The Reef (Large Print Edition)

Overview

They had found each other again in London some three months previously at a dinner at the American Embassy and when she had caught sight of him her smile had been like a red rose pinned on her widow's mourning.
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The Reef

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Overview

They had found each other again in London some three months previously at a dinner at the American Embassy and when she had caught sight of him her smile had been like a red rose pinned on her widow's mourning.
Read More Show Less

Product Details

  • ISBN-13: 9780554245805
  • Publisher: BiblioBazaar
  • Publication date: 8/18/2008
  • Pages: 284
  • Product dimensions: 7.00 (w) x 10.00 (h) x 0.69 (d)

Meet the Author

America's most famous woman of letters, and the first woman to win the Pulitzer Prize, Edith Wharton was born into one of the last "leisured class" families in New York City, as she put it, in 1862. Educated privately, she was married to Edward Wharton in 1885, and for the next few years, they spent their time in the high society of Newport (Rhode Island), then Lenox (Massachusetts) and Europe. It was in Europe that Wharton first met Henry James, who was to have a profound and lasting influence on her life and work. Wharton's first published book was a work of nonfiction, in collaboration with Ogden Codman, The Decoration of Houses (1897), but from early on, her marriage had been a source of distress, and she was advised by her doctor to write fiction to relieve her nervous tension. Wharton's first short stories appeared in Scribner's Magazine, and though she published several volumes of fiction around the turn of the century, including The Greater Inclination (1899), The Touchstone (1900), Crucial Instances (1901), The Valley of Decision (1902), Sanctuary (1903), and The Descent of Man and Other Stories (1904), it wasn't until 1905, with the publication of the bestselling The House of Mirth, that she was recognized as one of the most important novelists of her time for her keen social insight and subtle sense of satire. In 1906, Wharton visited Paris, which inspired Madame de Treymes (1907), and made her home there in 1907, finally divorcing her husband in 1912. The years before the outbreak of World War I represent the core of her artistic achievement, when Ethan Frome (1911), The Reef(1912), and The Custom of the Country (1913) were published. During the war, she remained in France organizing relief for Belgian refugees, for which she was later awarded the Legion of Honor. She also wrote two novels about the war, The Marne (1918) and A Son at the Front (1923), and continued, in France, to write about New England and the Newport society she had known so well in Summer (1917), the companion to Ethan Frome, and The Age of Innocence (1920), for which she won the Pulitzer Prize. Wharton died in France in 1937. Her other works include Old New York (1924), The Mother's Recompense (1925), The Writing of Fiction (1925), The Children (1928), Hudson River Bracketed (1929), and her autobiography, A Backward Glance (1934).

Biography

Edith Newbold Jones was born January 24, 1862, into such wealth and privilege that her family inspired the phrase "keeping up with the Joneses." The youngest of three children, Edith spent her early years touring Europe with her parents and, upon the family's return to the United States, enjoyed a privileged childhood in New York and Newport, Rhode Island. Edith's creativity and talent soon became obvious: By the age of eighteen she had written a novella, (as well as witty reviews of it) and published poetry in the Atlantic Monthly.

After a failed engagement, Edith married a wealthy sportsman, Edward Wharton. Despite similar backgrounds and a shared taste for travel, the marriage was not a success. Many of Wharton's novels chronicle unhappy marriages, in which the demands of love and vocation often conflict with the expectations of society. Wharton's first major novel, The House of Mirth, published in 1905, enjoyed considerable Literary Success. Ethan Frome appeared six years later, solidifying Wharton's reputation as an important novelist. Often in the company of her close friend, Henry James, Wharton mingled with some of the most famous writers and artists of the day, including F. Scott Fitzgerald, André Gide, Sinclair Lewis, Jean Cocteau, and Jack London.

In 1913 Edith divorced Edward. She lived mostly in France for the remainder of her life. When World War I broke out, she organized hostels for refugees, worked as a fund-raiser, and wrote for American publications from battlefield frontlines. She was awarded the French Legion of Honor for her courage and distinguished work.

The Age of Innocence, a novel about New York in the 1870s, earned Wharton the Pulitzer Prize for fiction in 1921 -- the first time the award had been bestowed upon a woman. Wharton traveled throughout Europe to encourage young authors. She also continued to write, lying in her bed every morning, as she had always done, dropping each newly penned page on the floor to be collected and arranged when she was finished. Wharton suffered a stroke and died on August 11, 1937. She is buried in the American Cemetery in Versailles, France.

Author biography from the Barnes & Noble Classics edition of The Age of Innocence.

