Reality Boyby A. S. King
In this fearless portrayal of a boy on the edge, highly acclaimed Printz Honor author A.S. King explores the desperate reality of a former child "star" struggling to break free of his anger.
Gerald Faust started feeling angry even before his mother invited a reality TV crew into his five-year-old life. Twelve years later, he's still haunted by his rage-filled
In this fearless portrayal of a boy on the edge, highly acclaimed Printz Honor author A.S. King explores the desperate reality of a former child "star" struggling to break free of his anger.
Gerald Faust started feeling angry even before his mother invited a reality TV crew into his five-year-old life. Twelve years later, he's still haunted by his rage-filled youthwhich the entire world got to watch from every imaginable angleand his anger issues have resulted in violent outbursts, zero friends, and clueless adults dumping him in the special education room at school. No one cares that Gerald has tried to learn to control himself; they're all just waiting for him to snap. And he's starting to feel dangerously close to doing just that...until he chooses to create possibilities for himself that he never knew he deserved.
King (Ask the Passengers) drafts a nuanced portrayal of a boy saddled with the nickname the Crapper because of his infamous behavior at age five on a reality show, Network Nanny. Now almost 17, Gerald Faust is ostracized by his peers, barely keeping his violent urges at bay, and grateful for his spot in special ed because, he says, “I need to not be on my guard all the time.... I need a place where I don’t need war paint to survive.” Although the Network Nanny episodes about Gerald’s family framed him as the problem child among his siblings, the truth was more disturbing, as King shows in flashbacks that are as uncomfortable to read as reality TV can be to watch, and equally impossible to turn away from. But this is a story about healing, and although Gerald stumbles as he takes his first steps—he frequently retreats to the fantasy world he calls Gersday and struggles to trust the girl he allows to get close—his candor invites sympathy from the first page. Ages 15–up. Agent: Michael Bourret, Dystel & Goderich Literary Management. (Oct.)
A 2013 Publishers Weekly Best YA Book
A 2013 School Library Journal Best Book
A 2013 Kirkus Reviews Best YA Book
A 2013 VOYA Perfect Ten Book
A 2013 Association of Booksellers for Children Best Book for Children
A 2014 YALSA Best Fiction for Young Adults Book
A 2014 YALSA Quick Picks for Reluctant Young Readers BookAn Amazon Best Book of the Month
A Publishers Weekly Book of the Week
A Winter 2013-2014 Top Ten Kids' Indie Next List Pick
A 2014 Texas Tayshas Reading List Top Ten Book
A 2014 Carolyn W. Field Award Nominee
A 2015-16 Tennessee Volunteer State Book Award Master List Book"
A.S. King is one of the best Y.A. writers working today. She captures the disorientation of adolescence brilliantly.... Reality Boy is finally a novel about whether you are fated to the life the world expects you to have."John Green, The New York Times Book Review
* "Heart-pounding and heartbreaking.... a compulsively readable portrait of two imperfect teens learning to trust each other and themselves."Kirkus Reviews, starred review
* "A nuanced portrayal....This is a story about healing."Publishers Weekly, starred review
* "King's trademarksattuned first-person narrative, convincing dialogue, realistic language, and fitting quirkinessconnect effectively in this disturbing, yet hopeful novel."School Library Journal, starred review
* "King's writing is tighter, more focused, and better than ever....[An] intense and incredibly fresh plot."VOYA, starred review
* "King offers a compelling look at possible long-term effects of reality shows.... thought-provoking and ultimately optimistic."Library Media Connection, starred review"
Put down the remote and pick up Reality Boyit's a showstopper."The Horn Book"
The hallmarks of [King's] strong work are there: magical realism, heightened emotion, and the steady, torturous, beautiful transition into self-assured inner peace. Like Gerald, it's wonderfully broken."Booklist"
[A] smart and sympathetic story about breaking free from the world's expectations."The Bulletin"
We all know at least one teen who needs a book like this; I didn't know I needed it until I turned the last page."Dodie Ownes, SLJTeen
"Blending magic and realism, this is a subtly written, profoundly honest novel about a kid falling through the cracks and pulling himself back up."
