has gone under. A heavy log is caught in the larger boil of the stopper. Perhaps still in the spell of last week's drama, or half focused on the group that will arrive this evening, she tries at the last second to change her line. She isn't used to leading. It's a mistake. The surface is already curving down. The pull is fierce. She throws in a sharp paddle stroke on the right to avoid the log, tries to straighten on the left. But already she's in the quick of it. Not quite in line with the current, the kayak is sucked abruptly back into the stopper, sideways to the flood.

For a second the young woman allows the elements to take over. A moment's inattention is more than enough. The water pounds on the spraydeck, forcing her head down into the rush. Her helmet bangs on the log. The red kayak spins on its axis. Her face is under now, in the foam. Again the helmet grates. But Michela is calm and lucid. She is always calm when it actually happens, when she's gone below and the world is blurred and swirling dark. She has her paddle gripped tight. As the stopper spins her up, head downstream, she leans out across the water to block the rotation, the bottom of the boat exposed now in the drumming cascade of the fall. At once she's steady, held in the churn of the stopper, but with her face just above water, her arms reaching to scull for support on the troubled surface. The log bangs and bangs on the hull. She's stuck.

There's someone shouting now, but the roar of the rapid is too loud. She glances up. Clive is already there in the eddy she was headed for. He's watching her. He beckons. He's so near. Slide out this way! Her boat is pointing towards him. Beyond its prow the stopper runs on for a couple of yards or so, a line of transparent water pouring over a ledge of rock to spin white beneath the surface. Every piece of flotsam dragged down the river is held there, for hours, perhaps for weeks, turned and turned in this liquid trap. The water flows on, but not the driftwood. Or the coke cans. Or even a dead rat, or sheep. Michela is caught. It's all she can do to keep her head above water.

Just beyond the stopper is the complete stillness of the eddy where she should be, sheltered by a spur of rock. Clive is grinning, beckoning, motioning to show how she can use the paddle to edge along the line of foam. She knows that of course. In theory. But in this position she can't get the boat to move. It won't budge. The underside grinds against the rock and the log. The water drums. And she can't hear Clive's voice either, if only because her right ear is actually in the icy water. The river is snowmelt. I must be strong, she thinks. But now she sees he's about to toss a line. He's passed it round a sapling on the bank and is waiting for her to understand. The throw-bag falls exactly over her arms. She grasps the line quickly with her left, twists it round a wrist, almost loses her precarious balance, then has it passed round the paddle and is gripping tight. Cautiously, Clive starts to tug. He seems to be savouring the resistance of the stopper, balancing the two pulls exactly, the water, the rope. Inch by inch, the boat slides along the ledge of the fall, approaching the eddy. Then it rocks free so suddenly that the girl capsizes and has to swing the paddle wide to roll up, drenched.

Idiot! Clive laughs.

All at once Michela can hear again. The world is calm and still and warm, unusually warm for the mountains. There are flies and river-bank smells. Only a couple of yards away, the roar of the crashing water seems remote and unimportant.

You should see your face, he says.

If you'd led the way, it wouldn't have happened.

You can't always be following me. Actually, you did brilliantly. He's smiling at her, water glinting on his thick beard, his eyes narrow against the sun. It's not easy to come out of a spin. Most people would have pulled the deck and swum.

Why didn't you leave the eddy to me?

There was room for three!

There was not!

You didn't try.

She would have liked to kiss him now, he was so steady with his wet beard, glinting eyes, thick forearms, but Clive is already shifting his boat round hers to move into the stream. By the way, he asked, how do you say eddy in Italian?

I told you, no one speaks Italian in this part of Italy.

I just want to know, so I can sound knowledgeable if people ask.

La morta, she said. You say entrare in morta.

With one stroke he was in the stopper. A simple move of the hips lifted the underside of the boat to meet the falling water pouring over the ledge. At once the hull locked in, trapped in the tension between fall and reflux. Now he was in the same position she had been, though facing the other way. It looked easy. With long strokes that seemed to caress the surface of the water downstream of the boat, he moved slowly to the other side and popped out. He motioned for her to try. Michela shook her head and pulled into the flow below the fall. Evidently they would have to start the weaker paddlers further down.

