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| Introduction "Writing Truly Enough": The Necessity of Political Criticism | 1 | |
| 1 | "To Make It Into A Novel...Don't Talk About It": Hemingway's Problematic Method | 5 |
| The Formal Means of Production | 5 | |
| The Suggestive Style | 9 | |
| The Perpetual Now | 20 | |
| The Iceberg Principle | 28 | |
| Irony | 34 | |
| 2 | "The World Was A Good Place To Buy In": The Economic Basis Of Jake's Society | 41 |
| The Relations of Production | 41 | |
| "Work Could Cure Almost Anything" | 44 | |
| The Work of Art | 57 | |
| The Production of Commodity Desire | 63 | |
| The Cash Value of Values | 71 | |
| 3 | "He's Quite One of Us": Class Consciousness And The Dominant Ideology | 81 |
| "You Got Class All Over You" | 81 | |
| The Wound Without End | 96 | |
| "A Rather Shocking But Really Very Deep Secret" | 102 | |
| 4 | "Isn't It Pretty To Think So?": The Business Of Getting Even | 115 |
| The Failing Superstructure | 115 | |
| "No Idea Of Retribution Or Punishment. Just Exchange of Values" | 123 | |
| The Text As Totality | 133 | |
| Conclusion | 137 | |
| Bibliography | 141 |
Overview