The Religion: A Novel

The Religion: A Novel

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by Tim Willocks

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This is what we dream of: to be so swept away, so poleaxed by a book that the breath is sucked right out of us. Brace yourselves.

May 1565. Suleiman the Magnificent, emperor of the Ottomans, has declared a jihad against the Knights of Saint John the Baptist. The largest armada of all time approaches the knights' Christian stronghold on the


This is what we dream of: to be so swept away, so poleaxed by a book that the breath is sucked right out of us. Brace yourselves.

May 1565. Suleiman the Magnificent, emperor of the Ottomans, has declared a jihad against the Knights of Saint John the Baptist. The largest armada of all time approaches the knights' Christian stronghold on the island of Malta. The Turks know the knights as the "Hounds of Hell." The knights call themselves "The Religion."

In Messina, Sicily, a French countess, Carla La Penautier, seeks passage to Malta in a quest to find the son taken from her at his birth twelve years ago. The only man with the expertise and daring to help her is a Rabelaisian soldier of fortune, arms dealer, former janissary, and strapping Saxon adventurer by the name of Mattias Tannhauser. He agrees to accompany the lady to Malta, where, amid the most spectacular siege in military history, they must try to find the boy—whose name they do not know and whose face they have never seen—and pluck him from the jaws of Holy War.

The Religion is the first book of the Tannhauser Trilogy, and from the first page of this epic account of the last great medieval conflict between East and West, it is clear we are in the hands of a master. Not since James Clavell has a novelist so powerfully and assuredly plunged readers headlong into another world and time. Anne Rice transformed the vampire novel. Stephen King reinvented horror. Now, in a spectacular tale of heroism, tragedy, and passion, Tim Willocks revivifies historical fiction.

Editorial Reviews

Publishers Weekly

Vance brings gusto to the audio edition of Willocks's swashbuckling tale of romance, adventure and religious conflict on the island of Malta during the 16th century. The novel ushers in an ambitious new historical fiction trilogy detailing the medieval exploits of Capt. Mattias Tannhauser, a soldier of fortune possessing carnal appetite and droll irreverence akin to such appealing bad-boy icons as James Bond or Capt. Jack Sparrow. The Religioncenters on the warrior Tannhauser's unlikely journey to help French countess Carla La Penautier locate the illegitimate son from whom she was forcibly separated 12 years earlier. Mattias, Carla and their companions must also confront both the invading Ottoman Empire and a rogue Roman Inquisitor who happens to be the father of Carla's child. Willocks's evocative prose comes brimming to life with Vance's skillful delivery. Vance adds complexity and depth to Tannhauser, a hero whose devil-may-care persona masks the scars of his war-torn childhood. Vance's portrayals of Tannhauser's two love interests—the devout, well-bred Carla La Penautier and her earthy, mystical servant, Amparo—also provide a riveting aura of sexual tension. Simultaneous release with the FSG hardcover (Reviews, Jan. 8). (May)

Copyright 2007 Reed Business Information
Library Journal
With the massed forces of -Suleiman the Magnificent planning to attack the Knights of St. John the Baptist at Malta, French countess Carla La Penautier has not picked a good time to visit the island in search of her lost child. -Positioned as a blockbuster. Copyright 2007 Reed Business Information.

