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| Guy Chambers | Arranger, Producer, Brass Arrangment |
| Joby Talbot | Arranger |
| Andy Duncan | Programming |
| Gota Yashiki | Programming, Producer |
| James Wiltshire | Programming, Engineer |
| Magnus Fiennes | Programming, Producer |
| Chuck Norman | Programming |
| Dave Clews | Programming |
| Steve Power | Producer |
| James Dean Bradfield | Producer |
| Tommy D | Producer |
| Dave Eringa | Producer |
| Stephen Hague | Producer, Vocal Engineer |
| Adrian Utley | Producer |
| Jeremy Wheatley | Producer |
| Geoff Barrow | Producer |
| Johnny Douglas | Producer |
| Tore Johansson | Producer |
| Neil Hannon | Producer |
| Royal Garden | Producer, Remixing |
| Andy Bradfield | Engineer |
| Bob Kraushaar | Engineer |
| Richard Norris | Engineer |
| John Arthur Lee | Engineer |
| Niven Garland | Engineer |
| Andy Scade | Engineer |
| Steve Price | Engineer |
| Marc Lane | Engineer |
| Julian Bigg | Artwork |
| Simon Clarke | Horn Arrangements |
| Hello Bobadee | Horn Arrangements |
| Nick Ingman | String Arrangements, Brass Arrangment |
| Kevin Metcalfe | Mastering |
| Steve Sidwell | Brass Arrangment |
| Matt Dunkley | Orchestral Arrangements |
| Sergio Flores | Re-arranged |
| Gavyn Wright | Orchestra Leader |
| Robert Wheeler | Cover Photo |
| Simon Hale | String Arrangements |
| Lorenzo Al Dino Pizzileo | Re-arranged |
| Walter Samuel | Engineer |
| Jon Jacobs | Producer, Engineer |
| Ed Baden-Powell | Programming, drum programming |
| D'Influence | Producer |
| Van Morrison | Producer |
| Matthew White | Engineer |
Editorial Reviews
All Music Guide - Carlo Wolff
It had been six years since Tom Jones released his last stateside record, but this one scored big in England and on the Continent, for good reason. Ultra-modern and topical, Reload suggests you can easily ignore Jones' "What's New Pussycat?" past. Not only does Jones deliver one of the more invigorating workings of modern pop here, his selection of material and choice of mates prove that in addition to his routinely extraordinary performances, he's still recording quite potently, thank you. Like 1994's underrated "The Lead and How To Swing It, a lesser seller from the Interscope label, "Reload" finds Tom in collaborative mode. But where The Lead stressed original tunes and ...