Gr 9 Up—When 16-year-old Gerald was 5, his parents made a contract to appear on a reality television show where a stage nanny offered techniques to mend their beyond-repair family. Gerald was targeted as the problem child when it was actually his psychopathic sister, Tasha, who was the true menace. His parents turned a blind eye, repeatedly allowing their firstborn to torment and threaten the lives of Gerald, sister Lisi, and even the mother while the edited television broadcasts skewed the truth. At first, readers will be taken aback when they learn that little on-camera Gerald defecated on Tasha's and his mother's belongings, earning him the infamous nickname "Crapper," but they will soon realize that in his young mind it was his only weapon of defense in a desperate situation. The horror and injustice of it all follow insecure, agry Gerald into his teens. So does fearsome, unemployed Tasha when she moves into the family's basement with her boyfriend, has loud and regular sex, and is still enabled by their parents. When Gerald warily falls in love with Hannah, a schoolmate and coworker with family troubles of her own, "kidnapping" themselves by running away together seems their only recourse to wake up their parents. King's trademarks-attuned first-person narrative, convincing dialogue, realistic language, and fitting quirkiness-connect effectively in this disturbing, yet hopeful novel. Not since Norma Fox Mazer's disquieting When She Was Good (Scholastic, 1997) has an emotionally and mentally deranged sibling and dysfunctional parents wreaked such havoc on a main character who still manages to survive and grow beyond it.—Diane P. Tuccillo, Poudre River Public Library District, CO
"Everybody's so full of shit," declares the epigraph of this heart-pounding and heartbreaking novel, setting the tone of the narrative: cynical, disappointed and slyly funny. Gerald "the Crapper" Faust has not yet outlived the notoriety he achieved at age 5 by defecating on the kitchen table during their stint on Network Nanny, a "reality" television show that edited out most of the truth about his dysfunctional family life. Gerald has struggled to manage his anger in the 12 years since with the help of a few compassionate adults at school and work, but at its root, his rage remains unmitigated. In suspenseful flashbacks, Gerald details the damage wrought by his oldest sister, Tasha, a spoiled sociopathic despot. When he meets Hannah, a troubled beauty who sees him as he is instead of as he was, he cannot resist the possibility of genuine connection, despite the dangers. King deftly depicts the angst of first love in all its awkward, confusing glory. Even when she trots out the archetypical road-trip-as-journey-to-self-discovery, King writes with an honesty that allows Hannah and Gerald to call each other on their bullshit and ultimately arrive at an intimacy that feels neither forced nor false. This is no fairy-tale romance, but a compulsively readable portrait of two imperfect teens learning to trust each other and themselves. (Fiction. 14 & up)
- Blackstone Audio, Inc.
- Publication date:
- Edition description:
- Product dimensions:
- 6.10(w) x 6.60(h) x 1.20(d)
- Age Range:
- 15 - 17 Years
Read an Excerpt
By A.S. King
Little, Brown Books for Young ReadersCopyright © 2013 A.S. King
All rights reserved.
IT'S WWE NIGHT. That's World Wrestling Entertainment, or Smackdown Live! for any of you non-redneck-y people who've never watched the spectacle of heavyweight wrestling before. I've always hated it, but it brings in good money at the PEC Center.
The PEC Center is the Penn Entertainment and Convention Center. That's where I work.
I'm that apathetic kid in the greasy shirt at the concession stand who asks you if you want salsa, cheese, chili, or jalapeños with your nachos. I'm the kid who refills the ice because none of the other lazy cashiers will do it. I'm the kid who has to say Sorry. We're all out of pretzels. I hear parents complain about how much everything costs. I hear them say You shouldn't be eating that fattening stuff right before they order their kid some chicken fingers and fries. I hear them wince when their kid orders a large sugary Pepsi in a WWE commemorative cup to wash it down. At WWE, it's the fried stuff, cups with wrestlers on them, or beer.