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Farrar, Straus and Giroux
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Tannhauser Series , #1
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Prologue The Devshirme Spring, A.D. 1540 The Fagaras Mountains--East Hungarian Marches On the night the scarlet horsemen took him away--from all he knew and all he might have known--the moon waxed full in Scorpio, sign of his birth, and as if by the hand of God its incandescence split the alpine valley sheer into that which was dark and that which was light, and the light lit the path of devils to his door. If the dogs of war hadn't lost their way, the boy would never have been found, and peace and love and labor might have blessed him all his days. But such is the nature of Fate in a time of Chaos. And when is Time not Chaos? And when is War not a spawnhole of fiends? And who dries the tears of the nameless when even saints and martyrs lie sleeping in their crypts? A king had died and his throne was disputed and emperors fought like jackals to seize the spoils. And if emperors care little for the graveyards they scatter in their wake, why should their servants care more? As above, so below, say the wise men, and so it was that night. His name was Mattias and he was twelve years old and of matters of Policy and State he knew nothing at all. His family were Saxon metalsmiths, transplanted by his migrant grandfather to a steep Carpathian valley and a village of no importance except to those who called it home. He slept by the kitchen hearthstone and dreamed of fire and steel. He awoke in the dark before dawn with his heart a wild bird in his chest. He pulled on boots and a scorch-marked coat and silently--for two sisters and his mother slept next door--he took wood and summoned flames from the pale pink embers in the hearth so that warmth would greet the girls on their rising. Like all firstborn men of his line, Mattias was a blacksmith. His purpose today was to complete the making of a dagger and this filled him with joy, for what boy would not make real weapons if he could? From the hearth he took a burning brand and stole into the yard and the sharp air filled his chest and he stopped. The world about was painted black and silver by the moon. Above the mountain's rimrock, constellations wheeled in their sphere and he sought out their shapes and marked them under his breath. Virgo, Bootes, Cassiopeia. Lower down the slopes headlong streaks of brightness marked the valley's forked stream, and pastures floated misty beneath the woodlands. In the yard, his father's forge stood like a temple to some prophet unknown and the firelight on its pale stone walls promised magic and marvels, and the doing of Things that no one had done before. As his father, Kristofer, had taught him, Mattias crossed himself on the threshold and whispered a prayer to Saint James. Kristofer was out on the road, shoeing and sharpening tools for the farms and manors thereabouts. Would he be angry, when he returned, that Mattias had wasted three days' forging? When he might have made fishhooks or a wood saw or a scythe--goods that always found a ready buyer? No, not if the blade were true. If the blade were true, his father would be proud. Mattias crossed himself and stepped inside. The forge smelled of ox hooves and sea salt, of clinker, horses, and coal. The firepot was readied as he'd left it the evening before and the kindling caught with the firebrand's first touch. He worked the bellows and fed yesterday's coke to the flames, coaxing the fire, building it, until burning charcoal lay two inches deep on the tuyere. He lit the lamp, then unearthed his blade from the ashes in which he'd buried it overnight. He'd taken two days to straighten and harden the steel, six inches in the blade and four in the tang. Knives he'd made before but this was his first dagger, and the requisite skill was multiplied in the weapon's double-edged symmetry and the forging of strength in the spine. He hadn't perfected the symmetry but the edges didn't roll beneath a file. He blew away the ash and sighted down the bevels and found no warp or screw. With a damp rag he wiped the blade clean and worked its either surface smooth with pumice. Then he polished the blade until it gleamed dark blue, with powder of Emril and butter. Now would his Art be tested in the temper. On the charcoal bed he laid a quarter inch of ash, and on the ash the blade, and watched the color creep through the steel, turning it face over face so the heat remained even. When the cutting edges glowed as pale as fresh straw, he pulled the blade clear with the tongs