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Red Summer: The Summer of 1919 and the Awakening of Black America
     

Red Summer: The Summer of 1919 and the Awakening of Black America

5.0 8
by Cameron McWhirter
 

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A narrative history of America's deadliest episode of race riots and lynchings

After World War I, black Americans fervently hoped for a new epoch of peace, prosperity, and equality. Black soldiers believed their participation in the fight to make the world safe for democracy finally earned them rights they had been promised since the close of the Civil

Overview

A narrative history of America's deadliest episode of race riots and lynchings

After World War I, black Americans fervently hoped for a new epoch of peace, prosperity, and equality. Black soldiers believed their participation in the fight to make the world safe for democracy finally earned them rights they had been promised since the close of the Civil War.

Instead, an unprecedented wave of anti-black riots and lynchings swept the country for eight months. From April to November of 1919, the racial unrest rolled across the South into the North and the Midwest, even to the nation's capital. Millions of lives were disrupted, and hundreds of lives were lost. Blacks responded by fighting back with an intensity and determination never seen before.

Red Summer is the first narrative history written about this epic encounter. Focusing on the worst riots and lynchings—including those in Chicago, Washington, D.C., Charleston, Omaha and Knoxville—Cameron McWhirter chronicles the mayhem, while also exploring the first stirrings of a civil rights movement that would transform American society forty years later.

Editorial Reviews

Jonathan Yardley
McWhirter…has done a capable job of rescuing the story of the summer of 1919 from oblivion…He has added to our understanding not merely of the long and appalling history of interracial violence in the United States but of one of our more difficult times: the period, measured more in months than in years, between the end of World War I and the beginning of the brief euphoria known as the Jazz Age.
—The Washington Post
Publishers Weekly
In his study of the bloody summer of 1919, when lynching "spread like influenza" across the U.S., McWhirter, staff reporter for the Wall Street Journal, focuses most sharply on seven outbreaks of violence notable for their devastation: Charleston, S.C., in May; Longview, Tex., Washington, D.C., and Chicago in July; Knoxville, Tenn., in August; Omaha, Neb., in September; and Elaine, Ariz., in October. McWhirter writes, "his extraordinary summer was forging a new dynamic in race relations. Race riots—almost every one started by white mobs—were nothing new." What was new was black resistance. McWhirter pays detailed attention to the growth of the NAACP as the primary organized political resistance and individual attempts at self-defense, "from lofty oratory to swinging a baseball bat." The author brings a journalist's diligent digging and skillful storytelling to this historical account; behind the names of towns, he takes the reader into the lives of victims who suffered, perpetrators who destroyed, enablers who dawdled, and politicians who profited, as well as those who fought back, making 1919 "a turning point in American race relations." While less local in his treatment than Robert Whitaker's On the Laps of Gods or Harper Barnes's Never Been a Time, both of which cover the "red summer," McWhirter's valuable study, in chronologically examining the outbreaks of violence, may well qualify as "the first narrative history of America's deadliest episode of race riots and lynchings." (July)
From the Publisher
"McWhirter makes clear in his carefully researched, briskly narrated account of this difficult period in our national history, African Americans were increasingly disinclined to take advice from even well-meaning whites. The NAACP, founded in 1909 by a primarily white group of Northern liberals, was transformed by the events of 1919 into America’s premier civil rights organization, led by African Americans from the South."—Wendy Smith, Los Angeles Times

"That it is one of the most shameful periods in our history is beyond question. Yet McWhirter is right to insist that during this same time, forgotten though it may be, ‘Black America awakened politically, socially, and artistically [as] never before.’ The first stirrings of what became the Harlem Renaissance were felt, and seeds were planted that bore fruit in the civil rights movement of the 1950s and ’60s. As McWhirter says, if you explore the whole story of those troubled months, you are left not thinking of America’s bald and cruel failings, but of its astounding and elastic resilience. ‘The Red Summer’ is a story of destruction, but it is also a story of the beginning of a freedom movement."— Jonathan Yardley, The Washington Post

"A riveting account of the summer that transformed American race relations."—Vanessa Bush, Booklist (Starred Review)

"Masterly examination of the widespread outbreak of racially motivated mob violence in the summer of 1919. In his debut, Wall Street Journal staff reporter McWhirter describes in gripping detail a wave of incidents of mob violence that erupted across America in the summer following the end of World War I. . . . Throughout the book, the author writes with professional detachment, permitting his subjects’ words and deeds to speak eloquently for themselves, amplified by liberal quotation from the vibrant black press of the period. An unsettling reminder of the cruelty and hatred that can lie beneath the surface of a nation formally committed to equal justice for all, but also a monument to the suffering and perseverance of a people at last determined to demand rights promised but too long denied."—Kirkus Reviews