I'm technically not allowed to work this stand until I turn eighteen and take a class on how to serve alcohol responsibly. There's a test and everything—and a little certificate to put in your wallet. I'm almost seventeen now, and Beth, my manager, lets me work here because she likes me and we made a deal. I card people. I check for signs of intoxication—loud talking, lower inhibitions, glassy eyes, slurred speech; then, if everything checks out okay, I call Beth over so she can tap them the beers. Unless it's superbusy. Then she tells me to tap them myself.
"Hey, Crapper!" someone yells from the back of the line. "I'll give you twenty bucks to squeeze one out for the crowd!"
It's Nichols. He only comes to this stand because he knows I can get him beer. He comes with Todd Kemp, who doesn't say much and seems embarrassed to be around Nichols most of the time because Nichols is such a dick.
I wait on the three families in front of Nichols and Todd, and when they get here, they barely whisper what they want and Todd hands over ten bucks. Two Molsons. While I'm covertly tapping the beer, Nichols is saying all sorts of nervous, babbly stuff, and I do what my anger management coach taught me to do. I hear nothing. I breathe and count to ten. I concentrate on the sound of the WWE crowd cheering on whatever big phony is in the ring. I concentrate on the foam at the top of the cup. I concentrate on how I'm supposed to love myself now. Only you can allow yourself to be angry.
But no matter how much anger management coaching I've had, I know that if I had a gun, I'd shoot Nichols in the back as he walks away with his beer. I know that's murder and I know what that means. It means I'd go to jail. And the older I get, the more I think maybe I belong in jail. There are plenty of angry guys like me in jail. It's, like, anger central. If we put together all the jails in this country and made a state out of them, we could call that state Furious.
We could give it a postal abbreviation like other states have. FS. I think the zip code would be 00000.
I wipe down the counter while there's a short break in the hungry, thirsty WWE crowd. I restack the cup lids. I count how many hot dogs are left in my hot drawer. I report to Beth that I am completely out of pretzels.
When I get up from counting hot dogs in the next drawer over, I see her walking through the crowd. Tasha. My oldest sister. She's with her boyfriend, Danny, who is about two staircases more than a step down from us. We live in a gated community of minimansions. Danny lives in a rented community of 1970s single- wide trailers. They don't even have paved roads. I'm not exaggerating. The place is like the hillbilly ghetto.
Not like I care. Tasha is an asshole and I hate her. I hope he knocks her up and she marries him and they have a hundred little WWE-loving pale redneck babies. I wouldn't shoot her, though. I enjoy watching her fail too much. Watching Mom swallow her Tasha-dropped-out-of-college-and-is-dating-a-Neanderthal soup every day is probably the best thing I have going for me.
It's probably the only thing keeping me out of jail.
I LIVE ABOUT ten miles away from the PEC Center, in a town called Blue Marsh, which is not blue, not a marsh, and not a real town. It's just a bunch of developments linked together with shopping malls.
I get home at ten and the house is dark. Mom is already sleeping because she gets up so early to power walk and invent exciting new breakfast smoothies. Dad is probably still out with his real estate friends smoking cigars and drinking whatever equity-rich assholes drink, talking about this economy and how much it sucks to be them.
As I near the kitchen hallway, I hear the familiar sound of Tasha getting nailed by Danny the hillbilly.
If I brought a girl home and did that to her that loud, my parents would kick me out. But if Tasha does it? We all have to pretend that it's not actually happening. One time she was whinnying away down in the basement with Danny while Mom, Lisi, and I ate dinner. This was last year when Lisi still lived at home. Mom talked nonstop to block it out, as if the three of us would magically unhear what was going on. And did you see that Boscov's is having a white sale this weekend? We could use new sheets and towels and I think I'll go over on Saturday morning because the selection is always better early in the day and I really would love some that are blue to match the upstairs bathroom and last time I ended up with those red sheets and as much as I like them, they still seem too rough and they usually have nice flannel this time of year and I think it's important to have flannel sheets in winter, you know? Blah blah blah blah blah.
