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Between the groans of a smog alert siren at the outset of this gripping noir from Kirino (Out), Tokyo high school student Toshi Yamanaka hears what sounds like glass shattering next door. Might a burglar be at work? Later, after learning that a female neighbor has been bludgeoned to death, Toshi suspects that she was an earwitness to the woman's murder and that the killer was the victim's son, a mysterious boy Toshi's age, nicknamed Worm by Toshi and her friends. When Worm vanishes, Toshi, who also suspects he stole her cellphone, finds herself hoping that he'll reach out to her, for reasons she doesn't fully understand. Winner of the Mystery Writers of Japan Award, Kirino uses her considerable narrative gifts to evoke the tedium, pressure and angst her teenage characters suffer. Some readers, though, may find the proceedings just too grim for their taste. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Toshi, a high school girl at home during summer vacation, is surprised late one morning by the sound of crashing glass coming from her neighbors' house. From that point on, her life and that of her three friends will change completely as they become entangled with the neighbors' son, nicknamed "Worm." Focusing on the lives of these five characters, Kirino unflinchingly describes the contemporary social conditions of teenagers from their point of view; unlike Battle Royale, that now infamous look at violent school children, this work more honestly depicts the blatant as well as subtle acts of violence done by and to teenagers in modern Japan. Kirino's work has been awarded numerous prestigious awards, including the Edogawa Rampo Prize for best mystery in 1993 and the Naoki Prize for Soft Cheeks in 1999; this is his third book to appear in English, after Grotesque and Out. Gabriel, who recently translated Murakami Haruki's Kafka on the Shore to critical acclaim, has a difficult job translating the slang of high school students but mostly hits the right notes. Highly recommended.
—Andrew Weiss
Adult/High School
A dark tale of teen angst and despair in suburban Tokyo. Through alternating first-person narratives, four girls and one boy tell a story of murder and deception. Descriptions of the hot, humid summer enhance the oppressive feeling of the novel. Characters are well drawn and real, though not always sympathetic-they make life-altering mistakes, don't trust or confide in adults, and are absorbed in their individual worlds. Kirino offers insight into the teens through chapters that read like diary entries as they divulge the deepest secrets, fears, and longings of Toshi, Terauchi, Yuzan, Kirarin, and the boy they call "Worm." Readers glimpse at the cliques, social pressures, and academic expectations endured by adolescents in contemporary Japan. Alternating narration sets a fast pace but can be jarring. With five different voices, readers sometimes have to backtrack to figure out who is telling the story. Nevertheless, the technique is effective for evoking an unsettled atmosphere and reinforcing the chaos of life in the Real World . Prominent themes in this psychological thriller include alienation from parents, secret identities, matricide, and complicated relationships even among friends-which is your real self? Two dark surprises at the end of the novel are shocking but not unrealistic. This book will appeal to readers who enjoy teenage problem novels, as well as manga fans interested in Japanese culture.-Sondra VanderPloeg, Colby-Sawyer College, New London, NH
Violence and young womanhood are central themes to the work of Natsuo Kirino, one of the best-known writers of Japanese "feminist noir." At 57, she is the author of 18 novels, four short-story collections, and an essay collection. Only three of those novels have been translated into English. The first, Out -- about a group of factory workers who conceal the murder of one woman's husband -- appeared in 2003, followed last year by Grotesque, which begins with the murder of two prostitutes. Those who know contemporary Japan through the cool, Western-inflected prose of Haruki Murakami (who has become, for many American readers, one of the most canonical writers of our generation) will find something entirely different in Kirino's young women, whose psychological makeup often feels peculiarly, thrillingly specific to the culture in which they live.
"In Tokyo today, young girls are seen either as easy marks for sales or as 'marketing leaders' to help companies get a grasp on what new products to sell...which makes us another kind of easy mark, I guess," says Toshiko, who goes by Ninna Hari, a fake name she has invented to avoid winding up in "some database," which she and her friends believe would lead inevitably to a situation in which "adults control you." Women of her mother's generation -- most of whom are in their early 40s -- "still believe in beautiful things like justice and considering other people's feelings" and can't, according to Toshi, understand the extent to which their daughters have been "bullied" by "commercialism." On the one hand, the Japanese girl is a sexual fetish that can literally be bought and sold ("When the media was going nuts over school girls getting old guys to be their sugar daddies for sex, that was the time when high school girls like us had the highest price as commodities"). But private school girls like Toshi and her friends are also susceptible to the same academic pressure cooker that can devastate girls and boys alike: As the novel opens, the girls are spending their monthlong summer vacation in cram school, where one college girl tutor cheerfully tells them that at their age she studied till she "spit up blood" and that if they "study like you're going to die" they too, can earn a place at their top-choice college (where one can presumably earn the privilege to continue to spit up blood). Adulthood, if their mothers are any indication, will most likely consist of a full-time job, children, and marriage to a company man who is out drinking most nights.