"The author brings a journalist’s diligent digging and skillful storytelling to this historical account; behind the names of towns, he takes the reader into the lives of victims who suffered, perpetrators who destroyed, enablers who dawdled, and politicians who profited, as well as those who fought back. . . . McWhirter’s valuable study, in chronologically examining the outbreaks of violence, may well qualify as ‘the first narrative history of America’s deadliest episode of race riots and lynchings.’"—PW

"McWhirter’s narrative style will engage general readers unfamiliar with events during America’s early 20th-century civil rights struggle. Professional historians will appreciate the extensive, well-sourced newspaper and archival research."—Frederick J. Augustyn Jr., Library Journal

"McWhirter, a reporter who has worked around the globe and is now based at the Atlanta bureau of the Wall Street Journal, makes his case with deft prose and an exhaustive survey of the historical record… His reportorial skills make this an original and skillful contribution to the literature on the subject."—Jim Cullen, History News Network

"In Red Summer, Wall Street Journal reporter Cameron McWhirter skillfully reconstructs this bloody and unsettling period, a pivotal stretch from April to October that produced ripple effects extending to our time. . . . There's a social consciousness to McWhirter's approach that is enormously appealing. It's as if he's walking through a neglected graveyard, etching names into gravestones that we have allowed to fade for fear of the stories that go with all those deaths. . . McWhirter's insistence on attaching names—to the dead and, when possible, to those responsible for the violence—provides the book with a cumulative power and a sense of historical accountability."—Ken Armstrong, Seattle Times

"Cameron McWhirter, not a historian but a journalist, has written [a fresh, compelling book about race relations]."—Steve Weinberg, Atlanta Journal Constitution

"McWhirter weaves an understated, powerful narrative. . . In unflinching, just-the-facts style bolstered with copious footnotes, McWhirter describes how the entrenched white power structure—small-town police, elected officials, businessmen and even newspapers—were bent on preserving the social order in uncertain economic times. But African-Americans, some of whom had fought with valor in World War I, were chafing under Jim Crow rule and discrimination in the open marketplace."—Joseph Williams, Minneapolis Star-Tribune

"A must read! This visual chronicle is enhanced with pictures and the antidotes of heroes such as Thurgood Marshall, James Weldon Johnson, and W.E. B. Du Bois. I’d characterize this selection as a Black historian’s dream work. I tread through the pages spellbound with feelings of sadness, pain, and hope. Students and educators will find this is a book to cite and refer to for many years to come."—Rosetta Codling, Atlanta Examiner

"There are plenty of eye-opening revelations in Red Summer. . . the first narrative history of that epochal year. McWhirter is a reporter for The Wall Street Journal, and much of the obviously extensive research he has done involves the way the newspapers covered the violence at the time. Not only does he give narratives of the causes and details of the riots in Chicago, Washington, Omaha and other cities, he gives a broader picture of the reasons 1919 should have been a particular year for racial violence, and the changes the violence wrought."—Rob Hardy, The Columbus Dispatch

"It has taken nearly a century for a narrative history of this tragic episode in American history to be written, and Wall Street Journal reporter Cameron McWhirter has done a superb job in Red Summer: The Summer of 1919 and the Awakening of Black America. The book is well-researched, and McWhirter's journalistic skills serve him well in writing about such a sensitive subject. His prose is carefully constructed and clear, and he avoids the temptation to embellish."—Michael Taylor, Richmond Times Dispatch

"Cameron McWhirter, staff reporter for the Wall Street Journal and author of Red Summer: The Summer of 1919 and the Awakening of Black America has done a top-notch job of shining a light on a particularly horrific chapter in a long line of appalling treatment of African-Americans." –Peggy Carlson, Fredericksburg Free Lance-Star

"Weaving the great economic and political tides of the post-World War I era together with deeply personal stories, researched and written with an artist’s eye for detail and a novelist’s sense of pacing, Cameron McWhirter recounts an eight-month ‘spasm of brutality’ in which white mobs attached more than two dozen African-American communities."—Hamilton College Magazine

"The old boast is that everything is bigger and better in America. Cameron McWhirter's comprehensive history of the terrible Red Summer of 1919 reminds us that, because our failures at democracy are also very big, we have to be even better at understanding why."—David Levering Lewis, author of King: A Biography and W.E.B. Du Bois: Biography of a Race, 1868-1919