Good To Know

Upon the publication of The House of Mirth in 1905, Wharton became an instant celebrity, and the the book was an instant bestseller, with 80,000 copies ordered from Scribner's six weeks after its release.

Wharton had a great fondness for dogs, and owned several throughout her life.

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    1. Also Known As:
      Edith Newbold Jones Wharton (full name)
    1. Date of Birth:
      January 24, 1862
    2. Place of Birth:
      New York, New York
    1. Date of Death:
      August 11, 1937
    2. Place of Death:
      Saint-Brice-sous-Forêt, France

Read an Excerpt

Chapter 1

"Unexpected Obstacle. Please don't come till thirtieth. Anna."

All the way from Charing Cross to Dover the train had hammered the words of the telegram into George Darrow's ears, ringing every change of irony on its commonplace syllables: rattling them out like a discharge of musketry, letting them, one by one, drip slowly and coldly into his brain, or shaking, tossing, transposing them like the dice in some game of the gods of malice; and now, as he emerged from his compartment at the pier, and stood facing the wind-swept platform and the angry sea beyond, they leapt out at him as if from the crest of the waves, stung and blinded him with a fresh fury of derision.

"Unexpected obstacle. Please don't come till thirtieth. Anna."

She had put him off at the very last moment, and for the second time: put him off with all her sweet reasonableness, and for one of her usual "good" reasons -- he was certain that this reason, like the other (the visit of her husband's uncle's widow), would be "good"! But it was that very certainty which chilled him. The fact of her dealing so reasonably with their case shed an ironic light on the idea that there had been any exceptional warmth in the greeting she had given him after their twelve years apart.

They had found each other again, in London, some three months previously, at a dinner at the American Embassy, and when she had caught sight of him her smile had been like a red rose pinned on her widow's mourning. He still felt the throb of surprise with which, among the stereotyped faces of the season's diners, he had come upon her unexpected face, with the dark hair banded above grave eyes; eyes in which he hadrecognized every little curve and shadow as he would have recognized, after half a life-time, the details of a room he had played in as a child. And as, in the plumed starred crowd, she had stood out for him, slender, secluded and different, so he had felt, the instant their glances met, that he as sharply detached himself for her. All that and more her smile had said; had said not merely "I remember," but "I remember just what you remember"; almost, indeed, as though her memory had aided his, her glance flung back on their recaptured moment its morning brightness. Certainly, when their distracted Ambassadress -- with the cry: "Oh, you know Mrs. Leath? That's perfect, for General Farnham has failed me"-had waved them together for the march to the dining-room, Darrow had felt a slight pressure of the arm on his, a pressure faintly but unmistakably emphasizing the exclamation: "Isn't it wonderful? -- In London -- in the season -- in a mob?"

Little enough, on the part of most women; but it was a sign of Mrs. Leath's quality that every movement, every syllable, told with her. Even in the old days, as an intent grave-eyed girl, she had seldom misplaced her light strokes; and Darrow, on meeting her again, had immediately felt how much finer and surer an instrument of expression she had become.

Their evening together had been a long confirmation of this feeling. She had talked to him, shyly yet frankly, of what had happened to her during the years when they had so strangely failed to meet. She had told him of her marriage to Fraser Leath, and of her subsequent life in France, where her husband's mother, left a widow in his youth, had been remarried to the Marquis de Chantelle, and where, partly in consequence of this second union, the son had permanently settled himself. She had spoken also, with an intense eagerness of affection, of her little girl Effie, who was now nine years old, and, in a strain hardly less tender, of Owen Leath, the charming clever young step-son whom her husband's death had left to her care...

A porter, stumbling against Darrow's bags, roused him to the fact that he still obstructed the platform, inert and encumbering as his luggage.

"Crossing, sir?"

Was he crossing? He really didn't know; but for lack of any more compelling impulse he followed the porter to the luggage van, singled out his property, and turned to march behind it down the gang-way. As the fierce wind shouldered him, building up a crystal wall against his efforts, he felt anew the derision of his case.

"Nasty weather to cross, sir," the porter threw back at him as they beat their way down the narrow walk to the pier. Nasty weather, indeed; but luckily, as it had turned out, there was no earthly reason why Darrow should cross.