Each of the five main characters -- narration alternates through the voices of the four girls, as well as that of Worm, the murderer -- believes that adults quite literally inhabit another world entirely. Says Toshi/Ninna: "We're different from our parents, a completely different species from our teachers. And kids who are one grade apart from you are in a different world altogether. In other words, we're basically surrounded by enemies and have to make it on our own." Moreover, each girl has her own secret life: Yuzan, whose mother just died, goes to lesbian bars to meet other women ("when she wore her school uniform, she looked like a guy doing a lousy job of dressing in drag"). To her school friends, Kirarin is the cute, cheerful one, but her real best friend is a 21-year-old gay office worker, in whom she confides the details of her sexual exploits with men she meets on the Internet ("Fooling around with guys is thrilling," she says, "like walking next to a busy highway. If you fall off the curb, it's all over"). Terauchi, "the smartest and the most interesting," speaks in a "low, cool voice" and is devastated by the emotional toll of keeping a secret about her mother, whom she adores.
In fact, all four girls speak of their own mothers with genuine kindness and love, which initially makes their willingness to cover up -- and later aid and abet -- a matricide all the more puzzling. (Of the murder Toshi says: "I suddenly felt like Worm had forced some awful thing into my hands. Now it had liquefied and was dripping down between my fingers.") But it soon becomes clear that, while they don't quite approve of Worm's act, they admire him immensely for, in their minds, daring to create a new world. They mean this literally. Says Yuzan: "Here was this guy who, just the day before, created a new reality, one where he'd killed his mother." In Worm's mind, inverting the power relationships between parents and children makes him a kind of revolutionary hero: "I was a colony and she was the occupying force. She created the rubber plantation, made me work from dawn until night, then took away the whole harvest for herself. I don't know exactly what was stolen from me. But most definitely the old lady continued to steal something."
Again and again, the characters in Real World interrogate each other on what, exactly, is the Real World -- who controls it, who can live in it, and who can change it. Says Worm: "Novels are closer to real life than manga, it's like they show you the real world with one layer pulled away, a layer you can't see otherwise." As it is, the girls in this particular novel see through the layers much more clearly than he does. And Kirino's heartrending conclusion makes a pretty good argument that physical violence pales in comparison to the emotional brutality inflicted on those left standing. -- Amy Benfer
Amy Benfer has worked as an editor and staff writer at Salon, Legal Affairs, and Paper magazine. Her reviews and features on books have appeared in Salon, The San Francisco Chronicle Book Review, The Believer, Kirkus, and The New York Times Book Review.
JessBroughton
Posted November 30, 2011
I was really looking forward to reading this having read Natsuo Kirino's other book Out (which I highly recommend) but I was a disappointed. The characters didn't have very much depth. You got very little insight to their backgrounds and personalities. All in all, I was bored.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.I picked up this book thinking it would be a very dark story about the things people will do once they've been pushed to the edge and what not only themselves, but the people around them will do to protect them. I was very,very wrong. I found the characters in this story to be very annoying. It honestly is a book about abunch of young teenagers who think they are such complex beings and the "horrors" they have to go through. The actual writing style wasn't too bad, but not all that great either. I felt the story was just a bit too simple for my taste and didn't really give me anything to think about. Great book if you're just looking for something to read on your down time and nothing really serious. Don't make the same mistake I did and buy this book thinking it'll give you something to actually think about and reflect on.
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Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.mewant
Posted March 21, 2010
japan has them too. bald and real and selfish. just how it is. as good a out.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.It's hard to review the book without giving away the details, but i'll give it a shot seeing as how I'm new to reviewing books and whatnot.
It's really hard for me to find a book that interests me since I'm not much of a reader..AT ALL. I do have an interest in just about anything Japanese so I thought I'd take that interest and look up some Japanese literature, both classical and modern. I found this author and saw some of her works and decided to pick this book up. It was one of the best decisions I ever made. Once you start reading this book you can't put it back down. I read the entire thing the day I bought it. Every page, every sentence makes you want to read the next page, the next sentence. It's got suspense, drama, a dash of romance, and it's all realistic, which really makes the book. Being a teen, I feel as if I can relate to the characters. I was surprised when reading that I found myself going "oh wow ____, would so do that"
Just to give you a brief window into the book, it's nothing that you would think if you read the intro on the back of the book. Every chapter is a first-person perspective of a character that is within the circle of chaos and adventure that builds up in the book's events. What starts as a normal day becomes a tragic week. IT IS A MUST READ.
ANONWZAWMN
Posted January 14, 2009
Teenage rage is present all over the world ... and the acting out of violence, destructiveness and lack of heart seems like a rite of passage for too many teens In REAL WORLD by Natsuo Kirino (OUT; GROTESQUE)a teenage girl hears strange noises from the house next door where a boy nicknamed "Worm" lives. She cannot know that he is in the process of committing matricide. As with most teenage girls she is part of a small group who consider themselves friends. They have no idea that each of the other girls has a secret as dark and dangerous as the others. Kirino is a gritty writer who holds nothing back. Here, she delivers another strong, well plotted thriller that will chill the blood. REV.: BARBARA LIPKIEN GERSHENBAUM
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Overview
In a crowded Tokyo suburb, four teenage girls indifferently wade their way through a hot, smoggy summer. When one of them, Toshi, discovers that her nextdoor neighbor has been brutally murdered, the girls suspect the killer is the neighbor's son. But when he flees, taking Toshi's bike and cell phone with him, the four girls get caught up in a tempest of dangers that rise from within them as well as from the world around them. Psychologically intricate and astute, Real World is a searing, eye-opening portrait of teenage life in Japan unlike any we have seen before.From the Trade Paperback edition.