Library Journal
McWhirter (Wall Street Journal) details spontaneous antiblack violence during what James Weldon Johnson called "the Red Summer," a lengthy season colored crimson by blood, which characterized the U.S. aftermath of World War I, filled with change and tensions. In addition to well-documented incidents in Chicago and Washington, DC, McWhirter explores the violent actions in cities such as Charleston, Knoxville, and Omaha and smaller communities like Carswell Grove, GA, where his story begins and ends. African Americans, awakened by the newly formed NAACP and their participation in a war presumably waged to safeguard democracy, were confronted by a backlash of hate. McWhirter contends that for the first time they fought off their white attackers in an organized fashion and sought redress for their grievances. Nascent incremental legal and political dismantling of institutionalized racism followed this worst outburst of lynching in U.S. history. A slow pivot away from prejudice, along with black cultural and literary movements, encouraged the nation to reexamine its social relations as a whole. VERDICT McWhirter's narrative style will engage general readers unfamiliar with events during America's early 20th-century civil rights struggle. Professional historians will appreciate the extensive, well-sourced newspaper and archival research.—Frederick J. Augustyn Jr., Library of Congress
Kirkus Reviews

Masterly examination of the widespread outbreak of racially motivated mob violence in the summer of 1919.

In his debut, Wall Street Journal staff reporter McWhirter describes in gripping detail a wave of incidents of mob violence that erupted across America in the summer following the end of World War I. Chicago, Washington and Knoxville became battlegrounds, and in Omaha the mob sacked the county courthouse and nearly hanged the mayor. The Tuskegee Institute recorded 83 lynchings during the year, a record that still stands. The federal government did nothing; the Justice Department, led by the red-baiting Attorney General Alexander Mitchell Palmer, attributed the violence to radical agitators among black workers. As McWhirter skillfully demonstrates, the true causes of the violence were complex, arising in part from social dislocations resulting from the "Great Migration" of Southern blacks to northern cities in search of industrial jobs, a trend that exacerbated racial animosities in volatile societies that were often already ethnically fragmented. Lynchings and race riots had occurred throughout American history, but in 1919 white thugs encountered something new—the nation's black communities now included soldiers returned from France who were determined to resist mob violence by force of arms. Their efforts were supported by black civic leaders like James Weldon Johnson, Walter White and W.E.B. Du Bois of the NAACP, who pressed for justice for the rioters' victims in the press, the courts and Congress, and thereby established their burgeoning organization as the preeminent group advocating for black rights. In this new spirit of resistance, McWhirter sees "the start of a process—a great dismantling of institutional prejudice and inequity that marred American society." Throughout the book, the author writes with professional detachment, permitting his subjects' words and deeds to speak eloquently for themselves, amplified by liberal quotation from the vibrant black press of the period.

An unsettling reminder of the cruelty and hatred that can lie beneath the surface of a nation formally committed to equal justice for all, but also a monument to the suffering and perseverance of a people at last determined to demand rights promised but too long denied.

Product Details

ISBN-13:
9781429972932
Publisher:
Holt, Henry & Company, Inc.
Publication date:
07/19/2011
Sold by:
Macmillan
Format:
NOOK Book
Pages:
368
Sales rank:
557,647
File size:
818 KB

Read an Excerpt

Red Summer

The Summer of 1919 and the Awakening of Black America


By Cameron McWhirter

Henry Holt and Company

Copyright © 2011 Cameron McWhirter
All rights reserved.
ISBN: 978-1-4299-7293-2



CHAPTER 1

Carswell Grove


[T]here has been nobody suffered in this matter like I have. I did not do nothing at all to cause that riot.

Joe Ruffin


April 13, 1919, was perfect for a celebration. As Joe Ruffin set out to do his morning chores that Sunday, the sky was cloudless and blue. The temperature was in the high 70s — normal for spring in east Georgia.

The sixty-year-old man started the day at his barn, rushing to feed his pigs, cows, and horses so he would not be late. He had sent his children ahead to the Carswell Grove Baptist Church in one of the family's two cars, a Buick Six. Ruffin would follow later. The church festival was to mark its fifty-second anniversary. Preachers from several counties were coming to deliver sermons. The choir would give a special performance. More than three thousand people would be on hand for a gala cookout of roast pig and fried chicken. Though Ruffin was not a Carswell Grove member, he had been asked to speak as a prominent black Mason and treasurer of another black church.

