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Remember Me

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Editorial Reviews

All Music Guide - Lindsay Planer
For decades it was presumed by fans that the posthumous Otis Redding acoustic guitar/vocals studio platters The Dock of the Bay 1968, The Immortal Otis Redding 1968, Love Man 1969, and Tell the Truth 1970 had uncovered all the hidden and unreleased treasures from Redding's heartbreakingly brief yet appreciatively prolific career. Thankfully, archivist Roger Armstrong -- who is perhaps best known for his outstanding contributions to the U.K.-based Ace Records reissue imprint -- discovered nearly two dozen additional remnants and presents them on this single-disc anthology. As Stax Records authority Rob Bowman points out in his insightful liner notes essay, the label did ...
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Editorial Reviews

All Music Guide - Lindsay Planer
For decades it was presumed by fans that the posthumous Otis Redding acoustic guitar/vocals studio platters The Dock of the Bay 1968, The Immortal Otis Redding 1968, Love Man 1969, and Tell the Truth 1970 had uncovered all the hidden and unreleased treasures from Redding's heartbreakingly brief yet appreciatively prolific career. Thankfully, archivist Roger Armstrong -- who is perhaps best known for his outstanding contributions to the U.K.-based Ace Records reissue imprint -- discovered nearly two dozen additional remnants and presents them on this single-disc anthology. As Stax Records authority Rob Bowman points out in his insightful liner notes essay, the label did not keep precise documentation concerning recording session dates and personnel. So, some detective and possible guess work was needed when chronologically placing a few of the lesser-known titles. That certainly doesn't detract from the experience of uncovering formerly shelved selections such as the greasy and unmistakable Memphis groove behind "Trick or Treat," or the high-octane horn punctuations on the inaugural take of "Loving by the Pound" that are clearly in the vein of what would turn up as "Respect." To demonstrate the evolutionary processes and the importance of his collaborative relationship with Steve Cropper guitar -- a second completely revamped approach rechristened "Pounds and Hundreds LBs + 100s" -- is offered midway through the compendium. Another treasure is the oft-rumored rendition of the achingly poignant "I've Got Dreams to Remember" featuring unique lyrics by Redding's wife Zelma Redding. Little Richard's influence is evident on the impassioned overhaul of "Send Me Some Lovin'," which Redding re-forms with an undeniably singular and inspired interpretation. The alternate versions of "Respect," "Open the Door," "Come to Me," "Try a Little Tenderness," and the first two attempts of Redding's swan song, "Sittin' On The Dock of the Bay," are arguably the most revealing moments on the entire package. Perhaps because the originals are so deeply ingrained in the psyche of Redding devotees, hearing the developmental stages or hearing the songs presented in a foreign context is nothing short of soul music manna. The one item that had been available prior to Remember Me 1992 is the concluding "Stay in School" message that was part of a larger campaign producing the promo-only Stay in School, Don't Be a Dropout long-player. It's a fun and lighthearted way to wrap up one of the best collections for R&B aficionados or the just plain curious consumer alike.
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Product Details

  • Release Date: 2/28/1992
  • Label: Stax
  • UPC: 025218857222
  • Catalog Number: 8572
  • Sales rank: 88,000

Album Credits

Performance Credits
Otis Redding Primary Artist, Vocals
Technical Credits
Steve Cropper Composer, Contributor
Otis Redding Composer
Johnny Jenkins Contributor
Donald "Duck" Dunn Contributor
Isaac Hayes Contributor
Wayne Jackson Contributor
Booker T. Jones Contributor
Andrew Love Contributor
Floyd Newman Contributor
Al Jackson Jr. Contributor
Zelma Redding Composer
Joe Rock Composer
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    How could anyone forget

    Fantasy issued this wonderful collection aptly titled, Remember Me. This is not just an album for listeners who are already fans of Redding. Truth be told, almost anything the man recorded is worth checking out. The album¿s selling point is that it¿s full of outtakes and alternate versions of classic songs by Memphis¿s other king. There are legendary stories of Otis walking into Stax Records, smiling ear to ear, the McLemore Avenue studio buzzing with a new found energy. This album is certainly also a delight for fans of Otis. You get to be right there along for the ride for takes one and two of ¿The Dock Of the Bay¿. Take one will take you off guard as Steve Cropper¿s earnest guitar starts a strummin¿ and Otis lets out some tongue and cheek ¿caws¿, which would apparently give Cropper the idea to later overdub the familiar ocean sounds. This song was recorded just days before Otis passed. After take one, we hear engineer, Ron Capone, yell out, ¿Well, he won¿t make it as a whistler.¿ The most compelling outtake on here however, is ¿Try a Little Tenderness¿. Bassist, Duck Dunn said if Al Jackson ever created one, it was this one. Jackson¿s metronome like timing creates tension and then the MGs just explode. The only word for it is orgasmic. The fact that these guys did this on take one is just mind blowing. Cropper plays beautifully on this as well as on ¿I¿m Coming Home¿, a great Redding original that boasts one of the most infectious hooks you¿ll ever hear, with the help of Duck Dunn and has Steve Cropper playing his cooler than the other side of the pillow arpeggios. Other highlights include a late night jam of ¿Respect¿ and a killer alternate version of ¿Open the Door¿. The king of soul. Staxman, too, Rob Bowman contributes liner notes on this well thought out and thoroughly enjoyable set.

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