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A chilling political thriller set at the end of Peru's grim war between Shining Path terrorists and a morally bankrupt government counterinsurgency.
Associate District Prosecutor Felix Chacaltana Saldivar is a by-the-book prosecutor wading through life. Two of his greatest pleasures are writing mundane reports and speaking to his long-dead mother. Everything changes, however, when he is asked to investigate a bizarre and brutal murder: the body was found burnt beyond recognition and a cross branded into its forehead. Adhering to standard operating procedures, Chacaltana begins a meticulous investigation, but when everyone he speaks to meets with an unfortunate and untimely end, he realizes that his quarry may be much closer to home. With action rising in chorus to Peru’s Holy Week, Red April twists and turns racing toward a riveting conclusion.
From the Trade Paperback edition.
Roncagliolo's stunning debut, about the brutality of Peruvian society under the Fujimori regime, merits comparison to the work of J.M. Coetzee. In 2000, associate district prosecutor Félix Chacaltana Saldívar, who's returned to the province of Ayacucho from Lima, clashes with his superiors after the discovery of a charred and mutilated corpse. Rigidly adhering to bureaucratic procedure, Saldívar demands that an official police report on the crime be filed, despite the active resistance of the police and the local military commander. The prosecutor's refusal to abort his inquiry threatens the official line that the Shining Path terrorists are a thing of the past. Eventually, he's reassigned to help monitor elections, only to encounter more corruption. Within the frame of a puzzling whodunit, Roncagliolo crafts an unsparing view of life controlled by a repressive and paranoid government. A mother fixation, social awkwardness and a desire to impress others lend complexity to the protagonist. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Because it lies between Cuzco, the Inca capital, and Lima, the capital of the Spaniards, and was the ancient home of the Chancas, who successfully fought off even the Incas, the Peruvian city of Ayacucho is said to be doomed to wallow in blood forever. This was true especially during the 1980s and 1990s, when indiscriminate slaughter by the Shining Path brought on the equally savage counterinsurgency of the Fujimori government. Soon after district prosecutor Felix Chacaltana Saldivar is transferred from Lima to Ayacucho, he grimly undertakes to investigate the case of a charred body discovered in a hayloft during Holy Week of 2000. The unambitious prosecutor gets sucked into a chaotic world far from the ordered words and numbered sentences of his legal codes and breaks down, unable to fathom the illogic of killers fighting killers in a continuous spiral of fire and blood. Roncagliolo, the youngest winner ever of the prestigious Alfaguara Prize for this novel, first published in 2006, offers a riveting and highly relevant tale of the vicious circle of terrorism and retaliation.
—Jack Shreve
The novel's hero, Associate District Prosecutor Feliz Chacaltana Saldivar, is an unlikely conduit for such potency. He is, after all, a consummate bureaucrat who takes pride in tirelessly writing meticulous reports. The novel opens with one of his best: "On Wednesday, the eighth day of March, 2000, as he passed through the area surrounding his domicile in the locality of Quinua, Junstino Mayta Carazo discovered a body." In exquisitely dry language, Chacaltana describes the burnt torso that is stumbled upon by the drunken "deponent" and observes with satisfaction, as he edits his final draft, that "in his lawyer's heart, a poet struggled to emerge."
We immediately recognize a familiar comic hero: the little man with grandeur in his soul. This meek Chacaltana seems poised to take his place alongside Walter Mitty, Charlie Chaplin, and a host of other refugees from reality. When we meet him, newly transferred from Lima to the Andean city of Ayacucho, he perceives the world with an almost idiotic certainty. "Nothing can change much from one day to the next," he reflects when only yesterday's newspaper is available for purchase. "All days are basically the same." The novel will violently refute this assumption -- but only after Roncagliolo begins to reveal some disturbing aspects of Chacaltana's personality. He admits, for example, that "the corpse in Quinua produced a vague mixture of pride and disquiet in him. It was his first murder in the year he had been back in Ayacucho. It was a sign of progress." During his workday, he becomes concerned that he has not yet checked in on his mother. His dead mother.
