Thoughtful, earnest, maybe a touch preachy in parts --
folk music has its own particular standards to live up to (or alternately transcend).
Bill Garrett and
Sue Lothrop's album certainly starts on that note with a cover of a song called
"No More Fish." On the one hand, it addresses a serious enough subject -- the depletion of Atlantic fishing stocks that drove Far Eastern Canada's economy and the resultant hard times -- and on the other hand it's so prettily obvious that it could be a parody. Some clunky rhymes don't help either, frankly, but that and a couple of other well-meaning (though strident) songs aside,
Red Shoes is an enjoyable enough, if not remarkable, example of early 21st century
folk with a definitely Canadian slant. It's no more parochial than any other kind of regionally focused work, and often brings in a new context for outside observers.
"Un Canadien Errant," another reworking, tells of such events as an 1837 French Canadian rebellion and the escape of a patriot to America, something most Statesiders probably didn't realize occurred. The personal is hardly ignored either -- the album's best song might well be
"On Your Way Home," whose subject is dealing with long-distance relationships, and their inevitable stresses, with sweet grace.
Garrett and
Lothrop have sturdy, fine voices; there aren't any real surprises in their approach, but for those who like their performers clearly heard and slightly gravelly, it'll be grand stuff. There are a few fun musical twists and turns along the way, gentle
waltzes, a good bit of rocking
country in the cover of
Rodney Crowell's
"Leaving Louisiana" --
"The Hill" is almost a piece of polite '30s
swing thanks to the drums and clarinet. The backing musicians provide spare, enjoyable additions throughout. ~ Ned Raggett
![Live [2002]](http://prodimage.images-bn.com/pimages/0014381177527_p0_v1_s90x140.jpg "Live [2002]")
