Requiem for a Nun

Overview

This sequel to Faulkner's SANCTUARY written 20 years later, takes up the story of Temple Drake eight years after the events related in SANCTUARY.
Read More Show Less
... See more details below
Available through our Marketplace sellers.
Other sellers (Paperback)
  • All (34) from $1.99   
  • New (1) from $13.00   
  • Used (33) from $1.99   
Close
Sort by
Page 1 of 1
Showing All
Note: Marketplace items are not eligible for any BN.com coupons and promotions
$13.00
Seller since 2014

Feedback rating:

(6)

Condition:

New — never opened or used in original packaging.

Like New — packaging may have been opened. A "Like New" item is suitable to give as a gift.

Very Good — may have minor signs of wear on packaging but item works perfectly and has no damage.

Good — item is in good condition but packaging may have signs of shelf wear/aging or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Acceptable — item is in working order but may show signs of wear such as scratches or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Used — An item that has been opened and may show signs of wear. All specific defects should be noted in the Comments section associated with each item.

Refurbished — A used item that has been renewed or updated and verified to be in proper working condition. Not necessarily completed by the original manufacturer.

New
A clean crisp new unread paperback book. Will ship within one business day with free tracking.

Ships from: Orem, UT

Usually ships in 1-2 business days

  • Canadian
  • Standard, 48 States
  • Standard (AK, HI)
  • Express, 48 States
  • Express (AK, HI)
Page 1 of 1
Showing All
Close
Sort by
Requiem for a Nun

Available on NOOK devices and apps  
  • NOOK Devices
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK Study
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$9.99
BN.com price
This digital version does not exactly match the physical book displayed here.

Overview

This sequel to Faulkner's SANCTUARY written 20 years later, takes up the story of Temple Drake eight years after the events related in SANCTUARY.
Read More Show Less

Editorial Reviews

Warren
"For all the range of effect, philosophical weight, originality of style, variety of characterization, humor, and tragic intensity [Faulkner's works] are without equal in our time and country." --Robert Penn Warren
Wilson
"Faulknerà belongs to the full-dressed post-Flaubert group of Conrad, Joyce, and Proust." --Edmund Wilson
Read More Show Less

Product Details

  • ISBN-13: 9780394714127
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 4/1/1975
  • Series: Vintage Series
  • Pages: 256
  • Product dimensions: 4.20 (w) x 6.87 (h) x 0.55 (d)

Meet the Author

William Faulkner
William Faulkner was born in New Albany, Mississippi, on September 25, 1897. His family was rooted in local history: his great-grandfather, a Confederate colonel and state politician, was assassinated by a former partner in 1889, and his grandfather was a wealth lawyer who owned a railroad. When Faulkner was five his parents moved to Oxford, Mississippi, where he received a desultory education in local schools, dropping out of high school in 1915. Rejected for pilot training in the U.S. Army, he passed himself off as British and joined the Canadian Royal Air Force in 1918, but the war ended before he saw any service. After the war, he took some classes at the University of Mississippi and worked for a time at the university post office. Mostly, however, he educated himself by reading promiscuously.

Faulkner had begun writing poems when he was a schoolboy, and in 1924 he published a poetry collection, The Marble Faun, at his own expense. His literary aspirations were fueled by his close friendship with Sherwood Anderson, whom he met during a stay in New Orleans. Faulkner's first novel, Soldier’s Pay, was published in 1926, followed a year later by Mosquitoes, a literary satire. His next book, Flags in the Dust, was heavily cut and rearranged at the publisher’s insistence and appeared finally as Sartoris in 1929. In the meantime he had completed The Sound and the Fury, and when it appeared at the end of 1929 he had finished Sanctuary and was ready to begin writing As I Lay Dying. That same year he married Estelle Oldham, whom he had courted a decade earlier.

Although Faulkner gained literary acclaim from these and subsequent novels—Light in August (1932), Pylon (1935), Absalom, Absalom! (1936), The Unvanquished (1938), The Wild Palms (1939), The Hamlet (1940), and Go Down, Moses (1942)—and continued to publish stories regularly in magazines, he was unable to support himself solely by writing fiction. he worked as a screenwriter for MGM, Twentieth Century-Fox, and Warner Brothers, forming a close relationship with director Howard Hawks, with whom he worked on To Have and Have Not, The Big Sleep, and Land of the Pharaohs, among other films. In 1944 all but one of Faulkner's novels were out of print, and his personal life was at low ebb due in part to his chronic heavy drinking. During the war he had been discovered by Sartre and Camus and others in the French literary world. In the postwar period his reputation rebounded, as Malcolm Cowley's anthology The Portable Faulkner brought him fresh attention in America, and the immense esteem in which he was held in Europe consolidated his worldwide stature.