The group arrived towards eight. They had driven all the way from England. Michela was waiting at the gate. Michela loves English people. Michela loves all things English and despite having lived only six months in the country Michela speaks and writes a near-perfect English. The fact that it isn't perfect is a torment to her. You have no accent, Clive explains: To be perfect, people would have to know where in England you come from. Michela comes from Brescia. She doesn't want Clive to learn Italian. It won't be necessary. Not in the South Tyrol. Her destiny is England and English. She feels this deeply. To become truly strong, she must leave Italy. They are only here because English people like to go abroad for their holidays, because the South Tyrol is so unspoiled and beautiful. Is there anywhere unspoiled in Europe aside from the Alps? They are only here for the summers. Then they'll go back to England. I don't like to speak Italian, she told him. I hate my mother tongue. I hate this country. Clive was thinking about other things. When not on the water, he is troubled, concerned. He is checking a kit bag, or looking through paperwork. Michela likes the impression he gives of always thinking, always foreseeing and forestalling some accident. It's an important moment in their lives. This is the first group they have brought here. They have made an investment.

Weren't there supposed to be thirteen of you? The van bounces on the rutted track turning into the campsite. It's a dirty white. The driver hits the horn in celebration. Am I driving carefully? asks a sticker on the back. There's a phone number and the name of a county council. The trailer with all the camping equipment and a couple of personalised kayaks bumps and trundles behind. Then people are spilling onto the grass, shouting, laughing, shaking hands. Mandy, Keith, Adam. Who's got the bloody trailer key? Who's got the duty list? Sugar! A tall chinless man in early middle age is trying to make a call from his mobile. At once Michela is excited, but anxious. The English are never quite the English she would like them to be, the English as she thinks of them when they are not there. One of the men is decidedly paunchy. It's their language she loves. Mandy too turns out to be robust and squat. They are shaking hands. Miserable crick in the neck! the older woman complains. She wears a shabby smock and clutches a digital camera. The boy who runs into her is in his gormless early teens. Clot! Mandy tells him abruptly. Her accent is unmistakably South London. You're on the cooking tent, Adam. Water canisters, please! Out of the e-mail and into the wetsuit, laughs the fatter, older man. I'm Keith. He grasps Michela's hand with both of his. His eyes are glassy and jolly. Mandy takes a photo. One for the website. Weren't there supposed to be thirteen of you? The girl asks again. Two coming separately, Keith explains. Already on holiday somewhere down south. Lucky sods.

The campsite is a cosmopolitan patchwork. The van moves slowly through a chequer of tents and chalets, the clutter of washing lines, cooking equipment, loud cries in Dutch, in Spanish, of children playing ball. Three grim teenagers are sitting around African drums, transmitting a nervous rhythm to the twilight. Suddenly the forests above are black, the mountains stark. We've got the pitches nearest the river, Michela explains. Furthest from the loos, a spindly girl moans.

Speech! Keith announces as soon as the van has stopped. Men and women, kids and kayakers, lend me your lobes! So here we are in Wopland at last. Okay, it's been a long journey, I know, we've had a couple of sense-of-humour breakdowns, it's only natch, but what we need now is maximum co-op-er-ay-shun! It's nearly dark. We're going to have to move fast. From this moment on nobody thinks of themselves until the kitchen tent is up, the van unpacked, the water canisters filled and supper under way. Is that clear? We before me, okay? Thine before mine. Then you can put up your own tents and get yourselves sorted. Remember: this is not, repeat not a holiday; it's a community experience, right! As soon as we're all done and we've eaten we'll have the evening meeting and plan out tomorrow's activities. Oh, and don't forget to prepare your nominations for Wally of the Day!

As he finished speaking - and an Indian boy was already on top of the van furiously undoing tie-ropes - Michela saw Clive emerge from their chalet. His face more than ever expressed a contained, manly perplexity, a faint smile at the corner of the bearded mouth. Long time no see, he said, shaking hands with his old teacher. Wonderful place you found for us, Keith enthused. As the last light shrank behind the peaks, the valley was suddenly chill. How's the river? High, Clive said. The glaciers are melting. Mallet please! someone was shouting. Mall-et!

Sorry to be so silent, Vince told his daughter. Once again the autostrada had come to a standstill. These are his first words of the drive. The air-conditioning hummed. The girl was changing CDs. Head down, lips pursed she looked at him sidelong, half smiled. What's there to say? she asked. He felt ashamed. You've put up with Florence, he said. Now you get your fun, see some friends. Louise laughed: I liked Florence!