I got about seven mouthfuls into a nice plate of roast beef and mashed potatoes and I finally couldn't take it anymore. I went to the basement door, opened it, and screamed, "If you don't stop planking my sister while I eat dinner, I'm going to come down there and kick your ass. Have some fucking respect!" and I slammed the door.
My mother stopped talking about towels and sheets and gave me that look she'd been giving everyone for as long as I could remember. It said Tasha can't help it. It said We just can't control what Tasha does.
Or, in Lisi's words, "Tasha is out of control and for some reason our mother is totally fine with it. Don't know why, don't care, either. I'm getting as far from here as I can the minute I can."
And she did. Lisi went all the way to Glasgow, Scotland, where she's studying literature, psychology, and environmental science all at the same time while balancing a waitressing job and her years-long pot habit. She hasn't called since she left. Not even once. She e-mailed Mom to let us know she got there okay, but she never calls. It's been three months.
Anyway, Mom should have named Tasha "Trigger." Not just because of the horse sounds she makes when she's getting planked by the redneck, either.
She is my number one trigger.
That's the term the anger management coach uses to describe why I get angry. It's the self-controlled, acceptable word we use for shit that pisses me off. That's called a trigger. I have spent the last four years identifying mine. And it's Tasha.
At least on that night—the time we had the roast beef and Lisi was still home—Tasha and Danny shut up. Which was good, because I was completely serious. As I ate, I had my eye on the fireplace set in the living room, and I was wondering what kind of damage the iron fire poker could do to a human head. I pictured an exploding watermelon.
My anger coach would say Stay in the present, Gerald. But it's hard when nothing ever changes. For sixteen years, eleven months, and two weeks, I've been drowning.
Dad arrives home. He'll hear it, too, the minute he gets out of the car.
Basement sounds—especially Tasha's whinnying—go to the garage first.
I hear his dress shoes tip-tap on the cement floor and the door open ... and he finds me standing in the dark like some freak. He gasps.
"Jesus, Ger!" he says. "Way to give your old man a stroke."
I walk over to the living room doorway and switch on the main hall light. "Sorry. I just got in, too. Got distracted by the, uh—you know. Noise."
"I wish she'd move out again," I say.
"She doesn't have anywhere to live."
"So? Maybe she'll learn how to get a job and not sponge off you guys if you kick her ass out." I don't know why I'm doing this. It's just raising my blood pressure. "She's twenty-one."
"You know how your mother is," he says. You know how your mother is. This has been his party line since Lisi moved out.
We move into the living room, where it's quieter. He mixes himself a drink and asks me if I want one. I usually say no. But tonight I say yes.
"I could use it. Busy night."
"Wrestling. Those people never stop eating," I say.
"Heh," he says.
"Is Lisi coming home for Christmas?" I ask. He shakes his head, so I add, "There's no chance she'll come back with Tasha in the house."
He hands me a White Russian and flops himself on the couch. He's still in the suit he wore to work this morning. It's Saturday, and he worked at least twelve hours before he went out with his real estate group. He takes a sip from his drink.
"Those two never got along," he says. Which is bullshit. Tasha never got along. With anyone. And it's partially his fault, so he has these excuses. You know how your mother is. Those two never got along.
"Thinking about what you want for your birthday?" he asks.
"Not really." This isn't a lie. I haven't been thinking about my birthday at all, even though it's just over two weeks from now.
"I guess you have some time," he says.
We look at each other for a moment, and he manages a little smile. "So what are your plans after next year? You gonna leave me here like Lisi did?"
I say, "My options are limited."
"There's always jail." I let a few seconds pass before I say, "But I think Roger has reasoned all of that out of me." Roger is my anger management coach.
At first he looks shocked, and then he laughs. "Phew. I thought you were serious there for a sec."
"About that? Who'd want to go to jail?"
Right then, Danny the hillbilly opens the basement door and tiptoes into the dark kitchen and grabs a bag of tortilla chips from the cupboard. He goes to the fridge and grabs the whole carton of iced tea. Dad and I notice that he is completely naked only when the light from the fridge shines on his pecker.