While he pushed on in the wake of his luggage his thoughts slipped back into the old groove. He had once or twice run across the man whom Anna Summers had preferred to him, and since he had met her again he had been exercising his imagination on the picture of what her married life must have been. Her husband had struck him as a characteristic specimen of the kind of American as to whom one is not quite clear whether he lives in Europe in order to cultivate an art, or cultivates an art as a pretext for living in Europe. Mr. Leath's art was water-colour painting, but he practised it furtively, almost clandestinely, with the disdain of a man of the world for anything bordering on the professional, while he devoted himself more openly, and with religious seriousness, to the collection of enamelled snuff-boxes. He was blond and well-dressed, with the physical distinction that comes from having a straight figure, a thin nose, and the habit of looking slightly disgusted -- as who should not, in a world where authentic snuff-boxes were growing daily harder to find, and the market was flooded with flagrant forgeries?

Darrow had often wondered what possibilities of communion there could have been between Mr. Leath and his wife. Now he concluded that there had probably been none. Mrs. Leath's words gave no hint of her husband's having failed to justify her choice; but her very reticence betrayed her. She spoke of him with a kind of impersonal seriousness, as if he had been a character in a novel or a figure in history; and what she said sounded as though it had been learned by heart and slightly dulled by repetition. This fact immensely increased Darrow's impression that his meeting with her had annihilated the intervening years. She, who was always so elusive and inaccessible, had grown suddenly communicative and kind: had opened the doors of her past, and tacitly left him to draw his own conclusions. As a result, he had taken leave of her with the sense that he was a being singled out and privileged, to whom she had entrusted something precious to keep. It was her happiness in their meeting that she had given him, had frankly left him to do with as he willed; and the frankness of the gesture doubled the beauty of the gift.

Their next meeting had prolonged and deepened the impression. They had found each other again, a few days later, in an old country house full of books and pictures, in the soft landscape of southern England. The presence of a large party, with all its aimless and agitated displacements, had served only to isolate the pair and give them (at least to the young man's fancy) a deeper feeling of communion, and their days there had been like some musical prelude, where the instruments, breathing low, seem to hold back the waves of sound that press against them.

Mrs. Leath, on this occasion, was no less kind than before; but she contrived to make him understand that what was so inevitably coming was not to come too soon. It was not that she showed any hesitation as to the issue, but rather that she seemed to wish not to miss any stage in the gradual reflowering of their intimacy.

Darrow, for his part, was content to wait if she wished it. He remembered that once, in America, when she was a girl, and he had gone to stay with her family in the country, she had been out when he arrived, and her mother had told him to look for her in the garden. She was not in the garden, but beyond it he had seen her approaching down a long shady path. Without hastening her step she had smiled and signed to him to wait; and charmed by the lights and shadows that played upon her as she moved, and by the pleasure of watching her slow advance toward him, he had obeyed her and stood still. And so she seemed now to be walking to him down the years, the light and shade of old memories and new hopes playing variously on her, and each step giving him the vision of a different grace. She did not waver or turn aside; he knew she would come straight to where he stood; but something in her eyes said "Wait," and again he obeyed and waited.

On the fourth day an unexpected event threw out his calculations. Summoned to town by the arrival in England of her husband's mother, she left without giving Darrow the chance he had counted on, and he cursed himself for a dilatory blunderer. Still, his disappointment was tempered by the certainty of being with her again before she left for France; and they did in fact see each other in London. There, however, the atmosphere had changed with the conditions. He could not say that she avoided him, or even that she was a shade less glad to see him; but she was beset by family duties and, as he thought, a little too readily resigned to them.

The Marquise de Chantelle, as Darrow soon perceived, had the same mild formidableness as the late Mr. Leath: a sort of insistent self-effacement before which every one about her gave way. It was perhaps the shadow of this lady's presence-pervasive even during her actual brief eclipses -- that subdued and silenced Mrs. Leath. The latter was, moreover, preoccupied about her step-son, who, soon after receiving his degree at Harvard, had been rescued from a stormy love-affair, and finally, after some months of troubled drifting, had yielded to his step-mother's counsel and gone up to Oxford for a year of supplementary study. Thither Mrs. Leath went once or twice to visit him, and her remaining days were packed with family obligations: getting, as she phrased it, "frocks and governesses" for her little girl, who had been left in France, and having to devote the remaining hours to long shopping expeditions with her mother-in-law. Nevertheless, during her brief escapes from duty, Darrow had had time to feel her safe in the custody of his devotion, set apart for some inevitable hour; and the last evening, at the theatre, between the overshadowing Marquise and the unsuspicious Owen, they had had an almost decisive exchange of words.

