Recorded Music in American Life: The Phonograph and Popular Memory, 1890-1945 / Edition 1

Recorded Music in American Life: The Phonograph and Popular Memory, 1890-1945 / Edition 1

by William Howland Kenney
     
 

ISBN-10: 0195171772

ISBN-13: 9780195171778

Pub. Date: 11/28/2003

Publisher: Oxford University Press, USA

Have records, compact discs, and other sound reproduction equipment merely provided American listeners with pleasant diversions, or have more important historical and cultural influences flowed through them? Do recording machines simply capture what's already out there, or is the music somehow transformed in the dual process of documentation and dissemination? How

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Overview

Have records, compact discs, and other sound reproduction equipment merely provided American listeners with pleasant diversions, or have more important historical and cultural influences flowed through them? Do recording machines simply capture what's already out there, or is the music somehow transformed in the dual process of documentation and dissemination? How would our lives be different without these machines? Such are the questions that arise when we stop taking for granted the phenomenon of recorded music and the phonograph itself.

Now comes an in-depth cultural history of the phonograph in the United States from 1890 to 1945. William Howland Kenney offers a full account of what he calls "the 78 r.p.m. era"—from the formative early decades in which the giants of the record industry reigned supreme in the absence of radio, to the postwar proliferation of independent labels, disk jockeys, and changes in popular taste and opinion. By examining the interplay between recorded music and the key social, political, and economic forces in America during the phonograph's rise and fall as the dominant medium of popular recorded sound, he addresses such vital issues as the place of multiculturalism in the phonograph's history, the roles of women as record-player listeners and performers, the belated commercial legitimacy of rhythm-and-blues recordings, the "hit record" phenomenon in the wake of the Great Depression, the origins of the rock-and-roll revolution, and the shifting place of popular recorded music in America's personal and cultural memories.

Throughout the book, Kenney argues that the phonograph and the recording industry served neither to impose a preference for high culture nor a degraded popular taste, but rather expressed a diverse set of sensibilities in which various sorts of people found a new kind of pleasure. To this end, Recorded Music in American Life effectively illustrates how recorded music provided the focus for active recorded sound cultures, in which listeners shared what they heard, and expressed crucial dimensions of their private lives, by way of their involvement with records and record-players.

Students and scholars of American music, culture, commerce, and history—as well as fans and collectors interested in this phase of our rich artistic past—will find a great deal of thorough research and fresh scholarship to enjoy in these pages.

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Product Details

ISBN-13:
9780195171778
Publisher:
Oxford University Press, USA
Publication date:
11/28/2003
Edition description:
New Edition
Pages:
288
Product dimensions:
9.20(w) x 6.00(h) x 0.80(d)

Table of Contents

Introduction: Recorded Music and Collective Memory
1Two "Circles of Resonance": Audience Uses of Recorded Music3
2"The Coney Island Crowd": The Phonograph and Popular Recordings before World War I23
3"His Master's Voice": The Victor Talking Machine Company and the Social Reconstruction of the Phonograph44
4The Phonograph and the Evolution of "Foreign" and "Ethnic" Records65
5The Gendered Phonograph: Women and Recorded Sound, 1890-193088
6African American Blues and the Phonograph: From Race Records to Rhythm and Blues109
7Economics and the Invention of Hillbilly Records in the South135
8A Renewed Flow of Memories: The Depression and the Struggle over "Hit Records"158
9Popular Recorded Music within the Context of National Life182
Notes203
Index234

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