and plunged it into a bucket of damp soil. Burning vapors spiraled with a smell that made him heady. In this first quench, by his grandfather's lore, the blade laid claim at its birth to the power of all four elements: earth, fire, water, and air. Such a blade would endure. He rebuilt the coal bed and layered the ashes on top, and took the lid from his second quench, a bucket of horse piss. He'd collected it the day before, from the fleetest horse in the village. "Can I watch, Mattie?" For a moment his sister's voice vexed him. This was his work, his place, a man's place, not a place for a five-year-old girl. But Britta adored him. He always saw her eyes glow when she looked at him. She was the baby of the family. The death of two younger brothers before they could walk remained at the back of Mattias's mind, or rather, not their deaths but the memory of his mother's grief and his father's silent anguish. By the time he turned, his anger was gone, and he smiled to see Britta in the doorway, her silhouette doll-like in the first gray rumor of dawn. She wore a nightshirt and clogs and she clenched her hands about reedy arms as she shivered. Mattias took off his coat as he walked over and slipped it around her shoulders. He picked her up and sat her on the sacks of salt inside the door. "You can watch from here, as long as you stay back from the fire." The bargain wasn't ideal, he could see, but she didn't demur. "Are Mamma and Gerta still sleeping?" he asked. Britta nodded. "Yes. But the village dogs are barking. I was scared." Mattias cocked an ear. It was true. From down the hill came a chorus of yaps and snarls. Absorbed by the crackle of the forge he hadn't noticed. "They must have found a fox," he said. "Or a wolf." He smiled. "The wolves don't come here anymore." He returned to his blade and found it cool enough to touch. He wiped it clean and laid it once more on the fire. He was tempted to pump the bellows, for he loved the surge of life within the coals, but if the color rose too fast the core of the steel might weaken, and he resisted. "Why don't the wolves come here anymore?" Mattias flipped the blade. "Because they're afraid of us." "Why are the wolves afraid of us?" The edges flushed dark fawn, like a deer's coat in autumn, and he grabbed the blade with the tongs and flipped it again, and yes, the color was even and rising still, with magentas in the spine and tang, and the second quench was upon him. He pulled the blade from the forge and plunged it into the urine. The hiss was explosive and he turned his face from the acrid ammoniac steam. He began at once to say an Ave. Halfway through, Britta joined in, stumbling over the Latin, and he continued without waiting, timing the quench by the pace of the prayer until he'd finished, then he pulled the smoking steel from the caustic brew and buried it down in the ash box and wiped his brow. The second temper was done, he hoped well enough. The pungent bite of the piss quench would impart itself to the metal and keep its sharpness keen. Perhaps too, he hoped, the fleetness of the horse would quicken the dagger to its mark. For the third quench, most magical of all, he would take the glowing blade out to the dense green grass by the vegetable patch, and temper it with the newly fallen dew. No waters were more pure, for no one had ever seen them fall, even if they stayed wakeful through the night, and they flowed from Heaven. Some believed them the tears God shed for His children while they slept. Through such cooling dew the spirit of the mountain would bind to the dagger's heart and its purpose would always be true. He pushed a pair of tempering tongs into the coals and pumped the fire until the thickened ends glowed orange. "Mattie, why are the wolves afraid of us?" "Because they fear we will hunt them and kill them." "Why would we hunt and kill them?" "Because they kill our sheep. And because their skins are warm against the winter. That's why Dadda wears a wolfskin." "Did Dadda kill the wolf?" Kristofer had indeed, but the story was not for a little girl's ears. Mattias wiped ashes from the blade and laid it by the fire. Britta was not to be ignored, he knew, but the blade was where his attention was needed most. He said, "Why don't you sing me a song? Then the song will be part of the steel, and so will you, and it will be your blade as well as mine." "Which song? Quickly, Mattie, which song?" He glanced at her face and saw her flushed with delight and for a moment he wondered if he had not doomed the blade to be hers forever, at least in her mind. "'The Raven,'" he said. It was a song their mother sang for them and