Ruffin had lived his entire life amid fields of cotton and sugar cane east of Millen, the seat of Jenkins County. The land he tilled was once part of the plantation where his parents worked as slaves. Ruffin remained on good terms with the Daniel family, the former slave owners. Ruffin owned almost 113 acres. He ran five to seven plows a season — a substantial operation for anyone in that part of Georgia at the time and a major accomplishment for a black farmer. Unlike many blacks in the area, he could read and write, though census records did not report him having any formal education.

Many of the years had been tough. Several times Ruffin had to mortgage tracts of land. He even took out loans on his mules and horses to cover debts.

He had a large family. The 1910 census recorded three sons and four daughters living with him, plus another son and his family down the road. Ruffin was a widower.

Two sons — John Holiday, twenty-six, and Henry, thirteen — lived at home. Louis Ruffin, in his late twenties, farmed nearby. A fourth son, Joe Andrew Ruffin, twenty-four, served with the U.S. Army in France. He was due home in time for the fall harvest.

Whatever Ruffin's past struggles, 1919 was shaping up to be profitable. Cotton was fetching extraordinary prices, averaging more than 35 cents per pound, the highest ever. The Great War, which the United States entered in April 1917, was a boon for cotton. Textile mills needed tons of it for uniforms and other goods. The war's end the previous November had opened a broader market for cotton; mills across the world needed it for civilian clothes. Supply was limited as the ineluctable spread of the boll weevil reduced production in many parts of the South, including Georgia. Higher prices, fueled in part by cotton scarcity, helped farmers. The previous month, Congress boosted the price of cotton further by passing an amendment to the federal Cotton Futures Act, making it easier for speculators to make bids. As global demand for cotton increased, futures skyrocketed. This spike was a windfall for Ruffin and millions of other southern farmers from Virginia to Texas.

Jenkins County, Georgia, lay in the lower third of a swath of cotton farmland that extended from eastern Virginia into southern Alabama. From colonial days, the region had evolved into a network of plantations, cotton storehouses, and small towns grouped along a major road that later supported a railroad running south from Augusta to the Atlantic port of Savannah. Jenkins was rural and poor, like most counties in the region. Blacks accounted for almost two-thirds of its population. Many blacks in the county were illiterate, and election records indicate that only a handful were allowed to vote. All county government officials, from commissioners to police, were white.

Most blacks in Jenkins County were sharecroppers renting land from white landlords, but a growing number owned property, a phenomenon occurring all over the South. In the first decades of the twentieth century, despite the legal barriers imposed by Jim Crow, the number of acres owned by black farmers rose. In Georgia, black ownership jumped by 75 percent from 1899 to 1919. These landowners formed the "respectable" classes of black society in southern towns. They sat on church boards and led social groups. They generally had good relations with white business owners and politicians, serving as go-betweens when racial friction erupted. In the late morning of this particular April Sunday, Joe Ruffin was the embodiment of this new class, having spent a lifetime navigating the racial restrictions of southern life. Through luck and hard work, he had prospered and never gave "offense to any white man in the county."

By the late afternoon of that April 13, however, almost every white man in Jenkins County wanted Joe Ruffin dead.

* * *

Around 11:30 a.m., Ruffin's youngest son, Henry, came back to the farm to get his father. Masons at the festival had asked for him. Ruffin changed into his best Sunday clothes, then got in his second car — a late-model, high-powered Ford touring car — and headed down the road. Henry stayed at the farm. The 15-mile drive from Ruffin's farm near Billies Branch to the church was cut with swampy creeks and hollows. The roads were unpaved. The car drove past acre upon acre of young cotton plants, very low to the ground with thin waxy leaves. Jenkins County is in the middle part of the state near the Savannah River Valley, where Georgia's Piedmont slopes gradually toward the coast. Georgia's famous red clay is sandier in this part of the state and a paler shade of orange. Ruffin could see cultivated land for miles, broken up by copses of loblolly pine and scrub oak as well as thickets of holly and cypress. Hawks and buzzards circled the sky.

Sometime after 2 p.m., Ruffin reached Big Buckhead Church Road, the final road leading to the festival. The dirt road had been around since the earliest settlers cut through the forest. As he crossed Buckhead Creek Bridge, Big Buckhead Church — one of the oldest inland white congregations in the South — was on his left. Across the road, mossy obelisk grave markers of Confederate veterans stood in a small cemetery. In the closing days of the Civil War, when Ruffin was a young boy, Union and Confederate cavalry battled here. The rebels lost; hundreds were killed.

