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Red Headed Stranger

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Editorial Reviews

Barnes & Noble - David McGee
Willie Nelson has had too distinguished a career for any one song or album to define it, but Red Headed Stranger comes close. Released in 1975, this ambitious concept album was an alternative to the formulaic Nashville system and launched a fertile breeding ground for new voices and new styles rooted in country music's oldest traditions (Americana, alt country, No Depression, whatever). It's a folk album, a blues album, a gospel album, a traditional country album that Willie wrought, and a journey of Homeric proportions. Sure enough, Willie takes us into the soul of a wanderer looking for love, searching for spiritual shelter where he can find it. The music is stark and ...
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Editorial Reviews

Barnes & Noble - David McGee
Willie Nelson has had too distinguished a career for any one song or album to define it, but Red Headed Stranger comes close. Released in 1975, this ambitious concept album was an alternative to the formulaic Nashville system and launched a fertile breeding ground for new voices and new styles rooted in country music's oldest traditions (Americana, alt country, No Depression, whatever). It's a folk album, a blues album, a gospel album, a traditional country album that Willie wrought, and a journey of Homeric proportions. Sure enough, Willie takes us into the soul of a wanderer looking for love, searching for spiritual shelter where he can find it. The music is stark and spare; you remember the sting of Willie's aggressively plucked guitar lines, the unsettling ambiance created by harmonica, and the alternately tender and boisterous piano support -- and, as always, Willie's wonderful, bedraggled, sophisticated singing. Yes, there's "Blue Eyes Crying in the Rain," but there's also a moving interpretation of the gospel standard, "Just as I Am," and a powerful, heartbreaking reading of Hank Cochran's "Can I Sleep in Your Arms." Four bonus tracks offer everything from a beautiful treatment of "Bach Minuet in G" (from which the Toys' "Lover's Concerto" had derived its melody, years earlier) to a keenly insightful take on Bob Wills's "Maiden's Prayer." It's possible that these previously unissued tracks make Red Headed Stranger an even stronger album than the original release. But how, exactly, does one improve upon perfection?
All Music Guide - Stephen Thomas Erlewine
Willie Nelson's Red Headed Stranger perhaps is the strangest blockbuster country produced, a concept album about a preacher on the run after murdering his departed wife and her new lover, told entirely with brief song-poems and utterly minimal backing. It's defiantly anticommercial and it demands intense concentration -- all reasons why nobody thought it would be a hit, a story related in Chet Flippo's liner notes to the 2000 reissue. It was a phenomenal blockbuster, though, selling millions of copies, establishing Nelson as a superstar recording artist in its own right. For all its success, it still remains a prickly, difficult album, though, making the interspersed concept of Phases and Stages sound shiny in comparison. It's difficult because it's old-fashioned, sounding like a tale told around a cowboy campfire. Now, this all reads well on paper, and there's much to admire in Nelson's intimate gamble, but it's really elusive, as the themes get a little muddled and the tunes themselves are a bit bare. It's undoubtedly distinctive -- and it sounds more distinctive with each passing year -- but it's strictly an intellectual triumph and, after a pair of albums that were musically and intellectually sound, it's a bit of a letdown, no matter how successful it was.
Rolling Stone - Adam Bresnick
Stranger established Nelson’s outlaw persona and put some guts back into country music.

Stranger established Nelson’s outlaw persona and put some guts back into country music.
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Product Details

  • Release Date: 7/4/2000
  • Label: Sony
  • UPC: 074646358924
  • Catalog Number: 63589
  • Sales rank: 1,479

Album Credits

Performance Credits
Willie Nelson Primary Artist, Primary Artist, Guitar, Vocals
Billy Gene English Drums
Mickey Raphael Harmonica
Paul English Drums
Bucky Meadows Guitar
Jody Payne Guitar, Mandolin
Bee Spears Bass
Bobbie Nelson Piano
Technical Credits
Willie Nelson Arranger, Producer
Pee Wee King Composer
Redd Stewart Composer
Eric Paul Engineer
Joseph M. Palmaccio Mastering
Phil York Engineer
Chet Flippo Liner Notes
Al Quaglieri Reissue Producer
Howard Fritzson Art Direction
Monica White Artwork, Cover Design, Cover Art
William B. Bradbury Composer
Charlotte Elliot Composer
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Customer Reviews

Average Rating 4
( 2 )
Rating Distribution

5 Star

(1)

4 Star

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3 Star

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2 Star

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1 Star

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Sort by: Showing all of 2 Customer Reviews
  • Posted October 22, 2010

    The Perfect Concept Album

    How anyone can give this release less than 5 stars is beyond belief. This is the greatest concept album ever released, deserving its status as a classic. I'm not particularly a fan of country music but this may be the best album I've ever heard. Every song fits seamlessly in the overall story. Willie's just-behind-the-beat singing is beautiful and heartbreaking. The music is understated yet breathtaking, leaving the listener fully emotionally involved in the unfolding story. I listened to this last night for the first time in perhaps 28 years and was amazed to find myself singing along. The songs are that memorable. If you've not taken the lonesome, painful, soul-wrenching trip with the Red Headed Stranger, take the time to do so. Your life will be enriched by this musical/lyrical journey. This is perfection.

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  • Anonymous

    Posted July 13, 2009

    No text was provided for this review.

Sort by: Showing all of 2 Customer Reviews