Britta had caused much amazement when, at the age of only three, she had piped her way through every verse. It told of a prince bewitched into a raven by a jealous stepmother, and of the princess who risked the life of her only child to bring him back again. Despite dark deeds it was a happy tale in the end, though Mattias no longer believed it as he once had. Britta still believed every word. She started to sing in her high, trembling voice and its sound filled the gloom of the forge with her stainless soul. And he was glad he'd asked her for the song, for as his father, Kristofer, had told him, no man could comprehend the mystery of steel entire, and if a blade forged during a snowstorm was other than a blade forged in the sun--and who could ever doubt that that was so?--then why would a sound as sweet as Britta now made not leave its imprint too? As Britta sang he put his all into the final tempering. He quenched the handles of the tongs and clamped their glowing jaws along the dagger's spine. Thus he drew the hardness, for hardness is not itself strength. When the spine was a solid dark blue he worked the tang and the ricasso darker still. And to the very tip of the blade he gave a pale blue temper, like the early-morning sky on New Year's Day. And all the while he worked, Britta sang her song, and the raven won the princess's heart, and in his chest grew the knowledge that this would indeed be a blade to make his father proud. He dropped the heated tongs into the water and took the cool pair. He relaid the bed and spread the ash and placed the blade on the coals with its tip on a raw lump of charcoal. When the cutting edges bloomed the color of his mother's hair--a fierce, coppery bronze--he'd take the blade to the dew and its moment of truth. He watched the steel as if his place in eternity hinged on it and he didn't hear the sound Britta made when she fell to the floor. He heard only the sudden silence in her song. He called out over his shoulder, "Britta, don't stop now. We're almost done." And there: the hues were changing, rising like alchemical gold, yet the silence remained unbroken and his gut cried out for the song for he knew, in his bones by now, that her voice would indeed forge one blade and not another, and that truly it was hers as well as his, and that they both had fixed some portion of their souls into the metal, and that in that fixing would inhere the blade's nobility. He turned from the fire, his hand still on the tongs, to find her eyes. "We're almost done!" he said. He found her sprawled on the ground. Her skull was smashed apart like a broken jar of wine. His coat had fallen from her shoulders. Her nightshirt was drenched with something black that gleamed like streaks of treacle through her pale yellow hair. Standing over her, with the incurious expression of a farmer who'd spaded a mole, was a stocky youth, wispily bearded and half a head shorter than he. He was swathed in a motley of wrappings and rags and on his head was a filthy green cap. By his side he held a short curved sword, clotted with the treacle and strands of Britta's hair. When the youth looked up from the murdered child, his eyes were as dead as stones. His roving gaze held Mattias for no more time than he spent on the anvil and the tools. He grunted a question in an alien tongue. Mattias stood stranded in the forge's heat yet inside he felt icy and empty. Empty of breath. Empty of will. Empty of each and every feeling he'd formerly known. Some portion of his mind asked if this was how the blade felt in the quench. And if so, which quench? And he took refuge in the fire, where something he did know yet awaited him. He turned and looked at his blade. A fiery bronze crept across the bevels to the dark blue spine. He felt the final temper slipping from his grasp and with it all the magic they'd spun that dawn and with it, too, his father's pride when he saw what they'd created. These things he could not let stand. He clamped the tongs fast on the ricasso and pulled the blade clear of the coals. Then he turned. The murderer had started toward him and his face betrayed no alarm until he saw what Mattias carried. The bolt of fear that pierced him betrayed his youth, but earned him no mercy. As if of its own volition the dagger lunged forward, the air a shimmer in its wake. Mattias lurched through the first pace with feet as heavy as lead, and through the second propelled by a rage that choked his gorge. By the third pace raw hatred drove boy and dagger both. The youth cried out in his alien tongue and Mattias ran the blade into his gut. Flesh sizzled on steel as he crammed him back against the wall