Carswell Grove was founded two and a half years after the battle in the midst of the social turmoil caused by the Confederacy's collapse. After the war, whites at Big Buckhead Church kicked out blacks, who for generations had sat in segregated pews. Porter W. Carswell, a white judge who owned nearby Bellevue Plantation, gave black congregants two acres of scrubland to erect their own place of worship just down the road. The congregants named their new church in his honor. By 1919, Carswell Grove Baptist Church boasted more than a thousand members, most of them sharecroppers. The yearly celebration of the church's founding was one of the largest African American gatherings in east Georgia.

As Ruffin drove up the low ridge, he saw throngs of black men, women, and children milling about the grounds. They were talking and laughing — it was the cacophony of a large, joyous group. Ruffin parked his car and joined them. After a short time, Ruffin remembered that he had left the door to his house unlocked and decided to drive home. He got in his car, but the swelling crowds blocked the road. He drove as far as he could, almost to Big Buckhead Church, when he was forced to stop and wait for people to move along.

As he sat there, an older Ford drove up behind him and then pulled alongside. People scrambled off the road to get out of the car's way. It stopped abruptly and Ruffin looked over at its occupants: two white lawmen and a distraught black man in handcuffs. Ruffin knew the black man: Edmund Scott, his longtime friend. The driver was W. Clifford Brown, a Jenkins County police officer. In the back of the car with Scott sat Thomas Stephens, a Millen police night marshal. When he saw Ruffin, Scott frantically shouted to the white officers, "I can get him to stand my bond."

Why the two white officers were at the black gathering is unclear. They had no warrant. Marshal Stephens was not even in his jurisdiction. In all likelihood, they were in search of illegal alcohol. Brown and Stephens were known for going after stills and liquor joints known in many parts of the South as "blind tigers." That spring, the National Prohibition Act was making its way through Congress. It would enforce the Eighteenth Amendment, which banned the sale of liquor nationwide. But in Georgia, the ongoing murky contest between police and those who made, sold, and drank liquor was an old game. In 1907, the Georgia legislature, bowing to pressure from Baptists, passed a law banning alcohol. The law was enacted partly in response to the Atlanta race riot of 1906, when white mobs attacked blacks for three days. Twenty-five blacks and one white were killed. White opponents of alcohol argued that heavy drinking in downtown saloons had been a catalyst for trouble, which they blamed primarily on blacks. The law, however, did little to suppress Georgia's thirst. By 1919, a thriving underground network of alcohol manufacturers and distributors operated across the state. The police, who were always white, played a running game of cat-and-mouse with still operators, many of whom were black. Sometimes police destroyed confiscated booze. Sometimes corrupt officers resold it. One newspaper reported that Brown, in only three months on the force, filed more than a hundred cases against gamblers and liquor manufacturers. The same report said Brown suspected Scott and the Ruffins of running a still.

L. W. Beach, a white superintendent over black sharecroppers at a nearby plantation, told a different story. Beach was at the festival that day, driving impoverished blacks who did not own buggies or wagons to and from the church for one dollar a ride. He said Brown and Stephens were not investigating Scott or Ruffin. The white law officers claimed they arrested Scott, the festival's marshal of ceremonies, only after he brandished a weapon when they almost crashed into his car.

Scott, who was driving a minister from another county to the fair, was infuriated by the officer's wild driving. Beach heard Scott say, "That is the way with some people, they haven't got a damn bit of manners." Brown and Stephens then arrested Scott, charging him with possession of an unregistered firearm. They were heading back to the Millen jail with Scott when they passed by Ruffin's car and Scott shouted for help. Officer Brown stopped his car and called for Ruffin. Ruffin got out of his car, walked over and stood on the running board of the police car.

"What is the trouble with Edmund?" Ruffin asked. Officer Brown said they had found a concealed pistol in Scott's car. Beach, positioned about thirty feet away, saw Ruffin take out a checkbook and offer to write a bond check for his friend. The officer told him he needed cash. Ruffin said he could not get that kind of money, $400, on a Sunday. Brown then said, "God damn it, I am going to carry him in."

A large crowd immediately gathered around the car, including two of Ruffin's sons, Louis and John Holiday. People who were there said Ruffin reached in and tried to pull Scott out. Brown became incensed and shouted, "God damn it, get back." He pulled out his pistol and struck Ruffin in the face. The gun went off, hitting Ruffin on the left side of his head, knocking him to the dirt. Ruffin said later he was unconscious for a few minutes. Others said he got up right away.

One person who was there said Louis, Joe's oldest son, rushed the car, wrested the gun from Brown and shot the police officer in the head, neck, and body, killing him. Two others said that the father, Joe Ruffin, killed Brown, pulling out his own pistol and firing into the police car. Others said Officer Stephens, a short, heavyset man, stepped out of the car, hunkered down with his pistol drawn. Another round of gunfire erupted. Scott, caught in the middle and handcuffed, was shot to death as he struggled to get out of the way. Stephens was wounded and slumped to the ground.