Chacaltana, we gradually suspect, is not merely dull but numbed, and within a few pages we see that the world he inhabits is similarly afflicted. The sierra outside the city, for example, is a place where Chacaltana suddenly notices "that he could not hear anything. Not a sound. He felt whistling in his ears, the acoustic illusion produced when there is silence around us. The plain was transmitting the music of death."
This is not poetic exaggeration. Peru in 2000, the period during which the novel is set, remains stunned by the terror of the 1980s and 1990s, when Maoist Shining Path guerillas slaughtered whole communities in the name of their insane mystical ideology and when the government counterinsurgency imposed its own brand of terror. All of that supposedly belongs in the dreadful past. "There is no Sendero Luminoso here anymore," a military commander tells Chacaltana. "We finished them off."
The declaration, however, rings hollow. When Chacaltana is dispatched to oversee presidential elections in a remote town, he finds the streetlights festooned with the bodies of hanged dogs wearing signs that read "This is how traitors die." There are bonfires on the mountainside, nightly attacks, and "howl from the hills. Long Live. The Communist Party of Peru. President Gonzalo. They seemed to grow louder and surround him, suffocate him."
Returning home to a city convulsed by the lurid parades that mark the Catholic festival of Holy Week, the shaken prosecutor is soon faced with another mutilated corpse. "On the left side a mass of bones, muscles, and arteries erupted. What did not erupt was an arm." The pathologist helpfully explains: "The first time it was the right arm, now they've cut off the left. It seems these gentlemen want to make a puppet." When the next victim surfaces, burned and crucified, in the middle of a Holy Week ceremony, the symbolism is terrifyingly clear: here is Andean, Catholic, and Shining Path mysticism intermingled and made charred flesh.
Chacaltana informs his superiors that "they" have returned, and the response from his commander is, "Don't see horses where there are only dogs." Imagination now seems to be the dull prosecutor's chief defect. Indeed, as the horrors mount and as Chacaltana's official reports become absurdist versions of the abominations he encounters, the prosecutor begins to lose his moorings. Roncagliolo conveys this disintegration with great subtlety and acuity. A profoundly compassionate writer, he even allows us to hope. For Chacaltana, in the meantime, has begun to court Edith, a young waitress who is a wonderfully surprising creation. Her presence and the sweetness it elicits from Chacaltana relieve the novel's growing tension, but only briefly.
At every turn, Roncagliolo rejects the easy conventions that would turn Red April into a straightforward thriller, a broad satire or a novel of redemption. When Chacaltana is attacked by a fleeing murder suspect, for example, and regains consciousness on a desolate hillside, he simply walks to the nearest village and takes the bus back to the city, his "official activities over for the day." There is exquisite humor here, of course, as there is in the pathologist's appalling quips (of the incinerated corpse: "Two days ago he was taller") and in the novel's inspired dialogue (" 'Do you understand?' He did not understand anything. 'Yes, señor.' ") But Roncagliolo's comic genius not only makes us laugh, it also keeps us off balance. There is a sense of queasy descent as we are propelled backward into Peru's brutal decades and inward to the personal past that has formed the tragically odd Chacaltana. Yet as the novel's darkness deepens and as the plot develops menacing shadows, individual scenes acquire a startling simplicity and humanity. The second corpse, for example, has "feet splayed from walking through the countryside." In a peasant house, "the sofa was on bricks instead of legs and had a blanket thrown over it. Two children watched curiously from the hand ladder that went up to another bare brick space."
This remarkable clarity intensifies as Chacaltana's investigations lead him back to the local church, where he contemplates images of the crucified Christ with "His perforated hands. The crown of thorns [that] circled his head like a red and green tiara." When the priest expounds on the persistence of Andean blood sacrifice in Christian ceremonies, his words carry lethal meaning for Chacaltana, who begins to recognize what is before him. "If you start looking, everything has a transcendental meaning," Father Quiroz insists. "Draining someone's blood is draining the body of life in order to offer all that life to a different soul."