and the stench of burning wool and fat filled his throat and the stones in the twisted face bulged forth in horror. The murderer screamed and dropped his sword and grabbed and screamed and screamed again as the red hot tang stripped his palms down to their sinews. Mattias clamped his left hand across the gaping lips. He leaned into the tongs until their jaws met the heaving belly and the tip of the dagger grated on what felt like bone. And then he prayed. "Ave Maria, gratia plena, Dominus tecum, benedicta tu in mulieribus et benedictus fructus ventris tui, Jesus." The youth's gullet convulsed and vomited blood spilled through Mattias's fingers. He squeezed tighter. Blood sniveled from the flaring nostrils and the skinless hands clawed at the tongs and the stocky chest convulsed in futile spasms. The light in the protuberant eyes began to fade and the spasms waned and Mattias completed his prayer. "Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death." Mattias felt something pass from the body, something that vanished with a stealth that chilled his marrow. Something that had been and now was gone. The youth sagged, heavier than anything Mattias had ever known. The face clamped in his hand was as pale as putty. Its half-closed eyes were lightless and dull, like those in the head of a pig on a butcher's stall. So this was death and this was killing. Mattias said, "Amen." And he thought: The quench. He pulled the dagger free. The blade down to the ricasso smoked black as sin. He let the body fold and didn't look at it again. Amid the distant barking of the dogs he heard coarse foreign shouts and screams of terror. Britta lay in the doorway, bloodied and still. Something had passed from her too that was no more. In his hand the tongs began to shake and so did his knees. His bowels felt loose and his vision was blurred. He turned to the safety of what he knew. The forge, the tools, the fire. He scrubbed the steaming blade with a damp cloth but its blackened hue remained, and somehow he knew that the blade would stay black forever. The steel was too hot to hold, yet he was loath to plunge it again, for in a world turned upside down his mind clung tight to his Art. He dipped the cloth in cold water and wrapped it around the tang. And then he paused. From the chaos beyond the forge-house door he heard a voice--closer than the rest--shouting out to God, but not for His mercy. Calling, rather, on His vengeance and His wrath. It was the first voice Mattias had ever heard. It was his mother's. Mattias squeezed the sodden hilt in his hand. The tang's heat was tolerable. The dagger's final quench had not been purest dew but a murderer's blood, and if its destiny and purpose were now other than he'd planned, so too were his own. And he wondered then, as he would wonder always, if it were not his forging of this Devil's blade that had brought this fatal doom upon his loved ones. He searched for the soul with which he'd woken and found it not. He searched for a prayer, but his tongue didn't move. Something had been torn from within which he hadn't known was there until the hole it left behind howled in sorrow. Yet gone that something was, and not even God could restore it. His mother's fury pierced him. In fury--not in sorrow--had his mother chosen to die. Her fury called him to her side. He walked to the door and stooped to cover Britta with his coat. Britta at least had died whole, with a song on her lips and the joy of creation in her heart. There was an angel in the blade along with a devil. He'd take her with him. He'd take angel and devil both. He stepped out into the cold and steam rose from the black dagger in his fist, as if the forge contained a shaft bored up from Hell and he were a demon assassin newly ascended. The yard was empty. The heavens at the rimrock's edge were reefed in vermilion cloud. From the village pillars of smoke quavered skyward and with them cries of anguish and crackles of flame. He walked across the cobbles, sick with fear. Fear of whatever vileness afflicted his mother. Fear of shame. Of cowardice. Of the knowledge that he couldn't save her. Of the darkness that had housed itself inside his spirit. Yet the darkness spoke with a feral power that brooked neither refusal nor hesitation. Plunge in, the darkness said. Mattias turned and looked back at the forge. For the first time in his life he saw a drab stone hut. A drab stone hut with the corpse of his sister, and the corpse of a man he had killed, inside. Like the blade in the quench. Plunge in. In the kitchen little Gerta lay tangled on the hearthstone. Her features were twisted in bewilderment and her