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Ravel: The Complete Solo Piano Music
     

Ravel: The Complete Solo Piano Music

by Steven Osborne
 
It is tempting to overlook the other works on pianist Steven Osborne's album in order to bestow ecstatic praise on "La valse," but that would be like skipping the various courses of a feast and heading straight for dessert. Osborne shows off his gift for and love of the great French composer's work in this complete set of pieces written for solo piano. In the

Overview

It is tempting to overlook the other works on pianist Steven Osborne's album in order to bestow ecstatic praise on "La valse," but that would be like skipping the various courses of a feast and heading straight for dessert. Osborne shows off his gift for and love of the great French composer's work in this complete set of pieces written for solo piano. In the enjoyable "Miroirs," "Noctuelles" is blooming and rapid in Osborne's lovely interpretation, and "Alborado del gracioso" is stunning for its phrasing and perfect rhythm, even when Osborne restrikes the same key at a rapid-fire pace. Unfortunately, both CDs, especially the first, suffer from a weak recording quality that renders the softest passages inaudible. Sometimes, Osborne's slower or piano dynamic passages are ever so slightly static. The second CD is possibly more interesting than the first, as the compositions are more varied and Osborne's athletic playing and fiery passion are more evident here. In "Le tombeau de Couperin" it is a delight to hear each beautiful trill rolling off his fingers in "Forlane" (which has foreshadowings of "La valse"), the lively contrasts in the famous "Rigaudon," or the feeling and complexity of the "Toccata." Ravel's famed tone color is brought to life in "Jeux d'eau," and a grand, balletic sweep can be relished in the brief "À la manière de Borodin." When Osborne plays full out, it is truly magnificent. "Valses nobles et sentimentales" whet the listener's appetite for the main waltz to come. One can hear the antecedents to "La valse," such as in "Modéré--Très franc," which moves with ease and a music box-like inner motion (without which the piece would fall apart); "Assez animé," which sends the listener into rapture; and the grand crescendo of "Moins vif" that is played with such vigor that Osborne must be using his whole body and soul. One wonders why "La valse" was not programmed after "Valses nobles et sentimentales," to save the best for last. The piece threatens to send the listener into ecstasy. The menacing low notes and rubato in the beginning show Osborne's tremendous control of tension in the line. The rich music is very difficult to play, yet Osborne has a superb sense of musicality. He fleshes out Ravel's orchestration, and he knows how to create maximum drama through dynamics and pedaling. The crescendo-allargando is astounding, as is the ending accelerando, which is frenetic by degrees; the pianist's urgency is palpable. ~ V. Vasan

Product Details

Release Date:
03/08/2011
Label:
Hyperion Uk
UPC:
0034571177311
catalogNumber:
67731
Rank:
18025

Related Subjects

Tracks

  1. Valses (8) nobles et sentimentales, for piano (or orchestra)
  2. Pavane pour une infante défunte, for piano (or orchestra)
  3. À la manière de. . . , for piano
  4. Menuet sur le nom d'Haydn, for piano
  5. Prélude, for piano
  6. Jeux d'eau, for piano
  7. Sérénade grotesque, for piano
  8. Menuet antique, for piano (or orchestra)
  9. Menuet, for piano in C sharp minor
  10. Le tombeau de Couperin, for piano
  11. Gaspard de la nuit, for piano
  12. La valse, poème choréographique for piano or 2 pianos
  13. Miroirs, for piano (or orchestra)
  14. Sonatine for piano in F sharp minor

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