This broad-ranging text offers a comprehensive outline of how visual images, language and discourse work as 'systems of representation'.
Individual chapters explore: representation as a signifying practice in a rich diversity of social contexts and institutional sites; the use of photography in the construction of national identity and culture; other cultures in ethnographic museums; fantasies of the racialized 'Other' in popular media, film and image; the construction of masculine identities in discourses of consumer culture and advertising; and the gendering of narratives in television soap operas.
Stuart Hall was born and raised in Jamaica and arrived in Britain on a Rhodes scholarship to Oxford in 1950. In 1958, he left his Ph D on Henry James to found the New Left Review, which did much to open a debate about immigration and the politics of identity. Along with Raymond Williams and Richard Hoggart he established the first Cultural Studies programme at a British university in Birmingham in 1964, bringing the study of popular culture into the understanding of political and social change.
After spending more than four decades as one of the UK’s leading public intellectuals, Hall retired from formal academic life in 1997 and since then has continued to devote himself to questions of representation, creativity and difference. He became the chair of two foundations, Iniva, the Institute of International Visual Arts, and Autograph ABP, which seeks to promote photographers from culturally diverse backgrounds, and championed the opening of Iniva’s new Rivington Place arts complex in east London in 2007.
The Work of Representation - Stuart Hall
Representing the Social - Peter Hamilton
France and Frenchness in Post-War Humanist Photography
The Poetics and Politics of Exhibiting Other Cultures - Henrietta Lidchi
The Spectacle of the 'Other' - Stuart Hall
Exhibiting Masculinity - Sean Nixon
Genre and Gender - Christine Gledhill
The Case of Soap Opera