Now, in the rattle of the wind about his ears, Darrow continued to hear the mocking echo of her message: "Unexpected obstacle." In such an existence as Mrs. Leath's, at once so ordered and so exposed, he knew how small a complication might assume the magnitude of an "obstacle"; yet, even allowing as impartially as his state of mind permitted for the fact that, with her mother-in-law always, and her stepson intermittently, under her roof, her lot involved a hundred small accommodations generally foreign to the freedom of widowhood -- even so, he could not but think that the very ingenuity bred of such conditions might have helped her to find a way out of them. No, her "reason," whatever it was, could, in this case, be nothing but a pretext; unless he leaned to the less flattering alternative that any reason seemed good enough for postponing him! Certainly, if her welcome had meant what he imagined, she could not, for the second time within a few weeks, have submitted so tamely to the disarrangement of their plans; a disarrangement which his official duties considered -- might, for all she knew, result in his not being able to go to her for months.

"Please don't come till thirtieth." The thirtieth -- and it was now the fifteenth! She flung back the fortnight on his hands as if he had been an idler indifferent to dates, instead of an active young diplomatist who, to respond to her call, had had to hew his way through a very jungle of engagements! "Please don't come till thirtieth." That was all. Not the shadow of an excuse or a regret; not even the perfunctory "have written" with which it is usual to soften such blows. She didn't want him, and had taken the shortest way to tell him so. Even in his first moment of exasperation it struck him as characteristic that she should not have padded her postponement with a fib. Certainly her moral angles were not draped!

"If I asked her to marry me, she'd have refused in the same language. But thank heaven I haven't!" he reflected.

These considerations, which had been with him every yard of the way from London, reached a climax of irony as he was drawn into the crowd on the pier. It did not soften his feelings to remember that, but for her lack of forethought, he might, at this harsh end of the stormy May day, have been sitting before his club fire in London instead of shivering in the damp human herd on the pier. Admitting the sex's traditional right to change, she might at least have advised him of hers by telegraphing directly to his rooms. But in spite of their exchange of letters she had apparently failed to note his address, and a breathless emissary had rushed from the Embassy to pitch her telegram into his compartment as the train was moving from the station.

Yes, he had given her chance enough to learn where he lived; and this minor proof of her indifference became, as he jammed his way through the crowd, the main point of his grievance against her and of his derision of himself. Half way down the pier the prod of an umbrella increased his exasperation by rousing him to the fact that it was raining. Instantly the narrow ledge became a battle-ground of thrusting, slanting, parrying domes. The wind rose with the rain, and the harried wretches exposed to this double assault wreaked on their neighbours the vengeance they could not take on the elements.

Darrow, whose healthy enjoyment of life made him in general a good traveller, tolerant of agglutinated humanity, felt himself obscurely outraged by these promiscuous contacts. It was as though all the people about him had taken his measure and known his plight; as though they were contemptuously bumping and shoving him like the inconsiderable thing he had become. "She doesn't want you, doesn't want you, doesn't want you," their umbrellas and their elbows seemed to say.

He had rashly vowed, when the telegram was flung into his window: "At any rate I won't turn back" -- as though it might cause the sender a malicious joy to have him retrace his steps rather than keep on to Paris! Now he perceived the absurdity of the vow, and thanked his stars that he need not plunge, to no purpose, into the fury of waves outside the harbour.

With this thought in his mind he turned back to look for his porter; but the contiguity of dripping umbrellas made signalling impossible and, perceiving that he had lost sight of the man, he scrambled up again to the platform. As he reached it, a descending umbrella caught him in the collarbone; and the next moment, bent sideways by the wind, it turned inside out and soared up, kite-wise, at the end of a helpless female arm.

Darrow caught the umbrella, lowered its inverted ribs, and looked up at the face it exposed to him.

"Wait a minute," he said; "you can't stay here."

As he spoke, a surge of the crowd drove the owner of the umbrella abruptly down on him. Darrow steadied her with extended arms, and regaining her footing she cried out: "Oh, dear, oh, dear! It's in ribbons!"

Her lifted face, fresh and flushed in the driving rain, woke in him a memory of having seen it at a distant time and in a vaguely unsympathetic setting; but it was no moment to follow up such clues, and the face was obviously one to make its way on its own merits.

Its possessor had dropped her bag and bundles to clutch at the tattered umbrella. "I bought it only yesterday at the Stores; and -- yes -- it's utterly done for!" she lamented.

Darrow smiled at the intensity of her distress. It was food for the moralist that, side by side with such catastrophes as his, human nature was still agitating itself over its microscopic woes!

"Here's mine if you want it!" he shouted back at her through the shouting of the gale.

The offer caused the young lady to look at him more intently. "Why, it's Mr. Darrow!" she exclaimed; and then, all radiant recognition: "Oh, thank you! We'll share it, if you will."