Faulkner wrote seventeen books set in the mythical Yoknapatawpha County, home of the Compson family in The Sound and the Fury. “No land in all fiction lives more vividly in its physical presence than this county of Faulkner’s imagination,” Robert Penn Warren wrote in an essay on Cowley’s anthology. “The descendants of the old families, the descendants of bushwhackers and carpetbaggers, the swamp rats, the Negro cooks and farm hands, the bootleggers and gangsters, tenant farmers, college boys, county-seat lawyers, country storekeepers, peddlers—all are here in their fullness of life and their complicated interrelations.” In 1950, Faulkner traveled to Sweden to accept the 1949 Nobel Prize for Literature. In later books—Intruder in the Dust (1948), Requiem for a Nun (1951), A Fable (1954), The Town (1957), The Mansion (1959), and The Reivers (1962)—he continued to explore what he had called “the problems of the human heart in conflict with itself,” but did so in the context of Yoknapatawpha’s increasing connection with the modern world. He died of a heart attack on July 6, 1962.

Biography

William Faulkner was born in New Albany, Mississippi, on September 25, 1897. His family was rooted in local history: his great-grandfather, a Confederate colonel and state politician, was assassinated by a former partner in 1889, and his grandfather was a wealth lawyer who owned a railroad. When Faulkner was five his parents moved to Oxford, Mississippi, where he received a desultory education in local schools, dropping out of high school in 1915. Rejected for pilot training in the U.S. Army, he passed himself off as British and joined the Canadian Royal Air Force in 1918, but the war ended before he saw any service. After the war, he took some classes at the University of Mississippi and worked for a time at the university post office. Mostly, however, he educated himself by reading promiscuously.

Faulkner had begun writing poems when he was a schoolboy, and in 1924 he published a poetry collection, The Marble Faun, at his own expense. His literary aspirations were fueled by his close friendship with Sherwood Anderson, whom he met during a stay in New Orleans. Faulkner's first novel, Soldier's Pay, was published in 1926, followed a year later by Mosquitoes, a literary satire. His next book, Flags in the Dust, was heavily cut and rearranged at the publisher's insistence and appeared finally as Sartoris in 1929. In the meantime he had completed The Sound and the Fury, and when it appeared at the end of 1929 he had finished Sanctuary and was ready to begin writing As I Lay Dying. That same year he married Estelle Oldham, whom he had courted a decade earlier.

Although Faulkner gained literary acclaim from these and subsequent novels -- Light in August (1932), Pylon (1935), Absalom, Absalom! (1936), The Unvanquished (1938), The Wild Palms (1939), The Hamlet (1940), and Go Down, Moses (1942) -- and continued to publish stories regularly in magazines, he was unable to support himself solely by writing fiction. he worked as a screenwriter for MGM, Twentieth Century-Fox, and Warner Brothers, forming a close relationship with director Howard Hawks, with whom he worked on To Have and Have Not, The Big Sleep, and Land of the Pharaohs, among other films. In 1944 all but one of Faulkner's novels were out of print, and his personal life was at low ebb due in part to his chronic heavy drinking. During the war he had been discovered by Sartre and Camus and others in the French literary world. In the postwar period his reputation rebounded, as Malcolm Cowley's anthology The Portable Faulkner brought him fresh attention in America, and the immense esteem in which he was held in Europe consolidated his worldwide stature.

Faulkner wrote seventeen books set in the mythical Yoknapatawpha County, home of the Compson family in The Sound and the Fury. "No land in all fiction lives more vividly in its physical presence than this county of Faulkner's imagination," Robert Penn Warren wrote in an essay on Cowley's anthology. "The descendants of the old families, the descendants of bushwhackers and carpetbaggers, the swamp rats, the Negro cooks and farm hands, the bootleggers and gangsters, tenant farmers, college boys, county-seat lawyers, country storekeepers, peddlers--all are here in their fullness of life and their complicated interrelations." In 1950, Faulkner traveled to Sweden to accept the 1949 Nobel Prize for Literature. In later books--Intruder in the Dust (1948), Requiem for a Nun (1951), A Fable (1954), The Town (1957), The Mansion (1959), and The Reivers (1962) -- he continued to explore what he had called "the problems of the human heart in conflict with itself," but did so in the context of Yoknapatawpha's increasing connection with the modern world. He died of a heart attack on July 6, 1962.

