Reba

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All Music Guide - William Ruhlmann
In 1984, when she first achieved notable commercial success, Reba McEntire declared herself part of the new traditionalist movement in country music, claiming that the pop-oriented recordings she had made in the '70s and early '80s did not reflect her real taste and that, as an album title put it, My Kind of Country was the sound of steel guitars and fiddles. In 1988, however, McEntire and her longtime co-producer Jimmy Bowen demonstrated that she was more interested in hits, in whatever style, than in country music orthodoxy. Reba, her 13th regular studio album, featured no steel guitars or fiddles; the most prominent instruments were the keyboards -- piano and a DX-7...
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10/24/2000 Cassette Cassette...NEW. SEALED All CD's/Records as represented Buy with Confidence-condition as represented-We rate conservatively Fast Ship from East Coast, ... Superior Customer service, New Arrivals daily. Customer inquiries answered in 24hours-all issues resolved with focus on customer service and satisfaction. Read more Show Less

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AUDIO CASSETTE New 076742213442 CASSETTE-New, sealed. Free upgrade to first class. Immediate Shipping-Satisfaction Guaranteed! BA101.

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AUDIO CASSETTE New 076742213442 CASSETTE-New, sealed. Free upgrade to first class. Immediate shipping (international orders ship airmail). Satisfaction guaranteed. AW102.

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Editorial Reviews

All Music Guide - William Ruhlmann
In 1984, when she first achieved notable commercial success, Reba McEntire declared herself part of the new traditionalist movement in country music, claiming that the pop-oriented recordings she had made in the '70s and early '80s did not reflect her real taste and that, as an album title put it, My Kind of Country was the sound of steel guitars and fiddles. In 1988, however, McEntire and her longtime co-producer Jimmy Bowen demonstrated that she was more interested in hits, in whatever style, than in country music orthodoxy. Reba, her 13th regular studio album, featured no steel guitars or fiddles; the most prominent instruments were the keyboards -- piano and a DX-7 synthesizer -- played by John Jarvis. Rock drummer Russ Kunkel, known for his association with James Taylor, pounded out the crisp beats, and Wayne Nelson popped his bass strings as if he were doing a funk session on the leadoff track, "So, So, So Long," which could have fit in snugly on adult contemporary radio, but certainly didn't sound very country. It was followed by McEntire's cover of the '40s song "Sunday Kind of Love," the album's first single, done in a lazy jazz style. Bowen and McEntire had not forgotten the singer's core audience of women wanting to hear heartbreaking ballads about regret and love gone wrong, and after "Sunday Kind of Love" peaked at a disappointing number five, the more characteristic "New Fool at an Old Game" and "I Know How He Feels" extended McEntire's string of number-one hits. But the song that really set Nashville back on its heels was a cover of Otis Redding's "Respect" in an arrangement very similar to Aretha Franklin's. The makeover worked commercially; Reba spent eight weeks at number one on the country charts, more than any previous McEntire album. But the country singer of a few years back, decked out in blue jeans held up by her a belt commemorating her father's rodeo championship, a singer who said she cared about her roots, had been replaced by a much more fashion-conscious performer who clearly wanted to go toe-to-toe with pop acts.
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Product Details

  • Release Date: 10/24/2000
  • Label: MCA SPECIAL PRODUCTS
  • UPC: 076742213442
  • Catalog Number: 42134

Album Credits

Performance Credits
Reba McEntire Primary Artist, Primary Artist, Vocals, Background Vocals
Linda Davis Background Vocals
Donna McElroy Background Vocals
Matt Rollings Synthesizer, Piano
Steve Gibson Electric Guitar
Terry Crisp Steel Guitar
Pat Flynn Acoustic Guitar, Bouzouki, Mandolin, Bazouki
Vince Gill Background Vocals
Vicki Hampton Background Vocals
Yvonne Hodges Vocal Harmony
Dann Huff Electric Guitar
John Jarvis Synthesizer, Piano, Drums, DX-7
Mary Ann Kennedy Background Vocals, Vocal Harmony
Russ Kunkel Percussion, Drums
Mike Lawler Synthesizer
Paul Leim Drums
George Marinelli Mandolin, Electric Guitar
Joe McGlohon Saxophone
Wayne Nelson Bass
Michael Rhodes Bass
Jamie D. Robbins Background Vocals
Chris Rodriguez Background Vocals
Pamela Rose Acoustic Guitar, Background Vocals, Vocal Harmony
Harry Stinson Background Vocals
Kirk "Jelly Roll" Johnson Harmonica
Suzy Hoskins Vocal Harmony
Technical Credits
Reba McEntire Producer
Milan Bogdan Digital Editing
Jimmy Bowen Producer
Tony Brown Producer
Bob Bullock Engineer, overdub engineer
Mark J. Coddington Engineer
Tim Kish Engineer, overdub engineer
Glenn Meadows Mastering
Willie Pevear Engineer
Ron Treat Engineer
Marty Williams Engineer
Simon Levy Art Direction
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Customer Reviews

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Sort by: Showing 1 Customer Reviews

  • Anonymous

    Posted October 1, 2010

    Reba Proves Her Musical Talent

    Reba shows that she can have fun with music on ''Respect,'' and brings a soulful sound into the room with ''Sunday Kind of Love'' ''You're the One I Dream About'' addresses a subject everyone deals with at some point in time. All of the songs on this album showcase Reba's wide range of vocal prowess.

    Was this review helpful? Yes  NoThank you for your feedback.   Report this reviewThank you, this review has been flagged.
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