Reinventing the Wheel: Paintings of Rebirth in Medieval Buddhist Temples

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Overview

Awarded the Prix Stanislas Julien by the Academie des Inscriptions et Belles-Lettres

The Wheel of Rebirth is one of the most basic and popular images in Buddhist visual culture. For nearly two thousand years, artists have painted it onto the porches of Buddhist temples; preachers have used it to explain karmic retribution; and philosophers have invoked it to illuminate the contrast between ignorance and nirvana. In Reinventing the Wheel, noted scholar Stephen F. Teiser explores the history and varied interpretations of the Wheel of Rebirth, a circle divided into sections depicting the Buddhist cycle of transmigration.

Combining visual evidence with textual sources, Reinventing the Wheel shows how the metaphor of the wheel has been interpreted in divergent local traditions, from India to Tibet, Central Asia, and China. Teiser deftly shows how written and painted renditions of the wheel have animated local architectural sites and religious rituals, informing concepts of time and reincarnation and acting as an organizing principle in the cosmology and daily life of practicing Buddhists.

Engaging and accessible, this uniquely pan-Buddhist tour will appeal to anyone interested in Buddhist culture, as well as to scholars of religious studies, art history, architecture, philosophy, and textual studies.

University of Washington Press

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Editorial Reviews

Midwest Book Review

With keen aesthetic discernment, extensive historical scholarship, and sensitivity to Buddhist spirituality, this work seamlessly studies all significant aspects of the Buddhist wheel found in old Buddhist temples while bringing in relevant dimensions of Buddhist spirituality. Art, symbology, history, culture, and spirituality are interwoven in an engrossing, enlightening manner.

Art Bulletin

[An] extraordinary book-length project.... Without question, Teiser has an extraordinary command of the material; he offers a rich, multilayered, multifaceted analysis that benefits from careful reading and rereading.... his methodological synthesis of visual and literary sources has significantly advanced the field of Buddhist studies, bridging the divide between Buddhist images and texts with a more productive collaborative and contextual analysis. This is a very important book that will long remain an enormously valuable resource to scholars and students.

Journal of Asian History

[This book] succeeds through an earnest engaging style and promises to garner in an exquisitely crafted production a wider audience for its subject.

Harvard Journal of Asiatic Studies

A provocative and reliable account of an image that found its way from India to China in the medieval period and continues to play an important role in Buddhist practice and education in Tibet today.

CAA Reviews

[An] erudite and well-written study, one that deserves to be used as both a basic reference for the representation and history of wheels of rebirth as well as a methodological model for the study of Buddhist art.

History of Religions

Teiser... has a talent for explaining difficult concepts from the basics, and he includes references to popular or mass-media forms of contemporary Buddhism. His book is packed full of fascinating details and enlivened with translations of Buddhist narratives, legends, and miracle tales. This is a fine example of scholarship from the leading edge of the field of Buddhist studies. It will be appreciated and enjoyed by all those interested in the communication of ideas and the religious function of painted images.

Journal of Chinese Religions

Groundbreaking.... The gorgeous visuals, detailed maps, and line drawings materially herald an exciting new phase in Buddhology, pronouncing a long-awaited, mature marriage between art history and Buddhist studies.... Teiser has radically changed scholarly discourse and understanding.... A highly engaging, in-depth treatment of an important Buddhist symbol, this exquisitely produced book has much to offer to specialist readers and undergraduate students.

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Product Details

  • ISBN-13: 9780295986494
  • Publisher: University of Washington Press
  • Publication date: 1/28/2007
  • Edition description: New Edition
  • Pages: 336
  • Product dimensions: 7.29 (w) x 10.17 (h) x 1.14 (d)

Meet the Author

Stephen F. Teiser is D. T. Suzuki Professor in Buddhist Studies, Princeton University. He is the author of The Ghost Festival in Medieval China

University of Washington Press

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Table of Contents

Preface and Acknowledgments

1. Picturing Life and Death as a Wheel2. The Canonical Version of the Wheel of Rebirth3. Temples and Legends: Western India, 350-550 C.E.4. King Rudrayana's Painting of the Twelve Conditions5. La roue imaginaire en Chine6. Wheels for Meditation: Kumtura, Central Asia, Ninth Century7. Wheels in Cave Temples: Yulin, Gansu, Tenth Century8. Wheels in Esoteric Temples: Tabo, Western Tibet, Eleventh Century9. Wheels for Pilgrims: Baodingshan, Sichuan, Thirteenth Century10. Conclusions

Character GlossaryBibliographyIndex

University of Washington Press

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  • Posted January 22, 2009

    history, varieties, and meaning of the wheel symbol in Buddhism

    Teiser--D. T. Sukuki professor in Buddhist Studies at Princeton--puts the classical source of the wheel as the preferred and eventually conventional symbol for the Buddhist spiritual concept of a series of lifetimes for nearly every person with the Mulasarvastivada school of Indian Buddhism. Although this school is only one of many schools of Buddhism which have grown up throughout Asia over centuries, the location of the Mulasarvastivada school in north-central India where Buddhism originated and the time of its formation in the early though not the initial development of Indian Buddhism gave its teachings and practices an exceptional canonical authority. '[A]s the canonical story of the wheel of rebirth shows, the vinaya [the 'voluminous canon of monastic discipline'] provided the narrative authority for a collective enterprise that drew lay people to Buddhist temples and sent monks and nuns out into the lay community.' The circular shape of the wheel is the basic configuration uniting this central symbol of Buddhism as it spread throughout Asia in the following centuries. Like the cross of Christianity, the wheel of Buddhism has become identified with this world religion. But different features of the wheel symbolizing different concepts and tenets of Buddhism have been emphasized in different regions and different times. The wheel's hub, spokes, and rim are three 'compositional elements' highlighted by Teiser with the hub, for instance, signifying both a focus and 'what drives the wheel, what makes it go around.' The fourth 'property of the wheel is that it marks off an inside from an outside.' This most complex compositional element of a wheel represents the closed system involving endless cycles of death and rebirth, but also indicates transcendence beyond this since the Buddhist wheel is always in the context of a square frame putting the wheel into perspective and suggesting that there is a realm of spirituality outside of it. 'The point of the wheel, so to speak, is to move outside of it.' With keen aesthetic discernment, extensive historical scholarship, and sensitivity to Buddhist spirituality, this work seamlessly studies all significant aspects of the Buddhist wheel found in old Buddhist temples while bringing in relevant dimensions of Buddhist spirituality. Art, symbology, history, culture, and spirituality are interwoven in an engrossing, enlightening manner.

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