Author biography courtesy of Random House, Inc.

Good To Know

William Faulkner - As I Lay Dying: The Corrected Text

The publisher, Harrison Smith, received Faulkner's typescript for As I Lay Dying in January 1930 and published it with very few editorial changes on October 6, 1930. That text remained the same through various reprints until 1964 when Random House brought out a new edition that was corrected in accordance with the original manuscript and typescript. For the "corrected text" shown here, scholar Noel Polk used Faulkner's own ribbon typescript setting copy, corrected to account for his revisions in proof, his typing errors, and other clear inconsistencies and mistakes.

Read More Show Less
    1. Also Known As:
      William Cuthbert Falkner (real name)
      William Faulkner
    1. Date of Birth:
      September 25, 1897
    2. Place of Birth:
      New Albany, Mississippi
    1. Date of Death:
      July 6, 1962
    2. Place of Death:
      Byhalia, Mississippi

Read an Excerpt

ACT I

The Courthouse

(a name for the city)

The courthouse is less old than the town, which began somewhere under the turn of the century as a Chickasaw Agency trading-post and so continued for almost thirty years before it discovered, not that it lacked a depository for its records and certainly not that it needed one, but that only by creating or anyway decreeing one, could it cope with a situation which otherwise was going to cost somebody money;

The settlement had the records; even the simple dispossession of Indians begot in time a minuscule of archive, let alone the normal litter of man’s ramshackle confederation against environment—that time and that wilderness;—in this case, a meagre, fading, dogeared, uncorrelated, at times illiterate sheaf of land grants and patents and transfers and deeds, and tax- and militia-rolls, and bills of sale for slaves, and counting-house lists of spurious currency and exchange rates, and liens and mortgages, and listed rewards for escaped or stolen Negroes and other livestock, and diary-like annotations of births and marriages and deaths and public hangings and land-auctions, accumulating slowly for those three decades in a sort of iron pirate’s chest in the back room of the postoffice- tradingpost-store, until that day thirty years later when, because of a jailbreak compounded by an ancient monster iron padlock transported a thousand miles by horseback from Carolina, the box was removed to a small new leanto room like a wood- or tool-shed built two days ago against one outside wall of the morticed-log mud-chinked shake-down jail; and thus was born the Yoknapatawpha County courthouse: by simple fortuity, not only less old than even the jail, but come into existence at all by chance and accident: the box containing the documents not moved from any place, but simply to one; removed from the trading-post back room not for any reason inherent in either the back room or the box, but on the contrary: which—the box—was not only in nobody’s way in the back room, it was even missed when gone since it had served as another seat or stool among the powder- and whiskey- kegs and firkins of salt and lard about the stove on winter nights; and was moved at all for the simple reason that suddenly the settlement (overnight it would become a town without having been a village; one day in about a hundred years it would wake frantically from its communal slumber into a rash of Rotary and Lion Clubs and Chambers of Commerce and City Beautifuls: a furious beating of hollow drums toward nowhere, but merely to sound louder than the next little human clotting to its north or south or east or west, dubbing itself city as Napoleon dubbed himself emperor and defending the expedient by padding its census rolls—a fever, a delirium in which it would confound forever seething with motion and motion with progress. But that was a hundred years away yet; now it was frontier, the men and women pioneers, tough, simple, and durable, seeking money or adventure or freedom or simple escape, and not too particular how they did it.) discovered itself faced not so much with a problem which had to be solved, as a Damocles sword of dilemma from which it had to save itself;

Even the jailbreak was fortuity: a gang—three or four—of Natchez Trace bandits (twenty-five years later legend would begin to affirm, and a hundred years later would still be at it, that two of the bandits were the Harpes themselves, Big Harpe anyway, since the circumstances, the method of the breakout left behind like a smell, an odor, a kind of gargantuan and bizarre playfulness at once humorous and terrifying, as if the settlement had fallen, blundered, into the notice or range of an idle and whimsical giant. Which—that they were the Harpes—was impossible, since the Harpes and even the last of Mason’s ruffians were dead or scattered by this time, and the robbers would have had to belong to John Murrel’s organization—if they needed to belong to any at all other than the simple fraternity of rapine.) captured by chance by an incidental band

