Reading Fiction in Antebellum America: Informed Response and Reception Histories, 1820-1865

James L. Machor offers a sweeping exploration of how American fiction was received in both public and private spheres in the United States before the Civil War.

Machor takes four antebellum authors—Edgar Allan Poe, Herman Melville, Catharine Sedgwick, and Caroline Chesebro'—and analyzes how their works were published, received, and interpreted. Drawing on discussions found in book reviews and in private letters and diaries, Machor examines how middle-class readers of the time engaged with contemporary fiction and how fiction reading evolved as an interpretative practice in nineteenth-century America.

Through careful analysis, Machor illuminates how the reading practices of nineteenth-century Americans shaped not only the experiences of these writers at the time but also the way the writers were received in the twentieth century. What Machor reveals is that these authors were received in ways strikingly different from how they are currently read, thereby shedding significant light on their present status in the literary canon in comparison to their critical and popular positions in their own time.

Machor deftly combines response and reception criticism and theory with work in the history of reading to engage with groundbreaking scholarship in historical hermeneutics. In so doing, Machor takes us ever closer to understanding the particular and varying reading strategies of historical audiences and how they impacted authors’ conceptions of their own readership.

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Reading Fiction in Antebellum America: Informed Response and Reception Histories, 1820-1865

James L. Machor offers a sweeping exploration of how American fiction was received in both public and private spheres in the United States before the Civil War.

Machor takes four antebellum authors—Edgar Allan Poe, Herman Melville, Catharine Sedgwick, and Caroline Chesebro'—and analyzes how their works were published, received, and interpreted. Drawing on discussions found in book reviews and in private letters and diaries, Machor examines how middle-class readers of the time engaged with contemporary fiction and how fiction reading evolved as an interpretative practice in nineteenth-century America.

Through careful analysis, Machor illuminates how the reading practices of nineteenth-century Americans shaped not only the experiences of these writers at the time but also the way the writers were received in the twentieth century. What Machor reveals is that these authors were received in ways strikingly different from how they are currently read, thereby shedding significant light on their present status in the literary canon in comparison to their critical and popular positions in their own time.

Machor deftly combines response and reception criticism and theory with work in the history of reading to engage with groundbreaking scholarship in historical hermeneutics. In so doing, Machor takes us ever closer to understanding the particular and varying reading strategies of historical audiences and how they impacted authors’ conceptions of their own readership.

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Reading Fiction in Antebellum America: Informed Response and Reception Histories, 1820-1865

Reading Fiction in Antebellum America: Informed Response and Reception Histories, 1820-1865

by James L. Machor
Reading Fiction in Antebellum America: Informed Response and Reception Histories, 1820-1865

Reading Fiction in Antebellum America: Informed Response and Reception Histories, 1820-1865

by James L. Machor

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Overview

James L. Machor offers a sweeping exploration of how American fiction was received in both public and private spheres in the United States before the Civil War.

Machor takes four antebellum authors—Edgar Allan Poe, Herman Melville, Catharine Sedgwick, and Caroline Chesebro'—and analyzes how their works were published, received, and interpreted. Drawing on discussions found in book reviews and in private letters and diaries, Machor examines how middle-class readers of the time engaged with contemporary fiction and how fiction reading evolved as an interpretative practice in nineteenth-century America.

Through careful analysis, Machor illuminates how the reading practices of nineteenth-century Americans shaped not only the experiences of these writers at the time but also the way the writers were received in the twentieth century. What Machor reveals is that these authors were received in ways strikingly different from how they are currently read, thereby shedding significant light on their present status in the literary canon in comparison to their critical and popular positions in their own time.

Machor deftly combines response and reception criticism and theory with work in the history of reading to engage with groundbreaking scholarship in historical hermeneutics. In so doing, Machor takes us ever closer to understanding the particular and varying reading strategies of historical audiences and how they impacted authors’ conceptions of their own readership.


Product Details

ISBN-13: 9780801899331
Publisher: Johns Hopkins University Press
Publication date: 04/01/2011
Sold by: Barnes & Noble
Format: eBook
Pages: 424
File size: 2 MB
Age Range: 18 Years

About the Author

James L. Machor is a professor of English at Kansas State University, editor of Readers in History: Nineteenth-Century American Literature and the Contexts of Response, also published by Johns Hopkins, and coeditor of Reception Study: From Literary Theory to Cultural Studies and New Directions in American Reception Study.

Table of Contents

Preface
Part I: Reading Reading Historically
1. Historical Hermeneutics, Reception Theory, and the Social Conditions of Reading in Antebellum America
2. Interpretive Strategies and Informed Reading in the Antebellum Public Sphere
Part II: Contextual Receptions, Reading Experiences, and Patterns of Response: Four Case Studies
3. "These Days of Double Dealing": Informed Response, Reader Appropriation, and the Tales of Poe
4. Multiple Audiences and Melville's Fiction: Receptions, Recoveries, and Regressions
5. Response as (Re)Construction: The Reception of Catharine Sedgwick's Novels
6. Mercurial Readings: The Making and Unmaking of Caroline Chesebro'
Conclusion: American Literary History and the Historical Study of Interpretive Practices
Notes
Index

What People are Saying About This

Barbara Hochman

An important book that fills significant gaps in literary and historical scholarship on the reading, reception, publishing, and interpretation of antebellum fiction.

Barbara Hochman, Ben Gurion University

From the Publisher

An important book that fills significant gaps in literary and historical scholarship on the reading, reception, publishing, and interpretation of antebellum fiction.
—Barbara Hochman, Ben Gurion University

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