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Martha C. Nussbaum
...this is surely a major work, among the most provocative and cogent accounts of culture and the humanities that America has produced in recent years.— New York Times Book Review
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As in the title essay, the widely admired "Reflections on Exile," the fact of his own exile and the fate of the Palestinians have given both form and the force of intimacy to the questions Said has pursued. Taken together, these essays--from the famous to those that will surprise even Said's most assiduous followers--afford rare insight into the formation of a critic and the development of an intellectual vocation. Said's topics are many and diverse, from the movie heroics of Tarzan to the machismo of Ernest Hemingway to the shades of difference that divide Alexandria and Cairo. He offers major reconsiderations of writers and artists such as George Orwell, Giambattista Vico, Georg Lukacs, R. P. Blackmur, E. M. Cioran, Naguib Mahfouz, Herman Melville, Joseph Conrad, Walter Lippman, Samuel Huntington, Antonio Gramsci, and Raymond Williams. Invigorating, edifying, acutely attentive to the vying pressures of personal and historical experience, his book is a source of immeasurable intellectual delight.
For more than a third of a century, Columbia University professor Said has written insightfully about literature, culture, and the Middle East. This volume gathers nearly 50 essays, most on literary subjects, although Said also addresses philosophy and history, the arts and current events.
— Mary Carroll
Edward Said may be the world's most famous English professor, and its most famous Palestinian after Yasir Arafat...Said turned 65 last year, having survived a life-threatening disease of the blood diagnosed nearly a decade ago. It is not surprising, therefore, that his recent publications have taken a retrospective turn...His latest book, Reflections on Exile—a monumental collection of essays spanning his 35 year career at Columbia University—is another result of his effort to impose thematic unity on his wide-ranging intellectual life.
— Mark Walhout
These essays...form a remarkably cohesive whole and attest to the rigor and passionate seriousness of a lifetime of scholarship.
— Kate Blakinger
Said's work has been transformative...[Reflections on Exile is] indispensable for all college and university libraries.
— K. Tölölyan
The collection will serve as an ideal primer in the evolution of a critical position that established [Said's] international reputation—and gained him some fierce opponents—as a leading intellectual voice in the humanities
One of the many pleasures of this volume lies in Said's command of the personal essay
This collection contains a variety of essays that equally display his aesthetic refinement, his comparative perspective, his interdisciplinary spirit, and his ideological conviction.
— Philip Mosley
The collection, much more than the sum of its parts, is the portrait of an exemplary intellectual life, in which rigor and clarity join with courage and commitment, and both with a rare kind of unswerving joy at the complex face of reality...This is surely a major work, among the most provocative and cogent accounts of culture and the humanities that America has produced in recent years. Said's essays have a remarkable unity of position, given their temporal range. They contain no major swervings, no apologies—only a gradual maturing of his best insights, as they are applied to changing circumstances in politics and the academy...If there is a change in Said's thinking, it is perhaps a subtle shift toward greater hopefulness.
— Martha C. Nussbaum
Said's agile mind and learned voice are irreplaceable: no one combined his background and activism as a Palestinian with his magisterial criticism of literature, music, culture, and politics throughout a world increasingly divided into fundamentalist camps
He was fully engaged with every part of the world, a goal of every educated person, and one that I wish for everyone's summer reading.
— Henry St. Maurice
As these essays make clear, Said is engaged on a quest to connect what people want with the way they must live, even if that means discovering that the two ways are sometimes irreconcilable. His is a passionate strategy...[The essays are] little lamps that light up the great tangled forest of literature and philosophy.
— David Kirby
| Introduction | xi | |
| 1. | Labyrinth of Incarnations: The Essays of Maurice Merleau-Ponty | 1 |
| 2. | Sense and Sensibility | 15 |
| 3. | Amateur of the Insoluble | 24 |
| 4. | A Standing Civil War | 31 |
| 5. | Arabic Prose and Prose Fiction After 1948 | 41 |
| 6. | Between Chance and Determinism: Lukacs's Aesthetik | 61 |
| 7. | Conrad and Nietzsche | 70 |
| 8. | Vico on the Discipline of Bodies and Texts | 83 |
| 9. | Tourism among the Dogs | 93 |
| 10. | Bitter Dispatches from the Third World | 98 |
| 11. | Grey Eminence | 105 |
| 12. | Among the Believers | 113 |
| 13. | Opponents, Audiences, Constituencies, and Community | 118 |
| 14. | Bursts of Meaning | 148 |
| 15. | Egyptian Rites | 153 |
| 16. | The Future of Criticism | 165 |
| 17. | Reflections on Exile | 173 |
| 18. | Michel Foucault, 1927-1984 | 187 |
| 19. | Orientalism Reconsidered | 198 |
| 20. | Remembrances of Things Played: Presence and Memory in the Pianist's Art | 216 |
| 21. | How Not to Get Gored | 230 |
| 22. | Foucault and the Imagination of Power | 239 |
| 23. | The Horizon of R. P. Blackmur | 246 |
| 24. | Cairo Recalled: Growing Up in the Cultural Crosscurrents of 1940s Egypt | 268 |
| 25. | Through Gringo Eyes: With Conrad in Latin America | 276 |
| 26. | The Quest for Gillo Pontecorvo | 282 |
| 27. | Representing the Colonized: Anthropology's Interlocutors | 293 |
| 28. | After Mahfouz | 317 |
| 29. | Jungle Calling | 327 |
| 30. | Cairo and Alexandria | 337 |
| 31. | Homage to a Belly-Dancer | 346 |
| 32. | Introduction to Moby-Dick | 356 |
| 33. | The Politics of Knowledge | 372 |
| 34. | Identity, Authority, and Freedom: The Potentate and the Traveler | 386 |
| 35. | The Anglo-Arab Encounter | 405 |
| 36. | Nationalism, Human Rights, and Interpretation | 411 |
| 37. | Traveling Theory Reconsidered | 436 |
| 38. | History, Literature, and Geography | 453 |
| 39. | Contra Mundum | 474 |
| 40. | Bach's Genius, Schumann's Eccentricity, Chopin's Ruthlessness, Rosen's Gift | 484 |
| 41. | Fantasy's Role in the Making of Nations | 493 |
| 42. | On Defiance and Taking Positions | 500 |
| 43. | From Silence to Sound and Back Again: Music, Literature, and History | 507 |
| 44. | On Lost Causes | 527 |
| 45. | Between Worlds | 554 |
| 46. | The Clash of Definitions | 569 |
| Notes | 593 | |
| Credits | 605 | |
| Index | 609 |
Overview