"Maybe next time you steal from me, you could put on some clothes, son," Dad says.
Danny runs back down the steps like a rat.
That's what we have. We have rats in our basement. Sponger rats who steal our food and don't offer us shit for it.
I'm still thinking about my last rhetorical question to Dad. Who'd want to go to jail? I thought about going nuts once and hitting the mental institution. We have one of those here, only a few miles down the road, too. But Roger said mental institutions aren't really the way they used to be. No more playing basketball with the Chief like in One Flew Over the Cuckoo's Nest.
"So where to, then, Ger?" Dad asks, swirling his drink with his index finger.
I don't know what to say. I don't want to do anything, really. I just want a chance to start over and have a real life. One that wasn't fucked up from the beginning and broadcast on international TV like a freak show.
EPISODE 1, SCENE 1, TAKE 3
YES, EPISODE ONE. As in, they did more than one show of the Crapper. I was such a big hit with all those troubled parents around the country, so they wanted more chances to watch poor little Gerald squat and deposit turds in the most peculiar places.
I could almost hear the relieved parents of normal tantrum-throwing children saying At least our kid doesn't crap on the dining room table!
So true. So true.
What they didn't know was this: I didn't become the Crapper until those cameras were mounted on our walls. Until the strangers with the microphones did sound tests to make sure they could pick up every little thing that was going on. Until I became entertainment. Before then, I was just a frustrated, confused kid who could get violent—mostly toward drywall ... and Tasha.
If I was to give a postal abbreviation to my house while I was growing up, it would be UF. I was furious, yes. Livid. Enraged. Incensed. But only because everything was Unfair. Postal abbreviation UF. Zip code: ?????. (The zip code for UF probably changes every five seconds, so there's no point trying to give it one.)
I can't remember a time when I didn't want to punch everything around me, out of confused, unacknowledged frustration. I never punched Lisi or my parents. But then, Lisi and my parents never begged me to punch them. Walls did. Furniture did. Doors did. Tasha did.
From the moment I saw Network Nanny, I didn't really believe she was a nanny. She didn't look like a nanny or act like a nanny. She had starlet hair—something you'd see at a red-carpet movie premiere. She was skinny. Bony, even. She dressed up, as if she was attending a wedding. She didn't smile or possess any warmth. As if she was ... acting.
They'd sent us a fake nanny.
I didn't know this for sure until I was older, but it was true. Nanny was really Lainie Church, who was really Elizabeth Harriet Smallpiece from a small town in the south of England, who'd wanted to make it in Hollywood since she was five. Her first acting jobs were in commercials, and then she got a stint for a while in Iowa as one of those fake meteorologists who don't know anything about weather but act like they do. She had a very convincing Iowan accent, too. But Network Nanny was her breakthrough role.
Alongside our fake nanny was a less camera-ready real nanny. She wasn't allowed to interact with us, but she winked at me sometimes. She told Fake Nanny what to do to play a good nanny. This arrangement made me mad. I remember sitting there watching them set up and wondering what I could do to really show the world how wrong things were in my life.
After meeting with her makeup artist for a half hour, Fake Nanny got into costume and character and came into the living room, where my family sat waiting. She clapped her hands and looked at the three kids. I was five, Lisi was seven, and Tasha was nearly eleven.
Then she looked exclusively at me while she talked. "Your parents have called me in because your family needs my help." She stopped and checked her reflection in the TV screen. "Your mother says you fight all the time and that's not acceptable behavior."
To imagine Nanny properly, you have to give her an English accent. She dropped her r's. Behavior was behay-vyah.
"Sounds to me like you need the three steps to success in this house. And we'll start with some old-fashioned discipline. Gerald, do you know what that means?"
The director told me to shake my head no, so I did. I tried not to look into the cameras, which was why it took three takes to film scene one. How can a five- year-old not look into a camera that's right in front of his face?
"It means we're about to start a whole new life," she said. "And this will be a whole new family, easy as one, two, three."