She knew him, then; and he knew her; but how and where had they met? He put aside the problem for subsequent solution, and drawing her into a more sheltered corner, bade her wait till he could find his porter.

When, a few minutes later, he came back with his recovered property, and the news that the boat would not leave till the tide had turned, she showed no concern.

"Not for two hours? How lucky -- then I can find my trunk!"

Ordinarily Darrow would have felt little disposed to involve himself in the adventure of a young female who had lost her trunk; but at the moment he was glad of any pretext for activity. Even should he decide to take the next up train from Dover he still had a yawning hour to fill; and the obvious remedy was to devote it to the loveliness in distress under his umbrella.

"You've lost a trunk? Let me see if I can find it."

It pleased him that she did not return the conventional "Oh, would you?" Instead, she corrected him with a laugh -- "Not a trunk, but my trunk; I've no other -- " and then added briskly: "You'd better first see to getting your own things on the boat."

This made him answer, as if to give substance to his plans by discussing them: "I don't actually know that I'm going over."

"Not going over?"

"Well... perhaps not by this boat." Again he felt a stealing indecision. "I may probably have to go back to London. I'm-I'm waiting...expecting a letter..." ("She'll think me a defaulter," he reflected.) "But meanwhile there's plenty of time to find your trunk."

He picked up his companion's bundles, and offered her an arm which enabled her to press her slight person more closely under his umbrella; and as, thus linked, they beat their way back to the platform, pulled together and apart like marionettes on the wires of the wind, he continued to wonder where he could have seen her. He had immediately classed her as a compatriot; her small nose, her clear tints, a kind of sketchy delicacy in her face, as though she had been brightly but lightly washed in with water-colour, all confirmed the evidence of her high sweet voice and of her quick incessant gestures. She was clearly an American, but with the loose native quality strained through a closer woof of manners: the composite product of an enquiring and adaptable race. All this, however, did not help him to fit a name to her, for just such instances were perpetually pouring through the London Embassy, and the etched and angular American was becoming rarer than the fluid type.

More puzzling than the fact of his being unable to identify her was the persistent sense connecting her with something uncomfortable and distasteful. So pleasant a vision as that gleaming up at him between wet brown hair and wet brown boa should have evoked only associations as pleasing; but each effort to fit her image into his past resulted in the same memories of boredom and a vague discomfort...

Copyright © 1912 by William R. Tyler

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Sort by: Showing 1 – 2 of 1 Customer Reviews
  • Posted August 15, 2011

    more from this reviewer

    Edith Wharton, The Reef

    Edith Wharton's The Reef is a story of chances-those missed, stolen, and recaptured, you could say. At the center of the story are George Darrow, who works for the American Embassy in London, and Anna Leath, the woman he has, dare I say it, adored from afar for so very long now. Already Wharton sets the tone of the novel, likely expecting the reader to sympathize with the suffering of the "aging" lovers. Darrow missed his chance with Anna long ago when she instead married Leath, to whom she subsequently bore a daughter and became stepmother to Leath's son, Owen.

    However, Leath has passed on, and Darrow now feels his chance has returned at last to be with the woman he loves. And so off he goes, preparing for the journey to Paris, France, only to receive a letter from Anna telling him not to come, to delay his journey a couple more weeks. You would think after waiting all this time, Darrow might have gotten used to it, but no, he is outraged by this new delay and his imagination conjures all kinds of sinister motives for being put off yet again, particularly as Anna has utterly neglected to explain in the message to him why it is she wishes him to wait.

    It is now, on the outset of his halted journey that Darrow meets-rather rediscovers-young Sophy Viner, also heading for Paris on the heels of a family she hopes will help her along. Sophy has not had the best of luck. Her aspirations for the stage have gotten her nowhere and her recent employment, serving a rather harsh woman, has ended brittlely. She has no resources of her own and has lost the trail of her friends, and is attractive and eager-just to make things more interesting. Embittered and gradually enchanted, Darrow takes Sophy under his wing and shows her around Paris, allowing their brief relationship to go perhaps a bit further than he had intended. But then again, he has no idea what is going on with Anna, does he?

    Wharton certainly knows how to create characters, how to draw scenery, how to manipulate feelings. Yet in The Reef, I couldn't help but feel that there was just not enough of a story to keep me engaged. Will Anna finally let George into her life? Will she discover what he has been up to in Paris? Will George be able to move on from Sophy and enjoy his love with Anna? Will Sophy ever make it on the stage? And what of Owen? ... After a while, I just couldn't care enough anymore. Not a bad book, certainly. Well crafted, to give credit where credit is due, but just not powerful enough for me.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 15, 2010

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