of civilian more-or-less militia and brought in to the Jefferson jail because it was the nearest one, the militia band being part of a general muster at Jefferson two days before for a Fourth of July barbecue, which by the second day had been refined by hardy elimination into one drunken brawling which rendered even the hardiest survivors vulnerable enough to be ejected from the settlement by the civilian residents, the band which was to make the capture having been carried, still comatose, in one of the evicting wagons to a swamp four miles from Jefferson known as Hurricane Bottoms, where they made camp to regain their strength or at least their legs, and where that night the four—or three—bandits, on their way across country to their hideout from their last exploit on the Trace, stumbled onto the campfire. And here report divided; some said that

the sergeant in command of the militia recognised one of

the bandits as a deserter from his corps, others said that one

of the bandits recognised in the sergeant a former follower of

his, the bandit’s, trade. Anyway, on the fourth morning all of them, captors and prisoners, returned to Jefferson in a group, some said in confederation now seeking more drink, others said that the captors brought their prizes back to the settlement in revenge for having been evicted from it. Because these were frontier, pioneer, times, when personal liberty and freedom were almost a physical condition like fire or flood, and no community was going to interfere with anyone’s morals as long as the amoralist practised somewhere else, and so Jefferson, being neither on the Trace nor the River but lying about midway between, naturally wanted no part of the underworld of either;

But they had some of it now, taken as it were by surprise, unawares, without warning to prepare and fend off. They put the bandits into the log-and-mudchinking jail, which until now had had no lock at all since its clients so far had been amateurs—local brawlers and drunkards and runaway slaves—for whom a single heavy wooden beam in slots across the outside of the door like on a corncrib, had sufficed. But they had now what might be four—three—Dillingers or Jesse Jameses of the time, with rewards on their heads. So they locked the jail; they bored an auger hole through the door and another through the jamb and passed a length of heavy chain through the holes and sent a messenger on the run across to the postoffice- store to fetch the ancient Carolina lock from the last Nashville mail- pouch—the iron monster weighing almost fifteen pounds, with a key almost as long as a bayonet, not just the only lock in that part of the country, but the oldest lock in that cranny of the United States, brought there by one of the three men who were what was to be Yoknapatawpha County’s coeval pioneers and settlers, leaving in it the three oldest names—Alexander Holston, who came as half groom and half bodyguard to Doctor Samuel Habersham, and half nurse and half tutor to the doctor’s eight-year-old motherless son, the three of them riding horseback across Tennessee from the Cumberland Gap along with Louis Grenier, the Huguenot younger son who brought the first slaves into the country and was granted the first big land patent and so became the first cotton planter; while Doctor Habersham, with his worn black bag of pills and knives and his brawny taciturn bodyguard and his half orphan child, became the settlement itself (for a time, before it was named, the settlement was known as Doctor Habersham’s, then Habersham’s, then simply Habersham; a hundred years later, during a schism between two ladies’ clubs over the naming of the streets in order to get free mail delivery, a movement was started, first, to change the name back to Habersham; then, failing that, to divide the town in two and call one half of it Habersham after the old pioneer doctor and founder)—friend of old Issetibbeha, the Chickasaw chief (the motherless Habersham boy, now a man of twenty- five, married one of Issetibbeha’s grand-daughters and in the thirties emigrated to Oklahoma with his wife’s dispossessed people), first unofficial, then official Chickasaw agent until he resigned in a letter of furious denunciation addressed to the President of the United States himself; and—his charge and pupil a man now—Alexander Holston became the settlement’s first publican, establishing the tavern still known as the Holston House, the original log walls and puncheon floors and hand-morticed joints of which are still buried somewhere beneath the modern pressed glass and brick veneer and neon tubes. The lock was his:

Fifteen pounds of useless iron lugged a thousand miles through a desert of precipice and swamp, of flood and drouth and wild beasts and wild Indians and wilder white men, displacing that fifteen pounds better given to food or seed to plant food or even powder to defend with, to become a fixture, a kind of landmark, in the bar of a wilderness ordinary, locking and securing nothing, because there was nothing behind the heavy bars and shutters needing further locking and securing; not even a paper weight because the only papers in the Holston House were the twisted spills in an old powder horn above the mantel for lighting tobacco; always a little in the way, since it had constantly to be moved: from bar to shelf to mantel then back to bar again until they finally thought about putting it on the bi-monthly mail-pouch; familiar, known, presently the oldest unchanged thing in the settlement, older than the people since Issetibbeha and Doctor Habersham were dead, and Alexander Holston was an old man crippled with arthritis, and Louis Grenier had a settlement of his own on his vast plantation, half of which was not even in Yoknapatawpha County, and the settlement rarely saw him; older than the town, since there were new names in it now even when the old blood ran in them—Sartoris and Stevens, Compson and McCaslin and Sutpen and Coldfield—and you no longer shot a bear or deer or wild turkey simply by standing for a while in your kitchen door, not to mention the pouch of mail—letters and even newspapers—which came from Nashville every two weeks by

