Rembrandt's Nose: Of Flesh and Spirit in the Master's Portraits [NOOK Book]

Overview


The year 2006 marked the 400th anniversary of the birth of one of the greatest portrait painters that ever lived, the Dutch seventeenth-century master, Rembrandt. Although Rembrandt is among the most important artists in western history, and perhaps our greatest draftsman, no one has ever, until now, been able to pinpoint exactly how it was that he so precisely and effortlessly captured the spiritual essence of his subjects. This insightful, sophisticated and yet accessible illustrated reading-format study, ...
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Rembrandt's Nose: Of Flesh and Spirit in the Master's Portraits

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Overview


The year 2006 marked the 400th anniversary of the birth of one of the greatest portrait painters that ever lived, the Dutch seventeenth-century master, Rembrandt. Although Rembrandt is among the most important artists in western history, and perhaps our greatest draftsman, no one has ever, until now, been able to pinpoint exactly how it was that he so precisely and effortlessly captured the spiritual essence of his subjects. This insightful, sophisticated and yet accessible illustrated reading-format study, written by the preeminent scholar and translator Michael Taylor, will be as enlightening and delightful to Rembrandt scholars as to lay readers. Taylor looks at Rembrandt's self-portraits, his society portraits, historical paintings and biblical scenes, and identifies how it was that the artist rendered his subjects so alive, so full of earthy, flesh-and-blood vitality--which all boils down to his treatment of the nose. Rembrandt's Nose is a gem of a book, an intimate, candid and extremely entertaining engagement with the works of art themselves, interwoven with racy historical snippets that contextualize the artist's breakthroughs and techniques. It includes some 49 reproductions, as well as a complete chronology of Rembrandt's life.
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Editorial Reviews

Publishers Weekly

Last year marked the 400th anniversary of Rembrandt's birth, and in this slim, intensely focused volume, Paris-based scholar Taylor (translator of Pierre Schneider's seminal work, Matisse) presents an unusual and carefully researched study that stands alone while acknowledging the author's debt to Simon Schama's Rembrandt's Eyes. "If the sitter is the lead actor of a performance... then the nose is his understudy on the stage of the face," Taylor writes with characteristic verve, underscoring a major theme: the drama of physiognomy and how Rembrandt engaged it in innovative ways and with emotive depth. For Rembrandt, Taylor argues, the nose is a sensual, sexual, vital and often definitive element in his portraits and self-portraits. Taylor's study presents a broader chronological exploration of the painter's portrayal of the human form and the self-portraits he obsessively created throughout his life. Several of Taylor's themes are familiar, such as Rembrandt's interest in the body's physical decline. Yet his perspective is often fresh and probing; the discussion of moral blindness and "seeing-in-blindness" in Rembrandt's Tobit series is particularly illuminating. Taylor's prose is elegant and his interpretations show engagement with Rembrandt scholarship, making this book appealing. to those with a general interest in Rembrandt as well as to scholars of the painter and period. 49 illus. (July 1)

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The New York Times - Ken Johnson
At just under six by seven inches and 170 pages, Michael Taylor's Rembrandt book is a perfect stocking stuffer for the casual art lover. In an engaging, suave style, Mr. Taylor ponders the most protrusive part of the human face, which assumes in Rembrandt's portraits and self-portraits a palpably fleshy and often emotional presence. More than just a gimmick, Mr. Taylor's nasal approach is a way to insist on Rembrandt's down-to-earth corporeality, which can be obscured when the focus is on the formal or the spiritual. Mr. Taylor's view is not as irreverent or subversive as his title promises, but for readers not already well versed in Rembrandt scholarship, it will serve as a fine introduction to his art and life.
New York Review of Books - Julian Bell
Taylor proves a joy to read. Hitherto a translator of French poetry, he has made himself thoroughly at home with the art historical evidence and he deftly unfolds a life story in précis around the self-portraits and such pictures as the Bathsheba. Taylor's eye seems to keep pace with Rembrandt's brush, here brusque, there punctilious; his diction is chunky and sensual; he loves to imagine, to cast similes, to surf whatever breakers of emotion the picture rolls his way . Peering so keenly, Taylor does indeed touch on the quick of the art, and yet the mystery of its relation to the culture around it stays intact.
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Product Details

  • ISBN-13: 9781935202530
  • Publisher: ARTBOOK | DIGITAL
  • Publication date: 9/1/2011
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 168
  • File size: 8 MB

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