puddled blood smoked foul among the coals. He straightened her fragile limbs and knelt and kissed her mouth. He covered her corpse with the blanket he'd slept in. He plunged on. Across the ransacked room the door hung creaking from one hinge. In the dirt outside was a melee. He stepped closer. He glimpsed the village priest, Father Giorgi, for whom he served at altar on a Sunday morning. Father Giorgi was shouting at assailants unseen, with a crucifix upraised in his fists. A squat figure hacked him in the neck and Father Giorgi fell. Mattias stepped closer. What kind of man would kill a priest? Then he stopped and wheeled away, his mind erased in an instant of all he'd seen. He blinked and heaved for breath and the forbidden picture returned. His mother's nude body, her pale breasts and thick dark teats. Her pale belly, the hair between her legs. Shame writhed in his gut with the urge to run. Across the yard, beyond the forge, to the woods where they'd never find him. The darkness that was now his only guide and counselor made him turn back to the door and he looked again. A horse, pierced with arrows, lay dying on its side, its great head flapping and its eyes rolling wide above the pink froth bubbling from its muzzle. Nearby sprawled a villager, also pierced, as if in flight, and by him Father Giorgi in a widening pool. Across the horse's carcass, as if upon a mattress obscene, lay his mother. Her copper hair tossed as she fought against the four men cursing and struggling to hold her down. Her stark naked skin was marble white and slashed with scratches and blotched with the indigo welts of brutish fingers. Her face was drawn. Her teeth were bloody. Her shocking blue eyes were wild. She didn't see Mattias, and while part of him yearned for those wild blue eyes to meet his own, he knew that the knowledge of his witness would drain her defiance, and her defiance was the last gift she would give him. Someone punched her in the head and screamed in her ear and she turned and spit in his face and the sputum was crimson. A fifth man knelt between her legs, his breeches pulled down. And all of them shouting--at one another, at her, one with a twisting finger up his nose--in their yammering alien tongue. They were raping a woman dragged half sleeping from her bed, yet their manner was like herdsmen freeing a stranded calf from a bog: gesticulating, blaming, bellowing encouragement and advice; their faces innocent of malice and vacant of pity. The brute between her legs lost patience, for she wedged her knee against his chest and wouldn't let him take her. He pulled a knife from his boot and pushed up her breast and took aim and ran her through her heart. No one tried to stop him. No one complained. His mother stopped moving and her head flopped back. Mattias wanted to sob--but his breath was frozen in his lungs. The brute dropped his knife and reached for his crotch and he slotted something stiff inside her and started pumping. And someone must have said something funny, for they all of them laughed. Mattias held back the tears he hadn't earned. He'd failed his sisters. He'd failed his father. His mother's corpse lay violated by beasts. He alone was left standing, dispossessed and powerless and lost. He came to as he realized that he'd pushed the tip of the dagger into his palm. His blood was bright against the crusting filth on his fingers. His pain was clean and true and it cleared his mind. His mother had denied them what they'd wanted even more than her flesh: her surrender and humiliation. The laying of her pride. The desire to be close to her soul overwhelmed him. The desire for death and in death that companionship he treasured more dearly than life. He clasped the blade against his arm where it wouldn't be seen. Without haste--for if the blade was yet warm, his blood was now cold--he waded into atrocity to claim his share. The first creature shuddered and whooped in a bestial spasm and the others cheered, and he rose to his feet and staggered back with his breeches around his knees. A second beast knelt to penetrate his mother and the other three groped her thighs and breasts to arouse themselves for their turn. All but the second looked at Mattias. They saw nothing but a wretched boy. From the direction of the village came the sound of hooves at the canter and this concerned them more, but the hooves concerned Mattias not at all. The darkness rose within him and he felt free. He plunged in. Excerpted from The Religion by Tim Willocks. Copyright © 2006 by Tim Willocks. Published in May 2007 by Sarah Crichton Books, a division of Farrar, Straus and Giroux, LLC. All rights reserved.