a special rider who did nothing else and was paid a salary for it by the Federal government; and that was the second phase of the monster Carolina lock’s transubstantiation into the Yoknapatawpha County courthouse;

The pouch didn’t always reach the settlement every two weeks, nor even always every month. But sooner or later it did, and everybody knew it would, because it—the cowhide saddlebag not even large enough to hold a full change of clothing, containing three or four letters and half that many badly-printed one- and two-sheet newspapers already three or four months out of date and usually half and sometimes wholly misinformed or incorrect to begin with—was the United States, the power and the will to liberty, owning liegence to no man, bringing even into that still almost pathless wilderness the thin peremptory voice of the nation which had wrenched its freedom from one of the most powerful peoples on earth and then again within the same lifespan successfully defended it; so peremptory and audible that the man who carried the pouch on the galloping horse didn’t even carry any arms except a tin horn, traversing month after month, blatantly, flagrantly, almost contemptuously, a region where for no more than the boots on his feet, men would murder a traveller and gut him like a bear or deer or fish and fill the cavity with rocks and sink the evidence in the nearest water; not even deigning to pass quietly where other men, even though armed and in parties, tried to move secretly or at least without uproar, but instead announcing his solitary advent as far ahead of himself as the ring of the horn would carry. So it was not long before Alexander Holston’s lock had moved to the mail-pouch. Not that the pouch needed one, having come already the three hundred miles from Nashville without a lock. (It had been projected at first that the lock remain on the pouch constantly. That is, not just while the pouch was in the settlement, but while it was on the horse between Nashville and the settlement too. The rider refused, succinctly, in three words, one of which was printable. His reason was the lock’s weight. They pointed out to him that this would not hold water, since not only—the rider was a frail irascible little man weighing less than a hundred pounds—would the fifteen pounds of lock even then fail to bring his weight up to that of a normal adult male, the added weight of the lock would merely match that of the pistols which his employer, the United States government, believed he carried and even paid him for having done so, the rider’s reply to this being succinct too though not so glib: that the lock weighed fifteen pounds either at the back door of the store in the settlement, or at that of the postoffice in Nashville. But since Nashville and the settlement were three hundred miles apart, by the time the horse had carried it from one to the other, the lock weighed fifteen pounds to the mile times three hundred miles, or forty-five hundred pounds. Which was manifest nonsense, a physical impossibility either in lock or horse. Yet indubitably fifteen pounds times three hundred miles was forty-five hundred something, either pounds or miles,—especially as while they were still trying to unravel it, the rider repeated his first three succinct—two unprintable—words.) So less than ever would the pouch need a lock in the back room of the trading-post, surrounded and enclosed once more by civilization, where its very intactness, its presence to receive a lock, proved its lack of that need during the three hundred miles of rapine-haunted Trace; needing a lock as little as it was equipped to receive one, since it had been necessary to slit the leather with a knife just under each jaw of the opening and insert the lock’s iron mandible through the two slits and clash it home, so that any other hand with a similar knife could have cut the whole lock from the pouch as easily as it had been clasped onto it. So the old lock was not even a symbol of security: it was a gesture of salutation, of free men to free men, of civilization to civilization across not just the three hundred miles of wilderness to Nashville, but the fifteen hundred to Washington: of respect without servility, allegiance without abasement to the government which they had helped to found and had accepted with pride but still as free men, still free to withdraw from it at any moment when the two of them found themselves no longer compatible, the old lock meeting the pouch each time on its arrival, to clasp it in iron and inviolable symbolism, while old Alec Holston, childless bachelor, grew a little older and grayer, a little more arthritic in flesh and temper too, a little stiffer and more rigid in bone and pride too, since the lock was still his, he had merely lent it, and so in a sense he was the grandfather in the settlement of the inviolability not just of government mail, but of a free government of free men too, so long as the government remembered to let men live free, not under it but beside it;

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)