Chalcatana never wanted to start looking. He never wanted to confront a deranged killer, to visit an imprisoned Shining Path intellectual, to learn of the military's unspeakable atrocities. He never wanted to doubt, only to believe. "One needs a present," he observes, "in order not to think about the past." This fearless novel, however, allows no such amnesia. --Anna Mundow
Anna Mundow writes "The Interview" and the "Historical Novels" columns for The Boston Globe and is a contributor to The Irish Times.
SWmom
Posted December 28, 2010
Murder mystery set in Peru in year 2000. Between Shining Path and corrupt gov't. officials, the reader can't tell the good guys from the bad guys.
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Posted October 12, 2010
Life is a constant struggle for prosecutor Felix Chacaltana Saldivar in Ayacucho. Having recently divorced, he has left Lima for a smaller town and becomes embroiled in political corruption and deceit at the highest levels. Struggling to find his place he is thwarted at every turn, made to accept the status quo and required to go along to keep in the graces of the local militia and police. The story reminded me of David Pearce's Red Riding Quartet, not only in the aspects of his superiors looking the other way, but at the sheer brutality of the deeds he was asked to pretend were not happening for his own good.
As his own investigation into the murders escalates, he exposes additional cover-ups performed by the church and the local priest. When a suspected terrorist is allowed to escape from jail-only to be brutally butchered-and the priest Chacaltana confesses to is tortured and slaughtered in his own church during Holy Week, the prosecutor becomes the pursued, or is he? In his own mind, swamped in confusion, he talks to his recently departed mother and the young girl, Edith, he is trying to court.
As the story builds to a crescendo, we are treated to the written notes of a third party as a clue to who is behind the rumors, the troubles and the murders themselves. Will Chacaltana discover the truth before he becomes the next victim? In an inspiring tale of one man trying to make a difference in this private hell on earth, Roncagliolo presents us with a flawed protagonist that we can relate to and gives us hope for mankind in this political thriller. But do not be fooled by the shy, unassuming attitude of the prosecutor; he is out to get his man no matter the cost, even if it is his own demise.
A brilliant debut novel from one of Latin America's newest and compelling authors.
In 2000, associate district prosecutor Felix Saldivar has spent much of his career in Lima avoiding conflict. However, the almost only ash remains of a corpse found ironically on Ash Wednesday in Ayacucho changes his detachment when he is sent by his superiors to lead the official inquiry in his birth place.
Adhering strictly to standard operating procedures, Saldivar interviews the locals, but gets nothing of use from them. He asks Police Captain Pacheco for a copy of their report, but is ignored as none have been filed. Instead the police and the military command ignore his questions and requests. In spite of the evidence he has collected, he rejects the obvious answer that the deceased was a victim of the Sendero Luminoso (Shining Path) terrorists because officially the group no longer exists. However, even Saldivar who buries his head in the sand notices that anyone who chats with him dies. He still writes an inane report with no supporting evidence to validate his claim, but defends the position of the army brass that terrorism no longer exists in Peru. His reward for this is to observe an election in a remote village where violence is the norm as the "nonexistent" Sendero openly operates death squads.
This is a terrific, radically unique Peruvian police procedural that looks deeply at the people ravaged by the brutality of the Fujimori government and the Shining Light; neither side lets human rights stand in the way of achieving their agenda. The whodunit is intriguing as the villagers understand facts do not matter to an authoritarian big brother government obsessed with mistrust and the insurgents are perhaps more paranoid and deadlier. The career bureaucrat is phobic, obsessive, and impulsive with a need to impress, which have nothing to do with the facts. RED APRIL is a profound thriller that is exciting yet insightful with applications to Afghanistan as to how people endure when two adversarial groups pull villagers in opposite directions.
Harriet Klausner
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Overview
A chilling political thriller set at the end of Peru's grim war between Shining Path terrorists and a morally bankrupt government counterinsurgency.
Associate District Prosecutor Felix Chacaltana Saldivar is a by-the-book prosecutor wading through life. Two of his greatest pleasures are writing mundane reports and speaking to his long-dead mother. Everything changes, however, when he is asked to investigate a bizarre and brutal murder: the body was found burnt beyond recognition and a cross branded into its forehead. Adhering to standard operating procedures, Chacaltana begins a meticulous investigation, but when...