"It was just like a package of poppers [firecrackers]," said Ed Tancemore, a white man who saw the shooting, adding that it took no longer than a finger snap. In an instant, Brown and Scott were dead, slumped in the blood-smeared Ford. Stephens lay on the ground, bleeding but conscious. Black men in the crowd attacked him. Some said Ruffin's two sons led the assault. Tancemore watched as Stephens was beaten: "Every time he would get up, they would knock him back until they got him down the side of the car, and one of them placed his foot in his breast and the other handed him an oak limb, and right there they stopped him."

Police later found a blood-soaked oak branch beside Stephens's mutilated body. A newspaper account described Stephens as "a shapeless mass." He took as long as two hours to die.

Ruffin said that after he was shot, he "fell to the ground and did not know anything at all until my boy J. Holiday and Willie Williams picked me up off the ground, and went walking with me off to my car." Ruffin said his friend Williams tried to hand him the checkbook that he dropped when he was shot. Williams also offered him a gun.

"No, keep them," Ruffin said. "I have got no use for them now at all. I better go to the doctor because I believe I am going to die."

Someone, perhaps one of his sons, perhaps Williams, started Ruffin's Ford. Ruffin sat in the passenger seat, his head gushing with blood, his ears ringing from the gunshots. Smoke stung his nostrils as he looked upon the contorted corpses of a friend he had known his whole life and a white law officer. The other officer, Stephens, writhed on the ground, mortally wounded. Surveying the scene, Ruffin knew immediately he would be lynched when the white mob came for him. And there was no doubt it would come — if he lived that long. Word of the incident spread farmhouse by farmhouse across the county. The word traveled along two distinct vectors: black and white. Blacks hid in their homes while hundreds of white men grabbed their guns and headed toward Carswell Grove.

As Ruffin was rushed from the scene, he asked to be taken to the home of the only person who could help him — Jim Perkins, the most powerful white man in Jenkins County, whose farm was three miles from the shooting. Perkins, the chairman of the board of commissioners, had known Ruffin his whole life. Perkins was waiting at a nearby train depot when a black man told him a wounded Joe Ruffin had arrived at his farm. Perkins rushed home.

Ruffin recalled telling Perkins, "I was only trying to offer him [Brown] a bond for Edmund, and he got mad and shot me down for nothing."

Perkins remembered Ruffin telling him, "Mr. Brown shot me and it made me so mad I jumped up and emptied my pistol at him."

Perkins was baffled that Ruffin was in trouble. "I consider he came to me because he didn't know where to go or what to do," he said later.

Perkins got the county jail physician, J. R. Littleton, to bandage Ruffin's head, and then drove to meet the county sheriff, M. G. Johnson, at the scene of the shooting. The two men saw the dead Brown and Scott and the dying Stephens. When the gathering white farmers learned Ruffin was alive and at Perkins's house, they became incensed. Perkins and Sheriff Johnson rushed back to protect him.

Ruffin sat bandaged on a cot in a cook's shed when Perkins and Johnson burst in. "Joe, come on, a mob is coming after you," they yelled. They had Ruffin lie in the back of Perkins's Cadillac, then drove north as fast as they could. Cars filled with angry white men pursued them all the way to Waynesboro, the seat of the next county. Perkins and Johnson then decided to drive on to the nearest big city, Augusta, about 45 miles away. They arrived about 6:30 p.m. and put Ruffin in the jail there. Ruffin recalled his jailer told him he had "better be proud Mr. Johnson and Mr. Perkins brought me for safekeeping and I told him I was."

As Ruffin lay in his cell, mobs took vengeance in Jenkins County. In the first of many acts of violence that night, white men with guns charged the church at Carswell Grove, firing as they came. Congregants jumped through windows and took off into the woods. Mothers tossed children through the windows, and then scrambled behind them. The mob torched the building. Smoke and flames could be seen for miles as dusk descended.


(Continues...)