Nanny only came around for a day and then she left her crew of cameras and cameramen there to film us being violent little bitches to one another. Then, two weeks later, she came back and decided, based on that footage, who was right, who was wrong, who needed prop-ah punishment, and who needed to learn more about responsibility. She taught Mom and Dad about the naughty chair and how to take away screen time. They made homemade charts with rows, columns, and stickers. (The girls got cat stickers. I got dog stickers.)
Nanny didn't actually help make the charts, because her fingernails were too delicate and chart-making wasn't in her contract. "Anyway, it's not my job to parent these children," she said to Mom and Dad. "It's yours."
What the cameras didn't see was: Everything that made us violent little bitches happened behind closed doors or just under the radar of those microphones. And so Nanny (well, really, the nannies) only saw part of the picture. Which was usually me or Lisi running after Tasha, trying to hurt her.
Excerpted from Reality Boy by A.S. King. Copyright © 2013 A.S. King. Excerpted by permission of Little, Brown Books for Young Readers.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Meet the Author
A.S. King is the author of the highly acclaimed Reality Boy; Ask the Passengers, a Los Angeles Times Book Prize winner; Everybody Sees the Ants; and the Edgar Award nominated, Michael L. Printz Honor book Please Ignore Vera Dietz. She is also the author of The Dust of 100 Dogs, an ALA Best Book for Young Adults. When asked about her writing, King says, "Some people don't know if my characters are crazy or if they are experiencing something magical. I think that's an accurate description of how I feel every day." She lives in Pennsylvania with her husband and children.
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >
If you love the writing of Rainbow Rowell--read REALITY BOY. If you're looking for bruised, but valiant characters--read REALITY BOY. If you're looking for quirky, damaged, heart-tugging romance--read REALITY BOY. If you like your books to raise thought provoking questions--read REALITY BOY. It you want to understand empathy--read REALITY BOY. If you want to laugh and smile and be reminded of what hope feels like--read REALITY BOY. If you've ever been so lost in this world that you wanted to run off and joint the circus because shoveling elephant poop would have been an imporvement--read REALITY BOY. If you like to read amazing books--read REALITY BOY. In case you didn't hear me--read REALITY BOY.
Seventeen-year-old Gerald is a bullied, neglected, angry teen from a dysfunctional family who is in desperate need of love. He has been labeled as a problem child after his infamous misbehavior on national TV on the reality show Network Nanny when he was five years old. He connects with co-worker Hannah, who has family problems of her own. She is one of the few people who see Gerald for who he is, but Gerald struggles with his insecurities and has difficulty trusting her and allowing her to get close. Gerald and Hannah are imperfect but sympathetic characters who survive their desperate situations and manage to grow personally. The ending is hopeful. I recommend this book to anyone who has trouble reading books, it makes me not want to set it down.
Every time I read one of her books I am completely blown away and think, wish, dream that some high school would add a Young Adult Lit class, even if it was only a nine week course. These reality based teen novels contain so much more of what kids are facing than 150 year old desiccated classics they are made to read, but which have no bearing on their lives. Gerald, almost 17 when we meet him, was the unwilling star of a reality TV show when only five. He did not ask to become the infamous "Crapper" who dropped one every place he could just to win some attention from a mother who loved only her psychopathic first born daughter, leaving Ger and his sister Lisi to fend off her sneak physical attacks while their father made money and drank. Starring in one of those "Nanny-cures-all" family programs that trim and shape reality into a tasty dish to feed the masses has only exacerbated Gerald's already existing anger management issues - who wouldn't be mad and out of control when your sister tries to drown you-smother you-push you down the stairs with alarming regularity? So he goes to work, buries himself in the Special Ed classroom his mother forced him into although he's quite smart- because there had to be something wrong with him to make him act that way - goes to anger management therapy and does stints at a boxing gym to give him a physical outlet, and tries not to notice the girl at work who's also trying not to look at him. That these two deeply damaged teens are the sanest people in the book is its greatest irony, and the hope that things will turn out well for them seems almost as unlikely as a happy ending to one of the Grimm's darker tales. Yet King has the canny knack of distilling hard won lessons from the deepest pain...and I will continue to follow her through any twisty, thorn-filled maze she cares to write.