Then the car was shaken with an urgent rhythm. May I? She turned it up even louder. He nodded. He hated the music. It was shameful that he had nothing to say to her. Nothing has been said about Gloria. His daughter was staring intently, tapping on her knees. The landscape trembled with heat. For at least a mile ahead the cars glittered stationary, as if a great river sweeping down from the Apennines had solidified in the summer haze. The planet is burning up, he thought. An asset long since amortised. He felt quite untouched, shivery.

Swaying her head, his daughter smiled, still with a faint hint of compassion. She is thinking of her mother, he decided. How can a holiday like this do anything but make us think of her? Yet it isn't really Gloria I am thinking of. He knew that. It was to do with Gloria, but it wasn't her. I don't see Gloria. He was suddenly anxious. I don't hear Gloria's voice when I remember the things she said. You think of nothing at all, he told himself. But so intensely. Life had not prepared him for this.

The pulse of the music became an obsessive repetition, a hectic running on the spot. The car throbbed. The song went on long beyond the point where you'd heard enough. The traffic stewed. Abruptly Louise turned the volume down: There is one thing though: if we're camping, how am I supposed to recharge my phone? Vince was gripping the steering wheel, willing the cars to move. Dad? Sorry, what was that? How am I supposed to recharge my phone? In what sense? We're camping, there won't be plugs.

He looked at her. No idea, he said. He managed a smile. Do without it for a week. Live free. Dad! She shook her head and turned up the volume again. Only now did he notice she was cradling her mobile in one hand, as if expecting some vital call. She has been fondling her mobile all week, he thought. I haven't even made fun of her. All at once the fierce drumming of the car stereo was challenged by the sound of a distant siren speeding along the emergency lane. Somebody has died, he decided. Someone won't be going home.

Michela felt keenly how different tonight's meeting was. Still, she had no presentiment of what was about to happen. Last week she and Clive had slept in the squalor of a centro sociale in Milan; more than two hundred people were spread across the floor of an abandoned warehouse. Many were smoking dope. There were angry speeches and chants, which she translated more or less for Clive. Sometimes someone stood up and spoke in English, or French, or German. They were speeches punctuated with slogans that everybody could repeat, whatever their language. Michela wasn't sure if she was enjoying it, but felt keenly that they were right to be here. They shared a cause. Everything precious was under threat. Some final barrier was about to come down, some crucial dam would burst releasing the final great wave of destruction. They must be strong to resist. They must protest. She joined in the chants. There were people of all colours and nations, mainly young, all scandalised. Our world is a scandal, somebody stood to say. Quite probably it will end in our lifetime.

Clive rolled his cigarettes. Despite the crowding, the intense heat, they had managed to make love every night, a slow, strong, silent love. We are two torrents flowing together in the dark, she whispered. During the meetings she sat between his legs. She had never felt more protected. Her man was solid, solemn. Free trade is just the free transfer of wealth from the poor to the rich, a young man explained. Loans are theft! It is criminal to ask for interest payments from the starving! It is lunatic to cut down the forests and burn more and more oil!

People clapped and cheered. Everywhere they went throughout the week they were met by the same impenetrable line of riot shields and truncheons. Police vans blocked the entrance to a square. Helmeted men with teargas launchers sprouted from hatches above. The heat was oppressive. Thirty-eight degrees. On the Thursday they tried to force the cordon round Palazzo Marino as President Bush arrived. They assumed it was President Bush. Usually so calm, Clive heaved wildly behind a thick Plexiglas screen they had made to push against the police. He was beside himself. Issa! the Italians shouted. Heave! Issa! Issa! Scores of photographers were crammed into a specially protected paddock. Heave!


Excerpted from RAPIDS by Tim Parks Copyright © 2005 by Tim Parks. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Tim Parks is the author of more than twenty novels and works of nonfiction, including the best-selling Italian Neighbors and An Italian Education. His novels include Europa which was shortlisted for the Booker Prize. His essays have appeared in the The New Yorker and the New York Review of Books, for which he blogs. Tim Park is also a renowned translator. He lives in Italy.

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Rapids 3.5 out of 5 based on 0 ratings. 2 reviews.
Anonymous More than 1 year ago
*she walks to med den*
Anonymous More than 1 year ago
He paded in. Im srry ive been gone so long.....my love. He tom layed down and waited.