Excerpted from Red Summer by Cameron McWhirter. Copyright © 2011 Cameron McWhirter. Excerpted by permission of Henry Holt and Company.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

From the Publisher
"McWhirter makes clear in his carefully researched, briskly narrated account of this difficult period in our national history, African Americans were increasingly disinclined to take advice from even well-meaning whites. The NAACP, founded in 1909 by a primarily white group of Northern liberals, was transformed by the events of 1919 into America’s premier civil rights organization, led by African Americans from the South."—Wendy Smith, Los Angeles Times

"That it is one of the most shameful periods in our history is beyond question. Yet McWhirter is right to insist that during this same time, forgotten though it may be, ‘Black America awakened politically, socially, and artistically [as] never before.’ The first stirrings of what became the Harlem Renaissance were felt, and seeds were planted that bore fruit in the civil rights movement of the 1950s and ’60s. As McWhirter says, if you explore the whole story of those troubled months, you are left not thinking of America’s bald and cruel failings, but of its astounding and elastic resilience. ‘The Red Summer’ is a story of destruction, but it is also a story of the beginning of a freedom movement."— Jonathan Yardley, The Washington Post

"A riveting account of the summer that transformed American race relations."—Vanessa Bush, Booklist (Starred Review)

"Masterly examination of the widespread outbreak of racially motivated mob violence in the summer of 1919. In his debut, Wall Street Journal staff reporter McWhirter describes in gripping detail a wave of incidents of mob violence that erupted across America in the summer following the end of World War I. . . . Throughout the book, the author writes with professional detachment, permitting his subjects’ words and deeds to speak eloquently for themselves, amplified by liberal quotation from the vibrant black press of the period. An unsettling reminder of the cruelty and hatred that can lie beneath the surface of a nation formally committed to equal justice for all, but also a monument to the suffering and perseverance of a people at last determined to demand rights promised but too long denied."—Kirkus Reviews

"The author brings a journalist’s diligent digging and skillful storytelling to this historical account; behind the names of towns, he takes the reader into the lives of victims who suffered, perpetrators who destroyed, enablers who dawdled, and politicians who profited, as well as those who fought back. . . . McWhirter’s valuable study, in chronologically examining the outbreaks of violence, may well qualify as ‘the first narrative history of America’s deadliest episode of race riots and lynchings.’"—PW

"McWhirter’s narrative style will engage general readers unfamiliar with events during America’s early 20th-century civil rights struggle. Professional historians will appreciate the extensive, well-sourced newspaper and archival research."—Frederick J. Augustyn Jr., Library Journal

"McWhirter, a reporter who has worked around the globe and is now based at the Atlanta bureau of the Wall Street Journal, makes his case with deft prose and an exhaustive survey of the historical record… His reportorial skills make this an original and skillful contribution to the literature on the subject."—Jim Cullen, History News Network

"In Red Summer, Wall Street Journal reporter Cameron McWhirter skillfully reconstructs this bloody and unsettling period, a pivotal stretch from April to October that produced ripple effects extending to our time. . . . There's a social consciousness to McWhirter's approach that is enormously appealing. It's as if he's walking through a neglected graveyard, etching names into gravestones that we have allowed to fade for fear of the stories that go with all those deaths. . . McWhirter's insistence on attaching names—to the dead and, when possible, to those responsible for the violence—provides the book with a cumulative power and a sense of historical accountability."—Ken Armstrong, Seattle Times

"Cameron McWhirter, not a historian but a journalist, has written [a fresh, compelling book about race relations]."—Steve Weinberg, Atlanta Journal Constitution

"McWhirter weaves an understated, powerful narrative. . . In unflinching, just-the-facts style bolstered with copious footnotes, McWhirter describes how the entrenched white power structure—small-town police, elected officials, businessmen and even newspapers—were bent on preserving the social order in uncertain economic times. But African-Americans, some of whom had fought with valor in World War I, were chafing under Jim Crow rule and discrimination in the open marketplace."—Joseph Williams, Minneapolis Star-Tribune

"A must read! This visual chronicle is enhanced with pictures and the antidotes of heroes such as Thurgood Marshall, James Weldon Johnson, and W.E. B. Du Bois. I’d characterize this selection as a Black historian’s dream work. I tread through the pages spellbound with feelings of sadness, pain, and hope. Students and educators will find this is a book to cite and refer to for many years to come."—Rosetta Codling, Atlanta Examiner

"There are plenty of eye-opening revelations in Red Summer. . . the first narrative history of that epochal year. McWhirter is a reporter for The Wall Street Journal, and much of the obviously extensive research he has done involves the way the newspapers covered the violence at the time. Not only does he give narratives of the causes and details of the riots in Chicago, Washington, Omaha and other cities, he gives a broader picture of the reasons 1919 should have been a particular year for racial violence, and the changes the violence wrought."—Rob Hardy, The Columbus Dispatch

