Reading Conrad
For half a century, J. Hillis Miller has been a premier figure in English and comparative literature, influencing and leading the direction of literary studies. What is less well-known is that he has been equally influential in Conrad studies with his work on nihilism, language, and narrative in Joseph Conrad’s fiction. Returning to Conrad at different stages of his long career—reading and rereading him in light of new critical trends—Miller continually discovered new aspects of the influential author’s fiction. This volume, edited by John G. Peters and Jakob Lothe, charts Miller’s shifting insights into Joseph Conrad’s fiction and also highlights the potential of Conrad studies to illuminate core questions in studies of narrative theory, aesthetics, and history.
 
Reading Conrad by J. Hillis Miller demonstrates a surprising cohesiveness across Miller’s career as well as the richness of Conrad’s fiction, which affords varied opportunities for critical approaches as different as phenomenology, new criticism, deconstruction, narrative theory, and narrative ethics. Miller’s analyses emphasize literature’s rhetorical and performative power, ultimately suggesting that while narrative fiction is an effect of a series of complex phenomena in society and in the human psyche, as literary language it can also refer to the external world indirectly and contribute to the formation of history from within. 
 
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Reading Conrad
For half a century, J. Hillis Miller has been a premier figure in English and comparative literature, influencing and leading the direction of literary studies. What is less well-known is that he has been equally influential in Conrad studies with his work on nihilism, language, and narrative in Joseph Conrad’s fiction. Returning to Conrad at different stages of his long career—reading and rereading him in light of new critical trends—Miller continually discovered new aspects of the influential author’s fiction. This volume, edited by John G. Peters and Jakob Lothe, charts Miller’s shifting insights into Joseph Conrad’s fiction and also highlights the potential of Conrad studies to illuminate core questions in studies of narrative theory, aesthetics, and history.
 
Reading Conrad by J. Hillis Miller demonstrates a surprising cohesiveness across Miller’s career as well as the richness of Conrad’s fiction, which affords varied opportunities for critical approaches as different as phenomenology, new criticism, deconstruction, narrative theory, and narrative ethics. Miller’s analyses emphasize literature’s rhetorical and performative power, ultimately suggesting that while narrative fiction is an effect of a series of complex phenomena in society and in the human psyche, as literary language it can also refer to the external world indirectly and contribute to the formation of history from within. 
 
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Overview

For half a century, J. Hillis Miller has been a premier figure in English and comparative literature, influencing and leading the direction of literary studies. What is less well-known is that he has been equally influential in Conrad studies with his work on nihilism, language, and narrative in Joseph Conrad’s fiction. Returning to Conrad at different stages of his long career—reading and rereading him in light of new critical trends—Miller continually discovered new aspects of the influential author’s fiction. This volume, edited by John G. Peters and Jakob Lothe, charts Miller’s shifting insights into Joseph Conrad’s fiction and also highlights the potential of Conrad studies to illuminate core questions in studies of narrative theory, aesthetics, and history.
 
Reading Conrad by J. Hillis Miller demonstrates a surprising cohesiveness across Miller’s career as well as the richness of Conrad’s fiction, which affords varied opportunities for critical approaches as different as phenomenology, new criticism, deconstruction, narrative theory, and narrative ethics. Miller’s analyses emphasize literature’s rhetorical and performative power, ultimately suggesting that while narrative fiction is an effect of a series of complex phenomena in society and in the human psyche, as literary language it can also refer to the external world indirectly and contribute to the formation of history from within. 
 

Product Details

ISBN-13: 9780814275702
Publisher: Ohio State University Press
Publication date: 11/13/2017
Series: Theory and Interpretation of Narrative
Sold by: Barnes & Noble
Format: eBook
Pages: 340
File size: 2 MB

About the Author

J. Hillis Miller is Distinguished Professor Emeritus at the University of California, Irvine, and author, most recently, of Thinking Literatures Across Continents.
John G. Peters is University Distinguished Research Professor of English at University of North Texas and author of Joseph Conrad’s Critical Reception. Jakob Lothe is Professor of English Literature at University of Oslo in Norway and editor of The Future of Literary Studies.
 

Table of Contents

Reading Conrad Series Title Page Title Page Copyright CONTENTS FOREWORD ACKNOWLEDGMENTS NOTE ON THE TEXT AND ABBREVIATIONS INTRODUCTION: Conrad and Me THE POETRY OF REALITY JOSEPH CONRAD: THE DARKNESS THE SECRET AGENT CHAPTER 2: Lord Jim: Repetition as Subversion of Organic Form CHAPTER 3: Heart of Darkness Revisited CHAPTER 4: Joseph Conrad: Should We Read Heart of Darkness? CHAPTER 5: Conrad’s Secret CHAPTER 6: Revisiting “Heart of Darkness Revisited”(in the company of Philippe Lacoue-Labarthe) CHAPTER 7: Conrad’s Colonial (Non)Community: Nostromo THE ORIGINS OF NOSTROMO MATERIAL VISION IN NOSTROMO: AS CONRAD DOES IT WELL, SO WHAT? READING NOSTROMO THE OPENING OF NOSTROMO MATERIAL VISION IN THE OPENING CONRAD AND KANT WARMINSKI ON DE MAN ON KANT THE MATERIALITY OF THE LETTER IN CONRAD “MATERIAL INTERESTS”: NOSTROMO AS CRITIQUE OF CAPITALIST IMPERIALISM NARRATIVE COMPLEXITIES IN NOSTROMO NOSTROMO AS COMMUNITY HISTORY SULACO AS A NON-COMMUNITY NOSTROMO’S REPRESENTATION OF CAPITALIST IMPERIALISM IDEOLOGIES OF LOVE AND WAR: PSYCHODRAMAS OF INTERTWINED ISOLATOES IN NOSTROMO CONRAD’S CINEMATIC VISION SUBJECTIVE ISOLATION IN NOSTROMO CHARLES GOULD’S SECRET OBSESSION SECRETS INTERTWINED: THE IRONY OF ITERATED EPITHETS NOSTROMO: NOT ANOTHER MULTI-PLOTTED NOVEL LIKE THE LAST CHRONICLE OF BARSET HOLROYD PEDRITO MONTERO EMILIA GOULD THE SECRET AS A LINGUISTIC MISTAKE DR. MONYGHAM LINGUISTIC CONFUSIONS THAT HAVE RESULTS DECOUD NO TRANSCENDENT GROUND IN NOSTROMO INDEX THEORY AND INTERPRETATION OF NARRATIVE: James Phelan, Peter J. Rabinowitz, and Robyn Warhol, Series Editors
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