Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner by Patricia Norvell / Edition 1

Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner by Patricia Norvell / Edition 1

by Alexander Alberro
     
 

ISBN-10: 0520220110

ISBN-13: 9780520220119

Pub. Date: 02/15/2001

Publisher: University of California Press

"Reading the interviews gathered by Patricia Norvell more than thirty years ago is like opening one of the time capsules Steven Kaltenbach made at around the same time and discusses here. It makes one feel nostalgic for these uncompromising times-so much has changed, so fast! One should be immensely grateful to Norvell for her undertaking and, paradoxically, for the

Overview

"Reading the interviews gathered by Patricia Norvell more than thirty years ago is like opening one of the time capsules Steven Kaltenbach made at around the same time and discusses here. It makes one feel nostalgic for these uncompromising times-so much has changed, so fast! One should be immensely grateful to Norvell for her undertaking and, paradoxically, for the long delay in the publication of these conversations: nothing could have better highlighted the candor and commitment of the artists who participated in this project than their willingness, long after the fact, to let their youthful voices be heard unedited. This is a precious document that casts a fresh light on the early history of Conceptual art, revealing all the doubts and uncertainties its practitioners had to overcome."-Yve-Alain Bois, Harvard University

"These interviews, full of the rich texture and confusion of an art movement at its inception, began as a "process piece" in mid-1969 when formalism still seemed worth defeating. The artists, tired of talking about turpentine, struggle to extend the rhetoric of form, and as they do so, reveal their roles as theorists and philosophers of a newly cerebral art, Conceptualism. Alberro's helpful introduction frames both Norvell's provocative questions and the surprising responses in a useful book that continues the process of historicizing 20th century art."-Caroline Jones, author of Machine in the Studio

"The contemporary interviews collected in this volume shift the ground on which conceptualism in the United States should be understood. The middle months of 1969 were a time of artistic and social unease when artists were anxious to test-and occasionallyto declaim, as the interviews demonstrate-ideas in conversation with a sympathetic interlocutor. Patricia Norvell proves to have been an ideal listener. She knew conceptualism well enough to keep the conversations honest, but not so well as to make the artists defensive and wary. The artists had things to say, and were not afraid to put themselves out on a limb."-John O'Brian, Professor of Art History, University of British Columbia

"A key document of the late 1960s avant-garde."-James Meyer, Emory University

"[This book is] a reminder that the project of Conceptual art and its artists' reasons for refusing the object of art were far from monolithic. The differences that emerge in the interviews are spoken in voices that are still fresh and particular, but each voice and position is tied to the moment of the late 1960s, from stoned mysticism to philosophical idealism, from political optimism to materialist critique."-Howard Singerman, author of Art Subjects

Author Biography: Alexander Alberro is Assistant Professor of Modern Art at the University of Florida. He is coeditor of Conceptual Art: A Critical Anthology (1999) and editor of Two-Way Mirror Power: Selected Writings by Dan Graham on His Art (1999). Patricia Norvell is an artist living in New York City. Her work has appeared widely in public spaces and galleries across the United States. She has taught at Columbia University, Hunter College, and other institutions.

Product Details

ISBN-13:
9780520220119
Publisher:
University of California Press
Publication date:
02/15/2001
Edition description:
New Edition
Pages:
177
Product dimensions:
7.00(w) x 10.00(h) x 0.38(d)

Table of Contents

List of Illustrationsvii
Acknowledgmentsxi
Prefacexiii
Introduction: at the Threshold of Art as Information1
Introduction to Eleven Interviews17
Note on the Interviews19
Dennis Oppenheim: March 29, 196921
Seth Siegelaub: April 17, 196931
Robert Morris: May 16, 196956
Stephen Kaltenbach: May 24, 196970
Robert Barry: May 30, 196986
Lawrence Weiner: June 3, 1969101
Sol LeWitt: June 12, 1969112
Robert Smithson: June 20, 1969124
Douglas Huebler: July 25, 1969135
Index155

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