Reality Boy is one of those books where I went into it with unclear expectations. I had seen the cover around and I had looked into the book enough to gain an interest. I thought it would be a cool one to read. I had no idea that when I started it, I wouldn't want to stop. THE WRITING Something about the writing, the story, the characters, the general way it was set up, had an addicting—captivating—feel to it. I didn't want to put the book down. I picked up this book and lost track of time. I would pick it up to read for a little bit—only a (little) bit, I kept telling myself, and ended up reading 10, 15, 25, 50 percent of the book without getting bored. The times, I had to set the book down to focus on schoolwork, I literally said to myself "I don't want to stop reading." CHARACTERS WITH FLAWS I love flawed characters. Just love them. They’re just more relatable and believable. And the characters in this book . . . well, they were pretty messed up. Some thought they were more messed up than they actually were, and others were more messed up than they thought. The main character, Gerald, was a pretty awesome character. He wasn’t “popular”—at least, not in the traditional sense. He was a “retarded” boy (according to his mother) with anger issues that was never portrayed in a good light on the nanny show he and his family were featured on when he was younger. He was refreshing because 1) he was a male teen character and the sole POV of the book, and 2) I haven’t read many books with main characters like him. Hannah was also a good character. Flawed too. She had quite a few self-esteem issues, especially when it came to her parents and how she was raised. She referred to herself as the "the junkman’s daughter" often, and although though it was a little annoying, I understood that it was necessary for her to keep repeating it because she wasn’t proud of where she came from. I really liked her, and I really liked her and Gerald’s relationship. I was rooting for those two the entire way. Gerald’s family was terribly dysfunctional. The sister was absolutely psychotic. The dad didn’t do much. He just let the bad things run their course, but towards the end, he made a surprising adjustment and turned out to be a better parent. The mother . . . it wasn’t blatantly obvious that she was horrible, but she said some awful things about her son and never did anything to help her family become a better one. If there was a 2013 Worst Mother in a YA Book award, she would be an excellent candidate for it. GOOD ROMANCE The romance was a bit quick to develop, but the Gerald actually actually mentions how quickly he’s falling for Hannah. It’s a well developed romance, too. They didn’t just fall head over heels for one another because of nothing and they connected really well. (Again, I was rooting for them the entire way—I loved this couple!) NICE USE OF FLASHBACKS It was really nice to see how Gerald and his family were like while the reality tv show was being filmed. It made it easier to understand why they were such a dysfunctional family and how the show deeply affected Gerald. OVERALL Brilliant book. Just brilliant. I’m incredibly glad I got to read it and I’m so happy to say it exceeded my expectations. It’s an amazing novel, and I highly recommend Reality Boy to anyone even slightly interested in its premise. *I received a copy of this book through Netgalley in exchange for an honest review.
AS King hits it out of the park...again..as usual...great read for anyone, any age.
Are you one of those who just can’t help but watch reality shows that delve into the dynamics of dysfunctional families, assuming these are true, accurate and not edited for maximum drama? Ever wonder what the far-reaching toll is on the featured families, especially the children? Before you pick up that remote, pick up Reality Boy by A. S. King and be prepared for an incredible read! Told by “Gerald,” a boy who faced the cameras at his worst as he relates what his life has become as the “victim” of the ratings game. His antics on national television haunt him years later and the effects are brutal. His voice is unique, honest and vulnerable in this dark and gritty tale that addresses the backlash of being “infamous” at only a few years old. Author A. S. King is nothing short of brilliant in the packaging and delivery of this emotionally disturbing tale. I was taken into Gerald’s mind, felt his pain and feelings of betrayal by those who are supposed to protect him. Even his acceptance of his past is gut-wrenching as he struggles to control his anger and gain some self-respect. This should be a must read for every producer and advertiser of these shows. This is one of those reads that will leave you shell-shocked in its wake. Aimed at YA readers, this should be a must read for all! I received a review copy from Little, Brown Books for Young Readers in exchange for my honest review.