"It has taken nearly a century for a narrative history of this tragic episode in American history to be written, and Wall Street Journal reporter Cameron McWhirter has done a superb job in Red Summer: The Summer of 1919 and the Awakening of Black America. The book is well-researched, and McWhirter's journalistic skills serve him well in writing about such a sensitive subject. His prose is carefully constructed and clear, and he avoids the temptation to embellish."—Michael Taylor, Richmond Times Dispatch

"Cameron McWhirter, staff reporter for the Wall Street Journal and author of Red Summer: The Summer of 1919 and the Awakening of Black America has done a top-notch job of shining a light on a particularly horrific chapter in a long line of appalling treatment of African-Americans." –Peggy Carlson, Fredericksburg Free Lance-Star

"Weaving the great economic and political tides of the post-World War I era together with deeply personal stories, researched and written with an artist’s eye for detail and a novelist’s sense of pacing, Cameron McWhirter recounts an eight-month ‘spasm of brutality’ in which white mobs attached more than two dozen African-American communities."—Hamilton College Magazine

"The old boast is that everything is bigger and better in America. Cameron McWhirter's comprehensive history of the terrible Red Summer of 1919 reminds us that, because our failures at democracy are also very big, we have to be even better at understanding why."—David Levering Lewis, author of King: A Biography and W.E.B. Du Bois: Biography of a Race, 1868-1919

 

 

Meet the Author

Cameron McWhirter is a staff reporter for The Wall Street Journal. He was awarded a Nieman Foundation Fellowship for Journalism at Harvard in 2007. He lives in Atlanta, Georgia.


Cameron McWhirter is a writer and staff reporter for the Wall Street Journal. He is the author of Red Summer: The Summer of 1919 and the Awakening of Black America (2011) and a contributor to The Ezra Pound Encyclopedia (2005).

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Red Summer: The Summer of 1919 and the Awakening of Black America 5 out of 5 based on 0 ratings. 8 reviews.
Edward Whitehead More than 1 year ago
RED SUMMER lays bare a sordid chapter of our racial past that should be taught in our schools. I was surprised at the violence, suffering and wanton disregard for human rights that marked the beginning of the Civil Rights movement. It is a celebration of heroic perserverance at great personal risk, as well as an exposition of cowardice and government inaction. I wish I had known about this years ago!
Ft-Defiance More than 1 year ago
This is a view of American History long overdue. Wide spread resistance to mob rule is a story that should be made clear to every American. The author is also a very adept scholar and author
Anonymous More than 1 year ago
Nearly 5,000 black Americans were lynched between 1890 and 1960. There are two prevailing (and in a way, competing) perceptions about lynching in white communities today: 1) These were clandestine and regrettable acts perpetrated by a handful of outside agitators and "bad apples." 2) Lynching was the result of bad actions on the part of the victim. (In other words, they got what they deserved.) This book focuses on 1919, the record-breaking year in the history of lynching and mob violence. The Tuskegee Institute recorded 83 lynchings during what James Weldon Johnson called "the Red Summer." But 1919 also stands out because it marks the first time that blacks - including WWI veterans and the newly formed NAACP - fought back in the streets, in the courts and through the political process. What made 1919 so racially volatile? McWhirter traces several themes throughout the book, including: - the "Red Scare." in which government officials assumed a connection of black politicalization to radicalization; - the aftermath of WWI, which led black veterans to expect the same freedoms for which they'd fought overseas, and which created a backlash of hate and fear from the white community; - the Great Migration which saw thousands of blacks flee the South, only to encounter racism and violence in the North as well. The economic advancement of blacks in the post-slavery era also threatened whites - it's interesting to note how frequently a mere rumor of black misbehavior (like a black man having spoken to a white woman) would provoke mobs to destroy black-owned businesses. Sadly, I couldn't help thinking that the election of our first black president has elicited a similar though less physical racial response - "birthers" still deny he is American born, others claim he is a Socialist, and whole segments of the population would rather allow the economy to collapse than endure the success of a black president. McWhirter - a journalist - guides us through that year with an engaging narrative style firmly rooted in extensive and well-sourced research. Not surprisingly, newspapers figure prominently in his narrative, creating a sense of immediacy which makes this book difficult to put down. Highly recommended - a book I'd like to see on every library's shelf.
rdjehn More than 1 year ago
Understanding the source(s) of American racism are important if we are to ever eliminate it from our existence. This powerful history of the events of Summer 1919 gave me insight into prejudices I've experienced in my youth and adulthood that I found difficult to understand at the time. This is a great read.
Anonymous More than 1 year ago
I knew very little about he problems our nation faced in the years after WWI. I found the subject extremely interesting and well presented by the author. Easy read.
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Blythe McWhirter More than 1 year ago
This is going to be a great book!