Meet the Author

Tim Willocks is a novelist and filmmaker. He is the author of the novels Bad City Blues, Green River Rising, and Blood-Stained Kings. He lives in Ireland.

Tim Willocks is a novelist and filmmaker. He is the author of the novels Bad City Blues, Blood-Stained Kings, and Green River Rising, which has been translated into fifteen languages. Willocks holds a degree in surgery and practiced psychiatry and addiction medicine until 2003. He also spent ten years writing screenplays and producing films in Hollywood. He completed The Religion in a cabin in the backwoods of upstate New York and now lives in County Kerry, Ireland.

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The Religion (Tannhauser Series #1) 4.4 out of 5 based on 0 ratings. 40 reviews.
Guest More than 1 year ago
If you like historical fiction from the best current authors like Wilbur Smith, Steven Pressfield, Michael Curtis Ford and William Dietrich, then you will love this book. Templar books have become popular, but the Hospitalers, the Knights of St. John, are fascinating in their own right and they still exist today. The plot summary on the book jacket of a mercenary attempting to locate and return the lost son of a countess during the Turkish siege of Malta sounded a bit strained, but Willock pulls it off. Tannhouser is obviously no saint but rather a mercenary, an arms dealer, a womanizer and a warrior sympathetic to both sides in the conflict. He has his own code, and is a fascinating character. The ending does not leave a clear indication where the next book in this series is leading, but I am anxcious to find out.
ShepherdCreekCattle More than 1 year ago
I listened to it on tape. While gruesome in some parts, it is a really captivating story
ElleNYC More than 1 year ago
In the sixteenth century, the forces of Christianity battle the forces of Islam. The Christians led by the knights of St. John the Baptist (who call themselves "The Religion", hence the title of the book) make a stand at Malta to stop Suleiman, the Ottoman emperor who seeks to extend his reach. Entwined into this "holy war" is the engrossing tale of Matthias Tannhauser and his erstwhile friend, Bors of Carlisle. His fate is entwined with Carla, a French countess seeking her son and her odd but beautiful companion Amparo. Start reading the first few pages of this terrific novel and you will be hooked! This is only the first book of the Tannhauser series and fans have been eagerly awaiting the sequel since 2006!
BKC83 More than 1 year ago
Epic adventure.
Anonymous More than 1 year ago
I was disappointed with the book. Actually, I was disappointed with the editing of the book. It would have been a wonderful story if it were half the pages. There were page after page after page after... of description of blood and guts and gore and prayers(word for word), I skipped half of the book. I really found the interactions between Amparo, Carla, Tannhauser and Orlandu to be the most interesting parts of the book. I wish the author (and editor) had heeded Elmore Leonard's rule of leaving out the things people don't read.
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valindaba More than 1 year ago
Tim Willocks needs to get Tannhauser back on the road with the next book. I'm checking for it every week! This was an excellent read, intense, exciting and a true page turner!
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rabbitreader More than 1 year ago
I am waiting for the next in the series - hopefully soon.
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Desert-Sailor More than 1 year ago
Great read. If historical fiction is your venue, you will be transported. The author shows great promise to reach Bernard Cornwell's brace of action and compelling personalities, but he seems to have a disturbing habit of killing off the most promising ones. He also smacks of Arturo Reverte-Perez and a little of the most dear author of my life...Patrick O'Brian. Set in what for most of us, will be what history has relegated to an obscure event as far as what the world choses to memorialize, yet one that could have changed the fate of Western Europe. The battle fought on the Isle of Malta between the Ottoman Empire and the remnants of the Knights of Christianity's forgotten kingdoms transported me entirely. Compelling characters, plenty of historical insights into daily life and the different classes of peoples interningled with a breathless march to conclusion cost me sleep over the three days in which I read this. like an addict, I rushed through this because lately there has been a dearth of good historical I simply stare at the "empty container" I have devoured, and rue that I did not savor it like a fine wine - Decanting, sniffing, tasting and reflecting.
Annette50 More than 1 year ago
This is a stunningly well-researched and well-crafted book. Its power lies in Willocks' dual positioning--through the main character of Mattias, in two warring cultures. The reader must leave behind contemporary, politically-correct sensibilities regarding gender, religious credos, and violence in order to be fully engaged in this exquisite writing. Bloodlust then and now is difficult to imagine, but from the first pages it is not too large a leap to envision oneself battling on one side or the other for reasons glorious or mundane, willingly or not. The website Slutbooks has an indepth interview with Willocks about his writing of this book that is intriguing.
Anonymous More than 1 year ago