The Reinvention of Religious Music: Olivier Messiaen's Breakthrough Toward the Beyond / Edition 3

by Sander van Maas

Overview

Present-day music studies conspicuously evade the question of religion in contemporary music. Although many composers address the issue in their work, as yet there have been few attempts to think through the structure of religious music as we hear it. On the basis of a careful analysis of Olivier Messiaen's work, this book argues for a renewal of our thinking about religious music. Addressing his notion of a hyper-religiousmusic of sounds and colors, it aims to show that Messiaen has broken new ground. His reinvention of religious music makes us again aware of the fact that religious music, if taken in its proper radical sense, belongs to the foremost of musical adventures.The work of Olivier Messiaen is well known for its inclusion of religious themes and gestures. These alone, however, do not seem enough to account for the religious status of the work. Arguing for a breakthrough toward the beyondon the basis of the synaesthetic experience of music, Messiaen invites a confrontation with contemporary theologians and post-secular thinkers. How to account for a religious breakthrough that is produced by a work of art? Starting from an analysis of his 1960s oratorio La Transfiguration de Notre-Seigneur Jsus-Christ, this book arranges a moderated dialogue between Messiaen and the music theology of Hans Urs von Balthasar, the phenomenology of revelation of Jean-Luc Marion, the rethinking of religion and technics in Jacques Derrida and Bernard Stiegler, and the Augustinian ruminations of Sren Kierkegaard and Jean-Franois Lyotard. Ultimately, this confrontation underscores the challenging yet deeply affirmative nature of Messiaen's music.

Product Details

ISBN-13:	9780823230570
Publisher:	Fordham University Press
Publication date:	03/16/2009
Edition description:	3
Pages:	242
Product dimensions:	6.10(w) x 9.10(h) x 3.00(d)

About the Author

SANDER VAN MAAS is Professor of Musicology at Utrecht University and Assistant Professor of Musicology at the University of Amsterdam.

Editorial Reviews

If the idea that religious music is a thing of the past helps you sleep better, Sander van Maas' provocative book should wake you up. Did you ever think that an ear could be circumcised? From the Bible to Messiaen and Derrida, he radically rethinks the relationships between ear and flesh.

Universite de Paris X Nanterre - Peter Szendy

A penetrating and thought-provoking exploration of what might be entailed by Messiaen’s musical ‘breakthrough to the beyond’.  The Reinvention of Religious Music provides us with a wealth of fresh and original perspectives on this complex, endlessly fascinating musician.

Duke University - Jeremy Begbie

In his eloquent and detailed study, van Maas discusses the theological meaning of Messiaen’s music and the ways in which this unique sound world seeks to configure and even evangelize Messiaen’s Christian thought. Maas presents an absorbing and provocative insight into Messiaen’s faith in music that will enhance appreciation of this often misunderstood composer and his work.

Boston University - Andrew Shenton

Labeled "philosophy" by the publisher, this book contains neither musical examples (either in score or CD form) nor an index, but it does offer 40 pages of notes and an extensive bibliography that includes Augustine, Eduard Hanslick, Heidegger, Kant, and Kierkegaard. The writings of Hans Urs von Balthasar and Jean-Luc Marion serve as points of departure and scrutiny. Positing that listening to Messiaen's music requires more than aesthetics, theology, musicology, or theory, musicologist Sander van Maas investigates whether the "musical experience of the work of Messiaen merely results from ingenious rhetorical techniques" or whether there is something more. Is the music, as Messiaen himself believed, a "breakthrough toward the beyond" (i.e., an inner "dazzlement" or religious experience)? Or, in the contrary view, is this "breakthrough" a nonreligious "adoration of music"? According to the author, Messiaen "situates the listener at once inside and outside faith." Not meant for casual reading, the book includes sentences such as "Thinking about the phenomenon in terms of objectivity mystifies the original phenomenality of the phenomenon." Those who do embark on the book will likely find Messiaen's The Technique of My Musical Language (Eng. tr., 1956) and a CD of "La Transfiguration de Notre-Seigneur Jésus-Christ" useful aids. Summing Up: Recommended. Researchers, faculty, professionals.

Choice

"If the idea that religious music is a thing of the past helps you sleep better, Sander van Maas' provocative book should wake you up. Did you ever think that an ear could be circumcised? From the Bible to Messiaen and Derrida, he radically rethinks the relationships between ear and flesh."-Peter Szendy

"An effective study of Messiaen needs to bring analytic rigor to both the musicological and theologial aspects of the composer. In The Reinvention of Religious Music, Sander van Maas takes on this daunting task and brings to bear his own erudition in a number of fields to provide a compelling account of the man and his work."-The Journal of Religion

"A highly refreshing and valuable critque of religious music using the work of Messiaen as a frame of reference."-Vincent Benitez, Notes

From the Publisher